Clarinet

SKU: SP.TS160

Composed by Jonathon Robbins. Arranged by Jonathon Robbins. Collection; Ethnic. Book and CD. Santorella Publications #TS160. Published by Santorella Publications (SP.TS160).

ISBN 9781585600106. UPC: 649571101602.

The music of Latin America is as rich, diverse and stimulating as its unique culture. European, African and Indian influences have blended to create energetic rhythms and intriguing melodies that break away from their traditional origins, creating a sound that is distinctly Latin. Discover the allure of passionate and dynamic music. Latin Favorites For Clarinet published by Santorella Publications has it all. Each book in the series includes a piano with Latin percussion accompaniment CD. This Santorella Publication is arranged and edited by Jonathon Robbins in accommodating keys for trumpet, clarinet, flute, alto saxophone and trombone. A piano accompaniment book is available and sold separately. Includes: Ados Muchachos (Farewell Boys) - Adios Vida Mia - Alla en el Rancho Grande (My Ranch) - Amapola (Pretty Little Poppy) - Amor - Besame Mucho - Brazil (Aquarela Do Brasil) - Camnito (Little Lane) - Cose, Cose, Cose - Cuando Calienta El Sol (Love Me with All Your Heart) - Cuantu Le Gusta (La Parranda) - Cu-Cu-Rru-Cu-Cu, Paloma (Coo Coo Roo Coo Coo, Paloma) - El Cumbancho (Rumba Guaracha) - Granada (Fantasia Espanola) Guadalajara (Cancion Tipica de Jalisco) - Historia de un Amor (The Story of Love) - Maria Elena - Mas Que Nada (Say No More) - Mi Rival (My Rival) - Perfidia - Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps) - Rico Vacilon - Siempre en Mi Corazon (Always in My Heart) - Solamente Una Vez (You Belong to My Heart) - Tico-Tico (Tico-Tico No Fuba) - Tres Palabras (Without You).

SA, Piano or Organ

SKU: SU.80300170

For SA, Piano or Organ. Composed by Maria Löfberg. Vocal/Choral, Secular. Accompanied by piano. Choral Octavo. Treble Clef Music Press #80300170. Published by Treble Clef Music Press (SU.80300170).

The outer movements of this set have some of the most interesting two-part writing we’ve seen for a long time. Their immense rhythmic vigor and melodic vitality are paired with sensitive text setting. The middle-movement solos are equally rewarding. The texts all invoke personifications of female spirituality: the Church as bride, Wisdom with her whirling wings, the Holy Spirit, and the Church as mother. Latin. 1. O choruscans lux stellarum (O glistening starlight) SA with piano or organ; duration: 2’45; range: a-g; difficulty: medium. 2. O virtus Sapientie (Sophia! you of the whirling wings) Alto (chorus unison or solo) with piano or organ; duration: 1’30; range: c’-d; difficulty: easy. 3. Spiritus sanctus (The Spirit of God) Soprano solo with piano or organ; duration: 1’50; range: f’-g; difficulty: medium. 4. Nunc gaudeant (Let Mother Ecclesia sing for joy!) SA with piano or organ; duration: 3’10; range: a - a flat; difficulty: medium. SA, piano or organ Published by: Treble Clef Music Minimum order quantity: 8 copies.

Double bass and orchestra (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.PB-15144

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; stapled. Partitur-Bibliothek (Score Library). Solo concerto; Early classical; Classical. Study Score. Duration 20'. Breitkopf and Haertel #PB 15144. Published by Breitkopf and Haertel (BR.PB-15144).

ISBN 9790004215968. 6.5 x 9 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).

Viola (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.OB-15143-19

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Early classical; Classical. Part. 4 pages. Duration 20'. Breitkopf and Haertel #OB 15143-19. Published by Breitkopf and Haertel (BR.OB-15143-19).

ISBN 9790004342022. 10 x 12.5 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).

Basso (cello/double bass) (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.OB-15143-26

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Early classical; Classical. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 15143-26. Published by Breitkopf and Haertel (BR.OB-15143-26).

ISBN 9790004342039. 10 x 12.5 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).

Continuo realization (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.OB-15143-12

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Early classical; Classical. Part. 12 pages. Duration 20'. Breitkopf and Haertel #OB 15143-12. Published by Breitkopf and Haertel (BR.OB-15143-12).

ISBN 9790004342169. 10 x 12.5 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).