SKU: SU.00220207

AVAILABLE FOR SALE TO U.S. CUSTOMERS ONLY The complete Double Bass parts [CD-ROM] for the 48 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 8: Stravinsky, Bartók and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: BARTÓK Rhapsody for Piano and Orchestra, Suite No. 1, Suite No. 2, 2 Portraits, 2 Images, 4 Pieces, Romanian Folk Dances; CARPENTER Adventures in a Perambulator (Fantastic Suite); DOHNÁNYI Variations on a Nursery Song; ENESCO Romanian Rhapsody No. 1, Romanian Rhapsody No. 2; FALLA Nights in the Gardens of Spain, La Vida Breve Dance, The Three-Cornered Hat Dances; GLAZUNOV Violin Concerto; JANÁCEK Lachian Dances 1-6; MILHAUDSuite No. 2 Symphonique, Saudades do Brasil; PROKOFIEV Piano Concerto No. 1, Piano Concerto No. 3, Violin Concerto No. 1, Symphony No. 1 (Classical); RACHMANINOFF Symphony No. 1, Symphony No. 2, Isle of the Dead, Piano Concerto No. 1, Piano Concerto No. 2, Piano Concerto No. 3; RESPIGHI Ancient Airs and Dances Suite No. 1, Fountains of Rome, Concerto Gregoriano; STRAVINSKY Petrushka Suite, The Rite of Spring (1911 version), Chant du Rossignol (original version), Pulcinella Suite, Suite No. 1 for Small Orchestra, Fireworks, L'Histoire du Soldat, Scherzo Fantastique, Four Studies for Orchestra, Symphony No. 1; VAUGHAN WILLIAMS Symphony No. 1 (Sea), Symphony No. 2 (London), Symphony No. 3 (Pastoral), Wasps Overture (Suite), Fantasia on a Theme of Thomas Tallis, Fantasia on Christmas Carols, Five Mystical Songs Visit for more information

Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.

SKU: BT.DHP-1043650-070

This publication contains arrangements of Vom Himmel hoch, o Englein kommt, one of the oldest German carols and Lobt Gott, ihr Christen alle gleich, written in 1554. These are great works for your Christmas concert as the variable instrumentation allows for great flexibility inperformance.Available parts:Part 1 C’ FlutePart 1 C” OboePart 1 Eb Clarinet, CornetPart 1 Bb Clarinet, Trumpet, Soprano Saxophone, Flugel Horn, CornetPart 2 C FlutePart 2 Bb Clarinet, Trumpet, Flugel Horn, CornetPart 2 F English Horn, HornPart 2 Eb Alto Saxophone, HornPart 3 C Bassoon, Trombone, EuphoniumPart 3 F HornPart 3 Eb Alto Clarinet, HornPart 3 Bb TC Tenor Saxophone, Trombone,Baritone, EuphoniumPart 3 Bb BC Trombone, EuphoniumPart 4 C Bassoon, Trombone, Bass, Double Bass, EuphoniumPart 4 Bb TC Bass Clarinet, Trombone, Euphonium, BassPart 4 Bb BC Trombone, Euphonium, BassPart 4 Eb TC Baritone Saxophone, BassPart 4 Eb BC Bass

AThis publication contains arrangements of Vom Himmel hoch, o Englein kommt, one of the oldest German carols and Lobt Gott, ihr Christen alle gleich, written in 1554. These are great works for your Christmas concertas the variable instrumentation allows for great flexibility inperformance.Available parts:Part 1 C’ FlutePart 1 C” OboePart 1 Eb Clarinet, CornetPart 1 Bb Clarinet, Trumpet, Soprano Saxophone, Flugel Horn, CornetPart 2 C FlutePart2 Bb Clarinet, Trumpet, Flugel Horn, CornetPart 2 F English Horn, HornPart 2 Eb Alto Saxophone, HornPart 3 C Bassoon, Trombone, EuphoniumPart 3 F HornPart 3 Eb Alto Clarinet, HornPart 3 Bb TC Tenor Saxophone, Trombone, Baritone,EuphoniumPart 3 Bb BC Trombone, EuphoniumPart 4 C Bassoon, Trombone, Bass, Double Bass, EuphoniumPart 4 Bb TC Bass Clarinet, Trombone, Euphonium, BassPart 4 Bb BC Trombone, Euphonium, BassPart 4 Eb TC Baritone Saxophone, BassPart4 Eb BC Bass

Hinter diesem Titel verbergen sich die traditionsreichen Lieder Vom Himmel hoch, bearbeitet von Jan de Haan, und Lobt Gott, ihr Christen, alle gleich, von Jacob de Haan arrangiert und verwoben mit Material aus dem gregorianischen Gesang Puer Natus Est. Besetzungsmöglichkeiten:Part 1 Fl Ob Kl B/Es S-Sax Trp Part 2 Fl Cor Ang Kl B A-Sax Trp Hrn Part 3 Alt-Kl T-Sax Fg Hrn Pos Euph Part 4 B-Kl B-Sax Fg Pos Euph Tuba Kb.

SKU: BT.EDCDC00215

SKU: PR.466411770

UPC: 680160640850. 9 x 12 inches.

Mississippi I. Father of Waters: born of the Highlands and the Lakes; the Glaciers, the Mountains, and the Prairies. The picture of your birth is clounded in the ice and mists of ancient ages but your spirit remains our life stream. II. The Red Man knew your bountiful gifts and gave thanks to the Great Spirit on your banks. -- The Spanish and French Fathers brought the glory of Christianity to America on Mississippi. But all men, white and dark; -- Indian, Spaniard, and Negro; Bourbon and Yankee, combined to make Mississippi the heart of America. Saga of the Mississippi Harl McDonald Born near Boulder, Colorado, July 27, 1899 Now living in Philadelphia The original suggestion for a symphonic work on the subject of the Mississippi came indirectly from the late Booth Tarkington who saw in it color and movement and atmosphere translatable into the terms of music. In the course of time, by the mysterious processes of composers' chemistry, it took shape as a tone-poem of two sections, one representing the rise of the great stream from its primeval geologic sources, the other the human history of the river. Mr. McDonald devised the following verbal outline of the general scheme of his diptych: I. Father of Waters: born of the Highlands and the Lakes; the Glaciers, the Mountains, and the Prairies. The picture of your birth is clounded in the ice and mists of ancient ages but your spirit remains our life stream. II. The Red Man knew your bountiful gifts and gave thanks to the Great Spirit on your banks. -- The Spanish and French Fathers brought the glory of Christianity to America on Mississippi. But all men, white and dark; -- Indian, Spaniard, and Negro; Bourbon and Yankee, combined to make Mississippi the heart of America. The first of the two movements, beginning molto andante, is vaguel modal to hint at antiquity. It is built upon the conventional two themes, with an episode, poco piu mosso, misterioso, for prehistoric murk and muck. There are various changes of pace and mood. The second, Allegro ma vigorosamente, prefigures an Indian ceremony. A theme presented by flute, clarinet and bassoon is a Canadian Indian fishing call collected by the late J.B. Beck. A later passage of quasi-Gregorian chant identifies the French and Spanish priests who made the great river their highway. The fishing-call is altered in rhythm and harmony to represent Negro field hands and roustabous. A turbulent close brings all these elemts together in the muddy swirling currents of the Mississippi. The work was begun in the summer of 1945, and was revised and completed in the summer of 1947. Harl McDonald, who is the manager of The Philadelphia Orchestra, has concerned himself with music as an art, as a science and as a business in course of his career. He was born on a cattle ranch in the Rockies, but since his was a musical family, his up-bringing combined piano lessons with ranch life. Years of study and professional experience followed in Los Angeles and in Germany. In 1927 he was appointed lecuter in composition at the University of Pennsylvania and he has since then made is home in Philadelphia. In 1933 under a grant of the Rockefeller FOundation he collaborated with physicists in research dealing with the measurement of instrumental and vocal tone, new scale divisions and the resultant harmonies. In that same year he was named head of the University's music faculty and conductor of its choral organizations. In 1939, having been a member of the Board of Directors for five years, he was appointed manager of The Philadelphia Orchestra. He continus to write, but otherwise his entire attention is now devoted to managerial duties. Chief items in the catalogue of his compositions are four symphonies, three orchestra suites, a half-dozen tone-poems, three concertos and considerable quantity of choral music.

SKU: CA.9100612

ISBN 9790007229986. Language: Latin.

The antiphon Regina caeli by Carl Bitters von Dittersdorf, laid out in rondo form, to highlighted throughout by virtuosic passages for the two solo sopranos. Backed by choir and orchestra, this is a work featuring concertante technique, but it also reveals its background of Gregorian plainsong. Score and part available separately - see item CA.9100600.

SKU: CA.2706015

Language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

SKU: CA.2719414

ISBN 9790007200916. Language: Latin.

Giuseppe Verdi's Te Deum for double choir and large orchestra is the most frequently performed work of his Quattro pezzi sacri; composed in 1895/96, the Te Deum was his next to last work. Verdi came to terms intensively and in a very personal manner with the text of the Ambrosian hymn of praise. In a compact formal structure a broad range of styles unfolds, from the monodic beginning in Gregorian chant via large dramatic effects to the soft, doubtful dying away of the conclusion. The work is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and part available separately - see item CA.2719400.

SKU: CA.2719419

ISBN 9790007137144. Language: Latin.

Giuseppe Verdi's Te Deum for double choir and large orchestra is the most frequently performed work of his Quattro pezzi sacri; composed in 1895/96, the Te Deum was his next to last work. Verdi came to terms intensively and in a very personal manner with the text of the Ambrosian hymn of praise. In a compact formal structure a broad range of styles unfolds, from the monodic beginning in Gregorian chant via large dramatic effects to the soft, doubtful dying away of the conclusion. The work is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and parts available separately - see item CA.2719400.

SKU: SU.00220198

AVAILABLE FOR SALE TO U.S. CUSTOMERS ONLY The complete Clarinet (including Eb and Bass Clarinet) parts [CD-ROM] for the 48 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 8: Stravinsky, Bartók and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: BARTÓK Rhapsody for Piano and Orchestra, Suite No. 1, Suite No. 2, 2 Portraits, 2 Images, 4 Pieces, Romanian Folk Dances; CARPENTER Adventures in a Perambulator (Fantastic Suite); DOHNÁNYI Variations on a Nursery Song; ENESCO Romanian Rhapsody No. 1, Romanian Rhapsody No. 2; FALLA Nights in the Gardens of Spain, La Vida Breve Dance, The Three-Cornered Hat Dances; GLAZUNOV Violin Concerto; JANÁCEK Lachian Dances 1-6; MILHAUDSuite No. 2 Symphonique, Saudades do Brasil; PROKOFIEV Piano Concerto No. 1, Piano Concerto No. 3, Violin Concerto No. 1, Symphony No. 1 (Classical); RACHMANINOFF Symphony No. 1, Symphony No. 2, Isle of the Dead, Piano Concerto No. 1, Piano Concerto No. 2, Piano Concerto No. 3; RESPIGHI Ancient Airs and Dances Suite No. 1, Fountains of Rome, Concerto Gregoriano; STRAVINSKY Petrushka Suite, The Rite of Spring (1911 version), Chant du Rossignol (original version), Pulcinella Suite, Suite No. 1 for Small Orchestra, Fireworks, L'Histoire du Soldat, Scherzo Fantastique, Four Studies for Orchestra, Symphony No. 1; VAUGHAN WILLIAMS Symphony No. 1 (Sea), Symphony No. 2 (London), Symphony No. 3 (Pastoral), Wasps Overture (Suite), Fantasia on a Theme of Thomas Tallis, Fantasia on Christmas Carols, Five Mystical Songs Visit for more information

Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.

SKU: CA.2708714

ISBN 9790007200206. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the present Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal. Score and part available separately - see item CA.2708700.

SKU: CA.2718805

ISBN 9790007330422. Language: LAT/EN/DT.

After Missa Latina and Magnificat, Te Deum is now the third major composition by musician and composer Karl Albrecht “Bobbi” Fischer published by Carus. Fischer’s musical roots lie in classical music, which he combines with jazz elements and Latin American rhythms.

All three styles appear in the Te Deum. In keeping with the proclamation “Te Deum laudamus” (We praise thee, O God), the work begins with the festive (Cuban) energy, propelled by timpani and trumpet; the choir can also be heard imitating fanfares. Later, a cappella choruses become a recurring element, in which phrases set as Gregorian chant are presented against an ever-changing chordal background. But the score also features elements of swing and rhythm & blues, frenetic choral outbursts of joy, as well as moments of mystic contemplation. Moreover, the instrumentalists are given ample opportunity for improvised solos. Interwoven into the otherwise Latin text is the well-known German chorale Großer Gott, wir loben dich. Here several verses can be sung with the congregation; alongside the original German text, the score features the English translation “Holy God, we praise thy name”.

- An exciting combination of classical choral music with elements of jazz and Latin American music

- The congregation can take part in the performance (chorale)

- Singers can choose between Latin/German or Latin/English

- Varied mix of styles

- An enrichment of our crossover program