| Ein Hauch von Unzeit Breitkopf & Härtel
SKU: BR.EB-9397 (Plainte sur la perte de la reflexion musicale). C...(+)
SKU: BR.EB-9397 (Plainte sur la perte de la reflexion musicale). Composed by Klaus Huber. Stapled. Edition Breitkopf. World premieres: I version for flute: Wiesbaden, 1972. Music post-1945; New music (post-2000). Score. Composed 1972. 12 pages. Duration 20'. Breitkopf and Haertel #EB 9397. Published by Breitkopf and Haertel (BR.EB-9397). ISBN 9790004188712. 9 x 12 inches. World premieres:I version for flute: Wiesbaden, 1972II version for piano: Nyon, 1972III version for var. insts.: Cologne, May 29, 1976VI version for accordeon: Fribourg, June 25, 1987VIII version for violoncello Tokyo: October 14, 1989X version for organ: Stuttgart, March 28, 2018This work (A Breath of the Untimely) was first written for solo Flute and dedicated to Aurele Nicolet. Its bears the subtitle Lament on the Loss of Musical Thought - some Madrigals for Solo Flute or Flute with any other Instruments. This serves as a playing instruction but doubles at the same time as an outmoded programme: it refers back to the musical origin of the opening lamenting motif, a tradition which was once of its time but is not of our time - namely the Lamento genre which gave the title to the Chaconne in Purcell's opera Dido and Aeneas. Almost simultaneously I wrote a second version for Piano (for Piano one-and-a-half hands), which already formulates possible approaches for the performer, in some detail, to the indicated, quasi-canonic version of the piece in the programme. The multiple version Ein Hauch von Unzeit III realizes a concrete version of a formal state which floats between strict canon and aleatoric principles: each of the musicians who are spread throughout the hall introduces their own idiomatic translation of the flute part. And so the music exists, omnipresent, not only spatially throughout the hall, but also formally in a sort of fluctuating simultaneity. For that reason, it was my express wish to any potential interpreter that they should construct entirely their own version of the piece. A healthy number of musicians have responded to my suggestion - versions of the piece have now been made for guitar (Cornelius Schwehr, Gunther Schneider), accordion (Hugo Noth), double bass (Fernando Grillo), violin (Hansheinz Schneeberger), viola, violoncello, and double bass (trio basso, Koln), violoncello (Michael Bach), trombone (Andrew Digby) and, created by myself, a sung version for voice (to words by Georg Wilhelm Friedrich Hegel und Max Bense), and for viola.The most important requirement for the whole piece is absolute stillness, which should as far as possible emanate from the performer. The pauses are occasionally in this respect the most important element. These may, if one can find the necessary stillness, become very long.Ein Hauch von Unzeit (A Breath of the Untimely) - time almost dissolves!(Klaus Huber, 1989/2014 - translation: David Alberman)CD:Jean-Luc Menet (Bass flute)CD Traversieres 120.270Jean-Luc Menet (fl)CD STR 37039Bibliography:Zimmermann, Heidy: Zeitgestaltung im Kompositionsprozess bei Klaus Huber - dargestellt anhand von Skizzen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, S. 90-109. $30.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Casals Legacy Cello, Piano Carl Fischer
(10 Solo Pieces from Pablo Casals' Repertoire for Cello and Piano Accompanim). B...(+)
(10 Solo Pieces from Pablo Casals' Repertoire for Cello and Piano Accompanim). By Pablo Casals Ernest Bloch. Edited by Marion Feldman, Pablo Casals. Arranged by Theodore Moses-Tobani. For Cello, Piano. 76 pages. Published by Carl Fischer
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Mount of Olives Carus Verlag
Orchestra Solo STB, Coro SATB (auch Mannerchor TTTBB), 2 Fl, 2 Ob, 2 Clt, 2 Fg, ...(+)
Orchestra Solo STB, Coro SATB (auch Mannerchor TTTBB), 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 3 Trb, 2 Vl, Va, Vc, Cb SKU: CA.2302000 Composed by Ludwig van Beethoven. Edited by Clemens Harasim. Sacred vocal music, Oratorios. Carus Plus. Innovative practice aids, Sacred vocal music, Oratorios. Full score. Op. 85. Duration 55 minutes. Carus Verlag #CV 23.020/00. Published by Carus Verlag (CA.2302000). ISBN 9790007241964. Language: German/English. Text: Huber, Franz Xaver. In his Passion oratorio Christus am Olberge [The Mount of Olives], Beethoven succeeded firstly in building on the 18th century tradition, and secondly in putting his own personal stamp on the nascent genre of German-language oratorio - the Vienna performances of Haydn's Die Schopfung and Die Jahreszeiten had only taken place a few years earlier. In composing the work he looked towards contemporary opera, using a text by an opera librettist to depict in music the dramatic situation of the doubting Jesus in the Garden of Gethsemane and his arrest. Yet we do not do justice to Beethoven's work if we simply regard it as a successor work to Graun's Der Tod Jesu or even Bach's St Matthew Passion. Beethoven's Christus am Olberge is characterized less by religious devotion and much more by the dramatic realization of a specific situation in the Passion story in deeply-felt musical scenes. With its magnificent, almost operatic music, this is a different Passion oratorio which is definitely worth hearing and experiencing - and in this form it is without doubt unique in the history of vocal-instrumental sacred music. The edition follows the first printed edition in music and text; differences in the text in the libretto originally set by Beethoven are given as a second text, and a singable English translation is underlaid. $173.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Columna Modala Piano solo Transatlantiques
Piano SKU: HL.14040983 Piano. Composed by Theodor Grigoriu. Music ...(+)
Piano SKU: HL.14040983 Piano. Composed by Theodor Grigoriu. Music Sales America. Classical. Book [Softcover]. Editions Musicales Transatlantiques #ETR001822. Published by Editions Musicales Transatlantiques (HL.14040983). French. The Modal Column is a cycle of paired pieces for piano, starting from the classical structure- prelude-fugue - used by Bach in Das wohltemperierte Klavier. The modes that are being used have a relatively simple octavizing structure, hence an almost infinite variety of combinations that can generate a large number of pieces, impossible to exhaust by a composer. Therein lies the idea of a column, in the sense given by Brancusi, i.e. an endless succession of modules. In the vision of the author, the mechanism of the mode is a secondary (ancillary) aspect, the primary goal is deciphering the ethos incorporated in it. The prelude-fugue structure hypostatizesthe musical discourse at the two possible extremes. free-constructed. While Romanian music rules in free areas, like any old music with an (especially oral) tradition, the constructed pieces start from Dutch (Flemish) or Venetian polyphony, which precedes the idea of fugue, understood as a technology of the movement (dynamics) of sound, after the models of Giovanni Gabrieli or Ockeghem. The Modal Column is first of all the presentation of a melodic world but, as the subtitle indicates, also an investigation into the ethos of Romanian music. The forms in which the pieces are thought are simple, non-ostentatious, the whole cycle being in fact a musical workshop, whose better parts may be worth including in ampler works. Before the succinct description of the six couples in Books I and II, a few observations, necessary from a musicological point of view: - 1. The modes are rich in nostalgia, with even graver nuances in the livelier movements.
- 2. It is well-known, that all the columns - Egyptian obelisks, ancient ornamental columns - have scenarios engraved on them. Trajan's Column describes the wars against the Dacians and their defeat. George Calinescu says, 'Trajan's Column is beautiful, but let us not forget that the Dacians are in chains on it.' The Romanian melos is millennia-old and was but little influenced by historical.
$61.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| In All Keys -- Flat Keys, Book 2 Piano solo - Intermediate Alfred Publishing
(Intermediate to Late Intermediate Piano Solos in All Major and Minor Flat ...(+)
(Intermediate to Late
Intermediate Piano Solos in
All Major and Minor Flat
Keys). Composed by Melody
Bober. For Piano. Book;
Graded Standard Repertoire;
Piano Collection; Piano
Supplemental. In All Keys.
Recital. Intermediate; Late
Intermediate. 52 pages.
Published by Alfred Music
$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Suite in D-minor Op. 16 for Cello and Orchestra Cello Schott
Cello - advanced to difficult SKU: HL.49018922 Cello with Piano Reduct...(+)
Cello - advanced to difficult SKU: HL.49018922 Cello with Piano Reduction. Composed by Camille Saint-Saens. Edited by Maria Kliegel. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Softcover. Composed 1862. Op. 16bis. 36 pages. Schott Music #CB229. Published by Schott Music (HL.49018922). ISBN 9790001174527. UPC: 841886015913. 9.25x12.0x0.163 inches. When writing his Concerto No. 1 in A minor, Op. 33, Camille Saint-Saens created a 'classic' of violoncello literature. But the French musician even wrote other solo works for this instrument: a second concerto, two sonatas, the 'Swan' from 'The Carnival of the Animals' as well as a 'Suite with Piano Accompaniment' Op. 16. Premiered on 27 April 1866 and probably written shortly before, the work is based on the composer's study of tradition, especially of the form of the Baroque suite, integrated in a Romantic tonal language. Many years later (1919) the composer also presented a version with orchestral instead of piano accompaniment, and for this version he replaced movements 3 and 5 and changed the ending of the fourth movement. The present edition contains the text of the orchestral version: The five-movement suite begins with a prelude reminiscent of Bach which is followed by a pleasant serenade, a stylized gavotte and a sentimental romance before a passionate tarantella puts a virtuoso end to the piece. The enthusiastic, melodic 'Suite' is a valuable addition to the cello repertoire, suitable for both tuition and concert purposes. $28.99 - See more - Buy online | | |
| Sinfonia in E-flat Major, Op. 9/2 Orchestra [Study Score / Miniature] Eulenburg
Orchestra (Study Score) SKU: HL.49009991 Study Score. Composed by ...(+)
Orchestra (Study Score) SKU: HL.49009991 Study Score. Composed by Johann Christian Bach. Edited by Fritz Stein. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Op. 9/2. 20 pages. Duration 15'. Eulenburg Edition #ETP522. Published by Eulenburg Edition (HL.49009991). ISBN 9783795763510. UPC: 841886002340. 5.25x7.5x0.11 inches. With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. $14.99 - See more - Buy online | | |
| Piccola Suite Italiana Concert Band [Score and Parts] Mitropa Music
Italian Folk Song Trilogy. By Franco Cesarini. (Score & Parts). De Haske Concer...(+)
Italian Folk Song Trilogy. By Franco Cesarini. (Score & Parts). De Haske Concert Band Full Set. Size 8.2x11.75 inches. Published by Mitropa Music.
(1)$178.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Magnificat III Barenreiter
Voice, instrument (singing voice, Instruments) SKU: BA.BA10556-01 Compose...(+)
Voice, instrument (singing voice, Instruments) SKU: BA.BA10556-01 Composed by Johann Pachelbel. Edited by Katharina Larissa Paech. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 6. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10556_01. Published by Baerenreiter Verlag (BA.BA10556-01). ISBN 9790006553112. 33 x 26 cm inches. Text Language: Latin. Preface: Hirschmann, Wolfgang / Paech, Katharina Larissa / Röder, Thomas. The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbel's arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbel's manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbel's surviving vocal works in the best possible form. It is edited by the Institut fur Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut fur Kirchenmusik at the Kunstuniversitat Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbel's authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound. About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$345.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ein Hauch von Unzeit Organ Breitkopf & Härtel
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale)<...(+)
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale). Composed by Klaus Huber. Arranged by A. Digby and M. Sattelberger. Solo instruments; stapled. Edition Breitkopf. World premieres: I version for flute: Wiesbaden, 1972. Music post-1945; New music (post-2000). Score. Composed 1972. 20 pages. Duration 20'. Breitkopf and Haertel #EB 9300. Published by Breitkopf and Haertel (BR.EB-9300). ISBN 9790004187647. 9 x 12 inches. World premieres:I version for flute: Wiesbaden, 1972II version for piano: Nyon, 1972III version for var. insts.: Cologne, May 29, 1976VI version for accordeon: Fribourg, June 25, 1987VIII version for violoncello Tokyo: October 14, 1989X version for organ: Stuttgart, March 28, 2018This work (A Breath of the Untimely) was first written for solo Flute and dedicated to Aurele Nicolet. Its bears the subtitle Lament on the Loss of Musical Thought - some Madrigals for Solo Flute or Flute with any other Instruments. This serves as a playing instruction but doubles at the same time as an outmoded programme: it refers back to the musical origin of the opening lamenting motif, a tradition which was once of its time but is not of our time - namely the Lamento genre which gave the title to the Chaconne in Purcell's opera Dido and Aeneas. Almost simultaneously I wrote a second version for Piano (for Piano one-and-a-half hands), which already formulates possible approaches for the performer, in some detail, to the indicated, quasi-canonic version of the piece in the programme. The multiple version Ein Hauch von Unzeit III realizes a concrete version of a formal state which floats between strict canon and aleatoric principles: each of the musicians who are spread throughout the hall introduces their own idiomatic translation of the flute part. And so the music exists, omnipresent, not only spatially throughout the hall, but also formally in a sort of fluctuating simultaneity. For that reason, it was my express wish to any potential interpreter that they should construct entirely their own version of the piece. A healthy number of musicians have responded to my suggestion - versions of the piece have now been made for guitar (Cornelius Schwehr, Gunther Schneider), accordion (Hugo Noth), double bass (Fernando Grillo), violin (Hansheinz Schneeberger), viola, violoncello, and double bass (trio basso, Koln), violoncello (Michael Bach), trombone (Andrew Digby) and, created by myself, a sung version for voice (to words by Georg Wilhelm Friedrich Hegel und Max Bense), and for viola.The most important requirement for the whole piece is absolute stillness, which should as far as possible emanate from the performer. The pauses are occasionally in this respect the most important element. These may, if one can find the necessary stillness, become very long.Ein Hauch von Unzeit (A Breath of the Untimely) - time almost dissolves!(Klaus Huber, 1989/2014 - translation: David Alberman)CD:Jean-Luc Menet (Bass flute)CD Traversieres 120.270Jean-Luc Menet (fl)CD STR 37039Bibliography:Zimmermann, Heidy: Zeitgestaltung im Kompositionsprozess bei Klaus Huber - dargestellt anhand von Skizzen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, S. 90-109
World premiere: Stuttgart, Hospitalkirche, March 28, 2018. $39.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Adagio Flute and Piano EMB (Editio Musica Budapest)
Flute; Piano Accompaniment (Flute/Piano) SKU: HL.50603821 For Flute (O...(+)
Flute; Piano Accompaniment (Flute/Piano) SKU: HL.50603821 For Flute (Or Violin) and Piano. Composed by Peter Wolf. EMB. Classical. Softcover. 12 pages. Editio Musica Budapest #Z15136. Published by Editio Musica Budapest (HL.50603821). Péter Wolf's collection Wolf-temperiertes Klavier, published in 2018, referring to the series The Well-Tempered Clavier by Bach, contains 24 piano pieces, a major and a minor key composition based on each pitch of the chromatic scale. The ninth piece, an Adagioin E major, is one of the gems in the volume, building on the tradition of the Baroque pastorale. This soaring melody has been arranged by the composer to a duet: above the piano accompaniment, it can be performed by a violin or a flute (either by an oboe or other melodic instrument). $13.45 - See more - Buy online | | |
| Ein Hauch von Unzeit Breitkopf & Härtel
Trombone(s) solo SKU: BR.EB-9160 (Plainte sur la perte de la reflexion...(+)
Trombone(s) solo SKU: BR.EB-9160 (Plainte sur la perte de la reflexion musicale). Composed by Klaus Huber. Edited by Andrew Digby. Arranged by Andrew Digby. Solo instruments; stapled. Edition Breitkopf. You will need a copy of BG 1002 for each player to perform the version for variable instrumentation (BG 1004). Music post-1945; New music (post-2000). Score. Composed 1972. 12 pages. Duration 20'. Breitkopf and Haertel #EB 9160. Published by Breitkopf and Haertel (BR.EB-9160). ISBN 9790004181966. 9 x 12 inches. World premieres:I version for flute: Wiesbaden, 1972II version for piano: Nyon, 1972III version for var. insts.: Cologne, May 29, 1976VI version for accordeon: Fribourg, June 25, 1987VIII version for violoncello Tokyo: October 14, 1989X version for organ: Stuttgart, March 28, 2018This work (A Breath of the Untimely) was first written for solo Flute and dedicated to Aurele Nicolet. Its bears the subtitle Lament on the Loss of Musical Thought - some Madrigals for Solo Flute or Flute with any other Instruments. This serves as a playing instruction but doubles at the same time as an outmoded programme: it refers back to the musical origin of the opening lamenting motif, a tradition which was once of its time but is not of our time - namely the Lamento genre which gave the title to the Chaconne in Purcell's opera Dido and Aeneas. Almost simultaneously I wrote a second version for Piano (for Piano one-and-a-half hands), which already formulates possible approaches for the performer, in some detail, to the indicated, quasi-canonic version of the piece in the programme. The multiple version Ein Hauch von Unzeit III realizes a concrete version of a formal state which floats between strict canon and aleatoric principles: each of the musicians who are spread throughout the hall introduces their own idiomatic translation of the flute part. And so the music exists, omnipresent, not only spatially throughout the hall, but also formally in a sort of fluctuating simultaneity. For that reason, it was my express wish to any potential interpreter that they should construct entirely their own version of the piece. A healthy number of musicians have responded to my suggestion - versions of the piece have now been made for guitar (Cornelius Schwehr, Gunther Schneider), accordion (Hugo Noth), double bass (Fernando Grillo), violin (Hansheinz Schneeberger), viola, violoncello, and double bass (trio basso, Koln), violoncello (Michael Bach), trombone (Andrew Digby) and, created by myself, a sung version for voice (to words by Georg Wilhelm Friedrich Hegel und Max Bense), and for viola.The most important requirement for the whole piece is absolute stillness, which should as far as possible emanate from the performer. The pauses are occasionally in this respect the most important element. These may, if one can find the necessary stillness, become very long.Ein Hauch von Unzeit (A Breath of the Untimely) - time almost dissolves!(Klaus Huber, 1989/2014 - translation: David Alberman)CD:Jean-Luc Menet (Bass flute)CD Traversieres 120.270Jean-Luc Menet (fl)CD STR 37039Bibliography:Zimmermann, Heidy: Zeitgestaltung im Kompositionsprozess bei Klaus Huber - dargestellt anhand von Skizzen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, S. 90-109. $30.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Magnificat I Barenreiter
Soloists, Orchestra (singing voice, Orchestra) SKU: BA.BA10554 Composed b...(+)
Soloists, Orchestra (singing voice, Orchestra) SKU: BA.BA10554 Composed by Johann Pachelbel. Edited by Katharina Larissa Paech. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 4. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10554_00. Published by Baerenreiter Verlag (BA.BA10554). ISBN 9790006553037. 33 x 26 cm inches. The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbel’s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbel’s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbel’s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbel’s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$319.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ingressus I Barenreiter
Vocal soli/instrument (Soli, Instrument) SKU: BA.BA10552 Composed by Joha...(+)
Vocal soli/instrument (Soli, Instrument) SKU: BA.BA10552 Composed by Johann Pachelbel. Edited by Katharina Larissa Paech. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 2. Edition of selected works, Score. Baerenreiter Verlag #BA10552_00. Published by Baerenreiter Verlag (BA.BA10552). ISBN 9790006553013. 33 x 26 cm inches. Text Language: Latin. Preface: Katharina Larissa Paech. The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbel’s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbel’s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbel’s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbel’s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$310.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Motets Choral SATB Barenreiter
SATB choir/basso continuo (2 SATB Choir, Continuo) SKU: BA.BA10560 Compos...(+)
SATB choir/basso continuo (2 SATB Choir, Continuo) SKU: BA.BA10560 Composed by Johann Pachelbel. Edited by Wolfgang Hirschmann. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 10. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10560_00. Published by Baerenreiter Verlag (BA.BA10560). ISBN 9790006553099. 33 x 26 cm inches. Language: German/English. Preface: Hirschmann, Wolfgang / Paech, Katharina Larissa / Röder, Thomas. The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbel’s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbel’s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbel’s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbel’s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$265.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Stora pianoraketen Piano solo Gehrmans Musikforlag
Piano SKU: GH.GE-10520 Composed by Margareta Stromblad. Educational. Gehr...(+)
Piano SKU: GH.GE-10520 Composed by Margareta Stromblad. Educational. Gehrmans Musikforlag #GE 10520. Published by Gehrmans Musikforlag (GH.GE-10520). ISBN 9790070105200. I Stora Pianoraketen fortsatter farden ut i musikens magiska rymd! Stora Pianoraketen ar liksom Lilla Pianoraketen skriven for att kunna anvandas i gruppundervisning, men fungerar aven utmarkt i individuell undervisning. Har finns solostycken, samspelsstycken, ett Latskafferi dar du kompar din egen sang och en avdelning med pianotekniska ovningar. Musiken ar hamtad saval fran var klassiska tradition med sma stycken av t ex Bach och Beethoven, som fran pop, rock, blues och var rika visskatt. $43.96 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Magnificat II Choral SATB Barenreiter
SSATB choir/orchestra (SSATB Choir, Orchestra) SKU: BA.BA10555 Composed b...(+)
SSATB choir/orchestra (SSATB Choir, Orchestra) SKU: BA.BA10555 Composed by Johann Pachelbel. Edited by Katharina Larissa Paech. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 5. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10555_00. Published by Baerenreiter Verlag (BA.BA10555). ISBN 9790006553044. 33 x 26 cm inches. Text Language: Latin. Preface: Hirschmann, Wolfgang / Paech, Katharina Larissa / Röder, Thomas. The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbel’s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbel’s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbel’s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbel’s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$313.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerti III Barenreiter
Voice, instrument (singing voice, Instruments) SKU: BA.BA10559-01 Compose...(+)
Voice, instrument (singing voice, Instruments) SKU: BA.BA10559-01 Composed by Johann Pachelbel. Edited by Thomas Röder and Wilhelm Binder. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 9. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10559_01. Published by Baerenreiter Verlag (BA.BA10559-01). ISBN 9790006553082. 33 x 26 cm inches. Language: German. Preface: Hirschmann, Wolfgang / Paech, Katharina Larissa / Röder, Thomas. The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbel's arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbel's manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbel's surviving vocal works in the best possible form. It is edited by the Institut fur Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut fur Kirchenmusik at the Kunstuniversitat Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbel's authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$329.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Overture (Suite) No. 1 in C Major, BWV 1066 Orchestra [Study Score / Miniature] Eulenburg
Orchestra (Study Score) SKU: HL.49010329 Study Score. Composed by ...(+)
Orchestra (Study Score) SKU: HL.49010329 Study Score. Composed by Johann Sebastian Bach. Edited by Harry Newstone. Arranged by Wilhelm Altmann. This edition: Saddle stitching. Sheet music. Edition Schott. Baroque, Classical. Study Score. 24 pages. Duration 24'. Eulenburg Edition #ETP856. Published by Eulenburg Edition (HL.49010329). ISBN 9783795767891. UPC: 888680784270. 5.25x7.5x0.141 inches. With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. $13.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The iron tetrapod Kunzelmann
Violin (or oboe, clarinet), viola (or oboe, clarinet), cello (or bassoon, bass c...(+)
Violin (or oboe, clarinet), viola (or oboe, clarinet), cello (or bassoon, bass clarinet), piano (or harpsichord) - Level 5 SKU: KU.GM-1945A Or violin, viola, cello and piano. Composed by Daniel Schnyder. Edited by Daniel Schnyder. Bach format (230 x 302). Staple Bound. Piano score, parts. 35 pages. Duration 4 minutes. Edition Kunzelmann #GM-1945a. Published by Edition Kunzelmann (KU.GM-1945A). ISBN 9790206208133. I wrote the composition The Iron Tetrapod for the Graham Ashton Brass Ensemble. Originally scored for four brass instruments, I rearranged the work - at the suggestion of Ingo Goritzki - for 2 oboes, bassoon and piano, which eventually led to the new version for piano quartet. The piece combines the world of chamber music and jazz. When it comes to phrasing and rhythm the vernacular is clearly derived from jazz. At the same time the structural development of the piece roots in chamber music traditions. With a duration of somewhat more than 4 minutes, it is a relatively compact composition, sounding well in all sorts of instrumental combinations and offers new challenges in phrasing and rhythm. Hence this makes it a very suitable study piece. $38.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Beethoven: Christus am Olberge Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Carus Verlag
Orchestra Solo STB, Coro SATB (auch Mannerchor TTTBB), 2 Fl, 2 Ob, 2 Clt, 2 Fg, ...(+)
Orchestra Solo STB, Coro SATB (auch Mannerchor TTTBB), 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb SKU: CA.2302007 Composed by Ludwig van Beethoven. Edited by Clemens Harasim. Innovative practice aids, Sacred vocal music, Oratorios. Study score. Op. 85. Duration 54 minutes. Carus Verlag #CV 23.020/07. Published by Carus Verlag (CA.2302007). ISBN M-007-24884-0. German/English. Text: Franz Xaver Huber. In his Passion oratorio Christus am Olberge [The Mount of Olives], Beethoven succeeded firstly in building on the 18th century tradition, and secondly in putting his own personal stamp on the nascent genre of German-language oratorio - the Vienna performances of Haydn's Die Schopfung and Die Jahreszeiten had only taken place a few years earlier. In composing the work he looked towards contemporary opera, using a text by an opera librettist to depict in music the dramatic situation of the doubting Jesus in the Garden of Gethsemane and his arrest. Yet we do not do justice to Beethoven's work if we simply regard it as a successor work to Graun's Der Tod Jesu or even Bach's St Matthew Passion. Beethoven's Christus am Olberge is characterized less by religious devotion and much more by the dramatic realization of a specific situation in the Passion story in deeply-felt musical scenes. With its magnificent, almost operatic music, this is a different Passion oratorio which is definitely worth hearing and experiencing - and in this form it is without doubt unique in the history of vocal-instrumental sacred music. The edition follows the first printed edition in music and text; differences in the text in the libretto originally set by Beethoven are given as a second text, and a singable English translation is underlaid. Score available separately - see item CA.2302000. $37.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Fantasia on "All People That on Earth Do Dwell", op. 109 Organ - Intermediate Barenreiter
Organ - Level 3 SKU: BA.BA11264 Composed by Margaretha Christina de Jong....(+)
Organ - Level 3 SKU: BA.BA11264 Composed by Margaretha Christina de Jong. Stapled. Performance score. Opus 109. Baerenreiter Verlag #BA11264_00. Published by Baerenreiter Verlag (BA.BA11264). ISBN 9790006569724. 30 x 23 cm inches. Preface: Clement, Albert. This fantasia for organ was composed in 2019. The composition is based on a melody attributed to the French composer Louis Bourgeois (approx. 1510–1560) which is one of the most well-known melodies in the Christian musical tradition. It has also been sung to various other texts, such as Lutheran chorales. In Bach’s work, the melody appears in the cantata “Lord God, we praise Thee all of us†BWV 130.
The composer has retained the style of French Romanticism. The character of the work corresponds to the content of the text and culminates in a festive finale. This music is suitable for many church music occasions.
$28.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Solo Banjo Works (Banjo) Banjo Homespun
Performed by Bela Fleck, Tony Trischka. Homespun Tapes (Instructional). Book onl...(+)
Performed by Bela Fleck, Tony Trischka. Homespun Tapes (Instructional). Book only. With notes and tablature. Published by Homespun. ISBN 0634061186.
$16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Fanfare on Amazing Grace Concert band Theodore Presser Co.
Concert band Concert Band SKU: PR.115402480 Composed by Adolphus Hailstor...(+)
Concert band Concert Band SKU: PR.115402480 Composed by Adolphus Hailstork. Arranged by Donald Patterson. Folio. Score and parts. 24+4+4+2+2+1+4+4+4+2+1+1+2+2+2+2+3+3+3+1+1+1+1+2+2+2+2+5+2+1+1+1 pages. Duration 3 minutes, 20 seconds. Theodore Presser Company #115-40248. Published by Theodore Presser Company (PR.115402480). ISBN 9781491134139. UPC: 680160684236. 9 x 12 inches. Originally composed for solo organ, Hailstork’s fanfare is a 3½-minute explosion of joyous sound inspired by the Baroque-era tradition of Chorale Preludes. As in Bach’s organ preludes, the familiar hymn’s phrases broadly emerge from ornate counterpoint, here in the form of brass fanfares. The result is exhilarating! Also scored by Hailstork for chamber ensemble and for orchestra, FANFARE ON AMAZING GRACE was transcribed for concert band in January 2021 by MGySgt Don Patterson, staff arranger for “The President’s Own†United States Military Band, for that ensemble’s worldwide broadcast performance at the 2021 Presidential Inauguration. $110.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Adagio for flute (or violin) and piano Piano solo EMB (Editio Musica Budapest)
Flute [Violin] and Piano SKU: BT.EMBZ15136 Composed by Peter Wolf. Classi...(+)
Flute [Violin] and Piano SKU: BT.EMBZ15136 Composed by Peter Wolf. Classical. Book and Part(s). Composed 2021. 12 pages. Editio Musica Budapest #EMBZ15136. Published by Editio Musica Budapest (BT.EMBZ15136). English-Hungarian. Péter Wolf's collection Wolf-temperiertes Klavier, published in 2018, referring to the series The Well-Tempered Clavier by Bach, contains 24 piano pieces, a major and a minor key composition based on each pitch of the chromatic scale. The ninth piece, an Adagio in E major, is one of the gems in the volume, building on the tradition of the Baroque pastorale. This soaring melody has been arranged by the composer to a duet: above the piano accompaniment, it can be performed by a violin or a flute (either by an oboe or other melodic instrument). $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerti II Barenreiter
Mixed choir/orchestra (Mixed choir, Orch) SKU: BA.BA10558 Composed by Joh...(+)
Mixed choir/orchestra (Mixed choir, Orch) SKU: BA.BA10558 Composed by Johann Pachelbel. Edited by Thomas Röder. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 8. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10558_00. Published by Baerenreiter Verlag (BA.BA10558). ISBN 9790006553075. 33 x 26 cm inches. Language: German. Preface: Hirschmann, Wolfgang / Paech, Katharina Larissa / Röder, Thomas. The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbel’s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbel’s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbel’s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbel’s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$379.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony No. 2, Op. 18 in B-Flat Major Orchestra [Study Score / Miniature] Eulenburg
Orchestra; Score (Study Score) SKU: HL.49010056 Composed by Johann Christ...(+)
Orchestra; Score (Study Score) SKU: HL.49010056 Composed by Johann Christian Bach. Edited by Gwilym Beechey. Arranged by Gwilym Beechey. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Op. 18/2. 28 pages. Duration 9'. Eulenburg Edition #ETP595. Published by Eulenburg Edition (HL.49010056). ISBN 9783795767365. UPC: 841886003491. 5.25x7.5x0.12 inches. With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. $12.95 - See more - Buy online | | |
| The Ultimate Country Fake Book - 4th Edition
Fake Book [Fake Book] Hal Leonard
Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Publis...(+)
Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Published by Hal Leonard.
(8)$55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| In 27 Pieces: the Hilary Hahn Encores Violin and Piano Boosey and Hawkes
Violin and Piano. By Hilary Hahn. By Various. Boosey and Hawkes Chamber M...(+)
Violin and Piano. By Hilary Hahn. By Various. Boosey and Hawkes Chamber Music. Classical, Contemporary. Softcover. 340 pages. Boosey and Hawkes #M051107933. Published by Boosey and Hawkes (HL.48023059).
$54.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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