Transcription for Guitar Quartet Score and Parts. Composed by Johann Sebastian Bach (1685-1750) and Heitor Villa-Lobos (1887-1959). Arranged by Alessandro Borin. Guitar. Softcover. Ricordi #ER3071. Published by Ricordi

(A Fun and Comprehensive Overview of Latin Guitar Playing). By Doug Munro. For Guitar. Book; CD; Guitar Method or Supplement; Method/Instruction. The Total Guitarist. Jazz. 128 pages

Composed by Johann Sebastian Bach (1685-1750), edited by Emil Platen. BWV 236. For SATB solos, SATB choir and piano accompaniment. Urtext of the New Bach Edition. Format: vocal score. With choral notation and piano reduction. Baroque. G Major. Text language Latin. 47 pages. 7.5x10.5 inches. Duration 30m. Published by Baerenreiter-Ausgaben.

From Magnificat. Composed by Johann Sebastian Bach (1685- 1750). Arranged by Russell L. Robinson. Choral Exploration. Baroque, Concert, Festival, General Worship, Latin, Mass, Sacred. Octavo. 8 pages. Duration 130 seconds. Published by Hal Leonard

By Johann Sebastian Bach. Arranged by John W. Schaum. For Piano. Piano - Schaum Method Supplement. Schaum Master Composer Series. Book. 32 pages. Published by Alfred Publishing.

Composed by Charles Francois Gounod (1818-1893), Franz Schubert (1797-1828), Johann Sebastian Bach (1685-1750). For high voice, medium voice, low voice, piano (accompaniment and solo) and organ (accompaniment and solo). Format: Vocal/piano/organ book. With vocal melody, vocal text, piano accompaniment, organ accompaniment, piano solo, organ solo and introductory text. Baroque and classical period. 80 pages. 9x12 inches.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500913

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Viola 1. Sacred vocal music, Masses, Latin. Single Part, Viola 1. Duration 12 minutes. Carus Verlag #CV 35.009/13. Published by Carus Verlag (CA.3500913).

ISBN M-007-25281-6. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500912

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Violin 2. Sacred vocal music, Masses, Latin. Part. Duration 12 minutes. Carus Verlag #CV 35.009/12. Published by Carus Verlag (CA.3500912).

ISBN M-007-25280-9. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500900

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Sacred vocal music, Masses, Latin. Full Score. Duration 12 minutes. Carus Verlag #CV 35.009/00. Published by Carus Verlag (CA.3500900).

ISBN M-007-24548-1. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500914

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Viola 2. Sacred vocal music, Masses, Latin. Single Part, Viola 2. Duration 12 minutes. Carus Verlag #CV 35.009/14. Published by Carus Verlag (CA.3500914).

ISBN M-007-25282-3. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

Complete edition in 23 volumes. Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger, Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Set with study scores. Sacred vocal music, Cantatas, Masses, Latin, Oratorios, Passions. Package. 12808 pages. Carus Verlag #CV 31.500/00. Published by Carus Verlag (CA.3150000).

For Violin and Piano Piano Accompaniment; Violin (Violin/Piano)

SKU: HL.978474

Arranged by Endre Granat. LKM Music. Classical, General Worship, Sacred. Softcover. Lauren Keiser Music Publishing #S511046. Published by Lauren Keiser Music Publishing (HL.978474).

ISBN 9781638871361. UPC: 196288090922. 9.0x12.0x0.102 inches.

This one of a kind album pairs two of the most performed Ave Maria's for violin and piano, meticulously edited by Jascha Heifetz' protege, Endre Granat. The first of these is Schubert's melody, which was originally composed as a setting of a song from Walter Scott's popular narrative poem The Lady of the Lake, titled, “Ellen's Third Song” (Ellens dritter Gesang). The opening words and refrain of Ellen's song, namely “Ave Maria” (Latin for “Hail Mary”), may have led to the idea of adapting Schubert's melody as a setting for the full text of the traditional Roman Catholic prayer. The Latin version of the song is now so frequently used with Schubert's melody that it has led to the misconception that he originally wrote the melody as a setting for the “Ave Maria.” The second Ave Maria in this collection was created when Gounod famously improvised the melody over the background of J.S. Bach's Prelude No. 1 in C major, BWV 846, from The Well-Tempered Clavier. Gounod's beatiful improvisation was transcribed by his future father-in-law Pierre-Joseph-Guillaume Zimmermann, which was published with the Bach keyboard accompaniment in 1835 under the title “Méditation sur le Premier Prélude de Piano de S. Bach.” Alongside Schubert's version, the Bach/Gounod Ave Maria has become a fixture at funerals, wedding masses, and quinceañeras. Both works have been recorded hundreds of times during the twentieth century.

Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SSATB vocal soli, SSAATTBB choir, 2 flute, 3 oboe/2 oboe d'amore, 2 bassoon, horn, 3 trumpet, timpani, 2 violin, viola, basso continuo. This edition: Paperbound. Latin Masses. Study score. Language: Latin. BWV 232. 312 pages. Duration 100 minutes. Published by Carus Verlag