| The Best Fake Book Ever - 2nd Edition - Eb Edition
Eb Instruments [Fake Book] Hal Leonard
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: H...(+)
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.
(2)$49.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Fake Book Of The World's Favorite Songs - C Instruments - 4th Edition
C Instruments [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Traditional pop and vocal standards. Series: Hal Leonard Fake Books. 424 pages. 9x12 inches. Published by Hal Leonard.
(14)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Best Fake Book Ever - C Edition - 3rd Edition
Fake Book [Fake Book] Hal Leonard
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.
(14)$59.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Best Fake Book Ever - 5th Edition C Instruments [Fake Book] Hal Leonard
C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Stand...(+)
C Edition. Composed by
Various. Fake Book. Broadway,
Country, Jazz, Pop, Standards.
Softcover. 802 pages.
Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.
(10)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Little New Broadway Fake Book C Instruments [Fake Book] Hal Leonard
645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway. Softcover....(+)
645 Songs from 285 Shows.
Composed by Various. Fake
Book. Broadway. Softcover.
696 pages. Published by Hal
Leonard
$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The New Broadway Fake Book C Instruments Hal Leonard
645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway, Musicals. ...(+)
645 Songs from 285 Shows.
Composed by Various. Fake
Book. Broadway, Musicals.
Softcover. 696 pages.
Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Book - Volume V
C Instruments [Fake Book] Hal Leonard
(C Edition). By Various. By Various. For C Instruments. Fake Book. Softcover. 46...(+)
(C Edition). By Various. By Various. For C Instruments. Fake Book. Softcover. 464 pages. Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Ultimate Fake Book - C Instruments (3rd Edition)
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pa...(+)
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.
(31)$55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Book - Volume V
Bb Instruments Hal Leonard
B-flat Edition. Composed by Various. Fake Book. Softcover. 504 pages. Publish...(+)
B-flat Edition. Composed by
Various. Fake Book.
Softcover. 504 pages.
Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Book - Volume 3 Bb Instruments [Fake Book] Hal Leonard
Bb Edition. By Various. Fake Book (Includes melody line and chords). Size 8.5x11...(+)
Bb Edition. By Various. Fake Book (Includes melody line and chords). Size 8.5x11 inches. 464 pages. Published by Hal Leonard.
(1)$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Book - Volume V Eb Instruments Hal Leonard
E-flat Edition. Composed by Various. Fake Book. Jazz. Softcover. 504 page...(+)
E-flat Edition. Composed by Various. Fake Book. Jazz. Softcover. 504 pages. Published by Hal Leonard (HL.175279).
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Easy Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
(8)$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The All-Jazz Real Book - Bb Edition Bb Instruments [Sheet music + CD] Sher Music Company | | |
| Missa Brevis [Score and Parts] - Easy De Haske Publications
Concert Band/Harmonie and Opt. Choir - Grade 2 SKU: BT.DHP-1033337-015 Co...(+)
Concert Band/Harmonie and Opt. Choir - Grade 2 SKU: BT.DHP-1033337-015 Composed by Jacob De Haan. Musica Sacra. Hymns & Chorals. Set (Score & Parts). Composed 2003. De Haske Publications #DHP 1033337-015. Published by De Haske Publications (BT.DHP-1033337-015). 9x12 inches. Missa Brevis, written for choir and wind band, was commissioned by the Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX’sbirth in Éguisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible: 1. clarinet choir (from Eb Clarinet to BassClarinet) 2. clarinet choir + saxophones 3. brass (flugelhorns, horns, euphoniums, bass section) 4. brass (2 trumpets / 2 trombones) 5. double reeds (optional + flute, optional + string bass) 6. tutti 7. all winds 8. allbrass In a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band. Choral parts available separately.
Missa Brevis, geschreven voor koor en blaasorkest, werd gecomponeerd in opdracht van de Conseil Départemental pour la Musique et la Culture de Haute-Alsace (dir. Philippe Pfisterer) in Guebwiller (Frankrijk), ter gelegenheid van het duizendstegeboortejaar van paus Leo IX. In zijn geboorteplaats, Éguisheim (Elzas, Frankrijk), vond op 23 juni 2002 de première van deze mis plaats onder leiding van de componist. Het betrof een live-registratie voor de Franse televisiezender France 2. Demisdelen Kyrie, Gloria, Credo, Sanctus, Benedictus en Agnus Dei lenen zich uitstekend voor zowel de katholieke als de protestantse liturgie. Er zijn voor deze mis diverse uitvoeringsmogelijkheden mogelijk, aangezien er sprake is van eenvariabele bezetting. Een instrumentale uitvoering behoort uitdrukkelijk tot de mogelijkheden, indien het scherp koper de koorpartijen vertegenwoordigt. In deze optie is het wenselijk dat het scherp koper zich separaat opstelt van de rest van hetorkest (bijvoorbeeld op een galerij), zodat het idee van dubbelkorigheid wordt benaderd. Bij een uitvoering voor groot koor werkt het scherp koper zeer goed als ondersteuning. In dat geval kan de dynamiek van het koper iets worden aangepast,aangezien deze in eerste instantie bedoeld is voor een instrumentale versie. Ook kan men ervoor kiezen het scherp koper helemaal weg te laten ten gunste van het koor. Bij begeleiding van kleinere koren kan men kiezen voor een klein ensemble uit hetorkest. Dit kan ook een naar wens samengesteld kwartet zijn. Voor de uitvoering van deze mis ligt het voor de hand een van deze opties te kiezen. Als alternatief is echter ook een uitvoering mogelijk met een combinatie van deze opties (vocaal/instrumentaal) niet slechts vanuit een artistiek motief (afwisseling), maar ook vanuit een praktisch motief, voor het geval dat het koor bijvoorbeeld slechts twee delen heeft ingestudeerd. Bij een volledige bezetting kan de dirigent deinstrumentatie naar believen afwisselen. Hierbij kan ook het scherp koper in de begeleiding een rol krijgen (in plaats van ondersteuning van het koor). Zo zijn de volgende combinaties mogelijk: 1. clarinet choir (van Es-klarinet tot basklarinet) 2. clarinet choir + saxofoons 3. zacht koper (bugels, hoorns, euphoniums, bassen) 4. scherp koper (2 trompetten / 2 trombones) 5. dubbelrieten (eventueel + fluit, eventueel + contrabas) 6. tutti 7. alle hout 8. alle koper In een uitvoering voor brassband en koor is het in de meeste gevallen aan te bevelen de optie voor scherp koper weg te laten. Het koor zingt zelfstandig, begeleid door een volledige brassband. In een instrumentale uitvoering kunt u denken aan eencombinatiekwartet (twee cornetten en twee trombones) + brassband.Koorpartijen apart verkrijgbaar.
Missa Brevis, geschrieben für Chor und Blasorchester entstand im Auftrag des Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (Frankreich), anlässlich des tausendjährigen Jubiläumsder Geburt von Papst Leo IX in Éguisheim. Der Komponist dirigierte die Uraufführung am 23. Juni 2002. Sie wurde live vom französischen Fernsehen France 2 übertragen. Die Messesätze Kyrie, Gloria, Credo, Sanctus, Benedictus und Agnus Deieignen sich ausgezeichnet sowohl für die katholische als auch die protestantische Liturgie. Diese Messe kann in diversen variablen Spielstärken aufgeführt werden. Eine Instrumentalaufführung ist möglich, wenn das Blech die Chorstimme übernimmt.Um der Idee von zwei Chören in dieser Variante möglichst gerecht zu werden, empfiehlt es sich, das Blechregister getrennt vom Rest des Blasorchesters aufzustellen (beispielsweise auf einer Galerie). In einer Aufführung mit einem großen Chor kann dasBlechregister sehr gut als Unterstützung dienen. In diesem Fall sollten die Dynamikangaben der Blechbläser etwas angepasst werden, da sie ja eigentlich für eine Instrumentalaufführung gedacht sind. Man kann zugunsten des Chors auch völlig auf dasBlech verzichten. Zur Begleitung kleinerer Chöre können Sie ein kleines Ensemble aus dem Blasorchester wählen. Dies könnte auch ein Quartett in beliebiger Zusammensetzung sein. Für die Aufführung dieser Messe bietet sich eine der oben genanntenVarianten an. Eine Kombination dieser Wahlmöglichkeiten (vokal/instrumental) ist jedoch auch möglich und das nicht nur vom künstlerischen Standpunkt aus betrachtet (zur Abwechslung), sondern auch aus praktischen Erwägungen beispielsweise, wennder Chor nur zwei Sätze einstudiert hat. In voller Besetzung kann der Dirigent die Instrumentierung nach Belieben variieren. Dann können die Blechbläser auch eine Rolle in der Begleitung übernehmen (anstatt den Chor zu unterstützen). Die folgendenKombinationen sind möglich: 1. Klarinettenchor (von Klarinette in Es bis Bassklarinette) 2. Klarinettenchor + Saxophone 3. Blech (Flügelhorn, Horn, Euphonium, Bassregister) 4. Blech (2 Trompeten / 2 Posaunen) 5. Doppelrohrblattinstrumente (wahlweise + Flöte, wahlweise + Kontrabass) 6. Tutti 7. Alle Holzbläser 8. Alle Blechbläser In einer Aufführung mit Brass Band und Chor ist es gewöhnlich ratsam, nicht die erste Option (Chor + Blech + Blasorchester) zu wählen. Der Chor singt unabhängig, begleitet von einer vollständigen Brass Band. In einer Instrumentalaufführung könnenSie sich für ein kombiniertes Quartett (zwei Kornette und zwei Posaunen) + Brass Band entscheiden. Chorstimmen separat erhältlich.
Missa Brevis est une messe pour Orchestre d’Harmonie et Choeur composée la demande du Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir. : Philippe Pfisterer) de Guebwiller en France, l’occasion des célébrations dumillénaire de la naissance du Pape Léon IX Éguisheim. La création mondiale a eu lieu le 23 juin 2002 sous la direction du compositeur, et a été diffusée en direct sur la chaîne de télévision nationale France 2. Les différentes parties de cettemesse (Kyrie, Gloria, Credo, Sanctus, Benedictus et Agnus Dei) conviennent autant la liturgie catholique qu’ la liturgie protestante. Missa Brevis peut être interprétée dans différentes combinaisons instrumentales. Ellepeut être jouée dans une version purement instrumentale, où les cuivres prennent en charge la partie vocale. En tel cas, il est conseillé de placer les cuivres l’écart de la formation (sur une estrade, par exemple) de façon reproduire l’idée dedeux groupes indépendants. Dans le cadre d’une interprétation avec un grand Choeur, les cuivres jouent un rôle de soutien. Leurs nuances doivent alors être adaptées dans la mesure où elles ont été écrites, l’origine, pour une version instrumentale.Il est également possible de ne pas faire intervenir les cuivres et de privilégier le Choeur. Pour accompagner de petits ensembles vocaux, il faut opter pour une formation instrumentale réduite voire même un Quatuor (instrumentation au choix). Pourl’interprétation de cette messe l’un des choix proposés ci-dessus s’impose. Il existe néanmoins une alternative qui consiste interpréter cette oeuvre en combinant ces options (vocales / instrumentales). Cela peut être bénéfique tant d’un point devue artistique (variante) que pratique dans le cas où le Choeur n’a travaillé que deux mouvements de la messe. Si le chef dispose de deux formations complètes (Choeur et Orchestre d’Harmonie), il peut varier l’instrumentation selon ses préférences. ce moment-l , il peut confier un rôle d’accompagnement et non de soutien aux cuivres de sa formation. Les combinaisons suivantes peuvent être formées : 1. Choeur de Clarinettes (de la Clarinette Mib la Clarinette Basse) 2. Choeur de Clarinettes + Saxophones 3. Cuivres (Bugles, Cors, Barytons / Euphoniums, Basses) 4. Cuivres (2 Trompettes / 2 Trombones) 5. Instruments anches doubles (Fl te et Contrebasse cordes optionnelles) 6. Tutti 7. Tous les Bois 8. Tous les Cuivres Dans le cadre d’une interprétation par un Brass Band accompagné d’un Choeur, il est préférable de supprimer l’option 1 (Choeur + Cuivres + Orchestre d’Harmonie) car le Choeur étant autonome. Dans une version instrumentale pour Cuivres, il estpossible de former la combinaison suivante : Quatuor (2 Cornets / 2 Trombones) et Brass Band.Partitions pour chœur disponibles séparément.
Parti per coro disponibili a parte. $327.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Irish Reel Book Guitar [Sheet music + CD] - Easy AMA Verlag
By Patrick Steinbach. For Acoustic Instruments. Solos. AMA Verlag. Celtic/Irish....(+)
By Patrick Steinbach. For Acoustic Instruments. Solos. AMA Verlag. Celtic/Irish. Level: Beginning-Intermediate. Book/CD Set. Size 9.x11.75. 180 pages. Published by AMA Verlag. ISBN 3899220234.
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Roy Clark Complete Bluegrass Banjo Bible Banjo Santorella Publications
Roy Clark's Bluegrass Banjo Bible by Roy Clark. For banjo. This edition: Paperba...(+)
Roy Clark's Bluegrass Banjo Bible by Roy Clark. For banjo. This edition: Paperback. Instructional. Method. Book. Text Language: English. 140 pages. Published by Santorella Publications
$17.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Missa Brevis [Score] - Easy De Haske Publications
Concert Band/Harmonie/Fanfare Band/Brass Band and opt. Choir - Grade 2 SKU: B...(+)
Concert Band/Harmonie/Fanfare Band/Brass Band and opt. Choir - Grade 2 SKU: BT.DHP-1033337-170 Composed by Jacob De Haan. Musica Sacra. Hymns & Chorals. Score Only. Composed 2003. 28 pages. De Haske Publications #DHP 1033337-170. Published by De Haske Publications (BT.DHP-1033337-170). A4 (210X297) inches. Missa Brevis is a major work for choir and brass band for performance in church or in the concert hall. For this mass, there are many performance possibilities depending on the musicians available. In addition to the standard orchestration ofchoir and band a brass quartet can also play the choral parts. For this it is desirable for the brass quartet to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is heard. It is alsopossible to perform the work with brass band and organ. A truly flexible religious masterpiece. Choral parts available separately.
Missa Brevis, geschreven voor koor en blaasorkest, werd gecomponeerd in opdracht van de Conseil Départemental pour la Musique et la Culture de Haute-Alsace (dir. Philippe Pfisterer) in Guebwiller (Frankrijk), ter gelegenheid van het duizendstegeboortejaar van paus Leo IX. In zijn geboorteplaats, Éguisheim (Elzas, Frankrijk), vond op 23 juni 2002 de première van deze mis plaats onder leiding van de componist. Het betrof een live-registratie voor de Franse televisiezender France 2. Demisdelen Kyrie, Gloria, Credo, Sanctus, Benedictus en Agnus Dei lenen zich uitstekend voor zowel de katholieke als de protestantse liturgie. Er zijn voor deze mis diverse uitvoeringsmogelijkheden mogelijk, aangezien er sprake is van eenvariabele bezetting. Een instrumentale uitvoering behoort uitdrukkelijk tot de mogelijkheden, indien het scherp koper de koorpartijen vertegenwoordigt. In deze optie is het wenselijk dat het scherp koper zich separaat opstelt van de rest van hetorkest (bijvoorbeeld op een galerij), zodat het idee van dubbelkorigheid wordt benaderd. Bij een uitvoering voor groot koor werkt het scherp koper zeer goed als ondersteuning. In dat geval kan de dynamiek van het koper iets worden aangepast,aangezien deze in eerste instantie bedoeld is voor een instrumentale versie. Ook kan men ervoor kiezen het scherp koper helemaal weg te laten ten gunste van het koor. Bij begeleiding van kleinere koren kan men kiezen voor een klein ensemble uit hetorkest. Dit kan ook een naar wens samengesteld kwartet zijn. Voor de uitvoering van deze mis ligt het voor de hand een van deze opties te kiezen. Als alternatief is echter ook een uitvoering mogelijk met een combinatie van deze opties (vocaal/instrumentaal) - niet slechts vanuit een artistiek motief (afwisseling), maar ook vanuit een praktisch motief, voor het geval dat het koor bijvoorbeeld slechts twee delen heeft ingestudeerd. Bij een volledige bezetting kan de dirigent deinstrumentatie naar believen afwisselen. Hierbij kan ook het scherp koper in de begeleiding een rol krijgen (in plaats van ondersteuning van het koor). Zo zijn de volgende combinaties mogelijk: 1. clarinet choir (van Es-klarinet tot basklarinet) 2. clarinet choir + saxofoons 3. zacht koper (bugels, hoorns, euphoniums, bassen) 4. scherp koper (2 trompetten / 2 trombones) 5. dubbelrieten (eventueel + fluit, eventueel + contrabas) 6. tutti 7. alle hout 8. alle koper In een uitvoering voor brassband en koor is het in de meeste gevallen aan te bevelen de optie voor scherp koper weg te laten. Het koor zingt zelfstandig, begeleid door een volledige brassband. In een instrumentale uitvoering kunt u denken aan eencombinatiekwartet (twee cornetten en twee trombones) + brassband.Koorpartijen apart verkrijgbaar.
Missa Brevis, eine Messe für Brass Band und Chor ad libitum, kann in diversen variablen Spielstärken aufgeführt werden. Zahlreiche mögliche Instrumentenkombinationen diverse mögliche Kombinationen mit großen oder kleineren Chören, lassen eineVielzahl von verschiedenen Aufführungen dieser Messe zu. So kann z. B. ein Blechbläserquartett, von der Kirchenempore herab spielend, die Chorpartien übernehmen. Darüber hinaus ergeben sich durch die Orgelbegleitung weitere Aufführungsvarianten. EineAufstellung der Wahlmöglichkeiten wird vom Komponisten mitgeliefert. Die wunderschöne Musik aus der Feder von Jacob de Haan garantiert in jedem Fall einen gelungenen Auftritt!Chorstimmen separat erhältlich.
Missa Brevis est une messe pour Orchestre d’Harmonie et Choeur composée la demande du Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir. : Philippe Pfisterer) de Guebwiller en France, l’occasion des célébrations dumillénaire de la naissance du Pape Léon IX Éguisheim. La création mondiale a eu lieu le 23 juin 2002 sous la direction du compositeur, et a été diffusée en direct sur la chaîne de télévision nationale France 2. Les différentes parties de cettemesse (Kyrie, Gloria, Credo, Sanctus, Benedictus et Agnus Dei) conviennent autant la liturgie catholique qu’ la liturgie protestante. Missa Brevis peut être interprétée dans différentes combinaisons instrumentales. Ellepeut être jouée dans une version purement instrumentale, où les cuivres prennent en charge la partie vocale. En tel cas, il est conseillé de placer les cuivres l’écart de la formation (sur une estrade, par exemple) de façon reproduire l’idée dedeux groupes indépendants. Dans le cadre d’une interprétation avec un grand Choeur, les cuivres jouent un rôle de soutien. Leurs nuances doivent alors être adaptées dans la mesure où elles ont été écrites, l’origine, pour une version instrumentale.Il est également possible de ne pas faire intervenir les cuivres et de privilégier le Choeur. Pour accompagner de petits ensembles vocaux, il faut opter pour une formation instrumentale réduite voire même un Quatuor (instrumentation au choix). Pourl’interprétation de cette messe l’un des choix proposés ci-dessus s’impose. Il existe néanmoins une alternative qui consiste interpréter cette oeuvre en combinant ces options (vocales / instrumentales). Cela peut être bénéfique tant d’un point devue artistique (variante) que pratique dans le cas où le Choeur n’a travaillé que deux mouvements de la messe. Si le chef dispose de deux formations complètes (Choeur et Orchestre d’Harmonie), il peut varier l’instrumentation selon ses préférences. ce moment-l , il peut confier un rôle d’accompagnement et non de soutien aux cuivres de sa formation. Les combinaisons suivantes peuvent être formées : 1. Choeur de Clarinettes (de la Clarinette Mib la Clarinette Basse) 2. Choeur de Clarinettes + Saxophones 3. Cuivres (Bugles, Cors, Barytons / Euphoniums, Basses) 4. Cuivres (2 Trompettes / 2 Trombones) 5. Instruments anches doubles (Fl te et Contrebasse cordes optionnelles) 6. Tutti 7. Tous les Bois 8. Tous les Cuivres Dans le cadre d’une interprétation par un Brass Band accompagné d’un Choeur, il est préférable de supprimer l’option 1 (Choeur + Cuivres + Orchestre d’Harmonie) car le Choeur étant autonome. Dans une version instrumentale pour Cuivres, il estpossible de former la combinaison suivante : Quatuor (2 Cornets / 2 Trombones) et Brass Band.Partitions pour chœur disponibles séparément.
Parti per coro disponibili a parte. $52.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Irish Session Tune Book [Sheet music] Mel Bay
By Cari Fuchs. For acoustic instruments. Songbook. Celtic/Irish. Level: Beginnin...(+)
By Cari Fuchs. For acoustic instruments. Songbook. Celtic/Irish. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 128 pages. Published by Mel Bay Publications, Inc.
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Souvenirs Cello, Piano - Intermediate Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musique de scène pour « Le Voyageur sans bagages ». Composed by Francis Poulenc. Classical. Book and Part(s). Composed 2016. 5 pages. Editions Salabert #SLB 00595900. Published by Editions Salabert (BT.SLB-00595900). INSSTR inches. French. A previously unreleased piece by Francis Poulenc, published with permission from the Bibliothèque Historique de la Ville de Paris and Benoît Seringe, secretary of the Association des amis de Francis Poulenc [Association of the Friends ofFrancis Poulenc]. Le Voyageur sans bagage [The Traveller Without Luggage], which had been premiered in 1937 with music by Darius Milhaud, was reprised on 1 April 1944 at the Thé tre de la Michodière; Francis Poulenc was asked to compose new stage music. Theentire unpublished score lay undiscovered until Bérengère de l’Épine, a librarian at the Bibliothèque Historique de la Ville de Paris, announced the existence of a manuscript in the Association de la Régie Thé trale collection.Poulenc finalised the score between 19 and 21 March 1944. It contains nine songs, all written for a small instrumental ensemble including oboe, clarinet, cello and piano. However, at the end of the manuscript, the composer echoes the second song Lent [Slow] and creates another version for cello and piano; curiously, the original version of the song has not been erased in the manuscript. Poulenc seems to suggest that we consider the piece for cello and piano, that we have publishedhere, as a different piece of music. It was premiered on Wednesday 23 January 2013 by Marc Coppey, accompanied by Jean-François Heisser, in the organ auditorium of the Conservatoire National Supérieur de Musique et Danse de Paris (CNSMDP), during thesymposium for the fiftieth anniversary of Poulenc’s death.Given in a dramatic context, some elements allow us to get an idea of the character of the piece, which Benoît Seringe, Poulenc’s beneficiary, judiciously chose to name Souvenirs.The main character of Anouilh’s play, Gaston, is suffering from amnesia at the end of World War One. Several families try to claim him; they want him to be their missing relative. The Renaud family prove to be particularly stubborn, but Gaston doesnot recognize himself in the child and young man they depict: a ruthless and violent person. In Act 1 Scene 3, left alone for a moment, overwhelmed by the story of the “old Gaston†that is gradually coming to light, and outraged by the desire ofthose around him to appropriate him (to the detriment of the person he would like to be from now on), he whispers these words: “You all have proof, photographs that look like me, memories as clear as day… I’ve listened to you all and it’s slowlycausing a hybrid person to rise up in me; a person in which there is a piece of each of your sons and nothing of me.†Poulenc chose to place the second piece from his stage music score as these words are spoken.He borrowed part of the material, as he often did, from an earlier composition. In this particular case, the beginning is a recycled version of the “slow and melancholic†section from L’Histoire de Babar , composed between 1940 and 1945, andpremiered in 1946 (unless it is Babar that reuses the musical idea from Voyageur ).The eponymous elephant decides to leave in search of the great forest. He embraces the old lady, promises her he will return and reassures her that he will never forget her. Left alone, the old lady, feeling sad and pensive, wonders when she’ll seeher friend Babar again. The situation is similar to that in Voyageur sans bagage: solitude, sadness, a distressing and introspective time, fear of oblivion, the presence of memories…
Pièce inédite de Francis Poulenc, publiée avec l’autorisation de la Bibliothèque historique de la ville de Paris et de Benoît Seringe, secrétaire de l’Association des Amis de Francis Poulenc.Le 1er avril 1944, Le Voyageur sans bagage d’Anouilh, qui avait été créé en 1937 avec de la musique de Darius Milhaud, est repris au Thé tre de la Michodière. Francis Poulenc a été sollicité afin d’écrire une nouvelle musique de scène. On ignoraittout de cette partition inédite, jusqu’au jour où Bérengère de l’Épine, conservateur la Bibliothèque historique de la ville de Paris, nous signala l’existence d’un manuscrit dans le fonds de l’Association de la Régie thé trale.Poulenc mit au point sa partition entre le 19 et le 21 mars 1944. Elle comprend neuf numéros, tous écrits pour un petit effectif instrumental réunissant un hautbois, une clarinette, un violoncelle et un piano.Cependant, la fin de son manuscrit, le compositeur reprend le no 2 Lent et en donne une seconde version, pour violoncelle et piano. Curieusement, la version originale de ce numéro n’est pas biffée dans le manuscrit.Poulenc semble nous inviter considérer comme un morceau distinct cette pièce pour violoncelle et piano dont nous proposons ici l’édition. Elle a été créée par Marc Coppey, accompagné de Jean-François Heisser, lors du concert donné durant lecolloque organisé pour le cinquantenaire du décès de Poulenc, le mercredi 23 janvier 2013, salle d’orgue du Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP).Quelques éléments sur le contexte dramatique permettront de se faire une idée du caractère du morceau, que Benoît Seringe, ayant droit Poulenc, a judicieusement choisi d’intituler Souvenirs.Le personnage principal de la pièce d’Anouilh, Gaston, a été retrouvé amnésique la fin de la Première Guerre Mondiale. Plusieurs familles le réclament. On veut voir en lui un parent disparu. Les Renaud se montrent particulièrement tenaces ; maisGaston ne parvient se reconnaître dans l’enfant et le jeune homme dont on lui trace le portrait : un être violent et sans scrupule. Au tableau 3 de l’acte I, resté seul un moment, écrasé par l’histoire de cet autre lui-même qu’il découvre peu peu, indigné par le désir des personnes qui l’entourent de le ramener elles au détriment de celui qu’il voudrait être désormais, il se murmure ces paroles : « Vous avez tous des preuves, des photographies ressemblantes, des souvenirs précis commedes crimes… je vous écoute tous et je sens surgir peu peu derrière moi un être hybride où il y a un peu de chacun de vos fils et rien de moi »…C’est sur ces mots que Poulenc a choisi de placer le no 2 de sa partition de musique de scène.Comme il le fait souvent, il emprunte une composition antérieure une part de son matériau. Dans ce cas précis, il réutilise pour le début du morceau la section « Lent et mélancolique » de l’Histoire de Babar, composée entre 1940 et 1945, créée en1946 ( moins que ce ne soit Babar qui réutilise l’idée musicale du Voyageur). Le héros-éléphant s’est décidé partir pour retrouver la grande forêt. Il a embrassé la vieille dame, lui a promis de revenir, l’a rassurée : jamais il ne l’oubliera.Restée seule, la vieille dame, triste et pensive, se demande quand elle reverra son ami Babar. La situation est similaire celle du Voyageur sans bagage : solitude, tristesse, instantde trouble et de retour sur soi, crainte de l’oubli, présence des souvenirs…. $11.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Billy F Gibbons “Pinstripe” Gibson Les Paul Goldtop Mini Guitar Model Axe Heaven
SKU: HL.1215602 Axe Heaven Guitars. Gift Item. Duration 153 seconds. Axe ...(+)
SKU: HL.1215602 Axe Heaven Guitars. Gift Item. Duration 153 seconds. Axe Heaven #GG-138. Published by Axe Heaven (HL.1215602). ISBN 9781705195246. UPC: 661239453212. 4.5x11.75x1.347 inches. OFFICIALLY LICENSED Billy F Gibbons of ZZ TOP Collection. Every model includes a COA and individually numbered box (BFG QR code tracks the authentication of this product). AXE HEAVEN® is proud to present an incredible officially licensed miniature guitar collection with Gibson and Billy F Gibbons. These model tributes represent signature guitars BFG has played before millions of fans during his career and influenced multiple generations of players around the world. Axe Heaven is the originator of handcrafted miniature guitars. Now, they are recreating the same Gibson high level of craft and quality in each miniature. This miniature replica model honors the Holy Grail of electric guitars. The stain on this handcrafted collectible is an amazing reproduction of the original solid body instrument. Each Axe Heaven miniature replica guitar is 1:4 scale and is individually handcrafted from solid wood, with metal tuning keys. Each guitar model is approximately 10″ in length and comes complete with a high-quality miniature adjustable A-frame stand and a gold foil stamped Gibson by Axe Heaven guitar case gift box. To be sure you're getting high quality official Gibson merchandise make sure your mini guitar has a real Gibson guitar pick product tag. If it doesn't have he real Gibson pick, it's not official! Axe Heaven Miniature Replicas look great nut are not playable. $59.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Billy F Gibbons Signature Billy Bo Grestch Mini Guitar Model Axe Heaven
SKU: HL.1215600 Axe Heaven Guitars. Gift Item. Duration 153 seconds. Axe ...(+)
SKU: HL.1215600 Axe Heaven Guitars. Gift Item. Duration 153 seconds. Axe Heaven #BG-322. Published by Axe Heaven (HL.1215600). ISBN 9781705195222. UPC: 661239453229. 4.5x11.5x1.3 inches. OFFICIALLY LICENSED Billy F Gibbons of ZZ TOP Collection * Every model includes a COA and individually numbered box (BFG QR code tracks the authentication of this product). AXE HEAVEN® is proud to present an incredible officially licensed miniature guitar collection with Billy F Gibbons. These model tributes represent signature guitars BFG has played before millions of fans during his career and influenced multiple generations of players around the world. AXE HEAVEN® is the originator of handcrafted miniature guitars. We are recreating the high level of craft and quality in each miniature just like the real instrument. Each AXE HEAVEN® miniature replica guitar is 1:4 scale and is individually handcrafted from solid wood, with metal tuning keys. Each guitar model is approximately 10″ in length and comes complete with a high-quality miniature adjustable A-frame stand and a gold foil stamped Gibson by AXE HEAVEN® guitar case gift box. AXE HEAVEN® Ornamental Miniature Replica Guitars Make Great Gifts! To be sure you're getting high quality official Gibson merchandise make sure your mini guitar has a real Gibson guitar pick product tag. If it doesn't have the real Gibson pick it's not official. AXE HEAVEN® Miniature Replicas look great but are not playable. $49.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| John Philip Sousa March Collection Carl Fischer
Band alto Saxophone 1 SKU: CF.JB111 Composed by John Philip Sousa. Edited...(+)
Band alto Saxophone 1 SKU: CF.JB111 Composed by John Philip Sousa. Edited by Larry Clark Justin P. Tokke. SWS. Collection - Part. With Standard notation. 28 pages. Carl Fischer Music #JB111. Published by Carl Fischer Music (CF.JB111). ISBN 9780825897108. UPC: 798408097103. 9 x 12 inches. The seminal John Philip Sousa March Collection now exists in standard book format, featuring the first publication of a full conductor's score of all marches. This collection includes 16 of Sousa's greatest marches, including: Washington Post, Semper Fidelis, The Thunderer, and many others, originally published by Carl Fischer Music between 1886 and 1894. In order to maintain the integrity of the original works, there are no added or changed articulations, changed instrumentations, or rescored parts. The only changes made from the original are intended to clarify errors and remove inconsistencies in dynamics, hairpin placements, and articulations due to the original method of copying parts one at a time. These markings were unified during the re-engraving process to ensure the highest quality honoring the original intentions of the composer. About The New Bennett Band Book Series The Bennett Band Books published in four volumes starting in 1923 were used to teach the march form and style to millions of young band musicians in the middle of the twentieth century. Twelve of the legendary Henry Fillmore's tuneful band gems (written using the pseudonym Harold Bennett) have been collected together by Larry Clark to form the first volume of The New Bennett Band Books. This volume concentrates on 2/4 time and the keys of Bb major, Eb major, and Ab major. In addition, a helpful march warm-up section, composed by Larry Clark, is included to help you teach the march form and style to young students. There is also the added benefit of a full recording of each march performed by a professional band on the CD that is included in the full score. This is a valuable collection for any level band to use for marches at contest/festival performance or for sight-reading purposes. $9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| John Philip Sousa March Collection Carl Fischer
Band Horn 3 SKU: CF.JB122 Composed by John Philip Sousa. Edited by Larry ...(+)
Band Horn 3 SKU: CF.JB122 Composed by John Philip Sousa. Edited by Larry Clark Justin P. Tokke. SWS. Collection - Part. With Standard notation. 32 pages. Carl Fischer Music #JB122. Published by Carl Fischer Music (CF.JB122). ISBN 9780825897214. UPC: 798408097219. 9 x 12 inches. The seminal John Philip Sousa March Collection now exists in standard book format, featuring the first publication of a full conductor's score of all marches. This collection includes 16 of Sousa's greatest marches, including: Washington Post, Semper Fidelis, The Thunderer, and many others, originally published by Carl Fischer Music between 1886 and 1894. In order to maintain the integrity of the original works, there are no added or changed articulations, changed instrumentations, or rescored parts. The only changes made from the original are intended to clarify errors and remove inconsistencies in dynamics, hairpin placements, and articulations due to the original method of copying parts one at a time. These markings were unified during the re-engraving process to ensure the highest quality honoring the original intentions of the composer. About The New Bennett Band Book Series The Bennett Band Books published in four volumes starting in 1923 were used to teach the march form and style to millions of young band musicians in the middle of the twentieth century. Twelve of the legendary Henry Fillmore's tuneful band gems (written using the pseudonym Harold Bennett) have been collected together by Larry Clark to form the first volume of The New Bennett Band Books. This volume concentrates on 2/4 time and the keys of Bb major, Eb major, and Ab major. In addition, a helpful march warm-up section, composed by Larry Clark, is included to help you teach the march form and style to young students. There is also the added benefit of a full recording of each march performed by a professional band on the CD that is included in the full score. This is a valuable collection for any level band to use for marches at contest/festival performance or for sight-reading purposes. $9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| John Philip Sousa March Collection Carl Fischer
Band Bassoon 2 SKU: CF.JB110 Composed by John Philip Sousa. Edited by Jus...(+)
Band Bassoon 2 SKU: CF.JB110 Composed by John Philip Sousa. Edited by Justin P. Tokke Larry Clark. SWS. Collection - Part. With Standard notation. 28 pages. Carl Fischer Music #JB110. Published by Carl Fischer Music (CF.JB110). ISBN 9780825897092. UPC: 798408097097. 9 x 12 inches. The seminal John Philip Sousa March Collection now exists in standard book format, featuring the first publication of a full conductor's score of all marches. This collection includes 16 of Sousa's greatest marches, including: Washington Post, Semper Fidelis, The Thunderer, and many others, originally published by Carl Fischer Music between 1886 and 1894. In order to maintain the integrity of the original works, there are no added or changed articulations, changed instrumentations, or rescored parts. The only changes made from the original are intended to clarify errors and remove inconsistencies in dynamics, hairpin placements, and articulations due to the original method of copying parts one at a time. These markings were unified during the re-engraving process to ensure the highest quality honoring the original intentions of the composer. About The New Bennett Band Book Series The Bennett Band Books published in four volumes starting in 1923 were used to teach the march form and style to millions of young band musicians in the middle of the twentieth century. Twelve of the legendary Henry Fillmore's tuneful band gems (written using the pseudonym Harold Bennett) have been collected together by Larry Clark to form the first volume of The New Bennett Band Books. This volume concentrates on 2/4 time and the keys of Bb major, Eb major, and Ab major. In addition, a helpful march warm-up section, composed by Larry Clark, is included to help you teach the march form and style to young students. There is also the added benefit of a full recording of each march performed by a professional band on the CD that is included in the full score. This is a valuable collection for any level band to use for marches at contest/festival performance or for sight-reading purposes. $9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| John Philip Sousa March Collection Carl Fischer
Band Oboe 2 SKU: CF.JB104 Composed by John Philip Sousa. Edited by Justin...(+)
Band Oboe 2 SKU: CF.JB104 Composed by John Philip Sousa. Edited by Justin P. Tokke Larry Clark. SWS. Collection - Part. With Standard notation. 28 pages. Carl Fischer Music #JB104. Published by Carl Fischer Music (CF.JB104). ISBN 9780825897030. UPC: 798408097035. 9 x 12 inches. The seminal John Philip Sousa March Collection now exists in standard book format, featuring the first publication of a full conductor's score of all marches. This collection includes 16 of Sousa's greatest marches, including: Washington Post, Semper Fidelis, The Thunderer, and many others, originally published by Carl Fischer Music between 1886 and 1894. In order to maintain the integrity of the original works, there are no added or changed articulations, changed instrumentations, or rescored parts. The only changes made from the original are intended to clarify errors and remove inconsistencies in dynamics, hairpin placements, and articulations due to the original method of copying parts one at a time. These markings were unified during the re-engraving process to ensure the highest quality honoring the original intentions of the composer. About The New Bennett Band Book Series The Bennett Band Books published in four volumes starting in 1923 were used to teach the march form and style to millions of young band musicians in the middle of the twentieth century. Twelve of the legendary Henry Fillmore's tuneful band gems (written using the pseudonym Harold Bennett) have been collected together by Larry Clark to form the first volume of The New Bennett Band Books. This volume concentrates on 2/4 time and the keys of Bb major, Eb major, and Ab major. In addition, a helpful march warm-up section, composed by Larry Clark, is included to help you teach the march form and style to young students. There is also the added benefit of a full recording of each march performed by a professional band on the CD that is included in the full score. This is a valuable collection for any level band to use for marches at contest/festival performance or for sight-reading purposes. $9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| John Philip Sousa March Collection Carl Fischer
Band Horn 1 SKU: CF.JB120 Composed by John Philip Sousa. Edited by Larry ...(+)
Band Horn 1 SKU: CF.JB120 Composed by John Philip Sousa. Edited by Larry Clark Justin P. Tokke. SWS. Collection - Part. With Standard notation. 32 pages. Carl Fischer Music #JB120. Published by Carl Fischer Music (CF.JB120). ISBN 9780825897191. UPC: 798408097196. 9 x 12 inches. The seminal John Philip Sousa March Collection now exists in standard book format, featuring the first publication of a full conductor's score of all marches. This collection includes 16 of Sousa's greatest marches, including: Washington Post, Semper Fidelis, The Thunderer, and many others, originally published by Carl Fischer Music between 1886 and 1894. In order to maintain the integrity of the original works, there are no added or changed articulations, changed instrumentations, or rescored parts. The only changes made from the original are intended to clarify errors and remove inconsistencies in dynamics, hairpin placements, and articulations due to the original method of copying parts one at a time. These markings were unified during the re-engraving process to ensure the highest quality honoring the original intentions of the composer. About The New Bennett Band Book Series The Bennett Band Books published in four volumes starting in 1923 were used to teach the march form and style to millions of young band musicians in the middle of the twentieth century. Twelve of the legendary Henry Fillmore's tuneful band gems (written using the pseudonym Harold Bennett) have been collected together by Larry Clark to form the first volume of The New Bennett Band Books. This volume concentrates on 2/4 time and the keys of Bb major, Eb major, and Ab major. In addition, a helpful march warm-up section, composed by Larry Clark, is included to help you teach the march form and style to young students. There is also the added benefit of a full recording of each march performed by a professional band on the CD that is included in the full score. This is a valuable collection for any level band to use for marches at contest/festival performance or for sight-reading purposes. $9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
Next page 1 31 |