SKU: BU.EBR-A038
ISBN 9790560151090. 8.58 x 12.48 inches.
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.Jean Sebastien Bach a écrit 15 Inventions à deux voix (BWV 772-786) et 15 Inventions à trois voix (BWV 787-801) qu'il a nommées Sinfonias. Il les publie en 1723 à Cöthen. Ce sont des ouvrages didactiques. Avec ces trente inventions Bach vise surtout à instruire et à mettre en place une méthode pour les enfants. Il exprime sa pensée en préface dans un des manuscrits autographes des Inventions : « Méthode sincère destinée aux amateurs, aux apprentis pour leur apprendre à jouer correctement à deux parties, à procéder ultérieurement juste et bien avec deux ou trois parties obligées, à avoir de bonnes inventions, acquérir une manière chantante de jouer, ainsi qu'un avant goût de la composition ».Ainsi les morceaux sont groupés suivant l'ordre des demi-tons de la gamme et non pas selon la complication croissante des tonalités. Chaque invention a un seul motif thématique. Ce motif peut être agrandi en thème et par la suite, mené en contrepoint avec d'autres petits motifs et la recherche d'un équilibre rigoureux dans chaque invention est une grande difficulté qui peut dépasser la compréhension d'un pianiste novice. Bach intègre dans ces morceaux toute une panoplie de procédés techniques comme le canon, le contrepoint, la complexité de la composition nécessitant l'utilisation de la pédale harmonique et la façon d'ornementer un motif thématique.On peut entrevoir dans ces Inventions une manière de synthétiser sa méthode de travail et une initiation à l'écriture musicale. Sur un rythme binaire à 3/4, Bach montre un côté joyeux et léger dans ce morceau. Un canon à l'octave est le point central de cette Invention n°8. Ce passage est entrecoupé de moments musicaux qui se présentent sous forme de courbes mélodiques à la tierce entre les deux mains ou de marches harmoniques descendantes.Pas une note, ni phrase mélodique, ni procédé d'écriture qui ne soient indispensables dans cette miniature. Rien de superflu n'encombre les dessins mélodiques. Tout est épuré pour ainsi révéler des instants de climats agréables et fugitifs d'une grande sensibilité pour l'interprète.
SKU: PR.ZM27300
SKU: PR.ZM26770
SKU: BT.EMBZ6913
English-German-Hungarian.
SKU: BA.BA06431
ISBN 9790006479474. 29.1 x 21 cm inches.
SKU: VD.DCD032-033
ISBN 9790202013588.
SKU: BR.PB-4521
Bach's great ,,Heaviness Cantata - Now with a new piano-vocal score by Matthias Grunert.
ISBN 9790004204191. 9 x 12 inches.
The cantata I had great heaviness of heart BWV 21 is one of the most popular and beloved vocal works of Johann Sebastian Bach. Intended for a performance on the third Sunday after Trinity as well as in ogni tempo (for any occasion), this work occupies a special place within Bach's cantata oeuvre. Particularly unusual is not only its approx. 40-minute duration, but also the work's wealth of forms and sounds. Matthias Grunert, cantor of the Dresden Frauenkirche, put together an entirely new piano-vocal score to this main work from Breitkopf's Bach Cantata series. His work is supplemented by a revised new engraving of the continuo part.Bach's great ,,Heaviness Cantata - Now with a new piano-vocal score by Matthias Grunert.
SKU: BA.BA10006-86
ISBN 9790006489862. 32.5 x 25.5 cm inches.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA05014-98
ISBN 9790006461691. 27 x 19 cm inches. Language: German.
SKU: PR.ZM19840
UPC: 680160649594.
SKU: HL.48185699
UPC: 888680906696. 9.0x12.0x0.089 inches.
Toccata And Fugue Bwv 565 Chromatic Fantasy 903.
SKU: BA.BA05938-74
ISBN 9790006544004. 32.5 x 25.5 cm inches.
SKU: CA.3123211
ISBN 9790007211004. Language: Latin.
Bach's B minor Mass is among the greatest and most ambitious works of all time. The various stages of composition of the Mass occupied the composer for over two decades: beginning with the Sanctus (1724), by way of the Missa of 1733, to the remaining movements of the Ordinary, which were composed during his last years. Thus the Mass, in its wealth of forms with arias, duets, as well as concertante and fugal choruses, displays the essence of Bach's skill and personal style. The greatest musical work of art of all times and all peoples (to quote the enthusiastic Hans Georg Nageli, who first edited the Mass in 1818) and one of the most demanding choral works in the repertoire is presented by Frieder Bernius, the Kammerchor Stuttgart and the Barockorchester Stuttgart in a stellar recording based on the principles of historical performance practice (Carus 83.211). Awarded the Gramophone - Editor's Choice. Score and part available separately - see item CA.3123200.
SKU: BA.BA05182-65
ISBN 9790006466368. 32.5 x 25.5 cm inches. Key: F major.
SKU: BR.PB-4949
For the composition of the Christmas Oratorio, Bach made use of the parody method - as he did in other large vocal works as well - that is, he drew upon previously written pieces and skilfully adapted them to the new text.
ISBN 9790004207376. 9 x 12 inches.
For the composition of the Christmas Oratorio, Bach made use of the parody method - as he did in other large vocal works as well - that is, he drew upon previously written pieces (here primarily from the Congratulatory Cantatas BWV 213 and 214) and skilfully adapted them to the new text. It is likely that Bach began working on the music during the Advent period of 1734. Besides the first performance which took place during the Christmas season 1734/35, it seems quite probable that other performances were held during Bachs lifetime, since the original, partly autographic performance material discloses traces of frequent use.For the composition of the Christmas Oratorio, Bach made use of the parody method - as he did in other large vocal works as well - that is, he drew upon previously written pieces and skilfully adapted them to the new text.
SKU: BA.BVK02494
ISBN 9783761824948. 37.5 x 24.5 cm inches. Text Language: English, German. Preface: Barbara Schneider-Kempf.
“I have never experienced such silence or seen an audience moved in this way.†Felix Mendelssohn BartholdyUp to the present day there has scarcely been a work in the history of music which has fascinated listeners and performers more than Bach’s “St Matthew Passionâ€. Originally composed for Vespers on Good Friday, and even longer in duration than the “St John Passionâ€, it reconstructs the story of Christ’s Passion with immense musical, emotional and spiritual intensity.And so, this monumental and complex composition has come to rank amongst the high points of Western culture. For good reason the “rediscovery†of Johann Sebastian Bach’s music began in 1829 with the performance of this work by Felix Mendelssohn Bartholdy and the Berlin Singakademie.The autograph manuscript is regarded as one of Bach’s most beautiful – the fair copy demonstrates the importance he attached to the careful preservation of the work for posterity. A further spezial feature is the coloured ink with which he wrote the biblical text and the music of the chorale “O Lamm Gottes, unschuldigâ€.This facsimile edition reproduces the autograph score of the “St Matthew Passion†for the first time in high-quality colour printing. The Bach specialist Christoph Wolff introduces the background to the work’s composition and the characteristics of the manuscript.Barbara Schneider-Kempf and Martina Rebmann (Staatsbibliothek zu Berlin) provide further details regarding the history of the autograph manuscript.
SKU: HL.48189031
Bach Js Inventions A 2 Voix Bwv772 A 786 Piano Book.
SKU: HL.48185189
UPC: 888680851927. 7x10.5 inches.
“Johann Sebastian Bach: Jesu, nun sei gepreiset BWV41 (Choral-Mixed accompanied)&rdquo.
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