| String Quartets for All Seasons: Autumn - Score String Quartet: 2 violins, viola, cello [score book] Greenblatt and Seay
Arranged by Deborah Greenblatt. String Quartet. For violin 1, violin 2, viola, c...(+)
Arranged by Deborah Greenblatt. String Quartet. For violin 1, violin 2, viola, cello. This edition: spiral-bound. Score book. 64 pages. Published by Greenblatt & Seay
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| String Quartet in F Major Op. 96 (American Quartet) String Quartet: 2 violins, viola, cello G. Henle
(Study Score). Composed by Antonin Dvorak (1841-1904). Edited by Peter Jost. For...(+)
(Study Score). Composed by Antonin Dvorak (1841-1904). Edited by Peter Jost. For String Quartet (Study Score). Henle Study Scores. Softcover. G. Henle #HN7232. Published by G. Henle
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| String Quartet in F Major Op. 96 (American Quartet) String Quartet: 2 violins, viola, cello [Set of Parts] G. Henle
(Parts). Composed by Antonin Dvorak (1841-1904). Edited by Peter Jost. For Strin...(+)
(Parts). Composed by Antonin Dvorak (1841-1904). Edited by Peter Jost. For String Quartet (Parts). Henle Music Folios. Softcover. G. Henle #HN1232. Published by G. Henle
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| String Quartet No. 6 String Quartet: 2 violins, viola, cello [Study Score / Miniature] Praha
By Bohuslav Martinu (1890-1959). Miniature score for string quartet (2 violins, ...(+)
By Bohuslav Martinu (1890-1959). Miniature score for string quartet (2 violins, viola, cello). 67 pages. Published by Praha (Czech import).
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| Autumn Leaves Clarinet Quartet: 4 clarinets - Intermediate De Haske Publications
Clarinet Quartet - late intermediate SKU: BT.DHP-0920443-070 For Clari...(+)
Clarinet Quartet - late intermediate SKU: BT.DHP-0920443-070 For Clarinet Quartet. Composed by Kees Schoonenbeek. Walter Boeykens Clarinet Series. Educational Tool. Set (Score and Parts). Composed 1992. 24 pages. De Haske Publications #DHP 0920443-070. Published by De Haske Publications (BT.DHP-0920443-070). International. Eine seltene Ausgabe lieferte der holländische Komponiste Kees Schoonenbeek mit Autumn Leaves: ein schönes Klarinettenquartett für vier B-Klarinetten ohne Bassklarinette. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Autumn Leaves (clar. Qrt.) Score And Parts Clarinet Quartet: 4 clarinets [Score and Parts] De Haske Publications
Clarinet Quartet - intermediate-adv SKU: HL.44001947 For Clarinet Quar...(+)
Clarinet Quartet - intermediate-adv SKU: HL.44001947 For Clarinet Quartet. Composed by Kees Schoonenbeek. De Haske Ensemble. Educational Tool. Set (Score & Parts). Composed 1992. 24 pages. De Haske Publications #920443. Published by De Haske Publications (HL.44001947). UPC: 073999019476. International (more than one language). Eine seltene Ausgabe lieferte der hollandische Komponiste Kees Schoonenbeek mit Autumn Leaves: ein schones Klarinettenquartett fur vier B-Klarinetten ohne Bassklarinette. $21.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| String Quartet No. 3 String Quartet: 2 violins, viola, cello Peters
'Autumnal'. Composed by Alec Roth. Quartet; Single Titles; Solo Sm...(+)
'Autumnal'. Composed by Alec
Roth. Quartet; Single Titles;
Solo Small Ensembles. Peters
Contemporary Chamber Series.
Classical. Score and Part(s).
72 pages. Edition Peters #98-
EP73542. Published by Edition
Peters
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| Autumn Music 2 Chester | | |
| String Quartet Op. 37 String Quartet: 2 violins, viola, cello PWM (Polskie Wydawnictwo Muzyczne)
String Quartet (Score) SKU: HL.370494 Critical Edition Hardcover. ...(+)
String Quartet (Score) SKU: HL.370494 Critical Edition Hardcover. Composed by Karol Szymanowski. PWM. Classical. Hardcover. 60 pages. Polskie Wydawnictwo Muzyczne #9267030. Published by Polskie Wydawnictwo Muzyczne (HL.370494). ISBN 9781705147009. UPC: 840126994025. The First String Quartet in C major, Op. 37, was written in the autumn of 1917 and earned Szymanowski the first prize in a competition organized by the Ministry of Religious and in a competition organized by the Ministry of Religious and Educational Affairs in January 1922. The First String Quartet is notable for its clar and simple construction. The first movement is in the formof a sonata allegro; the Andantino semplice (in modo iuna canzone) in the middle is a cross between ternary and variation form. The final Scherzando alla burlesca also keeps to the form of a sonata allegro. The combinations and proportions of formal factors and the treatment of thematic material betray a fairly conventional adoption of classical models. Similarly, the expressive and structural use of melodic material shows a respect for traditional norms. Szymanowski created, in other works from the same period, his own individual type of melodic line, which was strongly expressive and achieved its effect chiefly by its tonal qualieties; nevertheless in this Quartet he returns to a fluid, cantilena-like, symmetrically shaped melodic line, which runs along in broad phrases of a concentrated, reflective character. Melody becomes the chief factor in the development of the form, both in thematic usage and in the application of a more polyphonic texture. Harmonic and tonal means are considerably simplified in the Quartet []. Most of the writing is linear, or horizontal, with individual treatment of each part, the parallel continuation of the four sound planes, almost a matter of principle. The functions of the particular instruments in realizing these planes are constantly changing,which accounts for the even greater variedy of tone-colour. The decision to forego experiment with forms and sonorities is reflectedin the overall approach to musical expression. The predominant atmosphere of restrained emotion, quiet lyricism and serenity is strongly suggestive of classical aestetic models. (Based on Zofia Helman Commentary on Szymanowski Complete Edition, Vol. B6) (II) The ''Second String Quartet'' represents an interesting attempt to revert to classical form coupled with the new harmonic and tonal vocabulary worked out previously in the ''Slopiewnie'', ''Stabat Mater'' and ''Mazurkas''. It was also the first time the composer had used folk elements in the framework of a major classical form. The ''Second String Quartet'' is in a special category among Szymanowski's works. Though it dates from the composer was still occupied with folk music, it nevertheless shows him returning to classical models, but at the same time using an aesthetic of subjective expression, which gives the work its own individual stamp. The ''Second String Quartet'' synthesis of the various directions in which Szymanowski was attempting to develop. The sonority and texture used in the first. $40.00 - See more - Buy online | | |
| Sorensen String Quartet No 3 String Quartet: 2 violins, viola, cello Wilhelm Hansen
Parts for String Quartet No.3 'Angel's Music' by Bent Sorensen (1988) Premiered ...(+)
Parts for String Quartet No.3 'Angel's Music' by Bent Sorensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Score available: KP00250 The composer writes: 'Even when I was writing Adieu, I knew that I wished to write Angels Music. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on Angels Music was started in Rome, where I spent the autumn of 1987 staying at The Danish Academy. Whether this stay has influenced the quartet or not is impossible to say. however, it is true to say that, in the Roman churches I visited, I saw countless angels playing in the top of frescoes and altars. Without these angels, together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico, (in fact there are only a few paintings by him in Rome, but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are, in the short rhythmic agitating part of the quartet, reminiscences of the Italian medieval Trotto dance, and in the most expressive part ofthe piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet, the distant, extremely muted sound in the high register which opens the piece, was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that little songs (maybe angel songs) could be created in this density, these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form, I felt, that not only should the little songs be created, played and die out in an echo, but also that the general pattern of the quartet should give the feeling of music which, from the distance, is getting closer and closer, culminates and at last disappears like an echo. Related to this, the general pattern of Angels Music is divided into three: a pre-echo, culmination and echo.. The relationship between the three part is 5: 6: 4. The reason why I can say this precisely and prosaically is that it was necessary to me to mark the overall guidelines before I started to compose. I had to do this in order to enable the relationships to crawl from the small cells into the general pattern.'
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| String Quartet No. 1 String Quartet: 2 violins, viola, cello Fennica Gehrman
String Quartet SKU: FG.55011-574-3 Composed by Kalevi Aho. Score+parts. F...(+)
String Quartet SKU: FG.55011-574-3 Composed by Kalevi Aho. Score+parts. Fennica Gehrman #55011-574-3. Published by Fennica Gehrman (FG.55011-574-3). ISBN 9790550115743. Kalevi Aho (b.1949) was only 18 years old when he completed his String Quartet no. 1 in g minor (1967). Nonetheless it was already the second one of its kind: the earlier string quartet in a minor got christened String Quartet No. 0 and banned from performing. The g minor quartet was heard the first time only 50 years after it was born, when the Kamus Quartet premiered it at the Musica Kalevi Aho Festival in Forssa on June 28, 2019. In Aho's home town, Forssa, it was not possible to study composition with a teacher: My model in this and the other works I composed while I was at school was all the mostly tonal music I had personally played on the violin or heard on the radio. The first movement, Moderato, begins in variation form, until followed by a fugue based on the variation theme. The initially lyrical second movement has a quick, virtuosic and light middle section. The third movement is a very quick scherzo that becomes dramatic, and the work ends with a chorale-like finale. The composer tells: When I got to study composition at the Sibelius Academy in autumn 1968 and showed the quartet to my teacher, Einojuhani Rautavaara, he said there was no point my studying tonal harmony and tonal formal constructions any longer; that I could do the exams in them straight away and start the courses in modern music resources there and then.. $60.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| String Quartet No. 10 'hosttidlos' Parts String Quartet: 2 violins, viola, cello Wilhelm Hansen
String Quartet SKU: HL.14041525 Composed by Per Norgard. Music Sales Amer...(+)
String Quartet SKU: HL.14041525 Composed by Per Norgard. Music Sales America. Contemporary Music. Set of Parts. Edition Wilhelm Hansen #KP01585A. Published by Edition Wilhelm Hansen (HL.14041525). ISBN 9788759871829. UPC: 196288071020. 9.5x14.25x0.167 inches. Danish-English. Programme Note During the composition of my tenth string quartet a flower-name, host-tidlos, came to my mind - and it would not me leave again. [hosttidlos is actually autumn crocus in English, but the composer prefers harvest-timeless, to maintain some of the associations of the Danish flower-name, red.] The paradoxical union of a seasonal time (harvest) and no-time-at-all was a good fit to the sections of the work that I had composed at that time, and I decided to tentatively stick to that title for the work-in-progress, and now, having finished the piece, I can say that is is still a fitting title - and it stands. Enough about the title, I will go on to describe themusic, a somewhat more precarious project. My tenth string quartet is probably the most basic string quartet that I have composed: melodically - and in sound - it employs the naturally based overtones and undertones (perceived at major and minor, respectively), and rhythmically it is based on growth, on the principles of the Golden Section, and the structure itself contrasts abundance and exuberance with sections of immobility and contemplation. However, Melos, melody, is definitely the dominating aspect of my STRING QUARTET NO. 10: behind even the most rhythmically complex or pure sonoric sections lies a firm - if hidden - basis of melodic or polyphonic ideas. The work was composed in 2004-2005 for the Kroger Quartet. $40.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| String Quartet No. 3 'Angel's Music' String Quartet: 2 violins, viola, cello Wilhelm Hansen
String Quartet SKU: HL.14030980 Parts. Composed by Bent Sorensen. ...(+)
String Quartet SKU: HL.14030980 Parts. Composed by Bent Sorensen. Music Sales America. Classical. Set of Parts. Edition Wilhelm Hansen #KP00249. Published by Edition Wilhelm Hansen (HL.14030980). ISBN 9788759871973. 12.0x16.0x0.285 inches. Score available: KP00250 The composer writes: 'Even when I was writing Adieu, I knew that I wished to write Angel's Music. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on Angel's Music was started in Rome, where I spent the autumn of 1987 staying at The Danish Academy. Whether this stay has influenced the quartet or not is impossible to say. however, it is true to say that, in the Roman churches I visited, I saw countless angels playing in the top of frescoes and altars. Without these angels, together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico, (in fact there are only a few paintings by him in Rome, but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are, in the short rhythmic agitating part of the quartet, reminiscences of the Italian medieval Trotto dance, and in the most expressive part of the piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet, the distant, extremely muted sound in the high register which opens the piece, was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that little songs (maybe angel songs) could be created in this density, these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form, I felt, that not only should the little songs be created, played and die out in an echo, but also that the general pattern of the quartet should give the feeling of music which, from the distance, is getting closer and closer, culminates and at last disappears like an echo. Related to this, the general pattern of Angel's Music is divided into three: a pre-echo, culmination and echo.. The relationship between the three part is 5: 6: 4. The reason why I can say this precisely and prosaically is that it was necessary to me to mark the overall guidelines before I started to compose. I had to do this in order to enable the relationships to crawl from the general pattern almost fractionally into the smallest cells of the music, or more correctly; crawl from the small cells into the general pattern.'. $69.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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