| Sacred Duets For All Viola 2 Violas (duet) [Sheet music] Alfred Publishing
Viola. Arranged by William Ryden. Duet or Duo; Mixed Instruments - Flexible Inst...(+)
Viola. Arranged by William Ryden. Duet or Duo; Mixed Instruments - Flexible Instrumentation; Solo Small Ensembles. Sacred Instrumental Ensembles for All. Sacred. Book. 24 pages. Alfred Music #00-EL9789. Published by Alfred Music
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| Position 3 Viola Bk/cd Viola [Book + CD] Hal Leonard | | |
| The Incomplete String Quartet String Quartet: 2 violins, viola, cello Simrock
String Quartet (Parts) SKU: HL.48025155 Set of Parts. Composed by ...(+)
String Quartet (Parts) SKU: HL.48025155 Set of Parts. Composed by Walter Hoeckner. Boosey & Hawkes Chamber Music. Classical. Softcover. 96 pages. Simrock #M21111579. Published by Simrock (HL.48025155). ISBN 9781705175545. UPC: 196288097921. Includes: F. Geminiani: Duett (2 Violinen) W. Pichl: Duett (Violine und Viola) L. Borghi: Duett (Violine und Violoncello) L.v. Beethoven: Duett (Viola und Violoncello) J.C. Bach: Trio (2 Violinen und Viola) F. Benda: Trio (2 Violinen und Violoncello) F. Schubert: Trio (Violine, Viola und Violoncello) S. Sechter: Quartett (2 Violinen, Viola und Violoncello) Set of Parts. Special Import titles are specialty titles that are not generally offered for sale by US based retailers. These items must be obtained from our overseas suppliers. When you order a special import title, it will be shipped from our overseas warehouse. The shipment time will be slower than items shipped directly from our US warehouse and may be subject to delays. $32.00 - See more - Buy online | | |
| Streicher Kleeblatt - Schülerband Holzschuh Musikverlag
Violin, viola and cello SKU: M7.VHR-3902 (Violine, Viola, Cello). ...(+)
Violin, viola and cello SKU: M7.VHR-3902 (Violine, Viola, Cello). Composed by Simone Drebenstedt. Sheet music. Student's edition. 172 pages. Holzschuh Musikverlag #VHR 3902. Published by Holzschuh Musikverlag (M7.VHR-3902). ISBN 9783940069801. Das neue Schulwerk verbindet Lieder und Aufgaben in sehr übersichtlicher Form. Viele Liedbeispiele und Liedbegleitungen mit Texten zum Singen erleichtern den Schülern den Zugang zur Musik. Alle Seiten dieses Unterrichtswerkes sind gleich aufgebaut. Das übersichtliche Layout erleichtert Lehrern und Schülern die Orientierung. Der Umfang des Materials ist auf zwei Unterrichtsjahre ausgerichtet. $26.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Streicher Kleeblatt - Lehrerband Holzschuh Musikverlag
Violin, viola, cello and double bass SKU: M7.VHR-3901 Composed by Simone ...(+)
Violin, viola, cello and double bass SKU: M7.VHR-3901 Composed by Simone Drebenstedt. Sheet music. Teacher's edition. 176 pages. Holzschuh Musikverlag #VHR 3901. Published by Holzschuh Musikverlag (M7.VHR-3901). ISBN 9783940069795. Das neue Schulwerk verbindet Lieder und Aufgaben in sehr übersichtlicher Form. Viele Liedbeispiele und Liedbegleitungen mit Texten zum Singen erleichtern den Schülern den Zugang zur Musik. Alle Seiten dieses Unterrichtswerkes sind gleich aufgebaut. Das übersichtliche Layout erleichtert Lehrern und Schülern die Orientierung. Der Umfang des Materials ist auf zwei Unterrichtsjahre ausgerichtet. $40.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Cielito Lindo String Orchestra Alfred Publishing
Arranged by Jack Bullock. Conductor's score and set of performance parts for str...(+)
Arranged by Jack Bullock. Conductor's score and set of performance parts for string orchestra (8 - 1st violin, 8 - 2nd violin, 5 - viola, 5 - cellow, 5 - string bass, 1 - piano accompaniment). Series: Orchestra Expressions Series. Published by Alfred Publishing.
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| B Minor Mass, BWV 232 (Messe in h-Moll) Viola Carus Verlag
Viola SKU: CA.3123213 Composed by Johann Sebastian Bach. Edited by Ulrich...(+)
Viola SKU: CA.3123213 Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Carus sheet music series: Vocal scores XL. Viola. Innovative practice aids, Masses, Latin, Lent and Passiontide. Individual part. BWV 232. 24 pages. Duration 100 minutes. Carus Verlag #CV 31.232/13. Published by Carus Verlag (CA.3123213). ISBN 9790007211028. Language: Latin. Bach's B minor Mass is among the greatest and most ambitious works of all time. The various stages of composition of the Mass occupied the composer for over two decades: beginning with the Sanctus (1724), by way of the Missa of 1733, to the remaining movements of the Ordinary, which were composed during his last years. Thus the Mass, in its wealth of forms with arias, duets, as well as concertante and fugal choruses, displays the essence of Bach's skill and personal style. The greatest musical work of art of all times and all peoples (to quote the enthusiastic Hans Georg Nageli, who first edited the Mass in 1818) and one of the most demanding choral works in the repertoire is presented by Frieder Bernius, the Kammerchor Stuttgart and the Barockorchester Stuttgart in a stellar recording based on the principles of historical performance practice (Carus 83.211). Awarded the Gramophone - Editor's Choice. Score and part available separately - see item CA.3123200. $15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Brockes-Passion. Der fur die Sunde der Welt gemarterte und sterbende Jesu Soli, Mixted choir and accompaniment [Score] Carus Verlag
(nach der Abschrift von J. S. Bach). By George Frideric Handel (1685-1759). Edit...(+)
(nach der Abschrift von J. S. Bach). By George Frideric Handel (1685-1759). Edited by Traub, Andreas. For STB soli, SATB choir, 2 oboes, taille, 2 bassoon, 2 violins, viola and basso continuo. This edition: paperbound. HWV 48. Full score available separately - see item CA.5504800. Oratorios, Passions; Stuttgart Urtext editions; Use during church year: Lent and Passiontide, Holy Week. Piano/Vocal score. Language: German. 152 pages. Duration 150 min
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| Brockes-Passion. Der fur die Sunde der Welt gemarterte und sterbende Jesu Choral SATB [Study Score / Miniature] Carus Verlag
(after the copy from J. S. Bach). Composed by George Frideric Handel (1685-1759)...(+)
(after the copy from J. S. Bach). Composed by George Frideric Handel (1685-1759). Edited by Andreas Traub. For STB vocal soli, solo vocal quintet, SATB choir, 2 oboes, taille (english horn), 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. Score available separately - see item CA.5504800. Oratorios, Passions, Lent and Passiontide, Holy Week. Study score. Language: German. HWV 48. Duration 150 minutes. Published by Carus Verlag
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| Mnemosyne String Quartet: 2 violins, viola, cello Breitkopf & Härtel
String Quartet (fem vce - str quar - electronics (tape) and projection of lyrics...(+)
String Quartet (fem vce - str quar - electronics (tape) and projection of lyrics ad lib.) SKU: BR.KM-2483-07 Holderlin lesen IV. Composed by Hans Zender. Chamber music; stapled. Kammermusik-Bibliothek (Chamber Music Library). Music post-1945; New music (post-2000). Study Score. Composed 2000. 56 pages. Duration 40'. Breitkopf and Haertel #KM 2483-07. Published by Breitkopf and Haertel (BR.KM-2483-07). ISBN 9790004502587. 9 x 12 inches. Friedrich HolderlinMnemosyne Ein Zeichen sind wir, deutungslos,Schmerzlos sind wir und haben fastDie Sprache in der Fremde verloren.Wenn namlich uber MenschenEin Streit ist an dem Himmel und gewaltigDie Monde gehn, so redetDas Meer auch und Strome mussenDen Pfad sich suchen. ZweifellosIst aber Einer, derKann taglich es andern. Kaum bedarf erGesetz. Und es tonet das Blatt und Eichbaume wehn dann nebenDen Firnen. Denn nicht vermogenDie Himmlischen alles. Namlich es reichenDie Sterblichen eh an den Abgrund. Also wendet es sich, das Echo,Mit diesen. Lang istDie Zeit, es ereignet sich aberDas Wahre. Wie aber Liebes? SonnenscheinAm Boden sehen wir und trockenen StaubUnd heimatlich die Schatten der Walder und es bluhetAn Dachern der Rauch, bei alter KroneDer Turme, friedsam; gut sind namlich,Hat gegenredend die SeeleEin Himmlisches verwundet, die Tageszeichen.Denn Schnee, wie MaienblumenDas Edelmutige, woEs seie, bedeutend, glanzet aufDer grunen WieseDer Alpen, halftig, da, vom Kreuze redend, dasGesetzt ist unterwegs einmalGestorbenen, auf hoher StrassEin Wandersmann geht zornigFern ahnend mitDem andern, aber was ist dies?Am Feigenbaum ist meinAchilles mir gestorben,Und Ajax liegtAn den Grotten der See,An Bachen, benachbart dem Skamandros.An Schlafen Sausen einst, nachDer unbewegten Salamis steterGewohnheit, in der Fremd, ist grossAjax gestorben,Patroklos aber in des Koniges Harnisch. Und es starbenNoch andere viel. Am Kitharon aber lagEleuthera, der Mnemosyne Stadt. Der auch, alsAblegte den Mantel Gott, das Abendliche nachher losteDie Locken. Himmlische namlich sindUnwillig, wenn einer nicht die Seele schonend sichZusammengenommen, aber er muss doch; demGleich fehlet die TrauerIn meinen Holderlin lesen-Stucken ging es mir darum, Wege zu finden, die gewaltigen Sprachstrukturen Holderlins so in die zeitliche Form der Musik zu integrieren, dass sie Funktionen der musikalischen Form ubernehmen, ohne in ihrer Eigenkraft (sowohl akustisch wie auch im Sinne expressiver ,,Deutung) im geringsten geschmalert zu werden. Das hiess zunachst: Sprechen, nicht singen! - Aber das wurde nur bedeuten, dass es nicht um die Musikalisierung von Text geht; ebenso wichtig ist es, dass es auch nicht um melodramatisch ,,erzahlende Musik geht. Sondern: Zwei autonome Kunste durchdringen sich auf diaphane Weise, ohne sich zu uberformen oder auszuloschen; es handelt sich um einen Dialog, nicht um eine Vereinnahmung durch Hierarchisierung.Sind wir uns selbst zu einem ,,Zeichen...deutungslos geworden, wie es Holderlins Anfangszeilen sagen, so erscheinen auch die Zeichen, die wir selber setzen, sich immer mehr einer Deutbarkeit zu entziehen. Mein Stuck, das den vollstandigen Text von Holderlins Mnemosyne integriert, stellt auf seine Weise die Frage nach dem ,,Zeichen. ,,Was ist dies? Klang? Wort? Schrift? Wie sind die Grenzen, die Ubergange, die gegenseitigen Beeinflussungen der einzelnen Zeichenregionen? Was liegt ihnen zugrunde? Worte und musikalische Zeichen bewegen sich im Medium der Zeit; Schriftzeichen erscheinen zunachst als Verraumlichung, aber man muss daran erinnern, dass der Vorgang des Schreibens - wie er in der ostasiatischen Kalligraphie zu hochster Kunst entwickelt wurde - auch zeitlichen Charakter hat. Mnemosyne - die Kraft des Sich-Erinnerns - schafft die Zeichen, indem sie Gestalten durch Wiederholung fixiert und so aus dem endlosen Fluss der wahrgenommenen Vorgange herauslost. Die so entstehende artikulierte Zeit schafft wiederum durch das Wechselspiel von fixierten und sich bewegenden Gestalten das Bewusstsein fur differenzierte Formablaufe. Der Formverlauf meines Stuckes zeichnet solche genetischen Prozesse nach. Der Horer wird schnell merken, dass die Wortzeichen oft einer zuerst erscheinenden musikalischen Klangwelt entspringen (ich stimme Walter Benjamin zu, wenn er sagt, dass die Sprache in ihrer grundlegenden Schicht expressiven - und nicht darstellenden - Charakter hat). Die Schrift auf der Leinwand folgt zunachst den sprachlichen Aktionen der Stimme, erhalt dann aber auch eigene Teile der Form zugeteilt, in der sie sich als autonomes Zeichen darstellt. In der durch die drei Strophen Holderlins notwendigerweise dreiteiligen Gesamtform gibt es immer wieder Abschnitte, in denen entweder das musikalische Geschehen oder die Sprachzeichen des Gedichtes oder das Sich-Schreiben der Schrift im Vordergrund stehen; der Komponist versteht sich also hier auch als ,,Zusammensetzer der in unserer Wahrnehmung so verschieden besetzten Zeiten des Schreibens, Sprechens und Musikhorens. Es bilden sich im Verlauf des 40-minutigen Stuckes auch Grenzfalle, wie ,,stumme Musik oder total musikalisierte - ihrer Verstehbarkeit beraubte - Textrezitation. Auch das Singen von Text - in meinen bisherigen Holderlinstucken strikt vermieden - wird als ausserste Moglichkeit gegen Ende des formalen Prozesses zugelassen. An einigen Stellen zeigt die Musik sozusagen direkt auf sich selbst. Es sind Formzustande, die ich in meinem ,,Shir Hashirim als ,,Koan bezeichnet habe: ,,endlose Wiederholungen einer zeichenhaften Konstellation, bei jeder Wiederholung minimal verandert - so wie ein Kalligraph sein Schriftzeichen bei jedem Malvorgang unwillkurlich verandert und neu schafft. Steht im ersten Teil der Grossform der Aspekt des Abstrakten, des Unsinnlichen im Vordergrund, so wird im zweiten Teil Bildhaftigkeit als Eigenschaft nicht nur der Sprache, sondern auch der Musik betont: die Landschaft, halb schnee - halb blutenbedeckt, die der Wanderer ,,zornig durchstreift. Am Ende dieses Teils wird das Schriftbild selber zur Landschaft, die der Leser/Horer durchwandert. Er wird im dritten Teil durch einen Verwandlungsprozess zu den ekstatischen Ursprungen des holderlinschen Dichtens gefuhrt, und damit zur explizit musikalischen Ebene: Die Totenklage um Hektor und Ajax wird zum ,,dithyrambischen Tanz, wie es Holderlins Schlusszeile entwirft: ,,... darum fehlet die Trauer. Es bleibt noch nachzutragen, dass ich den in der Stuttgarter Ausgabe der Werke Holderlins in drei Versionen abgedruckten Text in einer Mischversion verwendet habe: die erste Strophe aus der 2. Fassung, die zweite mit Abweichungen und Widerspruchen aus allen drei Fassungen, und die dritte Strophe aus der 3. Fassung. (Hans Zender) CD:Salome Kammer (voice), Klangforum Wien, cond. Hans ZenderKairos 0012522KAIBibliography:Allwardt, Ingrid: Nach-Lese. Holderlins Gesang im Resonanzraum der Musik Hans Zenders, in: Hans Zender. Vielstimmig in sich, hrsg. von Werner Grunzweig, Jorn Peter Hiekel und Anouk Jeschke (= Archive zur Musik des 20. und 21. Jahrhunderts, Band 12), Hofheim: Wolke 2008, pp. 43-60.Fuhrmann, Wolfgang: Zender lesen. Die Frage nach dem Zeichen in ,,Mnemosyne, in: ,,Ein Zeichen sind wir, deutungslos. Holderlin lesen, Ikkyu Sojun horen, Musik denken, hrsg. von Violetta L. Waibel, Gottingen: Wallstein 2020, S. 194-211Pragungen im Pluralismus. Hans Zender im Gesprach mit Jorn Peter Hiekel, in: Orientierungen. Wege im Pluralismus der Gegenwartsmusik, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 47), Mainz u. a.: Schott 2007, pp. 130-137.Mosch, Ulrich: Ultrachromatik und Mikrotonalitat. Hans Zenders Grundlegung einer neuen Harmonik, in: Hans Zender. Vielstimmig in sich, hrsg. von Werner Grunzweig, Jorn Peter Hiekel und Anouk Jeschke (= Archive zur Musik des 20. und 21. Jahrhunderts, Band 12), Hofheim: Wolke 2008, pp. 61-76.Schmidt, Dorte: Erfahrung und Erinnerung. Kompositorisches Material zwischen Klang und Bedeutung in der Kammermusik des spaten 20. Jahrhunderts, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, pp. 41-58.Zenck, Martin: Holderlin lesen seiner Stimme zuhoren. Holderlin-Lekturen von Klaus Michael Gruber, Hans Zender und Bruno Ganz, in: Neue Zeitschrift fur Musik 172 (2011), Heft 6, pp. 25-29.Zender, Hans: Zu meinem Zyklus Holderlin lesen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, pp. 26-40.
World premiere: Witten (Wittener Tage fur neue Kammermusik), May 4, 2001. $65.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Brockes-Passion. "Der fur die Sunde der Welt gemarterte und sterbende Jesu" Choral SATB [Score and Parts] Carus Verlag
STB vocal soli, solo vocal quintet, SATB choir, 2 oboes, taille (english horn), ...(+)
STB vocal soli, solo vocal quintet, SATB choir, 2 oboes, taille (english horn), 2 violins, viola, basso continuo SKU: CA.5504819 Based on the copy by J. S. Bach. Composed by George Frideric Handel. Edited by Andreas Traub. This edition: urtext. Stuttgart Urtext Edition: Handel. Complete orchestral parts. Innovative practice aids, Sacred vocal music, Oratorios, Passions, Lent and Passiontide, Holy Week. Set of Orchestra Parts. HWV 48. Duration 150 minutes. Carus Verlag #CV 55.048/19. Published by Carus Verlag (CA.5504819). ISBN 9790007133702. Language: German. The extraordinarily high reputation among Handel's contemporaries of his Passion Oratorio to words by Brockes is indicated by the fact that no less eminent a musician than Johann Sebastian Bach himself made a copy of this work. Although Bach copied it without making substantial changes in it, our edition of the work brings together two of the greatest baroque composers. The Brockes Passion was - not only for the Leipzig Thomaskantor - an alternative to the betterknown Bach Passions. Score and parts available separately - see item CA.5504800. $462.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Brockes-Passion. "Der fur die Sunde der Welt gemarterte und sterbende Jesu" Choral SATB Carus Verlag
STB vocal soli, solo vocal quintet, SATB choir, 2 oboes, taille (english horn), ...(+)
STB vocal soli, solo vocal quintet, SATB choir, 2 oboes, taille (english horn), 2 violins, viola, basso continuo SKU: CA.5504805 Based on the copy by J. S. Bach. Composed by George Frideric Handel. Edited by Andreas Traub. This edition: urtext. Stuttgart Urtext Edition: Handel. Innovative practice aids, Sacred vocal music, Oratorios, Passions, Lent and Passiontide, Holy Week. Choral Score. HWV 48. Duration 150 minutes. Carus Verlag #CV 55.048/05. Published by Carus Verlag (CA.5504805). ISBN 9790007130756. Language: German. The extraordinarily high reputation among Handel's contemporaries of his Passion Oratorio to words by Brockes is indicated by the fact that no less eminent a musician than Johann Sebastian Bach himself made a copy of this work. Although Bach copied it without making substantial changes in it, our edition of the work brings together two of the greatest baroque composers. The Brockes Passion was - not only for the Leipzig Thomaskantor - an alternative to the betterknown Bach Passions. Score available separately - see item CA.5504800. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Brockes-Passion. "Der fur die Sunde der Welt gemarterte und sterbende Jesu" Choral SATB Carus Verlag
STB vocal soli, solo vocal quintet, SATB choir, 2 oboes, taille (english horn), ...(+)
STB vocal soli, solo vocal quintet, SATB choir, 2 oboes, taille (english horn), 2 violins, viola, basso continuo SKU: CA.5504849 Based on the copy by J. S. Bach. Composed by George Frideric Handel. Edited by Andreas Traub. This edition: urtext. Stuttgart Urtext Edition: Handel. Organ. Innovative practice aids, Sacred vocal music, Oratorios, Passions, Lent and Passiontide, Holy Week. Single Part, Organ. Composed 1828/29. HWV 48. 120 pages. Duration 150 minutes. Carus Verlag #CV 55.048/49. Published by Carus Verlag (CA.5504849). ISBN 9790007132620. Language: German. The extraordinarily high reputation among Handel's contemporaries of his Passion Oratorio to words by Brockes is indicated by the fact that no less eminent a musician than Johann Sebastian Bach himself made a copy of this work. Although Bach copied it without making substantial changes in it, our edition of the work brings together two of the greatest baroque composers. The Brockes Passion was - not only for the Leipzig Thomaskantor - an alternative to the betterknown Bach Passions. Score and part available separately - see item CA.5504800. $80.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Hallelujah Choral SATB SATB, Piano - Intermediate GIA Publications
SATB choir, piano accompaniment - Intermediate SKU: GI.G-8618 From Mes...(+)
SATB choir, piano accompaniment - Intermediate SKU: GI.G-8618 From Messiah. Composed by George Frideric Handel. Edited by Dennis Shrock. Christmas Vigil, Christmas Night, Christmas Dawn, Christmas Day, Easter Day. GIA Historical Music. Music Education. Octavo. 12 pages. GIA Publications #8618. Published by GIA Publications (GI.G-8618). UPC: 785147861805. English. Text Source: Revelation 19:6, 11:15, 19:16. Scripture: Revelation 11:15, Revelation 19:6, 16. The “Hallelujah†chorus is the final movement of part two of Handel’s Messiah, the part that comments on Christ’s crucifixion, resurrection, and ascension. The text of the chorus, assembled from Biblical passages by the oratorio’s librettist, Charles Jennens, is from Revelation 19:6, 11:15, and 19:16: “Hallelujah, for the Lord God omnipotent reigneth. The kingdom of this world is become the kingdom of our Lord and of his Christ, and he shall reign for ever and ever. KING OF KINGS, AND LORD OF LORDS.†This edition has been prepared from the first published score in 1767, with comparisons to Handel’s autograph manuscript now housed in the British Museum. The text has been reproduced here without alterations. However, the beamings of the vocal parts have been modernized for ease of reading (the original material has flags instead of beams for every separate syllable). The piano accompaniment is a reduction of the orchestral material: the first and second violin parts are represented in the upper staff, with only occasional inclusion of the viola, trumpet, and timpani parts, the basso continuo, in its original form, is in the bottom staff. The GIA Historical Music Series edited by Dennis Shrock, presents repertoire suitable for performance by public school, college and university, church, and community ensembles, with the purpose of making available to today’s conductors lesser-known and previously difficult-to-procure historical masterpieces. The music, drawn from the Renaissance through the Romantic eras, is in performance editions based on the most current and rigorous scholarly research. The musical scores reflect original intent of notation, with all editorial markings and emendations clearly identified as such. In addition, preface material accompanying the music contains literal translations of foreign language texts and information regarding the lives of the composers, genres, and relevant performance practices. Dennis Shrock is Director of Choral Activities at Texas Christian University. He has been called one of the top choral scholars in the United States and has received a number of awards for his work. He received a bachelor's degree in music education from Westminster Choir College and both master's and doctoral degrees in choral conducting from Indiana University. $2.60 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| There Stands A Little Man Orchestra [Score and Parts] Alfred Publishing
Arranged by Sandra Dackow. Conductor's score and set of performance parts for st...(+)
Arranged by Sandra Dackow. Conductor's score and set of performance parts for string orchestra (8 - 1st violin, 8 - 2nd violin, 5 - 3rd violin/viola (treble clef), 5 - viola, 5 - cello, 5 - string bass, 1 - piano accompaniment). Series: Orchestra Expressions Series. Published by Alfred Publishing.
$40.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| B minor Mass Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Study Score / Miniature] Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For S...(+)
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SSATB vocal soli, SSAATTBB choir, 2 flute, 3 oboe/2 oboe d'amore, 2 bassoon, horn, 3 trumpet, timpani, 2 violin, viola, basso continuo. This edition: Paperbound. Latin Masses. Study score. Language: Latin. BWV 232. 312 pages. Duration 100 minutes. Published by Carus Verlag
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| B minor Mass Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Vocal Score] Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For S...(+)
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SSATB vocal soli, SSAATTBB choir, 2 flute, 3 oboe/2 oboe d'amore, 2 bassoon, horn, 3 trumpet, timpani, 2 violin, viola, basso continuo. This edition: Paperbound. Latin Masses. Vocal score. Language: Latin. BWV 232. 184 pages. Duration 100 minutes. Published by Carus Verlag
$21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| B minor Mass Soli, Mixted choir and accompaniment [Score] Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For S...(+)
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SSATB vocal soli, SSAATTBB choir, 2 flutes, 3 oboes/2 oboes d'amore, 2 bassoons, corno da caccia, 3 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Linen cover. Latin Masses. Full score and DVD. Text language: Latin. BWV 232. 304 pages. Duration 100 minutes. Published by Carus Verlag
$285.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| B minor Mass Soli, Mixted choir and accompaniment [Score] Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For S...(+)
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SSATB vocal soli, SSAATTBB choir, 2 flutes, 3 oboes/2 oboes d'amore, 2 bassoons, corno da caccia, 3 trumpets, timpani, 2 violins, viola, basso continuo. This edition: paperback. Latin Masses. Full score. Text language: Latin. BWV 232. 304 pages. Duration 100 minutes. Published by Carus Verlag
$116.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Goldberg Variations Simrock
Score and Parts Bassoon; Cello; Clarinet; Double Bass; Flute; Harp; Viola; Violi...(+)
Score and Parts Bassoon; Cello; Clarinet; Double Bass; Flute; Harp; Viola; Violin (Score & Parts) SKU: HL.48024359 Septet Version for Two Trios and Harp Score and Parts. Composed by Johann Sebastian Bach. Arranged by Heribert Breuer. Boosey & Hawkes Chamber Music. Classical. Softcover. Simrock #M221122407. Published by Simrock (HL.48024359). Sound and colour are of most importance to Heribert Breuer in this work. The interplay between wind trio and string trio throughout this cycle is of particular interest. $262.00 - See more - Buy online | | |
| Brockes-Passion. Der fur die Sunde der Welt gemarterte und sterbende Jesu Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Score] Carus Verlag
(after the copy from J. S. Bach). By George Frideric Handel (1685-1759). Edited ...(+)
(after the copy from J. S. Bach). By George Frideric Handel (1685-1759). Edited by Andreas Traub. For STB vocal soli, solo vocal quintet, SATB choir, 2 oboes, taille (english horn), 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext editions. Oratorios, Passions, Lent and Passiontide, Holy Week. Full score. Language: German. HWV 48. 176 pages. Duration 150 min. Published by Carus Verlag
(1)$114.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Brockes-Passion. Der fur die Sunde der Welt gemarterte und sterbende Jesu Carus Verlag
After the copy from J. S. Bach. Composed by George Frideric Handel (1685-...(+)
After the copy from J. S. Bach. Composed by George Frideric Handel (1685-1759). Edited by Andreas Traub. This edition: urtext. Stuttgart Urtext Edition: Handel. Score available separately - see item CA.5504800. Oratorios, Passions, Lent and Passiontide, Holy Week. Viola part. HWV 48. 20 pages. Duration 150 minutes. Published by Carus Verlag (CA.5504813).
$24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Primitivo (Score only) String Orchestra [Score] - Beginner Alfred Publishing
Orchestra String Orchestra - 1.5 (grade 1.5) SKU: AP.29644S Composed by M...(+)
Orchestra String Orchestra - 1.5 (grade 1.5) SKU: AP.29644S Composed by Michael Story. String Orchestra. Orchestra Expressions Book 1. Score. 8 pages. Duration 2:10. Alfred Music #00-29644S. Published by Alfred Music (AP.29644S). UPC: 038081324210. English. Built from primitive sounding rhythms and modal harmonies, this intriguing work opens with an ominous introduction that leads into the first statement of the main theme. Educational opportunities abound in this energetic piece, including some easy two-part counterpoint between the 1st violins and 2nd violins/viola. Primitivo, which is correlated to Orchestra Expressions Book 1, or to most first year method books, is certain to capture the imaginations of students and audiences alike! (2:10). About Orchestra Expressions Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa. $6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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