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| Great Unaccompanied Motets
Choral SATB
SATB A Cappella
Faber Music Limited
By Anton Bruckner (1824-1896). Edited by Simon Halsey. Choir Sacred. SATB choir....(+)
By Anton Bruckner (1824-1896). Edited by Simon Halsey. Choir Sacred. SATB choir. Book; Choral (Sacred); Choral Worship Collection; Worship Resources. Faber Edition: Choral Programme Series. Sacred. Published by Faber Music
$5.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Quatuor (quartet-brass)
Leduc, Alphonse
SKU: HL.48185121 Composed by Anton Simon. Robert King. Classical. Alphons...(+)
SKU: HL.48185121 Composed by Anton Simon. Robert King. Classical. Alphonse Leduc #AL28470. Published by Alphonse Leduc (HL.48185121). UPC: 888680862527. 8.75x11 inches. “for 2 cornets, horn and trombone&rdquo. $66.05 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| 12 Kleine Stücke for Brass Quintet
Cherry Classics
Composed by Ludwig Maurer. Arranged by David Mathie. Romantic. Score and parts. ...(+)
Composed by Ludwig Maurer. Arranged by David Mathie. Romantic. Score and parts. Published by Cherry Classics (CY.CC2896).
$37.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Slavonic Rhapsody in D major op. 45/1 for Orchestra (score)
Orchestra
Barenreiter
Composed by Antonin Dvorak (1841-1904). Edited by Robert Simon. This edition: ur...(+)
Composed by Antonin Dvorak (1841-1904). Edited by Robert Simon. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 45, No. 1. Baerenreiter Verlag #BA10401. Published by Baerenreiter Verlag (BA.BA10401).
$51.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Sonatina in G major, Op. 100 (SIMON)
Clarinet and Piano
IMC (International Music Co.)
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| Serenade - Intermediate
Schott
Accordion; Treble Recorder - intermediate SKU: HL.49011300 For Treble ...(+)
Accordion; Treble Recorder - intermediate SKU: HL.49011300 For Treble Recorder and Accordion. Composed by Eduard Pü and tz. Edited by Antonello Simone and Dorothee Simone. This edition: Saddle stitching. Sheet music. Originalmusik fur Blockflote (Recorder Library). Classical. Composed 1994. 16 pages. Schott Music #OFB 191. Published by Schott Music (HL.49011300). ISBN 9790001126182. UPC: 073999377378. 9.0x12.0x0.078 inches. Eduard Putz (1911-2000) was one of the few 20th-century composers who thought to mediate and forge links between so-called 'serious' and 'light' music. In his 'Serenade' (1994) elements of jazz and contemporary styles are combined to provide fun and enjoyment for players and listeners alike. $20.99 - See more - Buy online | | | |
| Choral collection Bruckner. Secular choral music
Choral SATB
SATB, Piano
Carus Verlag
SATB chorus, piano SKU: CA.402605 Composed by Anton Bruckner. Edited by S...(+)
SATB chorus, piano SKU: CA.402605 Composed by Anton Bruckner. Edited by Simon Halsey, Jan Schumacher. Choral collection. Carus Verlag #402605. Published by Carus Verlag (CA.402605). ISBN 9790007302054. German. At times Romantic, at other times with a jazzy touch, the Choral collection Bruckner. Secular choral music is full of exciting discoveries and new arrangements at various levels of difficulty. Anton Bruckner’s secular choral music is often overshadowed by his great symphonies and sacred choral works – unfairly, as choral experts Simon Halsey and Jan Schumacher prove with their small but fine selection of choral music inspired by secular texts. Bruckner left only a few movements for mixed choir; instead, his music for male voices constitutes a far larger body of work. For this collection, renowned arrangers from Germany, England, Denmark, and Italy have specially reworked the most beautiful of these choral movements for SATB, enabling this great repertoire to be performed by mixed choirs. Two original SATB compositions are also included. Furthermore, the choral collection features arrangements of songs originally written for solo voice and piano with texts by such poets as Heinrich Heine and Emanuel Geibel. Another highlight is an arrangement of the Adagio from Bruckner’s String Quintet WAB 112, which Heribert Breuer has created for choir to a text by Georg Trakl.- 16 SATB settings, several with keyboard accompaniment- Selected by Simon Halsey and Jan Schumacher- Modern SATB arrangements of male-voice works and solo songs, as well as original compositions - Affordable complete volume (editionCHOR) as well as separate editions available in print and digitally.- Introductory price valid until 31.10.2023, then 27.00 EUR (editionCHORLEITUNG) and 15.00 EUR (editionCHOR, minimum order: 20 copies) $16.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Choral collection Bruckner. Secular choral music
Choral SATB
SATB, Piano
Carus Verlag
SATB chorus, piano SKU: CA.402600 Composed by Anton Bruckner. Edited by S...(+)
SATB chorus, piano SKU: CA.402600 Composed by Anton Bruckner. Edited by Simon Halsey, Jan Schumacher. Gattungen vokal: Secular choral music. Choral collection. Carus Verlag #402600. Published by Carus Verlag (CA.402600). ISBN 9790007294045. German. At times Romantic, at other times with a jazzy touch, the Choral collection Bruckner. Secular choral music is full of exciting discoveries and new arrangements at various levels of difficulty. Anton Bruckner’s secular choral music is often overshadowed by his great symphonies and sacred choral works – unfairly, as choral experts Simon Halsey and Jan Schumacher prove with their small but fine selection of choral music inspired by secular texts. Bruckner left only a few movements for mixed choir; instead, his music for male voices constitutes a far larger body of work. For this collection, renowned arrangers from Germany, England, Denmark, and Italy have specially reworked the most beautiful of these choral movements for SATB, enabling this great repertoire to be performed by mixed choirs. Two original SATB compositions are also included. Furthermore, the choral collection features arrangements of songs originally written for solo voice and piano with texts by such poets as Heinrich Heine and Emanuel Geibel. Another highlight is an arrangement of the Adagio from Bruckner’s String Quintet WAB 112, which Heribert Breuer has created for choir to a text by Georg Trakl.- 16 SATB settings, several with keyboard accompaniment- Selected by Simon Halsey and Jan Schumacher- Modern SATB arrangements of male-voice works and solo songs, as well as original compositions - Affordable complete volume (editionCHOR) as well as separate editions available in print and digitally.- Introductory price valid until 31.10.2023, then 27.00 EUR (editionCHORLEITUNG) and 15.00 EUR (editionCHOR, minimum order: 20 copies) $29.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Corale di sant'antonio (2 trompettes, 2 trombones)
Brass Quartet - Intermediate
Martin, Robert
Brass quartet - Grade 3 SKU: RM.SL10779 Composed by Georg Frederich Haend...(+)
Brass quartet - Grade 3 SKU: RM.SL10779 Composed by Georg Frederich Haendel. Arranged by Simone Maffioletti. Brass quartet. Chamber music. Duration 2 minutes. Editions Robert Martin #SL10779. Published by Editions Robert Martin (RM.SL10779). ISBN 9790231097795. $35.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| Allegro
Concert band - Intermediate/advanced
De Haske Publications
Concert Band/Harmonie and Clarinet Solo - Grade 4-5 SKU: BT.DHP-1053790-010(+)
Concert Band/Harmonie and Clarinet Solo - Grade 4-5 SKU: BT.DHP-1053790-010 From the Clarinet Concerto in Eb Major, Op. 36. Composed by Franz Krommer. Arranged by Timothy Topolewski. Solo Spectrum. Solo & Concerto. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053790-010. Published by De Haske Publications (BT.DHP-1053790-010). 9x12 inches. English-German-French-Dutch. Der erste Satz des Klarinettenkonzerts, das Allegro, ist kühn und brilliant in seinen technischen Anforderungen in den schnellen Passagen und flüssig und ausdrucksvoll in den lyrischen Abschnitten. Er ist eine spannende Herausforderung für Klarinettisten von heut und war sehr wahrscheinlich ein virtuoses Stück für Klarinettisten im frühen 19. Jahrhundert.Wie so viele Komponisten der Klassik, beschrieb Krommer die Aritkulation von kaum mehr als ein paar Phrasen seiner Soli für Bläser. Infolgedessen nahmen sich die einzelnen Spieler viel Freiheiten, wo und wann sie angestoßen oder gebunden spielten. Artikulation für Bläser, genau wie Bogenbewegung für Streicher, mussflexibel in ihrer Auslegung und Durchführung sein. Die richtige Spielweise ergibt aus dem technischen Können und der Ausdrucksstärke des jeweiligen Spielers. Der Dirigent sollte dies zusammen mit seinem Solisten erarbeiten.
Le compositeur et violoniste tchèque Frantisek Vincenc Kramar dont le nom fut germanisé en Franz Vinzenz Krommer, est né le 27 novembre 1759 Kamenice en Moravie occidentale et mort le 8 janvier 1831 Vienne en Autriche. l’adolescence, il est initié l’art du violon et l’orgue par son oncle Anton Matthias Krommer lui-même organiste et chef de chœur. En 1785, il fait un premier séjour Vienne avant de rejoindre l’orchestre du Comte de Limburg-Stirum dont la résidence se trouve Simontornya en Hongrie. Il est engagé d’abord en tant que violon solo de l’orchestre puis plus tard en tant que maître de chapelle. Vers 1790, il obtient le poste de chef de chœur la cathédrale de Pécs. Il quitte cette fonction en 1793 pour entrer au service du Comte Károlyi puis du Prince Antal Grassalkovich. En 1795, suite au décès du prince hongrois, Franz Krommer revient Vienne. Après une longue période d’infortune, il entre comme Maître de Chapelle au service du Duc Ignaz Fuchs, en 1806. Quatre ans plus tard, il est nommé au poste de directeur musical du Thé tre Royal et Impérial de Vienne (Wiener Hoftheater). En 1818, succédant Leopold (Johann Anton) Kozeluch, il devient le dernier Maître de musique de chambre et compositeur de la cour des Habsbourg. Il gardera ses fonctions jusqu’ sa mort en 1831.Franz Krommer était l’un des plus illustres compositeurs tchèques de la Vienne impériale vers la fin du XVIIIe siècle. Sa musique était très appréciée de son vivant et certains le considéraient comme le digne héritier de Joseph Haydn. Son style est indéniablement apparenté ce dernier mais aussi celui de Mozart. Franz Krommer a composé de nombreuses symphonies, des concertos (essentiellement pour instruments vent solistes), des duos pour violons, des quatuors cordes, de la musique de chambre et des œuvres sacrées. Le Concerto pour Clarinette Opus 36 de Krommer a été publié pour la première fois en 1803 chez l’éditeur allemand Johann Anton André. $211.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Allegro
Concert band - Intermediate/advanced
De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053790-140 From the Clari...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053790-140 From the Clarinet Concerto in Eb Major, Op. 36. Solo Spectrum. Solo & Concerto. Score Only. Composed 2005. 64 pages. De Haske Publications #DHP 1053790-140. Published by De Haske Publications (BT.DHP-1053790-140). 9x12 inches. English-German-French-Dutch. Der erste Satz des Klarinettenkonzerts, das Allegro, ist kühn und brilliant in seinen technischen Anforderungen in den schnellen Passagen und flüssig und ausdrucksvoll in den lyrischen Abschnitten. Er ist eine spannende Herausforderung für Klarinettisten von heut und war sehr wahrscheinlich ein virtuoses Stück für Klarinettisten im frühen 19. Jahrhundert.Wie so viele Komponisten der Klassik, beschrieb Krommer die Aritkulation von kaum mehr als ein paar Phrasen seiner Soli für Bläser. Infolgedessen nahmen sich die einzelnen Spieler viel Freiheiten, wo und wann sie angestoßen oder gebunden spielten. Artikulation für Bläser, genau wie Bogenbewegung für Streicher, mussflexibel in ihrer Auslegung und Durchführung sein. Die richtige Spielweise ergibt aus dem technischen Können und der Ausdrucksstärke des jeweiligen Spielers. Der Dirigent sollte dies zusammen mit seinem Solisten erarbeiten.
Le compositeur et violoniste tchèque Frantisek Vincenc Kramar dont le nom fut germanisé en Franz Vinzenz Krommer, est né le 27 novembre 1759 Kamenice en Moravie occidentale et mort le 8 janvier 1831 Vienne en Autriche. l’adolescence, il est initié l’art du violon et l’orgue par son oncle Anton Matthias Krommer lui-même organiste et chef de chœur. En 1785, il fait un premier séjour Vienne avant de rejoindre l’orchestre du Comte de Limburg-Stirum dont la résidence se trouve Simontornya en Hongrie. Il est engagé d’abord en tant que violon solo de l’orchestre puis plus tard en tant que maître de chapelle. Vers 1790, il obtient le poste de chef de chœur la cathédrale de Pécs. Il quitte cette fonction en 1793 pour entrer au service du Comte Károlyi puis du Prince Antal Grassalkovich. En 1795, suite au décès du prince hongrois, Franz Krommer revient Vienne. Après une longue période d’infortune, il entre comme Maître de Chapelle au service du Duc Ignaz Fuchs, en 1806. Quatre ans plus tard, il est nommé au poste de directeur musical du Thé tre Royal et Impérial de Vienne (Wiener Hoftheater). En 1818, succédant Leopold (Johann Anton) Kozeluch, il devient le dernier Maître de musique de chambre et compositeur de la cour des Habsbourg. Il gardera ses fonctions jusqu’ sa mort en 1831.Franz Krommer était l’un des plus illustres compositeurs tchèques de la Vienne impériale vers la fin du XVIIIe siècle. Sa musique était très appréciée de son vivant et certains le considéraient comme le digne héritier de Joseph Haydn. Son style est indéniablement apparenté ce dernier mais aussi celui de Mozart. Franz Krommer a composé de nombreuses symphonies, des concertos (essentiellement pour instruments vent solistes), des duos pour violons, des quatuors cordes, de la musique de chambre et des œuvres sacrées. Le Concerto pour Clarinette Opus 36 de Krommer a été publié pour la première fois en 1803 chez l’éditeur allemand Johann Anton André. $36.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Allegro
Concert band - Intermediate/advanced
De Haske Publications
Concert Band and Clarinet Solo - Grade 4-5 SKU: BT.DHP-1053790-040 Fro...(+)
Concert Band and Clarinet Solo - Grade 4-5 SKU: BT.DHP-1053790-040 From the Clarinet Concerto in Eb Major, Op. 36. Composed by Franz Krommer. Arranged by Timothy Topolewski. Solo Spectrum. Solo & Concerto. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053790-040. Published by De Haske Publications (BT.DHP-1053790-040). 9x12 inches. English-German-French-Dutch. Le compositeur et violoniste tchèque Frantisek Vincenc Kramar dont le nom fut germanisé en Franz Vinzenz Krommer, est né le 27 novembre 1759 Kamenice en Moravie occidentale et mort le 8 janvier 1831 Vienne en Autriche. l’adolescence, il est initié l’art du violon et l’orgue par son oncle Anton Matthias Krommer lui-même organiste et chef de chœur. En 1785, il fait un premier séjour Vienne avant de rejoindre l’orchestre du Comte de Limburg-Stirum dont la résidence se trouve Simontornya en Hongrie. Il est engagé d’abord en tant que violon solo de l’orchestre puis plus tard en tant que maître de chapelle. Vers 1790, il obtient le poste de chef de chœur la cathédrale de Pécs. Il quitte cette fonction en 1793 pour entrer au service du Comte Károlyi puis du Prince Antal Grassalkovich. En 1795, suite au décès du prince hongrois, Franz Krommer revient Vienne. Après une longue période d’infortune, il entre comme Maître de Chapelle au service du Duc Ignaz Fuchs, en 1806. Quatre ans plus tard, il est nommé au poste de directeur musical du Thé tre Royal et Impérial de Vienne (Wiener Hoftheater). En 1818, succédant Leopold (Johann Anton) Kozeluch, il devient le dernier Maître de musique de chambre et compositeur de la cour des Habsbourg. Il gardera ses fonctions jusqu’ sa mort en 1831.Franz Krommer était l’un des plus illustres compositeurs tchèques de la Vienne impériale vers la fin du XVIIIe siècle. Sa musique était très appréciée de son vivant et certains le considéraient comme le digne héritier de Joseph Haydn. Son style est indéniablement apparenté ce dernier mais aussi celui de Mozart. Franz Krommer a composé de nombreuses symphonies, des concertos (essentiellement pour instruments vent solistes), des duos pour violons, des quatuors cordes, de la musique de chambre et des œuvres sacrées. Le Concerto pour Clarinette Opus 36 de Krommer a été publié pour la première fois en 1803 chez l’éditeur allemand Johann Anton André. $211.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Slavonic Rhapsody in A flat major, op. 45/3
Orchestra - Intermediate
Simrock
Orchestra - Level 3 SKU: BA.BA10403 Composed by Antonin Dvorak. Edited by...(+)
Orchestra - Level 3 SKU: BA.BA10403 Composed by Antonin Dvorak. Edited by Robert Simon. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 45/3. Baerenreiter Verlag #BA10403_00. Published by Baerenreiter Verlag (BA.BA10403). ISBN 9790260104730. 31 x 24.3 cm inches. Key: A-flat major. Preface: Simon, Robert. Dvorák composed his “Slavonic Rhapsodies†op. 45 in 1878, initiating his so-called “Slavonic periodâ€. They were issued by the publisher Simrock the following year as three independent orchestral pieces (in D major, G minor and A-flat major) appearing under the same opus number.
Now the “Slavonic Rhapsodies†are being issued separately in scholarly-critical editions. The editor Robert Simon has taken Dvorák’s authorised first edition as his principal source.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Slavonic Rhapsody in G Minor, Opus 45, No. 2
Orchestra - Intermediate
Simrock
Orchestra (2 Fl, 2 Ob, 2 clarinet, 2 bassoon, 4Hn, 2 Trp-f, 3trombone, timpani, ...(+)
Orchestra (2 Fl, 2 Ob, 2 clarinet, 2 bassoon, 4Hn, 2 Trp-f, 3trombone, timpani, Tri, Be, Tr-Gr, harp, 2 Violin, Viola, Cello,KB) - Level 3 SKU: BA.BA10402 Composed by Antonin Dvorak. Edited by Robert Simon. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 45/2. Baerenreiter Verlag #BA10402_00. Published by Baerenreiter Verlag (BA.BA10402). ISBN 9790260104723. 24.3 x 31 cm inches. Key: G minor. Preface: Simon, Robert. Dvorák composed his “Slavonic Rhapsodies†op. 45 in 1878, initiating his so-called “Slavonic periodâ€. They were issued by the publisher Simrock the following year as three independent orchestral pieces (in D major, G minor and A-flat major) appearing under the same opus number.
Now the “Slavonic Rhapsodies†are being issued separately in scholarly-critical editions. The editor Robert Simon has taken Dvorák’s authorised first edition as his principal source.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Rusalka, op. 114
Soloists, Choir, Orchestra - Level 6 SKU: BA.BA10438 Lyric Fairy Tale ...(+)
Soloists, Choir, Orchestra - Level 6 SKU: BA.BA10438 Lyric Fairy Tale in Three Acts. Composed by Antonin Dvorak. Edited by Jonáš Hájek and Robert Simon. This edition: urtext edition. Hardback. Performance score. Opus 114. Baerenreiter Verlag #BA10438. Published by Baerenreiter Verlag (BA.BA10438). ISBN 9790260109384. 31.7 x 25.5 cm inches. Text Language: Czech, English, German. Preface: Simon, Robert. Text: Jaroslav Kvapil. Der neue Klavierauszug einer der meistgespielten tschechischen Opern, Dvoráks Rusalka, bildet einen Bestandteil der neuen Urtextedition des Werkes, in der nach mehr als sechzig Jahren der Notentext den gegenwärtigen Editionsregeln angepasst wurde. Anders als bei der vorangegangenen kritischen Ausgabe von Jarmil Burghauser aus dem Jahre 1960, dokumentiert der Herausgeber Robert Simon alle redaktionellen Eingriffe. Die neue Edition widmet auch dem Libretto gebührende Aufmerksamkeit, unter sorgfältiger Auswertung aller erhaltenen Quellen, darunter des Klavierauszuges von Josef Famera (1883–1914), der nach Dvoráks Tod veröffentlicht (1905) und dessen Manuskript noch vom Komponisten autorisiert worden war.
Dieser historische Klavierauszug wurde einer gründlichen Revision durch den Arrangeur Petr Koronthály unterzogen, der ihn unter maximaler Berücksichtigung des Originals und der Beibehaltung von dessen Qualitäten in eine Bearbeitung gebracht hat, die einer neuen Urtextedition und den aktuellen Bedürfnissen der Aufführungspraxis entspricht. Die Neuausgabe enthält das Vorwort des Herausgebers zur Entstehung der Oper und ihres historisch ersten Klavierauszugs, außerdem werden in der Einleitung Hinweise zur Aussprache des tschechischen Gesangstextes veröffentlicht.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Slavonic Rhapsody in G minor, op. 45/2 - Intermediate
Barenreiter
(2Fl,2Ob,2Clar,2bassoon,4 Hn,2Trp-f,3tromb.,timp.,T ri,Be,Tr-Gr,Harp,2V,Va,Vc ,d...(+)
(2Fl,2Ob,2Clar,2bassoon,4Hn,2Trp-f,3tromb.,timp.,Tri,Be,Tr-Gr,Harp,2V,Va,Vc,doub.Bass) - Level 3 SKU: BA.TP00542 Composed by Antonin Dvorak. Edited by Robert Simon. This edition: urtext edition. Paperback. Barenreiter Urtext. Study score. Opus 45/2. Baerenreiter Verlag #TP00542_00. Published by Baerenreiter Verlag (BA.TP00542). ISBN 9790260104686. 22.5 x 16.5 cm inches. Key: G minor. Preface: Simon, Robert. About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Slavonic Rhapsody in A flat major, op. 45/3 - Intermediate
Barenreiter
(2Fl(Fl-picc),2Ob,2Clar,2 bassoon,4Hn,2Trp,3tromb., timp.,Tri,Be,Tr-Gr,Harp,2 V,...(+)
(2Fl(Fl-picc),2Ob,2Clar,2bassoon,4Hn,2Trp,3tromb.,timp.,Tri,Be,Tr-Gr,Harp,2V,Va,Vc,doub.Bass) - Level 3 SKU: BA.TP00543 Composed by Antonin Dvorak. Edited by Robert Simon. This edition: urtext edition. Paperback. Barenreiter Urtext. Study score. Opus 45/3. Baerenreiter Verlag #TP00543_00. Published by Baerenreiter Verlag (BA.TP00543). ISBN 9790260104693. 22.5 x 16.5 cm inches. Key: In a-flat major. Preface: Simon, Robert. About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Slavonic Rhapsody in D major, op. 45/1 - Intermediate
Barenreiter
(Fl-picc,2Fl,2Ob,2Clar,2b assoon,4Hn,3Trp,3tromb.,t imp.,Tri,Be,Tr-Gr,2V,Va,V c,...(+)
(Fl-picc,2Fl,2Ob,2Clar,2bassoon,4Hn,3Trp,3tromb.,timp.,Tri,Be,Tr-Gr,2V,Va,Vc,doub.Bass) - Level 3 SKU: BA.TP00541 Composed by Antonin Dvorak. Edited by Robert Simon. This edition: urtext edition. Paperback. Barenreiter Urtext. Study score. Opus 45/1. Baerenreiter Verlag #TP00541_00. Published by Baerenreiter Verlag (BA.TP00541). ISBN 9790260104518. 22.5 x 16.5 cm inches. Key: D major. Preface: Simon, Robert. About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Rusalka, op. 114
Soloists, Choir, Orchestra - Level 6 SKU: BA.BA10438-90 Lyric Fairy Ta...(+)
Soloists, Choir, Orchestra - Level 6 SKU: BA.BA10438-90 Lyric Fairy Tale in Three Acts. Composed by Antonin Dvorak. Edited by Jonáš Hájek and Robert Simon. Arranged by Petr Koronthály. This edition: urtext edition. Paperback. Based on the Period Piano Reduction (1905). Vocal Score. Opus 114. Baerenreiter Verlag #BA10438-90. Published by Baerenreiter Verlag (BA.BA10438-90). ISBN 9790260109391. 27 x 19 cm inches. Text Language: Czech, English, German. Preface: Simon, Robert. Text: Jaroslav Kvapil. $79.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Italia Sacra Musica Vol.2
Choral SATB
Wilhelm Hansen
SATB Choir SKU: HL.14016339 Music Sales America. Sacred. Book [Softcover]...(+)
SATB Choir SKU: HL.14016339 Music Sales America. Sacred. Book [Softcover]. 192 pages. Edition Wilhelm Hansen #WH28284. Published by Edition Wilhelm Hansen (HL.14016339). ISBN 9788759863183. Unknown Italian Cathedral Music of the early 16th Century. $49.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Ave Verum Corpus. SATB
Choral SATB
Stainer and Bell
SATB choir SKU: ST.W182 Composed by Anthony Herschel Hill. SATB unaccompa...(+)
SATB choir SKU: ST.W182 Composed by Anthony Herschel Hill. SATB unaccompanied. Choral. Octavo. Stainer & Bell Ltd. #W182. Published by Stainer & Bell Ltd. (ST.W182). ISBN 9790220207617. Antony Herschel Hill's Ave Verum Corpus for unaccompanied SATB is one of a number of liturgical works by this gifted composer. Written for Prebendary John Pearce and the choir of St Simon Zelotes, Chelsea, London, Hill's setting projects the awe and mystery of the text through a rich variety of harmony that particularly exploits the lower registers of the individual voices to great effect. If you have a really good choir, take advantage of this and buy it. For pure musicianship little else has equalled it recently; the sense of architecture is superb, the climaxes are clean, controlled and never contrived, and the final section, 'miserere mei', uses a wonderfully restrained sense of chromaticism. What a magic piece.
ORGANISTS REVIEW $3.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| Crucifixus for 8-part Trombone ensemble
Trombone ensemble
Cherry Classics
8-part trombone ensemble - moderately advanced SKU: CY.CC2598 Composed by...(+)
8-part trombone ensemble - moderately advanced SKU: CY.CC2598 Composed by Antonio Lotti. Arranged by Philip Brink. Italian Renaissance. Score and parts. Published by Cherry Classics (CY.CC2598). Crucifixus by Antonio Lotti is part of his Credo in F. This motet of 8 voices is a wonderful example of polyphony with many suspensions thrown in for good measure. The music is sweet with a beautiful sadness, making it a work that touches most listeners in a very personal way.
Mr. Brink has transposed the work down a fifth into the key of F minor (resolving to F major at the conclusion), otherwise keeping the music true to its origins.
This 4 minute work has a range of up to high B-flat for the 1st part. The top four parts are in tenor clef.
The mp3 sound file is from a live performance of the Rundfunkchor conducted by Sir Simon Rattle from YouTube.
$25.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Oxford Book Of Flexible Anthems
Choral SATB [Vocal Score]
Hildegard
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction Composed by John Rutter
A Prayer Of St Richard Of Chichester Composed by L. J. White
Alleluia Composed by William Boyce
Author Of Life Divine Composed by Cecilia Mcdowall
Be Still For The Presence Of The Lord Composed by David Evans; Arranged by Richard Shephard
Bread Of The World Composed by Scottish Traditional; Arranged by Alan Bullard
Brightest And Best Composed by Malcolm Archer
Christ Is The World's True Light Composed by W. K. Stanton
Christ The Lord Is Risen Again Composed by Richard Shephard
Christians Shout For Joy And Gladness Composed by Johann Sebastian Bach
Come Down, O Love Divine Composed by Hilary Tadman-robins
Plainsong: Creator Of The Stars Arranged by John Scott
Drop, Drop Slow Tears Composed by Kerry Andrew
Evening Service In C Composed by Frank Henry Shera
Fairest Lord Jesus Composed by Martin How
Gabriel To Mary Came Composed by 14th Century Irish; Arranged by Alan Bullard
Give Thanks To God Composed by Botswanan Traditional; Arranged by Alan Bullard
God Be In My Head Composed by Armstrong Gibbs
God In Mine Eternity Composed by Alan Bullard
God So Loved The World Composed by Alan Bullard
God That Madest Earth And Heaven Composed by Welsh Traditional; Arranged by David Thorne
Hail, Virgin Mary (Ave Maria) Composed by Franz Liszt
Hark, The Glad Sound Composed by David Thorne
Harvest Carol Composed by Ian Ray
He Is Risen Composed by Cecil Cope
Hide Not Thy Face Composed by Richard Farrant
see all...
Holy, Holy, Holy, Holy Is The Lord Composed by Franz Schubert; Arranged by Alan Bullard
Holy, Holy, Holy! Lord God Almighty Composed by Alan Smith
Hosanna To The Son Of David Composed by Georg Philipp Telemann
Irish Blessing Composed by Bob Chilcott
Jesu, Lamb Of God, Redeemer (Ave Verum Corpus) Composed by Edward Elgar
Jesus Christ The Apple Tree Composed by English Traditional; Arranged by Alan Bullard
Jubilate (Let Us Praise You) Composed by Wolfgang Amadeus Mozart
Lamb Of God (Agnus Dei) Composed by Samuel Webbe
Let All Mortal Flesh Keep Silence Composed by Stephen Cleobury
Like The Murmur Of The Dove's Song Composed by Alan Smith
Lord, In Thy Mercy Composed by Felix Bartholdy Mendelssohn
Magnificat And Nunc Dimittis In C Composed by F. H. Shera
Never Weather-beaten Sail Composed by Thomas Campion; Arranged by Alan Bullard
Now The Green Blade Riseth Composed by French Traditional; Arranged by Alan Bullard
O Breath Of Life Composed by English Traditional; Arranged by Alan Bullard
O For A Closer Walk With God Composed by Charles Villiers Stanford
O God Of Mercy Composed by Simon Lole
O God, Your Goodness Composed by Ludwig Van Beethoven
O Praise God In His Holiness Composed by John Weldon
Panis Angelicus Composed by Cesar Auguste Franck
Peace Between Nations Composed by Christopher Wiggins
Pie Jesu Composed by Gabriel Faure
Praise To The Trinity Composed by Hildegard Of Bingen
Psalm 150 Composed by Bob Chilcott
Rejoice In The Lord Always Composed by Christopher Wiggins
Shout For Joy Composed by African Traditional; Arranged by Alan Bullard
Star Of Wonder Composed by Alan Bullard
The Eternal Gifts Of Christ The King Composed by Guidetti/henry G. Ley
The Heavens Sing Praises To God Composed by Ludwig Van Beethoven
The Lord Ascendeth Composed by Michael Praetorius
The Lord Bless You And Keep You Composed by John Rutter
The Lord's My Shepherd Composed by Bob Chilcott
The Peace Of God Composed by Alan Bullard
The True And Living Bread Composed by David Blackwell
There Is No Rose Composed by Andrew Smith
Thou Visitest The Earth Composed by Maurice Greene
To Be A Pilgrim Composed by Nick Burt
Were You There? Composed by American Spiritual; Arranged by Peter Hunt
Where All Charity And Love Are (Ubi Caritas) Arranged by Alan Bullard
Wondrous Cross Composed by Philip Wilby
The Oxford Book of Flexible Anthems by Alan Bullard (1947-). For flexible instrumentation. Mixed Voices. Sacred. Paperback. 296 pages. Published by Oxford University Press
(2)$28.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Songwriter Volume 1 [Sheet music + CD]
Vocal and Guitar SKU: BT.MUSMI0347 Comporre una canzone con la chitarr...(+)
Vocal and Guitar SKU: BT.MUSMI0347 Comporre una canzone con la chitarra. Composed by Antonello Grande. Tuition. Book with CD. Composed 2015. Play Music Italy #MUSMI0347. Published by Play Music Italy (BT.MUSMI0347). Italian. Se sognate di comporre delle canzoni, allora questo metodo è fatto per voi! L’approccio alla composizione viene in effetti trattato in modo semplice, progressivo, efficace con tantissimi esempi musicali che s’ispirano ai più grandi songwriters di tutti i tempi: Simon & Garfunkel, Bob Dylan, The Beatles, Jason Graz… e tanti altri! $18.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Slavonic Rhapsody in D major op. 45/1 for Orchestra (wind parts)
Barenreiter
Flute-picc, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horn, 3 trumpets, 3 tr...(+)
Flute-picc, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horn, 3 trumpets, 3 trombones, timpani, Tri, Be, Tr-Gr (Piccolo flute, Flutes (2), Oboes (2), Clarinets (2), Bassoons (2), Horns (4), Trumpets (3), Trombones (3), Timpani, Triangle, Cymbals, Concert bass drum) SKU: BA.BA10401-65 Composed by Antonin Dvorak. Edited by Robert Simon. This edition: urtext edition. Stapled. Barenreiter Urtext. Set of wind parts. Opus 45/1. 3/8/7/7/7/7/7/7/7/7/4/5/5/3/3/3/3/3/3/3/3 pages. Baerenreiter Verlag #BA10401_65. Published by Baerenreiter Verlag (BA.BA10401-65). ISBN 9790260108172. 32.5 x 25.5 cm inches. Key: D major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions
- With alternate versions in full score and parts
- Orchestral parts in an enlarged format of 25.5cm x 32.5cm
- With cues, rehearsal letters, and page turns where players need them
- Clearly presented divisi passages so that players know exactly what they have to play
- High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
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| Slavonic Rhapsody in D major op. 45/1 for Orchestra (double bass part)
Double Bass
Barenreiter
Double bass SKU: BA.BA10401-85 Composed by Antonin Dvorak. Edited by Robe...(+)
Double bass SKU: BA.BA10401-85 Composed by Antonin Dvorak. Edited by Robert Simon. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 45/1. 7 pages. Baerenreiter Verlag #BA10401_85. Published by Baerenreiter Verlag (BA.BA10401-85). ISBN 9790260108226. 32.5 x 25.5 cm inches. Key: D major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions
- With alternate versions in full score and parts
- Orchestral parts in an enlarged format of 25.5cm x 32.5cm
- With cues, rehearsal letters, and page turns where players need them
- Clearly presented divisi passages so that players know exactly what they have to play
- High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
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| Slavonic Rhapsody in G Minor, Opus 45, No. 2 - Intermediate
Barenreiter
Cello (Violoncello) - Level 3 SKU: BA.BA10402-82 Composed by Antonin Dvor...(+)
Cello (Violoncello) - Level 3 SKU: BA.BA10402-82 Composed by Antonin Dvorak. Edited by Robert Simon. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 45/2. 8 pages. Baerenreiter Verlag #BA10402_82. Published by Baerenreiter Verlag (BA.BA10402-82). ISBN 9790260108271. 32.5 x 25.5 cm inches. Key: G minor. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions
- With alternate versions in full score and parts
- Orchestral parts in an enlarged format of 25.5cm x 32.5cm
- With cues, rehearsal letters, and page turns where players need them
- Clearly presented divisi passages so that players know exactly what they have to play
- High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
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