SKU: HL.49044745
ISBN 9790001202992. UPC: 841886024939. 9.25x12.0x0.077 inches.
Stephen Paxton was one of the most important English composers for the cello in the transitional period between the Baroque and Classical eras. As the cello repertoire does not feature many very early Classical works his Sonatas op. 3, written for amateur cellists and students, fill a significant gap in tuition repertoire. This three-movement Sonata op. 3/3 is very well suited to the cello and distinguished by its elegant and appealing melodies. The sonata can be played using the first four finger positions. As a cellist Paxton was very familiar with the technical capabilities of his instrument and knew how to make it sing with simple and effective figures. The first movement consists of two sections and has an expressive middle section in C minor. The slow movement uses an Irish folk song ('Gramachree'), with two dance movements (Minuet 1 and 2) at the end.This new edition reproduces all the details of the first printed version, with just a few dynamic markings added in square brackets. The bass part has been written out in the style of an early Classical keyboard accompaniment so as to underline the galant rococo style of the piece.
SKU: BT.EMBZ7888
English-German-Hungarian.
The present collection has been compiled for descant recorder. This instrument was ousted from use in the age of the Viennese Classics, and it has regained its rights only in the present century. This explains why the collection comprises-in addition to new Hungarian music-almost exclusively Renaissance and Baroque works. As it is well known, the masters of old times put down their works only in outline, and the music has to be reconstructed by a practised performer. This collection is intended to help in assimilating the spirit of these old styles. All the old works are given here in both their original and ornamented variants. The ornamentations have been taken over fromcontemporaneous arrangements, and where none were available, we worked them out on the basis of contemporaneous performing practice. All the solutions serve only as suggestions with his expanding stylistic knowledge the student himself should also boldly invent and extemporize ornamentation! Die vorliegende Sammlung ist für Sopran-Blockflöte zusammengestellt. Dieses Instrument wurde zur Zeit der Wiener Klassiker aus der Praxis verdrängt und erlangte erst in diesem Jahrhundert wieder seine Rechte. Dies erklärt die Zusammensetzung unserer Sammlung, die außer der neuen ungarischen Musik fast ausschließlich Werke der Renaissance und des Barocks enthält. Es ist allgemein bekannt, daß die alten Meister ihre Musik nur skizzenhaft notierten, und die berufenen Interpreten sollen ihre Werke rekonstruieren. Der Zweck der Sammlung ist: hilfreich die Aneignung des Geistes der alten Stile zu fördern. Wir bringen alle alten Werke in der ursprünglichen und verzierten Variante.Die Ornamente wurden aus zeitgenössischen Bearbeitungen genommen, und wo solche uns nicht zur Verfügung standen, wurden die Ornamente aufgrund der zeitgenössischen Vortragspraxis ausgearbeitet. Diese Lösungen sind lediglich Vorschläge.
SKU: AU.9781506452456
ISBN 9781506452456. John 3:16.
Melchior Frank's accessible setting of John 3:16 is a great way to introduce classic literature to your choir. William Braun's edition translates the original German text into English and sets this late Renaissance/early Baroque anthem in modern notation.
SKU: SU.80300149
In this opening movement from a major baroque work from the Venetian ospedali repertoire, the choir's sustained, mostly homophonic chords are interwoven with angular chromatic lines in the upper strings. The lower strings and continuo support this texture with detached repeated chords, to make a rich texture of complementary independent parts. Edited by Ralph Hunter from the composer's autograph manuscript, this piece was sung by the 1999 ACDA National Women's Honor Choir in Chicago. SSAA, strings, and continuo (score and parts available); Latin; 8 pages, plus literary translation and editorial notes; duration: 4:30 min.; range: g to g; difficulty: easy-medium. Instrumental parts: Violin 1.....TC-149-VLN1; Violin 2.....TC-149-VLN2; Viola.....TC-149-VLA; Cello/Bass.....TC-149-VC; Continuo realization.....TC-149-CONT; Full score.....TC-149-ORCH SSAA, strings & continuo Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: PL.1971M
A delightful piece that can be played organ alone or with a solo instrument, this is easy and effective in a Baroque mood!
SKU: BA.BVK02406
ISBN 9783761824061. 29.2 x 21.2 cm inches. Text Language: German, English. Preface: Caskel, Christoph / Dierstein, Christian.
Christmas is a time for making music especially in ensembles. This edition with its very easy arrangements for two violins, viola and cello is ideal for beginner string players to get into the Christmas spirit. The 27 pieces are based either on works of Baroque composers such as Lully or Handel, or on traditional, mostly German, Christmas carols. One of the pieces requires an additional violin, another a viola.With their uncomplicated structure and accompanying parts which tie in closely with the melody, these pieces encourage ensemble playing from an early age.
SKU: YM.GTP650041
ISBN 9784636650044.
Before learning Bach's Invention, these many polyphonic pieces are ideal for listening both right and left hands carefully, interacting each other, and highlighting the melody even in the complicated music. Zai Xue Xi Ba He De Chuang Yi Qu Zhi Qian ,Lian Xi Zhe Xie Fu Diao Yin Le Pian Duan ,Rang Zuo You Shou Xiang Hu Hu Ying ,Xiang Hu Ying Xiang ,Zai Fu Za Yin Le Zhong Tu Chu Xuan Lu Xian . 41 easy polyphonic pieces composed by Baroque to Modern composers or arragged newly based on the folk tunes. This book was planed for students who learn Czerny's Op.139 to Op.849. 41Shou Lai Zi Ba Luo Ke Shi Qi Dao Xian Dai Zuo Qu Jia De Jian Dan Fu Diao Zuo Pin ,Ben Shu Gua He Xue Xi Che Ni Er Op.139Dao Op.849De Yan Zou Zhe .
SKU: M7.APUE-516063
ISBN 9781875516063.
This is the second method book in The Young Flute Player series and it's packed with a huge amount of repertoire! The music includes everything from Baroque masterpieces by Bach to Ragtime music by Joplin. There are also traditional folk tunes, exercises, studies, festive music and a section of longer concert pieces. The progressive units introduce new material gradually, and the exercises and scales are directly related to the pieces. Words are included for some of the song tunes to assist with understanding breathing and phrasing. Italian words for style and tempo are illustrated with fun cartoon pictures to help students remember the meaning of terms. To help students practise, there are FREE YOUTUBE recordings for every piece, as well piano backing tracks and duet recordings. The Young Flute Player also features: Easy-to-read fingering charts for every note of the flute Manuscript paper Practice charts Scales charts Theory reference section Music puzzles Graduation Certificate - FREE download from website www.theyoungfluteplayer.com.
SKU: SU.29110060
1. Sidestep Reel - In 19th Century America, the Afro-Celtic fiddle style was the centerpiece of many a dance. Reels and hornpipes were very popular forms. Their repetitive, even-metered rhythms were easy and fun to dance to, and their infectious singable melodies stayed in the mind and on the tongue. More adventurous fiddlers were given to syncopating on these forms by accenting off beats and by embellishing melodies with oddmetered note groupings. Syncopation is a fundamental rhythmic attitude of jazz and this movement is a celebration of that art. The melodic language is a home-grown concoction of commonality between traditional reels and hornpipes and the Baroque, Ragtime and the quartal concepts of Modern Jazz. 2. As the Wind Goes - the wistful late night song of a lullabye, a campfire song, a ballad...a spiritual. It is sung as if on the wind, yearning to experience once again that which will only ever again live as memory. 3. Jones’ Jig - the Irish Jig, the African 6/8 bell pattern, the shuffle rhythm of jazz and the drum style of Elvin Jones all play around with the relationship of 3 in the time-space of 2. The juxtaposition, negotiation and reconciliation of these opposing rhythmic perspectives create interesting musical relationships all over the globe. 4. Nicola’s Strathspey - In the traditional Strathspey, improvised embellishments, syncopated dotted rhythms and the use of space between notes create expectation, momentum and surprise. These same elements and their effect on the listener are the same in the blues. It seems like a natural marriage. 5. Bye Bye Breakdown - This is good ol’, Saturday night barn dance, hoedown fiddling. It revels in the whining cry of open double stops, in all types of musical onomatopoeia from train sounds to animal calls to country whistling, and in the steady 2/4 rhythm that is as basic as walking. The harmonic framework of several popular fiddle and folk tunes provide a practical grid for the cutting of challenging melodic and rhythmic figures. It is designed to tire fiddler and dancers out. Then we stomp our way home in varying states of delight and disrepair.Solo Violin Duration: 24' Composed: 2018 Published by: Wynton Marsalis (administered by Skayne's Music).
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