| Choral Fantasia in C minor Op. 80 Breitkopf & Härtel
Violin 1 (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR...(+)
Violin 1 (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.OB-5230-15 Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Stapled. Orchester-Bibliothek (Orchestral Library). Ludwig van Beethoven composed the Choral Fantasy op. 80 for the gigantic concert event that took place at the Theater an der Wien on 22 December 1808. Solo concerto; Classical. Part. 4 pages. Breitkopf and Haertel #OB 5230-15. Published by Breitkopf and Haertel (BR.OB-5230-15). ISBN 9790004331514. 10 x 12.5 inches. The history of the origins and sources of Beethovens Choral Phantasy is complex and poses considerable difficulties to todays researchers. A definitive final version is not extant. Instead, there are contemporary printed editions which diverge from each other in many details. The English musicologist Clive Brown thus also based part of his text-critical work on his comprehensive knowledge of the performance and notation practice of Beethovens time.Fur Orchester, die gelegentlich mit einem Chor zusammenarbeiten, auf jeden Fall zu empfehlen. Ein gerade in seiner Einmaligkeit interessantes Stuck - und auch nicht besonders schwer. Verwiesen sei noch auf das vorzugliche Vorwort des Herausgebers. (Plischke, Das Liebhaberorchester). $6.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Choral Fantasia in C minor Op. 80 Breitkopf & Härtel
Woodwinds (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: B...(+)
Woodwinds (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.OB-5230-30 Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Folder. Orchester-Bibliothek (Orchestral Library). Ludwig van Beethoven composed the Choral Fantasy op. 80 for the gigantic concert event that took place at the Theater an der Wien on 22 December 1808. Solo concerto; Classical. Set of parts. 46 pages. Breitkopf and Haertel #OB 5230-30. Published by Breitkopf and Haertel (BR.OB-5230-30). ISBN 9790004331569. 10 x 12.5 inches. The history of the origins and sources of Beethovens Choral Phantasy is complex and poses considerable difficulties to todays researchers. A definitive final version is not extant. Instead, there are contemporary printed editions which diverge from each other in many details. The English musicologist Clive Brown thus also based part of his text-critical work on his comprehensive knowledge of the performance and notation practice of Beethovens time.Fur Orchester, die gelegentlich mit einem Chor zusammenarbeiten, auf jeden Fall zu empfehlen. Ein gerade in seiner Einmaligkeit interessantes Stuck - und auch nicht besonders schwer. Verwiesen sei noch auf das vorzugliche Vorwort des Herausgebers. (Plischke, Das Liebhaberorchester). $64.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Choral Fantasia in C minor Op. 80 Breitkopf & Härtel
Viola (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.OB...(+)
Viola (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.OB-5230-19 Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Stapled. Orchester-Bibliothek (Orchestral Library). Ludwig van Beethoven composed the Choral Fantasy op. 80 for the gigantic concert event that took place at the Theater an der Wien on 22 December 1808. Solo concerto; Classical. Part. 4 pages. Breitkopf and Haertel #OB 5230-19. Published by Breitkopf and Haertel (BR.OB-5230-19). ISBN 9790004331538. 10 x 12.5 inches. The history of the origins and sources of Beethovens Choral Phantasy is complex and poses considerable difficulties to todays researchers. A definitive final version is not extant. Instead, there are contemporary printed editions which diverge from each other in many details. The English musicologist Clive Brown thus also based part of his text-critical work on his comprehensive knowledge of the performance and notation practice of Beethovens time.Fur Orchester, die gelegentlich mit einem Chor zusammenarbeiten, auf jeden Fall zu empfehlen. Ein gerade in seiner Einmaligkeit interessantes Stuck - und auch nicht besonders schwer. Verwiesen sei noch auf das vorzugliche Vorwort des Herausgebers. (Plischke, Das Liebhaberorchester). $6.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Kunst als vom Geist beherrschte Magie Breitkopf & Härtel
SKU: BR.BV-478 Texte zur Musik 1996 bis 2020. Composed by Helmut L...(+)
SKU: BR.BV-478 Texte zur Musik 1996 bis 2020. Composed by Helmut Lachenmann. Edited by Ulrich Mosch. Hardback. Buchverlag Breitkopf & Hartel (Music Books). Music post-1945; New music (post-2000). Book. 652 pages. Breitkopf and Haertel #BV 478. Published by Breitkopf and Haertel (BR.BV-478). ISBN 9783765104787. 6.5 x 9.5 inches. German. Shortly after his book Musik als existentielle Erfahrung (1996) was published, Lachenmann's Madchen mit den Schwefelholzern was premiered in Hamburg. The definitive texts for this key work of new music theater have a chapter of their own in the new volume Kunst als vom Geist beherrschte Magie. Essential are, in addition, the many-faceted conversations and panel discussions where over the years Lachenmann has further developed and intensively represented his aesthetics in his dialogue with dramaturges, journalists, philosophers, and music researchers. The composer has revised all the book's texts, and in some cases even heavily revamped them. Many texts are also being published for the first time, while others previously appearing in program notes are now finally readily accessible.Please note, the book is in German. $122.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Choral Fantasia in C minor Op. 80 Breitkopf & Härtel
Violoncello (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU:...(+)
Violoncello (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.OB-5230-23 Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Stapled. Orchester-Bibliothek (Orchestral Library). Ludwig van Beethoven composed the Choral Fantasy op. 80 for the gigantic concert event that took place at the Theater an der Wien on 22 December 1808. Solo concerto; Classical. Part. 4 pages. Breitkopf and Haertel #OB 5230-23. Published by Breitkopf and Haertel (BR.OB-5230-23). ISBN 9790004331545. 10 x 12.5 inches. The history of the origins and sources of Beethovens Choral Phantasy is complex and poses considerable difficulties to todays researchers. A definitive final version is not extant. Instead, there are contemporary printed editions which diverge from each other in many details. The English musicologist Clive Brown thus also based part of his text-critical work on his comprehensive knowledge of the performance and notation practice of Beethovens time.Fur Orchester, die gelegentlich mit einem Chor zusammenarbeiten, auf jeden Fall zu empfehlen. Ein gerade in seiner Einmaligkeit interessantes Stuck - und auch nicht besonders schwer. Verwiesen sei noch auf das vorzugliche Vorwort des Herausgebers. (Plischke, Das Liebhaberorchester). $6.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Partch H Delusion Of The Fury Schott
(P) SKU: HL.49033012 A Ritual of Dream and Delusion. Composed by H...(+)
(P) SKU: HL.49033012 A Ritual of Dream and Delusion. Composed by Harry Partch. This edition: Ring/Spiral binding. Sheet music. Edition Schott. Study score, facsimile edition. Composed 1965-1966. 250 pages. Duration 75'. Schott Music #ED9334. Published by Schott Music (HL.49033012). ISBN 9790001130356. UPC: 888680077488. 9.0x12.0x0.929 inches. English. Now, one of most unusual works of our time is available as study score in a facsimile edition: 'Delusion of the Fury'. At the time of creation, the great experimenter and sound researcher Harry Partch had fully developed his special scale system. By having specially designed instruments made, he created the prerequisites to bring his ideas of sound and harmony onto the stage. Using 25 of these special instruments, 'Delusion of the Fury' provides the opportunity to experience the musical universe of one of the most extraordinary American composers of the 20th century in all its nuances and hypnotic power.
1. Small Hand Instruments: Alpha - Ugumbo, copy of a Zulu instrument * Beta - Bolivian double flute * Gamma - Rotating drum * Delta - First waving drum * Phi - Second waving drum * Epsilon - Six bamboo claves * Zeta - First bamboo ceremonial pole * Eta - Second bamboo ceremonial pole * Theta - Third bamboo ceremonial pole * Iota - First pair of eucal claves * Kappa - Second pair of eucal claves * Lambda - Third pair of eucal claves * Psi - Fourth pair of eucal claves * Xi - Thumb piano * Omicron - First belly drum * Pi - Second belly drum * Rho - Gourd drum * Sigma - Fiji rhythm boat * Omega - Gubagubi - 2. Stage Left and Center: Harmonic Canon I * Adapted Guitar I und II * Koto * Kithara I und II * Chromelodeon I und II * Blo-Boy * Castor & Pollux (Harmonic Canon II) * Blue Rainbow (Harmonic Canon III) * Surrogate Kithara * Crychord * Cloud-Chamber-Bowls * Spoils of war * Gourd Tree * Cone Gongs - 3. Stage Right: Mazda Marimba * Zyno-Xyl * Diamond Marimba * Quadrangularis Reversum * Eucal Blossom * Boo (Bamboo Marimba) * Bass Marimba * Marimba Eroica * Bass Drum. $81.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Bach spielen auf der Orgel - eine Leidenschaft Organ Breitkopf & Härtel
Organ SKU: BR.BV-482 Composed by Jean-Claude Zehnder. Solo instruments; S...(+)
Organ SKU: BR.BV-482 Composed by Jean-Claude Zehnder. Solo instruments; Softbound. Buchverlag Breitkopf & Hartel (Music Books). Baroque period. Book. 128 pages. Breitkopf and Haertel #BV 482. Published by Breitkopf and Haertel (BR.BV-482). ISBN 9783765104824. 6.5 x 9.5 inches. German. ,,Bach spielen auf der Orgel (Playing Bach on the Organ) - the eagerly anticipated and logical addition to the new ten-volume edition of Bach's organ works - addresses organists of various skills and interests. It is not a scientific textbook focusing on a comprehensive presentation of the sources; it rather aims to make the fascinating cosmos of Bach's organ compositions accessible and ignite the passion, which is essential for an inspired interpretation. In his capacity as both a concert organist and a Bach researcher, Jean-Claude Zehnder is, like no other, apt to give the reader an understanding of the diverse aspects of playing Bach in a scientifically founded and yet vivid and exciting way. From Bach's organs and questions with regard to the registration practice of his time, via performance-technical aspects to thoughts on text reference, proportions and symbolism, no important subject has been left out. Questions of interpretation are discussed by reference to selected works and round off the compact presentation. A bibliography allows further own research. $39.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Choral Fantasia in C minor Op. 80 Breitkopf & Härtel
Violin 2 (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR...(+)
Violin 2 (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.OB-5230-16 Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Stapled. Orchester-Bibliothek (Orchestral Library). Ludwig van Beethoven composed the Choral Fantasy op. 80 for the gigantic concert event that took place at the Theater an der Wien on 22 December 1808. Solo concerto; Classical. Part. 4 pages. Breitkopf and Haertel #OB 5230-16. Published by Breitkopf and Haertel (BR.OB-5230-16). ISBN 9790004331521. 10 x 12.5 inches. The history of the origins and sources of Beethovens Choral Phantasy is complex and poses considerable difficulties to todays researchers. A definitive final version is not extant. Instead, there are contemporary printed editions which diverge from each other in many details. The English musicologist Clive Brown thus also based part of his text-critical work on his comprehensive knowledge of the performance and notation practice of Beethovens time.Fur Orchester, die gelegentlich mit einem Chor zusammenarbeiten, auf jeden Fall zu empfehlen. Ein gerade in seiner Einmaligkeit interessantes Stuck - und auch nicht besonders schwer. Verwiesen sei noch auf das vorzugliche Vorwort des Herausgebers. (Plischke, Das Liebhaberorchester). $6.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Choral Fantasia in C minor Op. 80 Breitkopf & Härtel
Double bass (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU:...(+)
Double bass (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.OB-5230-27 Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Stapled. Orchester-Bibliothek (Orchestral Library). Ludwig van Beethoven composed the Choral Fantasy op. 80 for the gigantic concert event that took place at the Theater an der Wien on 22 December 1808. Solo concerto; Classical. Part. 4 pages. Breitkopf and Haertel #OB 5230-27. Published by Breitkopf and Haertel (BR.OB-5230-27). ISBN 9790004331552. 10 x 12.5 inches. The history of the origins and sources of Beethovens Choral Phantasy is complex and poses considerable difficulties to todays researchers. A definitive final version is not extant. Instead, there are contemporary printed editions which diverge from each other in many details. The English musicologist Clive Brown thus also based part of his text-critical work on his comprehensive knowledge of the performance and notation practice of Beethovens time.Fur Orchester, die gelegentlich mit einem Chor zusammenarbeiten, auf jeden Fall zu empfehlen. Ein gerade in seiner Einmaligkeit interessantes Stuck - und auch nicht besonders schwer. Verwiesen sei noch auf das vorzugliche Vorwort des Herausgebers. (Plischke, Das Liebhaberorchester). $6.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Saxophone Repertoire 7 Saxophone - Intermediate The Frederick Harris Music Company
Saxophone - Late Intermediate SKU: FH.WS7 Saxophone Series, 2013 Editi...(+)
Saxophone - Late Intermediate SKU: FH.WS7 Saxophone Series, 2013 Edition. Composed by The Royal Conservatory. Saxophone Series, 2013 Edition. Book/CD. 88/36 pages. The Frederick Harris Music Company #WS7. Published by The Frederick Harris Music Company (FH.WS7). ISBN 978-1-55440-556-5. Unparalleled in scope, this groundbreaking series for E_Alto and B_Tenor offers a single collection of Repertoire and supporting materials written or arranged specifically for saxophone. With Repertoire spanning from the Baroque to contemporary eras, Recordings, Etudes, Technique, and Orchestral Excerpts, this comprehensive series serves as a balanced and organized pedagogical resource from the beginner to advanced levels of study. Nine progressive volumes of Repertoire expose students to original works and arrangements of diverse styles from W.A. Mozart to Violet Archer, with selected works by notable jazz artist Paul Desmon (Take Five), and living composer Phil Woods. Each level provides opportunities to explore Baroque, Classical, Romantic, and contemporary works, with original, unaccompanied selections from Levels 5 through 8 that use extended techniques such as multiphonics, key clicks, and bisbigliando. Earlier works pre-dating the origin of the saxophone have been carefully arranged with consideration of the unique quality of the instrument. Exposure to these works help to develop musicianship and an understanding of tonality, creating well-rounded and versatile performers. Selections written for both E_Alto and B_Tenor include piano accompaniments that function with both instruments. Eb Saxophone:
Mainly Transcriptions: Sonata, op. 2, no. 6 (La bouget) - Michel Blavet - [Complete] Minuet and Dance of the Blessed Spirits (from Orphee et Euridice) - Christoph Willibald Gluck, arr. Stephen Chatman Mainly Original Repertoire for Saxophone: Dance with Sticks - Bela Bartok Hornpipe Dance - Bela Bartok Ragtime Waltz - Richard Rodney Bennett Sonata - Phil Woods - First Movement
Bb Saxophone:
Mainly Transcriptions: Sonata in G minor, H 542.5 - attr. Carl Philipp Emanuel Bach - Third Movement Sonata in G minor, HWV 364a - George Frideric Handel, arr. Harold Birston - [Complete] Mainly Original Repertoire for Saxophone: Souvenir - Robert Walker Sonata - Walter S. Hartley - First Movement I Got Unhappy - Neil Currie
Eb Saxophone or Bb Saxophone:
Unaccompanied Repertoire: Fantasia no. 6 in D minor, TWV 40:7 - Georg Philipp Telemann - [Complete] In the Company of My Soul - Kelly-Marie Murphy - First Movement Sketch - Ronald L. Caravan. $48.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| More Than Hymns 1 Choral SATB SATB, Percussion(s) Novello & Co Ltd.
By B. Rose. For SATB Choir, Piano Accompaniment, Organ Accompaniment. Sacred, Ch...(+)
By B. Rose. For SATB Choir, Piano Accompaniment, Organ Accompaniment. Sacred, Choral. Sheet Music. 88 pages. Published by Novello and Co Ltd.
$19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Oxford Book Of Flexible Anthems
Choral SATB [Vocal Score] Oxford University Press
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction Composed by John Rutter
A Prayer Of St Richard Of Chichester Composed by L. J. White
Alleluia Composed by William Boyce
Author Of Life Divine Composed by Cecilia Mcdowall
Be Still For The Presence Of The Lord Composed by David Evans; Arranged by Richard Shephard
Bread Of The World Composed by Scottish Traditional; Arranged by Alan Bullard
Brightest And Best Composed by Malcolm Archer
Christ Is The World's True Light Composed by W. K. Stanton
Christ The Lord Is Risen Again Composed by Richard Shephard
Christians Shout For Joy And Gladness Composed by Johann Sebastian Bach
Come Down, O Love Divine Composed by Hilary Tadman-robins
Plainsong: Creator Of The Stars Arranged by John Scott
Drop, Drop Slow Tears Composed by Kerry Andrew
Evening Service In C Composed by Frank Henry Shera
Fairest Lord Jesus Composed by Martin How
Gabriel To Mary Came Composed by 14th Century Irish; Arranged by Alan Bullard
Give Thanks To God Composed by Botswanan Traditional; Arranged by Alan Bullard
God Be In My Head Composed by Armstrong Gibbs
God In Mine Eternity Composed by Alan Bullard
God So Loved The World Composed by Alan Bullard
God That Madest Earth And Heaven Composed by Welsh Traditional; Arranged by David Thorne
Hail, Virgin Mary (Ave Maria) Composed by Franz Liszt
Hark, The Glad Sound Composed by David Thorne
Harvest Carol Composed by Ian Ray
He Is Risen Composed by Cecil Cope
Hide Not Thy Face Composed by Richard Farrant
see all...
Holy, Holy, Holy, Holy Is The Lord Composed by Franz Schubert; Arranged by Alan Bullard
Holy, Holy, Holy! Lord God Almighty Composed by Alan Smith
Hosanna To The Son Of David Composed by Georg Philipp Telemann
Irish Blessing Composed by Bob Chilcott
Jesu, Lamb Of God, Redeemer (Ave Verum Corpus) Composed by Edward Elgar
Jesus Christ The Apple Tree Composed by English Traditional; Arranged by Alan Bullard
Jubilate (Let Us Praise You) Composed by Wolfgang Amadeus Mozart
Lamb Of God (Agnus Dei) Composed by Samuel Webbe
Let All Mortal Flesh Keep Silence Composed by Stephen Cleobury
Like The Murmur Of The Dove's Song Composed by Alan Smith
Lord, In Thy Mercy Composed by Felix Bartholdy Mendelssohn
Magnificat And Nunc Dimittis In C Composed by F. H. Shera
Never Weather-beaten Sail Composed by Thomas Campion; Arranged by Alan Bullard
Now The Green Blade Riseth Composed by French Traditional; Arranged by Alan Bullard
O Breath Of Life Composed by English Traditional; Arranged by Alan Bullard
O For A Closer Walk With God Composed by Charles Villiers Stanford
O God Of Mercy Composed by Simon Lole
O God, Your Goodness Composed by Ludwig Van Beethoven
O Praise God In His Holiness Composed by John Weldon
Panis Angelicus Composed by Cesar Auguste Franck
Peace Between Nations Composed by Christopher Wiggins
Pie Jesu Composed by Gabriel Faure
Praise To The Trinity Composed by Hildegard Of Bingen
Psalm 150 Composed by Bob Chilcott
Rejoice In The Lord Always Composed by Christopher Wiggins
Shout For Joy Composed by African Traditional; Arranged by Alan Bullard
Star Of Wonder Composed by Alan Bullard
The Eternal Gifts Of Christ The King Composed by Guidetti/henry G. Ley
The Heavens Sing Praises To God Composed by Ludwig Van Beethoven
The Lord Ascendeth Composed by Michael Praetorius
The Lord Bless You And Keep You Composed by John Rutter
The Lord's My Shepherd Composed by Bob Chilcott
The Peace Of God Composed by Alan Bullard
The True And Living Bread Composed by David Blackwell
There Is No Rose Composed by Andrew Smith
Thou Visitest The Earth Composed by Maurice Greene
To Be A Pilgrim Composed by Nick Burt
Were You There? Composed by American Spiritual; Arranged by Peter Hunt
Where All Charity And Love Are (Ubi Caritas) Arranged by Alan Bullard
Wondrous Cross Composed by Philip Wilby
The Oxford Book of Flexible Anthems by Alan Bullard (1947-). For flexible instrumentation. Mixed Voices. Sacred. Paperback. 296 pages. Published by Oxford University Press
(2)$28.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Music Play 2 - Bundle (includes parts A and B) GIA Publications
SKU: GI.G-J383 Composed by Alison Reynolds, Cynthia Taggart, and Wendy H....(+)
SKU: GI.G-J383 Composed by Alison Reynolds, Cynthia Taggart, and Wendy H. Valerio. Jump Right In. Music Education. 494 pages. GIA Publications #J383. Published by GIA Publications (GI.G-J383). ISBN 9781622775408. Through engaging children using Music Play 2, adults may build relationships with newborn and young children, additional family members, and other adults as they joyfully make music together, affirm and nurture newborn and young children’s innate capacities for expressive musicking and movement, and honor and extend young children’s expressed musical curiosities, ideas, and audeas (musical thoughts and ideas), helping them realize that their musical identities are worth sharing, developing, and preserving. Music Play 2 materials function in companion with Music Play (GIA, 1998) and Edwin Gordon’s Music Learning Theory for Newborn and Young Children (GIA, 2013). Music Play 2 (494 pages) is bundled into two parts, Part A and Part B. The following are the features of each part:  Part A (264 pages) Part B (229 pages) Tribute to Edwin Gordon Guiding Newborn and Young Children’s Innate Music Capacities Guiding Young Children Through Types and Stages of Preparatory Audiation: The Materials Using Music Play 2 Inclusion: All Children and Their Families (Salvador) 45 Extended Music Engagement Plans, each with a music selection (i.e., song, song/chant combination, or chant) in a wide variety of tonalities and meters, and prototypical examples of social-music and movement play in relation to Gordon’s three types of preparatory audiation. Each song has a chord root or bass-line melody notated, singable as an additional part, as well as chord functions to guide harmonic accompaniment to the melody. Each plan features More Audeas for Music Play, such as tonal pattern and/or rhythm pattern examples for each type of preparatory audiation, supplemental harmonic and rhythm accompaniments to add to the music selection, and More Ideas for Music Play, such as examples of ways to connect Music Play 2 activities to PK–2 2014 Music Standards, and one inclusion strategy in a Domain of Learning. Guidance for teaching chord root or bass line melodies and additional harmony parts, and chordal accompaniments. Complete listing of all PK–2 2014 Music Standards, along with which extended music engagement plans feature each standard. Indices: Comprehensive Index Headings, Music Play (1998) and Music Play 2 Comprehensive Index of Music Selections Alphabetized by Type and Title: Music Play (1998) and Music Play 2 Modified Comprehensive Index, Music Play 2: Parts A and B Music Play 2: Part A Music Selections Alphabetized by Type and Title Music Play 2: Part A Music Selections Alphabetized by Title 71 Music Engagement Plans, each with a music selection (i.e., song, song/chant combination, or chant) in a wide variety of tonalities and meters, and prototypical examples of social-music and movement play in relation to Gordon’s three types of preparatory audiation. Each song has a chord root or bass-line melody notated, singable as an additional part, as well as chord functions to guide harmonic accompaniment to the melody. Apply More Audeas and More Ideas you discover using Part A to music selections and engagement plans in Part B. Part B features tonalites and meters unique to music selections in Part B, and “Hello†and/or “Goodbye†music selections. Guidance for teaching chord root or bass line melodies and additional harmony parts, and chordal accompaniments. Editor and Contributor List (83 total) An 11-page, comprehensive bibliography and resource list to support researchers and practitioners and promote their audiation-based social-music and movement play with others, especially during early childhood. Indices: Comprehensive Index Headings: Music Play (1998) and Music Play 2 Comprehensive Index of Music Selections Alphabetized by Type and Title: Music Play (1998) and Music Play 2 Modified Comprehensive Index, Music Play 2: Parts A and B Music Play 2: Part B Music Selections Alphabetized by Type and Title Music Play 2: Part B Music Selections Alphabetized by Title Download Music Play 2 Extended Indexes (free)  Music Play 2 is a welcomed contribution for all who are concerned with appropriately guiding children’s musical understandings—parents, teachers, and caregivers. The book is extremely well organized with an excellent balance of theory and practice. The theoretical underpinnings of Music Play 2 are presented in a “user friendly†manner, the lessons are easy to follow and adapt for individual children’s needs and level of development, the numerous songs and chants represent a wide variety of tonalities and meters, and an extensive section on inclusion and inclusive practices has been added. Music Play 2 will be the resource I use for my early childhood music classes! —Joanne Rutkowski, Ph.D., Professor Emeritus, Music Education   The Pennsylvania State University This book had me interested from the table of contents onward. The lessons are detailed and ready to use in the classroom. I love that there are tonal and rhythmic patterns to go with each song or chant. This is truly a resource that will delight children and teachers as it is easy to use, appropriate for young children, and pedagogically sound. When I finished, I was ready to jump back into teaching early childhood music. Fantastic! —Alice M. Hammel, Ph.D.   James Madison University Music Play 2 is devoted to the wonder of young children’s musical development. The authors have adeptly woven theory and practice, offering a treasure trove of fresh, accessible lesson plans developed by leading researchers and practitioners in the field of early childhood music. An excellent, indispensable resource with original and high-quality music content, Music Play 2 is essential for all providers of music for young children, and sure to be used time and time again. —Suzanne L. Burton, Ph.D., Professor of Music Education   University of Delaware. $85.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Music Play 2, Part A GIA Publications
SKU: GI.G-J381 Composed by Alison Reynolds, Cynthia Taggart, and Wendy H....(+)
SKU: GI.G-J381 Composed by Alison Reynolds, Cynthia Taggart, and Wendy H. Valerio. Jump Right In. Music Education. Book. 264 pages. GIA Publications #J381. Published by GIA Publications (GI.G-J381). ISBN 9781622774913. Through engaging children using Music Play 2, adults may build relationships with newborn and young children, additional family members, and other adults as they joyfully make music together, affirm and nurture newborn and young children’s innate capacities for expressive musicking and movement, and honor and extend young children’s expressed musical curiosities, ideas, and audeas (musical thoughts and ideas), helping them realize that their musical identities are worth sharing, developing, and preserving. Music Play 2 materials function in companion with Music Play (GIA, 1998) and Edwin Gordon’s Music Learning Theory for Newborn and Young Children (GIA, 2013) To see contents specific to Parts A and B, click here. Download Music Play 2 Extended Indexes (free)  Music Play 2 is a welcomed contribution for all who are concerned with appropriately guiding children’s musical understandings—parents, teachers, and caregivers. The book is extremely well organized with an excellent balance of theory and practice. The theoretical underpinnings of Music Play 2 are presented in a “user friendly†manner, the lessons are easy to follow and adapt for individual children’s needs and level of development, the numerous songs and chants represent a wide variety of tonalities and meters, and an extensive section on inclusion and inclusive practices has been added. Music Play 2 will be the resource I use for my early childhood music classes! —Joanne Rutkowski, Ph.D., Professor Emeritus, Music Education   The Pennsylvania State University This book had me interested from the table of contents onward. The lessons are detailed and ready to use in the classroom. I love that there are tonal and rhythmic patterns to go with each song or chant. This is truly a resource that will delight children and teachers as it is easy to use, appropriate for young children, and pedagogically sound. When I finished, I was ready to jump back into teaching early childhood music. Fantastic! —Alice M. Hammel, Ph.D.   James Madison University Music Play 2 is devoted to the wonder of young children’s musical development. The authors have adeptly woven theory and practice, offering a treasure trove of fresh, accessible lesson plans developed by leading researchers and practitioners in the field of early childhood music. An excellent, indispensable resource with original and high-quality music content, Music Play 2 is essential for all providers of music for young children, and sure to be used time and time again. —Suzanne L. Burton, Ph.D., Professor of Music Education   University of Delaware. $48.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Music Play 2, Part B GIA Publications
SKU: GI.G-J382 Composed by Alison Reynolds, Cynthia Taggart, and Wendy H....(+)
SKU: GI.G-J382 Composed by Alison Reynolds, Cynthia Taggart, and Wendy H. Valerio. Jump Right In. Music Education. Book. 230 pages. GIA Publications #J382. Published by GIA Publications (GI.G-J382). ISBN 9781622774920. Through engaging children using Music Play 2, adults may build relationships with newborn and young children, additional family members, and other adults as they joyfully make music together, affirm and nurture newborn and young children’s innate capacities for expressive musicking and movement, and honor and extend young children’s expressed musical curiosities, ideas, and audeas (musical thoughts and ideas), helping them realize that their musical identities are worth sharing, developing, and preserving. Music Play 2 materials function in companion with Music Play (GIA, 1998) and Edwin Gordon’s Music Learning Theory for Newborn and Young Children (GIA, 2013) To see contents specific to Parts A and B, click here. Download Music Play 2 Extended Indexes (free)  Music Play 2 is a welcomed contribution for all who are concerned with appropriately guiding children’s musical understandings—parents, teachers, and caregivers. The book is extremely well organized with an excellent balance of theory and practice. The theoretical underpinnings of Music Play 2 are presented in a “user friendly†manner, the lessons are easy to follow and adapt for individual children’s needs and level of development, the numerous songs and chants represent a wide variety of tonalities and meters, and an extensive section on inclusion and inclusive practices has been added. Music Play 2 will be the resource I use for my early childhood music classes! —Joanne Rutkowski, Ph.D., Professor Emeritus, Music Education   The Pennsylvania State University This book had me interested from the table of contents onward. The lessons are detailed and ready to use in the classroom. I love that there are tonal and rhythmic patterns to go with each song or chant. This is truly a resource that will delight children and teachers as it is easy to use, appropriate for young children, and pedagogically sound. When I finished, I was ready to jump back into teaching early childhood music. Fantastic! —Alice M. Hammel, Ph.D.   James Madison University Music Play 2 is devoted to the wonder of young children’s musical development. The authors have adeptly woven theory and practice, offering a treasure trove of fresh, accessible lesson plans developed by leading researchers and practitioners in the field of early childhood music. An excellent, indispensable resource with original and high-quality music content, Music Play 2 is essential for all providers of music for young children, and sure to be used time and time again. —Suzanne L. Burton, Ph.D., Professor of Music Education   University of Delaware. $48.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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