SKU: HL.50601278
UPC: 888680743802. 8x11.75 inches.
The violinist Dana Anka from Bucharest is a member of the Nathan Quartet. She made a highly successful adaptation of the Goldberg Variations, BWV 988 for string quartet which she has frequently performed with the Nathan Quartet, as well as a string orchestra version.
SKU: HL.48189036
UPC: 888680886646. 9.0x12.0x0.103 inches.
Bach Js 6 Petits Preludes Bwv933 A Bwv938 Piano Book.
SKU: BR.OB-4698-26
ISBN 9790004334195. 10 x 12.5 inches.
With his usual editorial thoroughness, Hans Gruss has examined the sources and prepared the new edition of the cantata BWV 198, known under the name Ode of Mourning. This new edition continues Breitkopf's long-standing project of offering complete performance material on sale to all major Bach cantatas.
SKU: HL.49032240
ISBN 9790001118132.
SKU: HL.48184798
UPC: 888680846664. 9.0x12.0x0.052 inches.
Written by J. S. Bach and arranged by Maurice Durufle for Organ, ?Chorale: Jesus bleibet meine Freude? (Jesus, que ma joie demeure) is the tenth movement extract of the ?Rejoice yourself, my soul?, the cantata BWV 147. Part of the expanded version composed for the feast of Visitation, it was added to the main Cantata in 1923. This religious piece is quite difficult and features the use of: - Swell: Oboe 8? - Choir: Bourdons 16? 8? Principal 8? Octave 4? Fifteen 2? Mixture - Great: Bourdon 8? - Pedals: Bourdons 16? 8? .
SKU: HL.14045137
ISBN 9788850713646. Italian-English.
SKU: HL.49047413
ISBN 9784113370373. UPC: 196288216544. 9.0x12.0x0.16 inches.
“[Bach's] six unaccompanied cello suites bring together three voices - two upper voices and a bass - into one line. If so, the Goldberg Variations, which have the same structure, might also be reproduced for unaccompanied cello. This sudden idea led me to the arrangement of the piece. Of course, it is impossible to reproduce every single note, but I aimed to arrange it in a way that all the notes would sound in our mind. When combining the three lines into one, the most crucial consideration was, 'What would Bach do?' I carefully read materials and scores, repeatedly listened to recordings, performed my arrangement in concerts, and revised it over and over. That time was not painful, but pure joy, and it was a time to immerse myself in 'being Bach.' It is no exaggeration to say that it was more a time of recreation rather than arrangement. The articulations and slurs are fundamentally based on the facsimile of the first edition (the edition by Anne Fuzeau Productions) that Bach himself owned. It is a highly credible edition with corrections in red written by Bach.” Arrangement period: 2017-2023 Premiere: December 8, 2020 at Daisuke Kitaguchi Cello Recital; Muramatsu Recital Hall Shin-Osaka (Osaka).
SKU: BA.BA05061-41
ISBN 9790006463015. 32.5 x 25.5 cm inches.
This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume.
SKU: BR.OB-4625-11
ISBN 9790004316740. 9 x 12 inches.
Mit Fried und Freud ich fahr dahin is one of the incostable summits of Johann Sebastian Bach's cantata production. This completely new edition - with organ part, note well - has just about nothing in common with our previous rental material except for the name of the publisher! Eva-Maria Hodel, the editor of this first modern-day critical edition, has gone back to the original sources - which was no small feat, considering that Bach's score is apparently lost. Fortunately, a set of parts corrected by Bach himself is still extant.
SKU: CA.1811400
ISBN 9790007088002.
SKU: PR.ECH0101
UPC: 680160677429.
SKU: HL.1189843
ISBN 9781705192412. UPC: 196288131489. 9.0x12.0x0.236 inches.
Sometimes you just need some soothing piano music to relax, unwind, and let go. This collection gathers nearly 40 beautiful classical favorites for the intermediate-level player. Works include: Air (from Water Music) (Händel) â?¢ Arietta, Op. 12, No. 1 (Grieg) â?¢ Bagatelle in G Major, Op. 126, No. 5 (Beethoven) â?¢ Canon in D (Pachelbel) â?¢ Clair De Lune (Debussy) â?¢ Gymnopedie No. 1 (Satie) â?¢ Lullaby (Cradle Song) (Brahms) â?¢ La Pastorale (Burgmüller) â?¢ Piano Sonata No. 8 â??Pathetiqueâ? (Beethoven) â?¢ Prelude in A Major, Op. 28, No. 4 (Chopin) â?¢ Prelude in C Major (Bach)â?¢ Reverie (Debussy) â?¢ Slumber Song (Gurlitt) â?¢ The Swan (Le Cygne) (Saint-Säens) â?¢ Waltz in A-Flat Major, Op. 39, No. 15 (Brahms) â?¢ and more.
SKU: HL.49021411
ISBN 9783795720049. UPC: 841886002685. 6.25x9.25x1.08 inches. German.
Die beim 78. Bachfest der Neuen Bachgesellschaft in Frankfurt an der Oder gehaltenen Vortrage werden in gedruckter Fassung vorgelegt. Ein weiterer thematischer Schwerpunkt ist dem fruhen Hammerflugel vorbehalten; die Resultate eines Symposiums im Musikinstrumenten-Museum werden prasentiert. In einem umfangreichen Beitrag zum Musikleben der preussischen Hauptstadt wahrend der Regierungszeit Friedrich II. werden die Zeitungsmitteilungen ausgewertet und die musikalischen Ereignisse in Berlin dokumentiert und kommentiert. Der Bedeutung des Volksliedes fur die Kunstmusik im ausgehenden 19. und beginnenden 20. Jahrhundert aus deutscher und aus litauischer Sicht sind zwei weitere Betrachtungen zuzuordnen.
SKU: BR.OB-4064-12
The aim of this combined scholarly and practical edition of the Brandenburg Concerto is to offer a state of the art performance material of this standard work of Baroque music literature, which satisfies the practical needs of performing artists.
ISBN 9790004303375. 10 x 12.5 inches.
The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.These new editions were based on surviving autographic source material - some of which, for the Fifth Concerto for example, has been taken into account for the first time - and the 'Neue Bach-Ausgabe' (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.(from the joint preface to the Six Brandenburg Concertos by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze).
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