SKU: HL.14080954
SKU: FJ.ST6505
UPC: 241444417034. English.
Feature a guest artist or star student in this piece that includes an advanced level violin solo along with a more approachable solo for the younger, yet ambitious student. Well within the technical grasp of young orchestras, the music is designed to allow the soloist to display both technique and lyricism as the piece moves through a series of diversions held together by a common theme. Inspiring for your students and your audience!
About FJH Developing Strings
Slightly more advanced than Beginning Strings, this series begins to involve more position work and a slightly more complex rhythmic figures. Rehearsal piano is often provided. Ideal for middle school and smaller high school programs. Grade 2 - 2.5
SKU: AP.6-446255
ISBN 9780486446257. English. [FrA(c)dA(c)ric Chopin] By Franz Liszt.
He lived in the shadow of death, painfully aware of the tuberculosis that would kill him prematurely. But Frédéric Chopin attained immortality with his piano works, which endure as pinnacles of the instrument's repertoire. This biography by one of the nineteenth century's foremost pianists--Chopin's friend and fellow artist, Franz Liszt--offers a highly informed assessment of the Polish composer's musical legacy.
SKU: HL.403266
ISBN 9781705160633. UPC: 196288058502. 6.75x10.5x0.029 inches.
Poem by Sarah Teasdale regarding the satisfaction of the artist and their work is simple with flowing piano accompaniment. The art of quiet to full singing is explored throughout the work, creating exquisite interpretation of lyric in a stunning selection for concert, contest and festival.
SKU: CF.WF230
ISBN 9781491153741. UPC: 680160911240.
Ever since he was honored 50 years ago as a top prize-winning graduate of New England Conservatory and a Fulbright scholar at the Paris Conservatoire, flutist Robert Stallman has drawn accolades around the world as a performer and recording artist who “dazzles because of his penetrating artistry†(Sunday Times/London). Also known internationally for superior flute editions, including numerous transcriptions that have greatly expanded the repertoire, Stallman now offers flutists an appealing collection of original melodic warm-ups. With The Flutist’s Handbook, he shares his fresh approach to staying in shape and maintaining his reputation for “consummate virtuosity†(Repertoire/France).PrefaceOne morning many years ago I opened my flute case and suddenly found myself questioning the wisdom of having scales and long tones come first in my practice session. Of course, these are essential to daily practice, but I wondered if there might be a better way to begin the day—with something more melodic and engaging, something to really inspire me.The Flutist’s Handbook emerged from a stream of musical ideas I began to jot down during practice sessions after that “aha†moment. As I worked with them, I noticed a more spontaneous interest in practicing. In fact I even looked forward to starting my day this way. As a result, my work on scales, arpeggios and long tones followed with more enjoyment and focused attention.In creating many of the détaché warm-ups found in Part I, I was drawn to the musical sequences of J. S. Bach, particularly those developed in his keyboard works. Bach had discovered the most satisfying musical patterns on which to build his music, so here was a treasure trove of invigorating melodic material. I also borrowed apt détaché passages from C.P.E. Bach, Schubert, Dvořák and others.Part II includes more musical quodlibets and echos in a collection of fifteen short melodies designed to open and center the tone, while encouraging full breath support. These melodies also concentrate on developing our sostenuto, or true legato playing—the foundation of a beautiful sonority and natural vocal expression. Except for final cadence notes, these warm-ups should be practiced without vibrato, to create an even and seamless instrument, bottom to top.All of these warm-ups are to be played forte and piano in every major key, proceeding chromatically by rising half-steps. Tempo indications are given in the headings, as are optional rhythmic and articulation variants. Suggested breath marks are in parentheses.The Handbook opens with détaché warm-ups for a good reason. It is vital to begin our practice with tonguing, as a clean attack is essential to producing a beautiful tone. Also, in working on tonguing (single, double, triple and tremolando) we stimulate and strengthen the jaw muscles that support the embouchure (which must remain supple and flexible). As we fine-tune these muscles, we gain tonal center and clarity, qualities that may elude us at the beginning of our practice. Of course, we also need to wake up the air stream and deepen our breath support. Once the tongue is alive and the tone is centered, we are ready to work further on our sonority with the melodic warm-ups in Part II.This book is meant for professionals, students and amateur flutists alike. I offer it to all as a companion that invites more pleasure and vitality into our daily practice. It is my firm belief that by aligning ourselves with our love of music and its energizing patterns each day—from the very first moment we pick up the instrument—we will bring more ease and focus into our lifelong task of staying in shape. This in turn will support the heightened inspiration we want to take into rehearsals and performances. Enjoy!—Robert StallmanMarblehead, MassachusettsApril 20, 2018.
SKU: GI.001124
English.
The unique watercolor style of San Antonio artist G. E. Mullan is noted for its lyrical line set against an ordered and complex geometry of interdependent shapes. His technique creates a visual excitement that involves the viewer and invites close study of the excellence of the work. His religious subjects incorporate the historical traditions of the Santos figures of Mexico and the Southwest, the illuminated manuscripts of Western Europe, and the icons and mosaics of the Byzantine style. 4in. x 9in. Notecard.
SKU: FH.WS2
ISBN 978-1-55440-551-0.
Unparalleled in scope, this groundbreaking series for E_Alto and B_Tenor offers a single collection of Repertoire and supporting materials written or arranged specifically for saxophone. With Repertoire spanning from the Baroque to contemporary eras, Recordings, Etudes, Technique, and Orchestral Excerpts, this comprehensive series serves as a balanced and organized pedagogical resource from the beginner to advanced levels of study. Nine progressive volumes of Repertoire expose students to original works and arrangements of diverse styles from W.A. Mozart to Violet Archer, with selected works by notable jazz artist Paul Desmon (Take Five), and living composer Phil Woods. Each level provides opportunities to explore Baroque, Classical, Romantic, and contemporary works, with original, unaccompanied selections from Levels 5 through 8 that use extended techniques such as multiphonics, key clicks, and bisbigliando. Earlier works pre-dating the origin of the saxophone have been carefully arranged with consideration of the unique quality of the instrument. Exposure to these works help to develop musicianship and an understanding of tonality, creating well-rounded and versatile performers. Selections written for both E_Alto and B_Tenor include piano accompaniments that function with both instruments.Eb Saxophone:Mainly Transcriptions:Sonata in F Major, op. 5, no. 10 - Arcangelo Corelli, arr. J. Michael Leonard- Third Movement: Sarabanda - Fourth Movement: GavottaGavotte (from Rosine) - Francois Joseph Gossec, arr. Emil KrossRondino - Wolfgang Amadeus Mozart, arr. Jason NobleGavotte en rondeau, BWV 822 - Johann Sebastian Bach, arr. Larry TealMainly Original Repertoire for Saxophone:Timepiece - Lennie NiehausHot on the Line - Pam WedgwoodFurry Bear - Phil WoodsA Drowsy Tune - Violet ArcherFlowers - Elizabeth RaumLarghetto - Ralph Vaughan WilliamsBb Saxophone:Mainly Transcriptions:Contredanse No. 2, K 101 - Wolfgang Amadeus Mozart, arr. Jason GrayBread of Angels (Panis angelicus, from Messe a trois voix) - Cesar Franck, arr. Mark MrozinskiThe Reapers (Les moissonneurs) - Francois Couperin, arr. Kathleen WoodSlavonic Dance - Antonin Dvorak, arr. Jason GrayMainly Original Repertoire for Saxophone:Hot on the Line - Pam WedgwoodPolish Dance - Raymond Milford EndresenThe Keel Row - English folk song, arr. James Rae.
SKU: BT.AMP-269-140
9x12 inches. English-German-French-Dutch.
Deze twee Duitse dansen komen uit een serie van twaalf menuetten, tevens Duitse dansen, die Ludwig van Beethoven in 1795 schreef. Dit was in zijn ‘Weense tijd’, ter gelegenheid van het gerenommeerde ‘Ball der Gesellschaft der bildendenKünstler’. Dit bal was een belangrijke maatschappelijke gebeurtenis dat ieder jaar in Wenen plaatsvond. Hij legde hiermee een belangrijke basis voor de ontwikkeling en populariteit van de Weense wals. Van twee dansen uit dezeserie creëerde Philip Sparke een ‘dansend’ werk voor blaasorkest.Diese zwei deutschen Tänze“ stammen aus einer Reihe von 12 Menuetten sowie 12 deutschen Tänzen, die Ludwig van Beethoven 1795 - in seiner Wiener Zeit - für den renommierten Ball der Gesellschaft der bildenden Künstler“ schrieb. Dieser Ball war ein wichtiges gesellschaftliches Ereignis, das jährlich in Wien stattfand. Mit seinen Tänzen legte Beethoven einen wichtigen Grundstein zur Entwicklung und Popularität des Wiener Walzers. Ludwig van Beethoven quitte Bonn, sa ville natale, l’automne 1792, pour tenter sa chance dans la Vienne impériale. Il a vingt-deux ans. En plus des cours avec Haydn, il travaille avec Albrechtsberger et Salieri, et réussit se forger une solide réputation de pianiste virtuose.Le bal annuel, organisé par la Caisse des pensions des artistes des Beaux-Arts de Vienne, était alors un événement très prisé de la haute société viennoise. cette occasion, les grands compositeurs de l’époque comme Haydn, Kozeluch, Dittersdorf ou Eybler, étaient sollicités pour écrire de nouvelles musiques de danse. En 1795, Ludwig van Beethoven composa une série de Douze menuets et Douzeallemandes, une danse villageoise, en vogue en Bavière et en Autriche, et qui donnera naissance la célèbre valse viennoise, la fin du XVIIIe siècle. Originellement pour orchestre, Beethoven en réalisa une réduction pour piano, également plébiscitée par le public. Philip Sparke a choisi d’arranger deux danses de cette série en prenant le soin de conserver le caractère coloré et rustique des pièces originales.
SKU: HL.403267
ISBN 9781705160640. UPC: 196288058519. 6.75x10.5x0.029 inches.
SKU: MB.30844M
ISBN 9781513464268. 8.75 x 11.75 inches.
Skip James was one of the most influential early Bluesmen, but his importance as a stylist remained undiscovered until he was brought out of a long retirement by the Folk/Blues revival of the early 1960â??s. Born in 1902 and raised in Bentonia, Nehemiah Curtis James was brought up in a religious family: his father was a bootlegger who reformed and became a Baptist preacher. Skip learned piano in school but picked up guitar from his friend Henry Stuckey. In 1931 Skip was picked up by a scout for Paramount Records and he cut 26 tracks, of which 18 were released, in a two day session at their Grafton, Wisconsin studios. These recordings presented a unique and haunting genius that influenced legendary bluesmen as Robert Johnson, Kansas Joe McCoy and Johnny Temple. But the recordings sold poorly, having been released during the Great Depression, and he drifted into obscurity.
We have included as online downloads Skipâ??s 1931 recordings. The crackling sound of these rare recordings cannot obscure the brilliance of this seminal Blues master.
After over 30 yearâ??s retirement from music, Skip was rediscovered by Blues enthusiasts Bill Barth, John Fahey and Henry Vestine. They persuaded Skip to appear at the Newport Folk Festival in 1964, where his renditions of his old songs were still powerful and moving. His performances as well as his old and new recordings influenced a generation of new musicians: Eric Clapton, Alan Wilson of Canned Heat, Cream, Deep Purple, Chris Thomas King, Alvin Youngblood Hart, Derek Trucks, Beck, Big Sugar, John Martyn, Lucinda Williams and Rory Block to name a few.
Books on legendary Blues musicians written by white musicologists tend to offer a subjective perspective on how the artists felt, thought or reacted. A tainted picture is captured that has more to do with the writerâ??s social and musical experiences. This autobiography is different. The words, thoughts and feelings come directly from the artistâ??s lips. This is the story of Nehemiah â??Skipâ? James told by Nehemiah â??Skipâ? James.
SKU: CL.012-4403-75
This lively Hungarian folk dance, originally set for solo violin and piano by Italian composer Vittorio Monti, has been arranged for solo instrument and concert band for the Barnhouse Spotlight series by Andrew Glover. This rhapsodical work allows the soloist to display great lyrical skills as well as technical virtuosity! Includes solo parts for violin or flute, b-flat clarinet (or any b-flat instrument in similar range), e-flat alto saxophone, or euphonium (bass clef). Band accompaniment parts grade 3; solo part grade 4+. A great way to feature your outstanding soloist or guest artist, and guaranteed to astonish your audience!
About C.L. Barnhouse Spotlight Series
The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments
SKU: HL.35029316
UPC: 884088952662. 5x5 inches. Joseph M. Martin/Heather Sorenson.
Uses: Lent, General, Healing Scripture: Isaiah 64:8; Jeremiah 18:1-6; Luke 4:18; Job 42:10 This dramatic vocal tableau is a heart-centric tone poem that reaches deep to convey a message of hope and grace. The text uses the imagery of a stained glass window shattered by life's journey, made beautiful again by the Master Artist's touch. The music is fragile and vulnerable, and acts as a soundtrack to this message of restoration. The beautiful colors of the optional orchestration tug at the spirit with tender lines of deep expression and decorate the flowing piano writing with sensitivity. Score and Parts (hn, perc 1-2, vc, synth) available as a digital download.
SKU: GI.G-M535
ISBN 9781579992798. English.
At long last, the innovations and musicality that make the Do It! Play In Band series so successful are available to string players. This wonderful series features audio recordings (see below) with artist-level performances that set musical standards and models that are perfect for young players. The student book contains all the music a beginning player needs: songs, duets, trios, and rounds, plus a piece for string orchestra and a solo with piano accompaniment. The Teacher's Resource Guide is packed with hundreds of enrichment activities and supplementary material to make your classroom function at peak levels. Plus, the included audio recordings in the Teacher's Resource Guide will enhance every aspect of your teaching. Bret P. Smith is Assistant Professor of Music Education at Central Washington University, in Ellensburg, Washington. Download the audio recordings at: giamusic.com/doitstrings.
SKU: P2.80169
Notes from the Underground, for euphonium and piano, was commissioned by and composed for euphonium artist Ben Pierce in 2011. Aside from the obvious references to the great work of Fyodor Dostoyevsky, the main impetus for the piece was the artistry and absolute mastery of the instrument displayed by Dr. Pierce. The first movement, entitled, Existential Ballade, involves the duo in a mournful dialog that soon turns into a display of raw power. Elegy for Nothingness, the slow movement that follows, is neither happy nor sad; but perhaps nonchalantly disconnected from emotion. The Inevitable Moto Perpetuo closes the work in a flash, but not without some reminiscing and hand wringing.
SKU: M7.ART-42179
ISBN 9783866421790. German.
'Mein erstes Kinderliederbüchlein für Klavier' ist eine liebevoll ausgewählte Sammlung der 50 beliebtesten Kinderlieder in schön klingenden und einfachen Bearbeitungen. Die Stücke, mit dazugehörigen Liedtexten, eignen sich wunderbar zum Vorspielen, Begleiten und Mitsingen. Das Büchlein beinhaltet bekannte und traditionelle Kinderlieder, welche für Anfänger und leicht Fortgeschrittene (bis zum dritten Unterrichtsjahr) gleichermaßen spielbar sind. Die Stücke sind nach Schwierigkeitsgrad geordnet, von sehr leicht über leicht bis leicht anspruchsvoll. Das Album bietet eine ansprechende Auswahl an Themen wie Spiel & Spaß, Jahreszeiten, Geburtstag, Weihnachten, Schlaflieder und vieles mehr. 'Mein erstes Kinderliederbüchlein für Klavier' eignet sich zudem hervorragend als Ergänzung zu Jens Rupps Bestseller-Lehrwerk 'Meine erste Klavierschule!', da die enthaltenen Lieder die Lerninhalte der allseits beliebten Klavierschule unterstützen. Sie fördern das Rhythmusgefühl, das Noten lesen, verschiedene Spieltechniken und das Klavierspiel im Allgemeinen. Die Tonarten beschränken sich auf die 'leichten' Tonarten C-Dur, F-Dur und G-Dur. Die Melodien umfassen zumeist den Tonumfang einer Quinte (5 Töne) bis zu einer Oktave (8 Töne). Die Lieder, deren Melodien nur aus fünf verschiedenen Noten bestehen, können mit der rechten Hand umgehend gespielt werden. In der linken Hand gilt es die Begleitung zu üben, danach behutsam das Zusammenspiel beider Hände. 'Mein erstes Kinderliederbüchlein für Klavier' - ein motivierendes Kinderlieder-Repertoire und ein ideales Geschenk für Anfänger und leicht fortgeschrittene Klavierspieler und -spielerinnen. Unter www.artist-ahead-download.de stehen die enthaltenen Klavierstücke als Audio- und MP3-Dateien zum Download zur Verfügung.
SKU: FJ.ST6535S
Showcase a student or bring in a guest artist to perform with your beginning students! Included are advanced solo violin and viola parts along with easier violin and viola solos as an option. Highlighting the strength and resilience of the human spirit, the piece utilizes some of Newbold's favorite string techniques to show off the violin / viola. An included piano part works well for recitals. Solo Grade 2.5 - 4.5.
SKU: GI.G-017348
A whimsical, delightful, and dazzling book for children and adults, sprung from the imagination of adored artist Michael O'Neill Mcgrath and poet-composer Alan Hommerding. Follow along with St. Cecilia on her exciting and colorful journey across the world (and beyond) as she gathers together a group of extraordinary musician for her heavenly orchestra. Learn about familiar instruments (piano, trumpet, and flute) and not-so-familiar instruments (kora, zukra, and the didgeridoo!), while visiting the fascinating spaces and places where the music of all God's children resounds!
SKU: FH.WS3
ISBN 978-1-55440-552-7.
Unparalleled in scope, this groundbreaking series for E_Alto and B_Tenor offers a single collection of Repertoire and supporting materials written or arranged specifically for saxophone. With Repertoire spanning from the Baroque to contemporary eras, Recordings, Etudes, Technique, and Orchestral Excerpts, this comprehensive series serves as a balanced and organized pedagogical resource from the beginner to advanced levels of study. Nine progressive volumes of Repertoire expose students to original works and arrangements of diverse styles from W.A. Mozart to Violet Archer, with selected works by notable jazz artist Paul Desmon (Take Five), and living composer Phil Woods. Each level provides opportunities to explore Baroque, Classical, Romantic, and contemporary works, with original, unaccompanied selections from Levels 5 through 8 that use extended techniques such as multiphonics, key clicks, and bisbigliando. Earlier works pre-dating the origin of the saxophone have been carefully arranged with consideration of the unique quality of the instrument. Exposure to these works help to develop musicianship and an understanding of tonality, creating well-rounded and versatile performers. Selections written for both E_Alto and B_Tenor include piano accompaniments that function with both instruments.Eb Saxophone:Mainly Transcriptions:Sonata, op. 2, no. 1 - Benedetto Marcello, arr. Jason Noble- Third Movement- Fourth MovementMazurka, op. 67, no. 2 - Frederic ChopinSonata, BWV 1033 - attr. Johann Sebastian Bach, arr. Stephen Chatman- Menuet I- Menuet IITambourin (from Iphigenie en Aulide) - Christoph Willibald Gluck, arr. Christine DonkinAnglois con Variationi - Johann Gottlieb Nicolai, arr. Stephen ChatmanMainly Original Repertoire for Saxophone:Song - Walter S. HartleyIt's a Raggy Waltz - Dave Brubeck, arr. Paul Harris and Beverley CallandDancing Under the Afghan Sky - Christiaan VenterFlight - Noel GallonBb Saxophone:Mainly Transcriptions:Serenade - attr. Roman Hoffstetter, arr. John HarleSonata, K 13 - Wolfgang Amadeus Mozart- Menuetto I- Menuetto IIIntermezzo (from Cavalleria Rusticana) - Pietro Mascagni, arr. Eugene RousseauSinfonia (Arioso) - Johann Sebastian Bach, arr. Mark MrozinskiMainly Original Repertoire for Saxophone:Dancing Under the Afghan Sky - Christiaan VenterGrand Ole Duke - James RaeThe Blue Fox - Frank J. Halferty.
SKU: FH.WS6
ISBN 978-1-55440-555-8.
Unparalleled in scope, this groundbreaking series for E_Alto and B_Tenor offers a single collection of Repertoire and supporting materials written or arranged specifically for saxophone. With Repertoire spanning from the Baroque to contemporary eras, Recordings, Etudes, Technique, and Orchestral Excerpts, this comprehensive series serves as a balanced and organized pedagogical resource from the beginner to advanced levels of study. Nine progressive volumes of Repertoire expose students to original works and arrangements of diverse styles from W.A. Mozart to Violet Archer, with selected works by notable jazz artist Paul Desmon (Take Five), and living composer Phil Woods. Each level provides opportunities to explore Baroque, Classical, Romantic, and contemporary works, with original, unaccompanied selections from Levels 5 through 8 that use extended techniques such as multiphonics, key clicks, and bisbigliando. Earlier works pre-dating the origin of the saxophone have been carefully arranged with consideration of the unique quality of the instrument. Exposure to these works help to develop musicianship and an understanding of tonality, creating well-rounded and versatile performers. Selections written for both E_Alto and B_Tenor include piano accompaniments that function with both instruments.Eb Saxophone:Mainly Transcriptions:Sonata op. 3, no. 5 - Giovanni Benedetto Platti, arr. Christine Donkin- First Movement: Pastorale- Third Movement: Alla breveVariations on a Gavotte by Corelli - Werner Wolf Glaser and Sigurd RascherSonata op. 3, no. 7 - Jean-Baptiste Loeillet, arr. Kathleen Wood- [Complete]Mainly Original Repertoire for Saxophone:Neo-Funk - Michael GarsonThe Good Girl - Phil WoodsBallad - Paul Ben-HaimBb Saxophone:Mainly Transcriptions:Sonata in C minor, TWV 41:c3 - Georg Philipp Telemann, arr. Jason Noble- First Movement- Second Movement- Third MovementSonata A minor, op. 1, no. 3 - Benedetto Marcello- [Complete]Mainly Original Repertoire for Saxophone:Poem - Walter S. HartleyAllegro Appassionata, op. 43 - Camille Saint-SaensEb Saxophone or Bb Saxophone:Unaccompanied RepertoireDynamic Control - Edward DiementeLyricism and Agility - Edward DiementeMultiple Action - Edward DiementePrelude, op. 122, no. 2 - Gottlieb Heinrich Koehler, arr. Robert J. FordBallad in Color - Ronald L. Caravan.
SKU: FH.WS0
ISBN 978-1-55440-549-7.
Unparalleled in scope, this groundbreaking series for E_Alto and B_Tenor offers a single collection of Repertoire and supporting materials written or arranged specifically for saxophone. With Repertoire spanning from the Baroque to contemporary eras, Recordings, Etudes, Technique, and Orchestral Excerpts, this comprehensive series serves as a balanced and organized pedagogical resource from the beginner to advanced levels of study. Nine progressive volumes of Repertoire expose students to original works and arrangements of diverse styles from W.A. Mozart to Violet Archer, with selected works by notable jazz artist Paul Desmon (Take Five), and living composer Phil Woods. Each level provides opportunities to explore Baroque, Classical, Romantic, and contemporary works, with original, unaccompanied selections from Levels 5 through 8 that use extended techniques such as multiphonics, key clicks, and bisbigliando. Earlier works pre-dating the origin of the saxophone have been carefully arranged with consideration of the unique quality of the instrument. Exposure to these works help to develop musicianship and an understanding of tonality, creating well-rounded and versatile performers. Selections written for both E_Alto and B_Tenor include piano accompaniments that function with both instruments.Eb Saxophone:Rhythmic Repertoire:The Birch Tree - Traditional Russian, arr. Akiko and Forrest KinneyThe Carman's Whistle - William Byrd, arr. Christine DonkinAlto Affirmation - Eugene RousseauMenuet (Rondeau) - Francois Philidor, arr. Kathleen WoodWhat Is a Day? - Philip Rosseter, arr. Akiko and Forrest KinneyPolly Wolly Doodle - Traditional American, arr. Akiko and Forrest KinneyThe Cuckoo - TraditionalDance Time - Paul HarrisLyrical Repertoire:Evening Song - Edwin Franko GoldmanSyrian Love Song (Al Ya Zane) - Traditional Syrian, arr. Judith Pearce and Christopher GunningHuron Carol - 16th-century French, arr. Akiko and Forrest KinneyAt the Clear Fountain (a la claire fontaine) - Traditional French Canadian, arr. Akiko and Forrest KinneyTrembling Aspen - Christiaan VenterThe Moon over the Ruined Castle (Kojo no Tsuki) - Rentaro Taki, arr. Mark MrozinskiLullaby (Wiegenlied), op. 49, no. 4 - Johannes Brahms, arr. Forrest KinneyBeautiful Brown Eyes - Alton Delmore and Arthur Smith, arr. Andrew BalentBb Saxophone:Rhythmic Repertoire:The Birch Tree - Traditional Russian, arr. Akiko and Forrest KinneyThe Carman's Whistle - William Byrd, arr. Christine DonkinMenuet (Rondeau) - Francois Philidor, arr. Kathleen WoodAllemande - Franz Joseph Haydn, arr. Jason NobleLyrical Repertoire:Syrian Love Song (Al Ya Zane) - Traditional Syrian, arr. Judith Pearce and Christopher GunningHuron Carol - 16th-century French, arr. Akiko and Forrest KinneyBeautiful Brown Eyes - Alton Delmore and Arthur Smith, arr. Andrew BalentAmazing Grace - Traditional American, arr. Forrest KinneyThe Moon over the Ruined Castle (Kojo no Tsuki) - Rentaro Taki, arr. Mark MrozinskiCalm Breezes - Richard JohnstonTo a Wild Rose - Edward MacDowell, arr. Jason Gray.
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