SKU: HL.44002405
UPC: 073999024050. 6.75x10.5 inches.
This classic disco hit was released by Gloria Gaynor in 1978. Following massive airplay it reached number one in pop charts around the world and in 1980 received a Grammy for Best Disco Recording. Since then it has appeared in many films and television programs and has been adopted by many causes such as HIV/AIDS awareness and the campaign for women's rights. It is also the 'stadium anthem' for the Dutch football team Feyenoord. Ensure your audience leaves any concert in an upbeat mood with this disco masterpiece.I Will Survive was in de jaren zeventig een megahit voor Gloria Gaynor. In discotheken werd het nummer grijsgedraaid. Men begaf zich destijds maar al te graag op de dansvloer om op de energieke klanken van deze song te swingen.In de jaren negentig was I Will Survive opnieuw een enorm succes. Breng tijdens uw concert met deze bewerking van Ron Sebregts leven in de brouwerij!Das Remake eines der grossten Hits von Gloria Gaynor erreichte zur Fussball-WM 1998 in der Version der Hermes House Band Kultstatus. In zwischen gehort der Song zum Standardrepertoire der Fanclubs grosser und kleiner Vereine und wird besonders im Jahr der Fussballweltmeisterschaft in Deutschland wieder in aller Ohren und Munde sein! Gloria Gaynor (de son vrai nom Gloria Fowles) est consideree comme une des plus grandes divas de l'epoque disco. En 1978, elle interprete la chanson I Will Survive qui devient un hymne de l'emancipation feminine. En 1997, reprise par le groupe Hermes House Band, elle devient l'hymne des rugbymen du Stade Francais, puis celui de l'Equipe de France de Football lors de la Coupe du Monde 1998.
SKU: YM.GTP01100466
ISBN 9784636103175. 8.5 x 12 inches.
Yoshiko Kurokawa's new proposal of piano technique. The author, Yoshiko Kurokawa, explains that you can easily and effectively learn the basic techniques that are important for piano performance, as described in Chopin's Draft of Technique, Brahms' Practice Book, and Hummel's Theory of Piano Technique. In addition to warm-up and exercise pieces by the auther Kurokawa herself, the book includes works by composers such as Hummel, Clementi, and Mozart, as well as exercise-specific exercises by Japanese composer Yasuhisa Tohma. The book is full of essential elements for piano playing and techniques, such as control of tone and volume balance in accompaniment form, awareness of palm strength essential for playing heavy notes, various ways of playing ornamented notes, tone and joint training depending on how the arms are placed when crossing, and important future techniques using the wrists and arms.
SKU: BT.WMP2315
ISBN 9789811105562. English.
The latest of this series comprises popular choice pieces and alternative works from the ABRSM Piano Examination syllabi. These pieces have been specially selected for examination purposes and general repertoire study. Meticulously fingered and edited by Josephine Koh, the Teachers' Choice Selected Piano Repertory & Studies, just like the past series, offers teaching points and performance directionsthat help to develop technical assurance and stylistic awareness in the students. All works in Teachers' Choice are beautifully scored for comfort of reading. Beyond examinations, the series is enjoyed by music teacherswhouse the studies presented in each grade, for the development of specific technical skills in their students.
SKU: BT.PMC4513
Names comes from a cycle of 11 a cappella choral pieces derived from Early Moon, a collection of poetry by Carl Sandberg. The images in these simple, direct lyrics have a depth and resonance that all but cry out for musicalexpression. Names is the first piece in the cycle, and it simply, like a small child, names things - names them with a growing awareness of their generality, and their unity. A horse is more than an individual horse - fish, birds,men, woemn, children: they are, all of them, something larger than they seem - and they are named All God's children.
SKU: BR.OB-5302-16
ISBN 9790004340028. 10 x 12.5 inches.
Between Beethoven and Brahms, a long neglected workSchumann's last work for solo instrument and orchestra was not given its premiere until 1937, at which time it was also released in an editorially inadequate version. A re-evaluation of Schumann's late oeuvre began in the 1980s, in the wake of which the missing link between the concertos of Beethoven and Brahms (Yehudi Menuhin) also drew increasing attention. Since then, those in the know have come to appreciate the work, whose unique musical and technical demands challenge for both interpreter and listener.This new edition of what is perhaps the most underestimated masterpiece of the Romantic era is the first meticulously prepared Urtext edition of the score. Nothing short of incredible is the fact that the composer's own piano reduction from which Clara Schumann and Joseph Joachim played the piece is being published here for the first time! Thomas Zehetmair, who has significantly contributed to the re-assessment of the concerto, assumed the task of providing a sound technical basis to his revision of the solo part.Perhaps this edition will help stimulate awareness and appreciation of this unjustly forgotten romantic violin concerto described by Menuhin as the missing link between the concertos by Beethoven to Brahms. (John Thomson, Stringendo)Schumann's last work for solo instrument and orchestra was not given its premiere until 1937. This new edition is the first meticulously prepared Urtext edition of the score and the composer's own piano reduction - from which Clara played the piece!
SKU: HL.49014905
ISBN 9780946535231. 8.25x11.75x0.209 inches. English.
Aural Matters in Practice provides a set of aural training exercises based on the tracks of its companion CD, The Essential Hyperion, for use in the preparation of students for advanced music examinations. It is designed to supplement the materials in Part II of Aural Matters (Schott ED 12430) by same authors. The seminal Aural Matters is primarily a resource to help students improve their own aural perception and stylistic awarness of music. Aural Matters in Practice has been written at the request of many teachers seeking additional materials to use in classes or study groups, both to monitor progress and to provide further practice in working formal tests. The books has accordingly been designed with space for students' responses and with model answers (plus suggested marks and a scheme of work) printed on the centre folios for easy removal if desired. The 28 tests are complementary to those in Aural Matters; some encompass related musical material while others provide the opportunity to investigate styles and genres that were only touched upon in the original volume.
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