| Be Still, My Soul Concert band [Score and Parts] C.L. Barnhouse
Arranged by R.W. Smith. For concert band. Young Band. Sound Foundations. Real mu...(+)
Arranged by R.W. Smith. For concert band. Young Band. Sound Foundations. Real music using only the first 6 notes!. .5. Score and parts. Composed 2010. Duration 2 minutes, 36 seconds. Published by C.L. Barnhouse
$55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Requiem Orchestra [Study Score / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score) SKU: HL.49018099 Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099). ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German. On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009. $93.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Be Still, My Soul Concert band [Score and Parts] - Intermediate C.L. Barnhouse
A Chorale Prelude. Arranged by James Swearingen. Concert Band Series. Sco...(+)
A Chorale Prelude. Arranged by James Swearingen. Concert Band Series. Score and parts. Duration 0:4:05. Published by C.L. Barnhouse (CL.012-4495-00).
$74.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 60 Easy Hymn Settings for Piano Piano solo - Easy Hope Publishing Company
Arranged by Joel Raney. Score. Hope Publishing Company #9114. Published by Hop...(+)
Arranged by Joel Raney. Score.
Hope Publishing Company #9114.
Published by Hope Publishing
Company
$69.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Foundation Concert band [Score and Parts] - Intermediate/advanced Alfred Publishing
By Mark Camphouse. For Concert Band. Concert Band. Alfred Concert Band. Hymn. Le...(+)
By Mark Camphouse. For Concert Band. Concert Band. Alfred Concert Band. Hymn. Level: 5 (Difficult) (grade 5). Conductor Score and Parts. 304 pages. Published by Alfred Publishing.
(2)$90.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Foundation Concert band [Score] - Intermediate Alfred Publishing
By Mark Camphouse. For Concert Band. Concert Band. Alfred Concert Band. Level: 5...(+)
By Mark Camphouse. For Concert Band. Concert Band. Alfred Concert Band. Level: 5 (Difficult) (grade 5). Conductor Score. 44 pages. Published by Alfred Publishing.
$11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Depart in Peace (arr Norris) Organ Stainer and Bell
Organ SKU: ST.H464 Composed by Various. Arranged by Norris. Organ music. ...(+)
Organ SKU: ST.H464 Composed by Various. Arranged by Norris. Organ music. Fifteen pieces for use at Funerals and Memorial Services. Arranged by John Norris.. Score. Stainer & Bell Ltd. #H464. Published by Stainer & Bell Ltd. (ST.H464). ISBN 9790220222139. Well-chosen music is an essential adjunct to the dignity and reverence of funerals and acts of remembrance, comforting those who mourn, and shining light upon the personality of the departed person. Among these fifteen new arrangements, organists will find a wealth of material from which to select the right piece appropriate to the occasion. There are classics such as Mendelssohn's O rest in the Lord and Handel's Dead March from Saul, romantic masterpieces like Elgar's Nimrod and Mahler's Adagietto, as well as a contemporary favourite, Candle in the Wind, which featured so memorably at the funeral of Diana, Princess of Wales. A leading arranger and teacher for the organ, John Norris has also included his own Improvisation on Brother James' Air, an arrangement of Sibelius's Finlandia ('Be still, my soul'), and a novelty item The Broken Melody by Auguste van Biene. The collection concludes, appropriately, with Stanford's uplifting Nunc Dimittis from the Evening Service in C. $21.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Be Still, My Soul, Be Still [Score and Parts] Peermusic Classical
(for Soprano, Clarinet, Cello and Piano). By Morten Lauridsen (1943-). Score and...(+)
(for Soprano, Clarinet, Cello and Piano). By Morten Lauridsen (1943-). Score and Parts. Peermusic Classical. 30 pages. Peermusic #61648-224. Published by Peermusic
$24.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Our First Band Concert Concert band [Score and Parts] - Beginner C.L. Barnhouse
By Various. For concert band. Young Band. Sound Foundations Series. Grade 0.5. S...(+)
By Various. For concert band. Young Band. Sound Foundations Series. Grade 0.5. Score and set of parts. Published by C.L. Barnhouse
$98.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Be Still, My Soul |womens choir|piano| [Score] Breitkopf & Härtel
By Jean Sibelius. For Women's Choir - 2nd and Piano. Breitkopf Full Scores. 4 pa...(+)
By Jean Sibelius. For Women's Choir - 2nd and Piano. Breitkopf Full Scores. 4 pages. Published by Breitkopf and Haertel (German import).
$6.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Be Still, My Soul Piano solo [Vocal Score] Breitkopf & Härtel
By Jean Sibelius. For Mixed Choir, Piano. Breitkopf Full Scores. Published by Br...(+)
By Jean Sibelius. For Mixed Choir, Piano. Breitkopf Full Scores. Published by Breitkopf and Haertel (German import).
$4.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Be still, my soul Breitkopf & Härtel
Female voices with/without accomp. SKU: BR.CHB-5335-02 Hymn on a Theme...(+)
Female voices with/without accomp. SKU: BR.CHB-5335-02 Hymn on a Theme from Finlandia op. 26. Composed by Jean Sibelius. Arranged by Alan (Klav-Begleit) Boustead. Choir; stapled. Chor-Bibliothek (Choral Library). Symphonic poem; Early modern; Late-romantic. Choral score. 8 pages. Duration 9'. Breitkopf and Haertel #ChB 5335-02. Published by Breitkopf and Haertel (BR.CHB-5335-02). ISBN 9790004412657. 7.5 x 10.5 inches. English. $4.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Be still, my soul Breitkopf & Härtel
Male voices with/without accomp. SKU: BR.CHB-5182-02 Hymn on a Theme f...(+)
Male voices with/without accomp. SKU: BR.CHB-5182-02 Hymn on a Theme from Finlandia op. 26. Composed by Jean Sibelius. Arranged by Alan (Klav-Begleit) Boustead. Choir; stapled. Chor-Bibliothek (Choral Library). Symphonic poem; Early modern; Late-romantic. Choral score. 4 pages. Duration 9'. Breitkopf and Haertel #ChB 5182-02. Published by Breitkopf and Haertel (BR.CHB-5182-02). ISBN 9790004411056. 7.5 x 10.5 inches. English. $3.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Be Still, My Soul Concert band - Intermediate C.L. Barnhouse
Concert band - Grade 3 SKU: CL.012-4495-01 A Chorale Prelude. Conc...(+)
Concert band - Grade 3 SKU: CL.012-4495-01 A Chorale Prelude. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR389). Extra full score. Composed 2016. Duration 4 minutes, 5 seconds. Opus III Wind Orchestra Publications #012-4495-01. Published by Opus III Wind Orchestra Publications (CL.012-4495-01). This prolific composer has penned many beautiful, dramatic, and emotional works. On this occasion, he has created a hymn setting that is highly reflective and musically very powerful. While the band parts certainly stand on their own, optional use of antiphonal trumpets, organ, and choir are included should you desire to provide your audience with a spectacular performance that won’t soon be forgotten. This is truly a very inspirational work. Very Impressive! $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Be Still, My Soul Concert band - Intermediate Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4495-75 A Chorale Prelude. Conc...(+)
Concert band - Grade 3 SKU: CL.012-4495-75 A Chorale Prelude. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR389). Oversized, spiral-bound score. Composed 2016. Duration 4 minutes, 5 seconds. Opus III Wind Orchestra Publications #012-4495-75. Published by Opus III Wind Orchestra Publications (CL.012-4495-75). This prolific composer has penned many beautiful, dramatic, and emotional works. On this occasion, he has created a hymn setting that is highly reflective and musically very powerful. While the band parts certainly stand on their own, optional use of antiphonal trumpets, organ, and choir are included should you desire to provide your audience with a spectacular performance that won't soon be forgotten. This is truly a very inspirational work. Very Impressive! $25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| FINLANDIA: Be Still My Soul Lucks Music Library
(str) SKU: TM.03104XSC Composed by Jean Sibelius. Score. Published by Luc...(+)
(str) SKU: TM.03104XSC Composed by Jean Sibelius. Score. Published by Lucks Music Library (TM.03104XSC). Score in set. Extracted from the orchestration by A. Luck. $10.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| FINLANDIA: Be Still My Soul Lucks Music Library
(str) SKU: TM.03104SET Composed by Jean Sibelius. Set Type: C. Set of par...(+)
(str) SKU: TM.03104SET Composed by Jean Sibelius. Set Type: C. Set of parts. Published by Lucks Music Library (TM.03104SET). Score in set. Extracted from the orchestration by A. Luck. $25.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Be Still My Soul Piano, Voice Subito Music
Voice & Piano SKU: SU.80400390 For Voice & Piano. Composed by Step...(+)
Voice & Piano SKU: SU.80400390 For Voice & Piano. Composed by Stephen Paulus. Vocal/Choral, Secular Choral. Accompanied by piano. Score. Subito Music Corporation #80400390. Published by Subito Music Corporation (SU.80400390). Voice & PianoDuration: 3:50 Dedication: For David Clark PaulusCopyright 2003Text author: Psalm 46:10, I Thessalonians 4:17 Published by: Paulus Publications (SP450). $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Be Still, My Soul Concert band [extra full score] - Beginner C.L. Barnhouse
Arranged by R.W. Smith. Concert band. Young Band. Sound Foundations Series. Audi...(+)
Arranged by R.W. Smith. Concert band. Young Band. Sound Foundations Series. Audio recording available separately (item CL.WFR370). Grade 0.5. Extra full score. Composed 2010. Duration 2 minutes, 36 seconds. Published by C.L. Barnhouse
$6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hymn of Peace Choral SATB SATB, Keyboard [Octavo] Beckenhorst Press
By Mary Mcdonald. For SATB choir and keyboard. Sacred. Octavo. 8 pages. Publishe...(+)
By Mary Mcdonald. For SATB choir and keyboard. Sacred. Octavo. 8 pages. Published by Beckenhorst Press
$2.10 $1.995 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Midnight Faith Shawnee Press
Piano Accompaniment; Voice (Listening CD) SKU: HL.35032561 Composed by He...(+)
Piano Accompaniment; Voice (Listening CD) SKU: HL.35032561 Composed by Heather Sorenson. Shawnee Press. Christian, General Worship. CD. Published by Shawnee Press (HL.35032561). ISBN 9781540041586. UPC: 888680900540. 5.0x5.0x0.122 inches. Midnight Faith is an eclectic collection of both original vocal and instrumental music, all threaded together by the common (and sometimes subtle) theme of nighttime. In this project, not only does Heather Sorenson incorporate her signature singer-songwriter style of writing, she also explores different genres including folk, jazz, original classical and modern Christian music. This music book is the companion product to the newly released album, and it includes a fully realized piano accompaniment and vocal score. From upbeat to reflective, Midnight Faith contains selections suitable for recitals, concerts and church services. Songs include: Travel Light; Let Me Walk You Home; Now I Lay Me Down to Sleep; Nightlights; Midnight Faith; Things We Remember; Raise Your Hands; I Have Loved the Stars Too Fondly; Be Still My Soul; Day Is Dying in the West. $16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Still, My Soul, Be Still - Orchestral Score and CD with Printable Parts Orchestra [Score and CD with Printable Parts] Crystal Sea Music Publishing
Composed by Mary McDonald. For orchestra. Choral. Sacred Anthem. Score and CD wi...(+)
Composed by Mary McDonald. For orchestra. Choral. Sacred Anthem. Score and CD with Printable Parts. Crystal Sea Music Publishing #765762221505. Published by Crystal Sea Music Publishing
$69.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Still, My Soul, Be Still - Orchestral Score and Parts Orchestra [Score and Parts] Crystal Sea Music Publishing
By Mary Mcdonald. For orchestra. Sacred Anthem. Score and Parts. Published by Cr...(+)
By Mary Mcdonald. For orchestra. Sacred Anthem. Score and Parts. Published by Crystal Sea Music Publishing
$69.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Road Warrior Theodore Presser Co.
Chamber Music Organ, Trumpet SKU: PR.114419810 Composed by Stacy Garrop. ...(+)
Chamber Music Organ, Trumpet SKU: PR.114419810 Composed by Stacy Garrop. Set of Score and Parts. 33+12 pages. Duration 21 minutes. Theodore Presser Company #114-41981. Published by Theodore Presser Company (PR.114419810). ISBN 9781491136638. UPC: 680160681921. Stacy Garrop’s ROAD WARRIOR is music of real-life tragedy, expressed through the power of a trumpet/organ duo. Drawing inspiration from Neil Peart’s autobiographical book, “Ghost Rider: Travels on the Healing Road,†Garrop’s work grieves the loss of a friend’s young son and the journey to healing. ROAD WARRIOR’s evocative movement titles are drawn from passages in Peart’s book:1. I Am the Ghost Rider2. My Little Baby Soul3. Are You With Me Here?. When Clarion members Keith Benjamin (trumpet), Melody Steed (organ), and I initially discussed possible topics for a new piece, Keith brought up his son Cameron, who had passed away at the age of seven from leukemia. While Cameron’s life ended too soon, he left an indelible and lasting mark on his those surrounding him. Keith asked if I could commemorate Cameron musically.In talking over possible ways to do this, Keith mentioned the book Ghost Rider: Travels on the Healing Road. The book was written by Neil Peart, who is well-known as the longtime drummer and lyricist of the band Rush. Peart suffered the heartbreaking loss of his daughter in 1997, followed by his wife 10 months later. In an effort to work through the grieving process, Peart did what his wife suggested before she passed: he got onto his motorcycle and hit the open road. Ghost Rider chronicles a year of Peart’s life in which he drove for 55,000 miles, zigzagging his way across Canada, the western portion of the United States, Mexico, and Belize. Peart’s powerful story illustrates how he coped with immense loss and eventually emerged on the other side to once again embrace life. Keith had found Peart’s book helpful in dealing with Cameron’s death; moreover, Mr. Peart sent Cameron a signed cymbal while he was in the hospital undergoing treatment. This unexpected gesture of compassion and generosity meant the world to both Cameron and Keith.I chose three phrases from Peart’s book to serve as the inspiration for the movements in Road Warrior. In the first movement, I am the ghost rider, I imagined the performers to be howling phantoms that are haunting drivers on a nearly deserted highway. Peart often mentioned that he felt haunted by ghosts from the past while on his journey, and sometimes felt like a ghost himself, moving through an immaterial world as he rode from town to town. The second movement, My little baby soul, references Peart’s wording to define his own inner essence that he was trying to protect and nurture while on his journey. In this gentle movement, I capture the innocence and simplicity of a newborn soul. The piece concludes with Are you with me here? In this movement, I depict the performers as they search to find connections to those they have lost, and to those still living.Over the course of his travels, Peart kept up a steady letter correspondence with his close friend Brutus. In one of his first letters, he repeatedly asks Brutus if he is with him in spirit. I found it to be very poignant that while in his self-imposed exile, Peart discovered that he still needed connections to humanity.I wish to thank Mr. Peart for granting me permission to use his phrases as the movement titles, and for serving as the inspiration for Road Warrior. Rarely do any of us make it through our lives without being touched by the loss of someone dear to us. I found Peart’s insights into his grieving and recovery process to be insightful, eloquent, and surprisingly comforting. His journey is a touching reminder that with enough fortitude and time, we can work through what fate deals us and continue down our own road of life. $29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Stuttgarter Schutz-Ausgabe: Italienische Madrigale (Gesamtausgabe, Bd.1) Carus Verlag
SKU: CA.2090100 Composed by Heinrich Schutz. Edited by Siegfried Schmalzr...(+)
SKU: CA.2090100 Composed by Heinrich Schutz. Edited by Siegfried Schmalzriedt. This edition: urtext. Cycles: Schutz: Italienische Madrigale SWV 1-19. Complete editions / Selected works: Heinrich Schutz Complete Edition. German title: Italienische Madrigale. Madrigals, Secular choral music. Full score (complete edition / selected edition). Composed 1623. 152 pages. Carus Verlag #CV 20.901/00. Published by Carus Verlag (CA.2090100). ISBN 9790007037284. Thanks to a stipend from his patron, the Landgrave Moritz von Hessen-Kassel, Schutz was able to pursue a three-year period of study under Giovanni Gabrieli in Venice from 1609 to 1612, which he concluded with the publication in 1611 of the madrigal collection Il Primo Libro de Madrigali. Already in this, his Opus primus, Schutz emerged as an outstanding composer: In their musical quality, the 18 five-part madrigals exceed much that was still being composed in the traditional madrigal style at the beginnning of the 17th century. $150.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Earl of Oxford's March Concert band - Intermediate/advanced Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-158-010 Composed by William B...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-158-010 Composed by William Byrd. Arranged by Philip Sparke. Anglo Music Midway Series. Transcription. Set (Score & Parts). Composed 2006. Anglo Music Press #AMP 158-010. Published by Anglo Music Press (BT.AMP-158-010). 9x12 inches. English-German-French-Dutch. The Battell was written during the late 14th Century when England was in a mood of national celebration after victory over the Spanish and French Armadas.The movement which Byrd called Marche Before The Battell became known as The Earl of Oxford?s Marchand it appears with that title in an early manuscript copy of the Fitzwilliam Virginal Book.Written while Byrd was at the height of his powers, it still stirs the soul to this day. A perfect opener for your concert performances.
My Lady Nevells Book uit 1591 bevat een aantal werken van William Byrd die waarschijnlijk waren gecomponeerd in de 25 jaren daarvoor, inclusief de verhalende suite The Battell. De programmatische muziek van The Battellis zeldzaam in Byrds oeuvre, dat vooral bestaat uit vaste muzikale vormen, zoals gaillardes en pavanes. Het werk is vermoedelijk geschreven na 1588, toen Engeland in een overwinningsroes verkeerde na de zege op de Spaanseen Franse Armada’s. Het deel dat Byrd Marche Before The Battell noemde, werd bekend als The Earl of Oxford’s March, hoewel het niet geheel duidelijk is waarom. Deze muziek, die Byrd schreef in zijn hoogtijdagen, isnog altijd treffend.
Der Notendruck kam spät nach England. Viele Spieler kopierten die Musik von Hand, wohlhabende Familien ließen sie sich von einem Schreiber kopieren. Solch eine frühe Ausgabe war My Lady Nevells Book, das u.a. die deskriptive Suite The Battell enthält. Der Satz, den Byrd mit Marche Before the Battel überschrieb wurde als The Earl of Oxford’s March bekannt. Das Stück, das zur Blütezeit von Byrds Schaffenskraft entstand, bewegt noch heute die Gemüter. Eine perfekte Eröffnung für Ihr Konzert.
Questo brano di musica a programma è unico nella produzione di William Byrd che comprende soprattutto grounds, gagliarde e pavane. The Battell - dal quale è tratto The Earl of Oxford’s March (o Marche Before the Battle), fu composto probabilmente dopo il 1588, ai tempi in cui l’Inghilterra era particolarmente incline ai festeggiamenti nazionali dopo la vittoria sulle flotte spagnole e francesi. Questo brano, scritto quando William Bryd era all’apice della gloria, continua a commuovere. $140.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Earl of Oxford's March Concert band - Intermediate/advanced Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-158-140 Composed by William B...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-158-140 Composed by William Byrd. Arranged by Philip Sparke. Anglo Music Midway Series. Transcription. Score Only. Composed 2006. 32 pages. Anglo Music Press #AMP 158-140. Published by Anglo Music Press (BT.AMP-158-140). 9x12 inches. English-German-French-Dutch. The Battell was written during the late 14th Century when England was in a mood of national celebration after victory over the Spanish and French Armadas.The movement which Byrd called Marche Before The Battell became known as The Earl of Oxford?s Marchand it appears with that title in an early manuscript copy of the Fitzwilliam Virginal Book.Written while Byrd was at the height of his powers, it still stirs the soul to this day. A perfect opener for your concert performances.
My Lady Nevells Book uit 1591 bevat een aantal werken van William Byrd die waarschijnlijk waren gecomponeerd in de 25 jaren daarvoor, inclusief de verhalende suite The Battell. De programmatische muziek van The Battellis zeldzaam in Byrds oeuvre, dat vooral bestaat uit vaste muzikale vormen, zoals gaillardes en pavanes. Het werk is vermoedelijk geschreven na 1588, toen Engeland in een overwinningsroes verkeerde na de zege op de Spaanseen Franse Armada’s. Het deel dat Byrd Marche Before The Battell noemde, werd bekend als The Earl of Oxford’s March, hoewel het niet geheel duidelijk is waarom. Deze muziek, die Byrd schreef in zijn hoogtijdagen, isnog altijd treffend.
Der Notendruck kam spät nach England. Viele Spieler kopierten die Musik von Hand, wohlhabende Familien ließen sie sich von einem Schreiber kopieren. Solch eine frühe Ausgabe war My Lady Nevells Book, das u.a. die deskriptive Suite The Battell enthält. Der Satz, den Byrd mit Marche Before the Battel überschrieb wurde als The Earl of Oxford’s March bekannt. Das Stück, das zur Blütezeit von Byrds Schaffenskraft entstand, bewegt noch heute die Gemüter. Eine perfekte Eröffnung für Ihr Konzert.
Questo brano di musica a programma è unico nella produzione di William Byrd che comprende soprattutto grounds, gagliarde e pavane. The Battell - dal quale è tratto The Earl of Oxford’s March (o Marche Before the Battle), fu composto probabilmente dopo il 1588, ai tempi in cui l’Inghilterra era particolarmente incline ai festeggiamenti nazionali dopo la vittoria sulle flotte spagnole e francesi. Questo brano, scritto quando William Bryd era all’apice della gloria, continua a commuovere. $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Restoration Anthem Volume 2 (1688-1714) Choral SATB SATB divisi [Vocal Score] - Easy Oxford University Press
Edited by Keri Dexter; Geoffrey Webber. For SATB choir (with divisions) accompan...(+)
Edited by Keri Dexter; Geoffrey Webber. For SATB choir (with divisions) accompanied. Mixed Voices. Church Music Society publications. Sacred, Choral Collection. Level B-C (easy - moderately difficult). Vocal score. 87 pages. Published by Oxford University Press
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