SKU: AP.45806S
UPC: 038081526645. English.
Opening with a heroic fanfare, this stunning original composition was inspired by the 15th century Inca citadel Machu Picchu and specifically the Intihuatana stone in what is now southeastern Peru where sun worship was favored. Many historians have come to refer to the Inca Empire as Children of the Sun. The work continues with an intense, almost frenzied, component that sets the stage for an active interplay of contrasting themes featuring a melodic statement interrupted by accented percussive statements. A pensive and lush moment builds with strong percussion contribution to a bold and satisfying conclusion. (4:45).
SKU: BT.DHP-1115108-030
9x12 inches.
Jacob de Haan begins his arrangement of the well-known hymn Allein Gott in der Höh’ sei Ehr (All Glory Be to God on High) with a quotation from his own Missa Katharina, a mass for choir, soprano, and band. To this melody he sets the Latin text from the last part of the Gloria. The chorale is then heard after an interlude and can, at the director’s discretion, be accompanied by the choir singing in either German or English. A perfect work for church concerts.De bewerking van het bekende koraal Allein Gott in der Höh’ sei Ehr van Jacob de Haan begint met een citaat uit zijn eigen Missa Katharina, een mis voor koor, sopraan en blaasorkest. Daarin maakte de componist de melodiebij de Latijnse tekst uit het laatste deel van Gloria. Na een tussenspel klinkt er een koraal dat net zoals bij het Latijnse deel door het koor kan worden meegezongen. U ontvangt zowel een Duitse als een Engelse tekst.Jacob de Haans Bearbeitung des bekannten Chorals Allein Gott in der Höh’ sei Ehr beginnt mit einem Zitat aus der Missa Katharina von Jacob de Haan, einer Messe für Chor, Sopran und Blasorchester. Darin setzte der Komponist die Melodie zum lateinischen Text aus dem letzten Teil des Gloria. Nach einem Zwischenspiel erklingt der Choral, der genau wie der lateinische Teil nach Belieben vom Chor mitgesungen werden kann. Ein deutscher und englischer Text werden mitgeliefert.Le choral Allein Gott in der Höh’ sei Ehr se compose d’un cantique de P ques du Xe siècle, du chant grégorien Gloria in excelsis et du Sanctus in festis duplicibus. L’arrangement réalisé par Jacob de Haan, s’ouvre sur un extrait du Gloria de la Missa Katharina (Messe pour choeur, soprano solo et orchestre d’harmonie composée par Jacob de Haan). Après un bref interlude, l’orchestre interprète nouveau le choral qui pourra être augmenté du choeur (sont jointes les versions anglaise et allemande des paroles du choral).Il corale Allein Gott in der Hoh’ sei Ehr si compone di un cantico di Pasqua del X secolo, del canto gregoriano Gloria in Excelsis e del Sanctus in festis duplici bus. L’arrangiamento di Jacob de Haan inizia su di un estratto del Gloria della Missa Katharina (messa per coro, soprano solo e banda composta dallo stesso de Haan). Dopo un breve interludio, l’orchestra interpreta nuovamente il corale al quale si potr aggiungere il coro (le versioni inglesi e tedesche del testo del corale sono incluse).
SKU: HL.2050299
UPC: 797242248399. 6.75x10.5x0.35 inches.
The call to spread the good news of the Gospel echoes through the centuries directly from the Savior. Jesus had a unique worldview because He was the first born over all creation; everything was created by Him and for Him. He chose the time and place of His appearing on Earth. He became the physical manifestation of God's love. His example and teaching changed the course of history - His sacrifice and Resurrection changed the course of eternity.The earthly ministry of the Master was coming to an end - the ministry of sharing His message was just beginning. However, He promised to be with us - even to the end of the age. This work is a celebration of the call to serve - a challenge to see the responsibility of missions in a new Light - and a charge to surround those that surrender their lives to the task of the Great Commission to go INTO ALL THE WORLD. Because of the saints that have come before - because of the sacrifice of those who continue to support missions around the world - because of those who still answer the call - and because of being blessed and empowered by the Holy Spirit, the name of Jesus is lifted across the globe - AND THE SUN NEVER SETS ON THE PRAISES OF THE LORD!
SKU: OU.9780193395060
ISBN 9780193395060. 12 x 8 inches.
For SATB and organ This impressive anthem is the second of two in which Michael Berkeley sets texts by Rowan Williams. First the sun, then the shadow uses words from his poem Emmaus, written in 2008. It was commissioned by Durham Cathedral Choir Association at the request of Archbishop Justin Welby.
About Oxford New Horizons
New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.
SKU: BT.DHP-1094724-030
9x12 inches. English-German-French-Dutch.
The sky creates a dazzling display of yellows, oranges, and reds, before turning a calm blue, then purple, and finally black. Such sunsets inspired Jan de Haan to write this piece for solo flugelhorn and brass band. It is dedicated to his daughter, Hermanda. Zonsondergang. De zon verdwijnt langzaam aan de westelijke horizon. De hemel is in rode en oranje kleuren getooid... Deze prachtige aanblik was de inspiratie voor dit ontroerende solowerk voor bugel en brassband. (ook verkrijgbaarvoor hobo en harmonieorkest of bugel en fanfareorkest). Jan de Haan schreef het in de herfst van 2008 en droeg het op aan zijn dochter Hermanda.Sonnenuntergang: Die Sonne verschwindet langsam am westlichen Horizont. Der Himmel ist in Rot- und Orangetöne getaucht. Dieser oft erlebte, aber immer wieder aufs Neue prachtvolle Anblick bildete die Quelle der Inspiration für ein ruhiges, aber intensives und damit sehr eindrucksvolles Solowerk für Flügelhorn und Brass Band, das Jan de Haan im Herbst 2008 seiner Tochter Hermanda widmete. Un solo charmant pour bugle que le compositeur a écrit pour sa fille Hermanda, qui joue aussi du bugle. Il tramonto del sole ispira da sempre pittori, fotografi , scrittori, poeti e anche compositori. Jan de Haan si è lasciato sedurre da questo istante meraviglioso, quando il cielo inventa infinite sfumature di arancio e rosso, su uno sfondo appena visibile di azzurro. Spettacolo grandioso che si ripete da sempre, ma che non finisce mai di stupire. In Sweet Sunset il ruolo principale è affi dato al flicorno.
SKU: BT.DHP-1094724-130
The sky creates a dazzling display of yellows, oranges, and reds, before turning a calm blue, then purple, and finally black. Such sunsets inspired Jan de Haan to write this piece for solo flugelhorn and brass band. It is dedicated to his daughter, Hermanda. Zonsondergang. De zon verdwijnt langzaam aan de westelijke horizon. De hemel is in rode en oranje kleuren getooid... Deze prachtige aanblik was de inspiratie voor dit ontroerende solowerk voor bugel en brassband. (ook verkrijgbaarvoor hobo en harmonieorkest of bugel en fanfareorkest). Jan de Haan schreef het in de herfst van 2008 en droeg het op aan zijn dochter Hermanda.Sonnenuntergang: Die Sonne verschwindet langsam am westlichen Horizont. Der Himmel ist in Rot- und Orangetöne getaucht. Dieser oft erlebte, aber immer wieder aufs Neue prachtvolle Anblick bildete die Quelle der Inspiration für ein ruhiges, aber intensives und damit sehr eindrucksvolles Solowerk für Flügelhorn und Brass Band, das Jan de Haan im Herbst 2008 seiner Tochter Hermanda widmete. Il tramonto del sole ispira da sempre pittori, fotografi , scrittori, poeti e anche compositori. Jan de Haan si è lasciato sedurre da questo istante meraviglioso, quando il cielo inventa infinite sfumature di arancio e rosso, su uno sfondo appena visibile di azzurro. Spettacolo grandioso che si ripete da sempre, ma che non finisce mai di stupire. In Sweet Sunset il ruolo principale è affi dato al flicorno.
SKU: HL.4004287
UPC: 888680067977. 9x12 inches.
Constructed between 1915 and 1928, the Tamiami Trail (U.S. Highway 41) provides over 260 miles of scenic Florida beauty between Tampa and Miami. On the Tamiami Trail reflects on this journey, and pays tribute to the Suncoast Concert Band of Sarasota (along the trail) and its director emeritus, Leo Laier. The opening fanfare sets the mood and leads to the energetic first theme. Subsequently a Latin influence is introduced along with an expressive middle theme before returning to the energetic flavor of the opening strains. A dynamic and varied overture for winds. Duration: 6:15.
SKU: PR.712409190
UPC: 843504001155.
The introduction sets the tone for this fun to sing anthem. While children will enjoy singing this anthem, they'll also learn that God is faithful and God's love is eternal. Comfortably set within the vocal range of children, the syncopations and melodic interest will have them asking to sing this song every time you meet. Easily sung in unison, the optional second part adds a little pizazz to the ending of the anthem.This will require an intermediate to advanced pianist to comfortably play the full accompaniment. Consider asking a bass player to play the moving quarter notes in the left hand piano score (that will help less accomplished pianists focus on playing the treble clef only). Ask a high school snare drum player to add a soft-brush swing style, as a fun addition to the anthem. Be careful of the balance between the keyboard, bass, snare, and singers.Performance options include adding simple movements as are appropriate for your space and setting. If you are performing this in a concert setting, consider adding easy soft-shoe style dance steps. This would be a great concert ender for a nursing home visit by your choir. Churches with projection capabilities may want to show slides of children in hands-on ministries from within your church or community as part of the performance of the anthem.Appropriate days: General praise, themes of discipleship, Christian personhood, God's love, God's presence.
SKU: GI.G-6614G
UPC: 785147661474. English. Text Source: Marty Haugen, except The Passion by Susan Briehl. Text by Marty Haugen.
Marty Haugen’s musical, That You May Have Life, proclaims the Gospel of John through song. An eclectic array of musical styles sets the stage for each chapter, bringing the emotion of the characters to life. Musical selections range from beautiful melodic ballads to lush choral harmonies. Haugen incorporates narration, sung dialogue, and song in a way that conveys more than just the biblical texts. This musical includes such familiar narratives as the woman at the well, the raising of Lazarus, and the washing of the feet at the Last Supper. The depth and breadth of each tale blooms forth, enticing us into a personal relationship with these familiar biblical figures. That You May Have Life sings these stories “that you may believe that Jesus is the Messiah and that through believing you may have life in his name.†Djembe or Conga, Shaker, Clave or Agogo bell, Drum Set.
SKU: HL.49046375
ISBN 9781540084590. UPC: 840126908251.
Peter Gabriel's 1992 Gospel Ballad; as performed by Vocal Line. A new choral series that sets a new standard: Familiar traditionals are replaced by legendary pop and jazz classics, the arrangers - among them Jens Johansen, Bertrand Groger, Oliver Gies, Thierry Lalo, Dylan Bell - rank among the great figures of the European choral scene, and the book comes along in an absolutely choir-friendly format: as a handy, modern separate edition at an affordable price - a valuable addition for all jazz, pop and gospel ensembles looking to add new pieces to their repertoire. further editions: Straighten up and Fly right / Smells Like Teen Spirit / African Call / Blues on Sunday / As.
SKU: GI.G-9548
ISBN 9781622772834.
Kitty Alone is the latest in series of captivating picture books, each based on a beloved songtale from the great American folk music heritage, and collected by John M. Feierabend. This beautifully illustrated version of Kitty Alone was conceived by illustrator Mina Echevarria, who suggested setting the song in the Appalachian Mountains and using a bobcat as the title character. Since they are rarely seen in the daytime, Appalachian locals refer to the bobcat as the “woods ghost.†Here the illustrations create the ghostly bobcat in the evening darkness of the forest encountering several delightful friends. Also notice the red thread that appears throughout.  Find it in the last picture…was it all just a dream? Like the other picture books in John M. Feierabend’s First Steps in Music series, Kitty Alone includes a description of the history of the song, the notation of the song, and a link to download the song sung by Jill Trinka at no cost. The song may be downloaded in audio: FREE MP3 Download - Full Performance MP3 download instructions: Windows users right click on the link. Mac users hold down the Control key as you click the link. Then select either Save Link As... or Save Target As... and choose the location you would like to save the file on your computer. Watch the promotional video for Kitty Alone to hear the song and see images from the picture book.  The collaborative work of author/adaptor John M. Feierabend and artist Mina Echevarria, Kitty Alone is the latest in a series of captivating picture books, each based on a beloved songtale from the great American folk music heritage. This beautifully illustrated version sets the song in the Appalachian Mountains and uses a bobcat, called a woods ghost by locals, as the title character. Like the other titles in the First Steps in Music series, Kitty Alone includes song history and notation, along with a free download link for the song, sung by Jill Trinka. An extraordinary and visually stunning picture book for children ages 3-5, Kitty Alone is unreservedly recommended for family, daycare center, preschool, elementary school, and community library collections. —Midwest Book Review, August 2019.
SKU: FJ.B1391S
English.
Depicting the awe-inspiring moments after a thunderstorm, this concert overture is an exciting and dramatic work that portrays streaks of sunlight jetting toward the horizon. A lyrical opening sets the tone as the clouds begin to break, and then the music takes off in a frenzy of excitement as the sunlight breaks through. Incredible harmonies intertwine with dynamic fanfares and woodwind flourishes as the work continues to develop. A lyrical section provides a brief respite to the active rhythmic pulse before the music takes off again, building to one last heroic statement of the main theme. Inspirational!
About FJH Concert Band
Designed for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5
SKU: HL.49015916
ISBN 9790220124518. UPC: 884088567606. 8.25x11.75x0.375 inches. Italian.
Like many Englishmen I had sung madrigals for pleasure - usually late at night with friends, after several glasses of wine. While these madrigals have their charm, and many are extremely beautiful, I found, as I began an extended exploration of the madrigal as a creative venture, that the richest source lies in the Italian Renaissance.In 1998 I embarked on a project to write a series of madrigals, eventually deciding to collect them in 'books' in the manner of Italian madrigalists, such as Monteverdi or Gesualdo. The Second Book is for an unusual six-part group - the Scandinavian Trio Mediaeval (3 sopranos) and three tenors (John Potter plus two from the Hilliard Ensemble) - and sets Petrarch in the original 14th century Italian. I focused on those sonnets known as the Rima Sparsi (scattered verses) and added one extra Petrarch setting - originally a radiophonic piece (Marconi's Madrigal) for CBC's Marconi Day. Gavin Bryars.
SKU: PL.0305
Peter Pindar Stearns has shown a gift for melody in his numerous sacred works. In this latest anthem, Stearns sets the text in such a way that the melody comforts and envelops the listener in God's steadfast love. The men have the melody at the opening, while the women have a brief solo moments later in the piece. The vocal writing compels the choir to sing with nuance and sensitivity and the organ part is beautifully written as well. While this anthem could be sung in any season, its color and mood are especially appropriate for the season of Advent.
SKU: BR.OB-14670-27
ISBN 9790004337967. 10 x 12.5 inches.
In his op. 112 Beethoven sets the two poems by Johann Wolfgang von Goethe Meeresstille (Calm Sea) and Gluckliche Fahrt (Prosperous Voyage). Several sketches reveal that Beethoven had already begun to take an interest in the poems by the end of 1814. The composer conducted the premiere at a benefit concert for the Viennese Citizens' Hospital Fund in 1815. As the publication of this work was long in coming, the dedicatee Goethe received a copy of the score only in May 1822. A few months later Beethoven inquired of him: [...] how lovely would it be to know, if I appropriately united my harmonies with yours. Also enlightenment on what is to be seen as truth, would be dearly appreciated, as I love the latter above all, and never shall be said: Veritas odium parit.The old but commendable Breitkopf material has now been definitively replaced by the new edition based on the Complete Beethoven-Edition, save for the tried and true piano reduction by Carl Reinecke, which boasts more than simply historical merits. Its existence is assured by the revised and simplified form in which it appears in the new piano reduction. It will no doubt long continue being a much appreciated aid at choral rehearsals. In the piano vocal score the articulation and dynamics were adapted to the music text of the Complete Edition.The sun recently began shining from a cloudless sky on Beethoven's Meeres Stille und Gluckliche Fahrt (Calm Sea and Prosperous Voyage) after the publication of the piano reduction and choral score which signalize the completion of the performance material based on the new Beethoven Complete Edition. (Singende Kirche).
SKU: BT.DHP-1094724-020
The sky creates a dazzling display of yellows, oranges, and reds, before turning a calm blue, then purple, and finally black. Such sunsets inspired Jan de Haan to write this piece for solo flugelhorn and brass band. It is dedicated to his daughter, Hermanda. Zonsondergang. De zon verdwijnt langzaam aan de westelijke horizon. De hemel is in rode en oranje kleuren getooid... Deze prachtige aanblik was de inspiratie voor dit ontroerende solowerk voor bugel en fanfare. (ook verkrijgbaar voorhobo en harmonieorkest). Jan de Haan schreef het in de herfst van 2008 en droeg het op aan zijn dochter Hermanda.Sonnenuntergang: Die Sonne verschwindet langsam am westlichen Horizont. Der Himmel ist in Rot- und Orangetöne getaucht. Dieser oft erlebte, aber immer wieder aufs Neue prachtvolle Anblick bildete die Quelle der Inspiration für ein ruhiges, aber intensives und damit sehr eindrucksvolles Solowerk für Flügelhorn und Fanfareorchester, das Jan de Haan im Herbst 2008 seiner Tochter Hermanda widmete. Le soleil crée un spectacle éblouissant de clouleurs jaune, orange, et rouge, avant que le ciel ne change en un bleu calme, puis violet ,et noir pour finir. De pareils couchers du soleil ont inspiré Jan de Haan écrire ce morceau pour bugle solo et fanfare. Il l’a dédié sa fille, Hermanda.
SKU: BR.OB-14670-23
ISBN 9790004337950. 10 x 12.5 inches.
SKU: BR.OB-14670-16
ISBN 9790004337936. 10 x 12.5 inches.
SKU: BR.OB-14670-19
ISBN 9790004337943. 10 x 12.5 inches.
SKU: BR.OB-14670-15
ISBN 9790004337929. 10 x 12.5 inches.
SKU: BR.CHB-14670-02
ISBN 9790004412466. 7.5 x 10.5 inches.
SKU: BR.LCE-1
ISBN 9790220118500. 9.5 x 12 inches.
Please check the respective concertos to find the orchestral parts. Symphonieorchester des Bayerischen Rundfunks Ltg. Mariss Jansons (Kompositionsauftrag des BR),,Nirai beschreibt ein imaginiertes Land ein Paradies. Zu Beginn meiner Arbeit hatte ich diese beiden Vorstellungen: von einer Fuge und von den Wurzeln auf Okinawa einer tropischen Insel im Suden Japans. Dort haben viele Baume ganz unglaubliche Formen besonders die Wurzeln haben mich fasziniert. Sie ergeben ausserst komplizierte und organische Gebilde die mich an eine Frage erinnerten. ,,Nirai heisst wortlich ,,aus den Wurzeln kommend oder ,,in Richtung der Wurzeln oder auch ,,Land der Wurzeln. Man verwendet dieses Wort um etwas zu beschreiben das aus der Vergangenheit kommt und das noch heute also in der Gegenwart sinnvoll ist. Genau wie es in Platons ,,Phaidon heisst: Alle alten Dinge kommen aus den neuen und alle neuen Dinge kommen aus den alten. Ich wollte diese Dualitat oder Interaktion zwischen zwei verschiedenen Epochen darstellen. Als Beethoven seine Symphonien schrieb benutzte er die kompositorischen Moglichkeiten die ihm zu jener Zeit zur Verfugung standen. Ich wollte das auch. Wir haben heutzutage ein riesigen Archiv an Techniken und Asthetiken auf die wir zuruckgreifen konnen. Wir konnen aus ihnen die passenden auswahlen oder sie auch kombinieren. In gewisser Weise kann man auch zu diesem Archiv ,,Nirai sagen denn es stellt das Erbe eines Volkes dar. Also wollte ich gerne eine alte Satzweise verwenden die heutzutage nicht so oft zum Einsatz kommt. Ursprunglich wollte ich das ganze Intermezzo in Fugentechnik schreiben. Aber das hat sich als zu schwierig herausgestellt. Ein Rest dieser ursprunglich geplanten Fuge ist am Anfang noch erkennbar. Die Faktur insgesamt ist eher einfach gehalten. Im Stuck ist ein stetes Accelerando angelegt fur den Horer gut wahrnehmbar obwohl mehrere Melodien gleichzeitig in unterschiedlichen Geschwindigkeiten erklingen.Was den Beethoven-Bezug betrifft so nahm ich eine kurze Phrase aus dem Schluss des letzten Satzes der Zweiten Symphonie funf kurze Wechselnoten. Daraus entwickelte ich das Stuck. Bei Beethoven steht diese Phrase in D-Dur naturlich ubernahm ich die Tonart nicht. Was mich reizte war die Tatsache dass es sich um eine kleine Sekunde handelt - das Intervall das in der zeitgenossischen Musik bevorzugt verwendet wird. Die kleine Sekunde ist sehr flexibel sie ermoglicht einem viele Formen der Verwendung. Beethoven war seinen Zeitgenossen vor allem als genialer Improvisator bekannt also nahm ich diese kleine Phrase als Thema einer Improvisation und behandelte es auf sehr freie Art. Von der Sechsten Symphonie entnahm ich keine musikalischen Zitate; stattdessen entwickle ich dieses kurze Intermezzo in ,,pastoraler Form.(Misato Mochizuki) UA der zweisatzigen Fassung: 21.10.2011 NULL World premiere version with two sets: Oct. 21 2011 NULL.
SKU: BO.B.3672
Written during the winter of 2007, this work is a metaphor of the three stages of a short but intense love story.The first movement is called Poniente. This is the name of a rainy wind that comes from west. In this sense, west is not only the place where the sun sets, but where night begins. The first movement represents the beginning, the happiness and freshness of something new. The violin evokes freshness and spontaneity over the constant rhythm of the guitar, which plays the higher voice. While the violin signs happily, the guitar, instead of being just its accompaniment, plays the role of a counterpoint with its rhythmical and constant theme.The second movement is called Largo-Balada-Largo and it's divided in two different parts. In the first one, guitar plays alone, reflexive and slow, representing the moments of loneliness of the one that waits for the lovers reunion. In the second movement, violin and guitar begin a dialogue where the violin plays a sweet yearning ballad, while the guitar answers as a baroque counterpoint. At the end, calm comes back, as in the first part of the second movement.The third movement is called Danza ritual and it is the most violent of the three parts. It represents the lovers reunion, the resolution of all the controlled excitement. It's the flame that consumes quickly but intensely. At the end of this part, the violin reintroduces the main theme of the first movement, but with a variation, more intense and dramatic. This dramatic and intense quality is also due to the guitar ostinato, which ends in a hysteric trill. This leads us again to the first part, ending the third movement and this work in a sudden setback, as an interrogation tag.
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