SKU: HL.282482
ISBN 9781540034397. UPC: 888680789268. 9.0x12.0x0.923 inches.
70 songs from the new millenium arranged for easy piano, including: Beautiful * Before He Cheats * Bye Bye Bye * Chasing Pavements * Don't Know Why * Drive * Fallin' * Hey There Delilah * I Gotta Feeling * I'm Yours * Just Dance * Love Story * Mercy * Only Time * The Reason * Rehab * This Love * A Thousand Miles * Umbrella * Viva La Vida * Waiting on the World to Change * With Arms Wide Open * You Raise Me Up * and more.
SKU: LO.99-3957L
UPC: 000308152166.
Stereo accompaniment CD for Calvary's Love (55/1194L and 55/1196L) In “Calvary’s Love,†Lloyd Larson and Jay Rouse offer an inspiring reminder of the gifts of love and life that are ours because of the price Jesus paid at Calvary. Flexibly conceived for Lent, Holy Week, or Eastertide programming, it may be performed as a whole, or each individual anthem may be presented during the weeks leading up to Easter, depending on your programming needs. Small and large choirs alike will find the choral writing appealing and versatile, and accompaniment options range from piano only to Ed Hogan’s powerful orchestration. Choirs and congregations will be encouraged by this musical telling of the timeless message of God’s sacrifice and love through Jesus. “Greater love has no one than this: that one lay down His life for His friends.â€.
SKU: LP.OR-9232
UPC: 765762094802.
Complete parts for accompaniment by live orchestra. Includes full, transposed conductor's score and parts for instruments which you may reproduce for added players.
SKU: HL.282481
ISBN 9781540034380. UPC: 888680789251. 9.0x12.0x0.965 inches.
The 1990s saw the rise of R&B, boy bands and alternative rock as the 20th century came to a close. This collection features 80 songs from the decade arranged for easy piano with lyrics: Always Be My Baby * As Long As You Love Me * ...Baby One More Time * Black Velvet * Can You Feel the Love Tonight * Dreams * Fields of Gold * Friends in Low Places * Good Riddance (Time of Your Life) * How Am I Supposed to Live Without You * I Need to Know * I'm the Only One * Ironic * Livin' La Vida Loca * Losing My Religion * More Than Words * Only Wanna Be with You * Smells like Teen Spirit * Smooth * Tears in Heaven * Under the Bridge * You Must Love Me * You're Still the One * and more.
SKU: HL.48025315
UPC: 196288175193.
Note by the composer: “This piece was written in 2006 (for violoncello and piano) for an exhibition dedicated to artists suffering from schizophrenia. The basis of the piece is a sequence of four chords, very simple and minimalistic. A person with schizophrenia hears voices that can be very disturbing; there is a longing for silence. I wrote this piece so that my son Alex, who suffers from the illness, could hear silence and meditation from it. It's called Blue Silence because blue is sometimes associated with healing.†Elena Kats-Chernin.
SKU: CY.CC2351
Scenes From Childhood (Kinderscenen), Opus 15 is a set of 13 pieces of music that Schumann wrote for Piano in 1838. They are his reminiscences of childhood and have been beautifully scored for Brass Quintet by Keith Terrett. The most well known of the movements is Traumerei (Dreaming) and has been used in movies to portray love scenes because of its tenderness and beauty. The music is for advanced performers and the collection contains close to 20 minutes of some very sublime & poetic music. Any of these pieces can be inserted into a recital program. Trumpet parts are in B-flat.
SKU: AP.40-10634D
UPC: 876964006347. English.
Director Greg Freddy Camalier tells the story of Muscle Shoals, Alabama, home of FAME Studios and its legendary owner Rick Hall, who helped to make some of the greatest records in rock-and-roll history. Rising up through poverty, Hall sensed that he was onto something big when he opened FAME Studios. He couldn't have been more right, either, because not only is Muscle Shoals one of those sacred locations where music seems to simply blow in the breeze, but the best artists of the era would soon be pounding a path to his door in hopes of recording there. Bob Dylan, The Rolling Stones, Aretha Franklin, Etta James, and Paul Simon recorded some of their very best work at FAME Studios, and now music lovers don't have to book a flight to Muscle Shoals in order to experience this magical, once-in-a-lifetime story for themselves.
SKU: PR.16400212S
UPC: 680160037605.
Works of chamber music including flute and strings are not nearly as numerous as those for clarinet, or even the oboe. Probably the reason for this is the less assertive, more pure tone the flute possesses - it can't compete for volume or range with the clarinet, except in its top octave, and the oboe's tone is more penetrating and easily discerned from within a string texture. Consequently, composers who have written for flute and strings have done so in lightweight divertimento works: compare, for instance, the delicate flute quartets of Mozart with his monumental quintet for clarinet and strings. When Karl and Joan Karber approached me with the ideas of writing a work for flute and string trio, I originally thought it would be best to write a humorous, rather offhand piece - but a look at their repertoire (mostly comprised of smaller works of the Rococo period) convinced me that it was the last thing they needed. In spite of the challenge (or maybe because of it?), I determined to write a large work, and a serious work. Zephyrus (named for the God of the West Wind, in deference to the flute) is a three-movement work, with each movement cast in a very different form, but all three being built of the same twelve-note series. There is also a rhythmic motive and a pair of themes that appear in all three movements. The first movement plays with the idea of contrast and persuasion. The flute, at the outset, is the hell-for-leather protagonist, charging and swooping around the strings - who seem oddly unconcerned by his passion. Indeed, they have a more somber song to sing - and as the movement unfolds, the flute becomes less and less active, while the strings become increasingly enlivened. By the midpoint, when all four instruments are finally in the same meter and the same tempo, the flute's energy has finally infected the other three players, and this energy does not let up until the movement's abrupt final cadence. The second movement begins with a tag from the first - as if the energy left over was too great to simply stop. At length, though, a very poignant flute melody appears over an almost bluesy harmony in the strings. After this has been fully exposed, a slight increase in motion, marked gently rocking in triplets, features a theme-fragment from Leonard Bernstein's Symphony No. 2 (Kaddish). Bernstein died as I was writing this work, and it seemed quite natural to encourage what was already implicit in the music, and create an Elegy for L.B. The music rises and peaks, then in the recapitulation of the opening the Kaddish theme reappears, as the ensemble suggests a gentle song of sleep. The final movement is a Rondo-Variations form, with the slight alteration of adding the main theme of the second movement in what would be the trio of the form. The ritornello theme is a kind of ethnic dance music, almost an allusion to the Klezmer ensembles of Eastern Europe. The successive episodes between the ritornelli are loosely organized variations on the basic theme, but always beginning with a metric modulation, a rhythmic changing of gears. The movement reaches and apex of speed and furious pulsing, then abruptly pirouttes, and finishes. Zephyrus was written between April and November of 1990 in Austin, Aspen, and Honolulu, and is dedicated to Karl Kraber and The Chamber Soloists of Austin. --Dan Welcher.
SKU: GI.G-005778
Latin.
SKU: JK.01452
Luke 2.
Christmas opener for mixed chorus (SATB) and piano, with original words and music--offering courage and light because the Savior was born: No sin nor death, no toil nor pain can burden the heart where Jesus doth reign. Highest soprano note: E (with an F on the final note).Composer: Melanie Hoffman Arranger: Roger Hoffman Lyricist: Melanie Hoffman Difficulty: Medium to medium-difficult Performance time: 3:05Reference: Luke 2.
SKU: PE.EP68748
ISBN 9790300762289.
Shawn Okpebholo's Heritage, in the Edition Peters Concert Band Series, evokes moods, events and sounds (including West African drumming and indigenous melodies) from an ethnomusicological research visit the composer undertook to Nigeria. One of the primary musical themes of the work is an adaptation of a song that comes from the Esan people, a small ethnic group in the southern part of Nigeria and the tribe to which the composer has deep historical and family ties.
The Esan language is poetic in nature and, at various moments in the work, the musicians chant the text from an Esan song:
Ekine leleyea do obhimen la doeki nalo.(My investment in you is paid off. Because of your hard work, your future is bright)
Heritage is a revised version of a work previously entitled This is Africa, which was commissioned by Professor Marcellus Brown and the Boise State University Symphonic Winds for the 2011 National CBDNA Convention and is dedicated to the memory of Dr Harry Begian.
Orchestration:
1 Piccolo, 2 Flute 1, 2 Flute 2, 1 Oboe 1, 1 Oboe 2, 1 Clarinet in E-flat, 3 Clarinet 1 in B-flat, 3 Clarinet 2 in B-flat, 3 Clarinet 3 in B-flat, 2 Bass Clarinet 1 and 2, 1 Bassoon 1, 1 Bassoon 2, 1 Alto Saxophone 1, 1 Alto Saxophone 2, 1 Tenor Saxophone, 1 Baritone Saxophone, 1 Trumpet 1 in B-flat, 1 Trumpet 2 in B-flat, 1 Trumpet 3 in B-flat, 1 Trumpet 4 in B-flat, 1 Horn 1 in F, 1 Horn 2 in F, 1 Horn 3 in F, 1 Horn 4 in F, 1 Trombone 1, 1 Trombone 2, 1 Bass Trombone, 1 Euphonium 1, 1 Euphonium 2, 2 Tuba 1 and 2, 1 String Bass, 1 Percussion 1, 1 Percussion 2, 1 Drum Kit, 1 Bongos, 1 Congas, 1 Horn 1 in E-flat, 1 Horn 2 in E-flat, 1 Horn 3 in E-flat, 1 Horn 4 in E-flat, 1 Trombone 1 (B-flat treble clef), 1 Trombone 2 (B-flat treble clef), 1 Bass Trombone (B-flat treble clef), 1 Euphonium 1 (B-flat treble clef), 1 Euphonium 2 (B-flat treble clef), 2 Tuba 1 and 2 (B-flat treble clef), 2 Tuba 1 and 2 (E-flat treb.
SKU: CA.2033919
ISBN 9790007295516. Key: E phrygian. German.
Ich beschwore euch, ihr Tochter zu Jerusalem belongs to the genre of dialog compositions which were extremely popular in Protestant Germany in the 17th century because of their lively portrayal of biblical texts. Schutz set verses from the Song of Solomon; here, a high voice choir of four sopranos sings the words of Shulamite, and a three-part low voice choir represents the Daughters of Jerusalem; the two join together only at the end of the piece. In the high voice choir two of the four sopranos can be replaced by two violins. An exceptional piece for choirs with good soprano voices or soloists.Separate edition taken from Vol. 19 of the Stuttgart Schutz Edition (Complete Edition Carus 20.919).
SKU: WD.080689427671
UPC: 080689427671.
Fish Tales are stories that are supernatural, completely factual and actually occurred. Why? Because these tales about fish come from God's Word! Designed for versatility, Fish Tales provides you with three mini-musicals with a unique emphasis on Thanksgiving, Easter and missions. At the Fish Tales Fishing Tournament kids will join their host Mr. Gill for a great time of Bible songs and stories...about fish! * In Great Fish for Grateful Folks, kids will learn about gratitude, what the fish symbol meant for early believers, and how Jesus fed five thousand people a supernatural supper of real fish and bread. Jesus encourages us to be thankful to God . . . even for fish sandwiches! * In Good Fish for Easter Day, kids find out what was so good about Good Friday and the relationship of the cross to the resurrection. Children will really get their hooks into learning about God's patience with a doubting world through the story of the Resurrection and be challenged to respond to the gospel themselves. * Good Fish for Fishers of Men tells the tale of the disciples' commitment to follow Jesus. Kids learn to cast their nets to bring the world to Christ. So grab a rod and reel and meet us at the lake to catch the message in our Fish Tales! Ages: Preschool-6th grade.
SKU: BA.BA04081
ISBN 9790006497782. 33 x 25.8 cm inches.
In his libretto for “ Riccardo primoâ€, Paolo Rolli drew on Antonio Lotti’s opera “ Isacio tiranno †which had been performed in Venice in 1710. Handel needed a text with two great women’s roles, for the two best female singers of the day were members of his troupe – Francesca Cuzzoni and Faustina Bordoni . He had already written the operas “Alessandro†and “ Admeto †for them. He began composing “ Riccardo †in spring 1727, completing the first version on 16 May. However, following the death of King George I on 11 June 1727, the theatres remained closed. For Handel, who had become a British citizen in February 1727, the accession of George II to the throne offered new possibilities, and he embarked on a revision of the opera. With this, he was able to offer a new opera for the coronation festivities, the hero of which was one of King George’s charismatic forebears. From May onwards, Handel thoroughly revised the present score, wrote some parts anew and expanded it with particularly splendid music. Handel and Rolli also improved the plot and introduced patriotic elements to honour the British monarchy. The historic background is the third crusade against Saladin, the Sultan of Egypt and Syria , who had recaptured Jerusalem in 1187. Although King Richard I captured Cyprus and together with French crusaders stormed the fortress of Akko in the Holy Land, the crusade ended with a ceasefire and Jerusalem remained in Saladin’s hands. Richard was given the title ‘Coeur-de-lion‹’ by the English for his great military ability and bravery, although the Sicilians had first given him this name because of his relentless cruelty in clashes around Messina . The vocal score is based on the Halle Handel Edition volume published in 2005, edited by Terence Best, and contains the second version of the opera which was premiered in November 1727.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BT.DHP-0920412-010
Rudolph the Red Nosed Reindeer told the story of Rudolph, a young reindeer who was teased by the other deer because of his large, glowing, red nose. But, when Christmas Eve turned foggy the former outcast saved Christmas by leading the sleigh by the light of his red nose. This version for concert band by Naohiro Iwai is perfect as a cheerful interlude and will soon find a firm place in your Christmas repertoire. Het Amerikaanse kerstverhaal van Robert L. May over Rudolhp met zijn rode neus- een van de negen rendieren van de kerstman- is ook in Europa geliefd, vooral in de muzikale versie die Johnny Marks ervan maakte. De geslaagde bewerkingvan Naohiro Iwai zal zeker nietr misstaan op het programma van uw eerstvolgende kerstconcertRudolph, das rotnasige Rentier aus Nordamerika, das zuerst von seinen Artgenossen nur ausgelacht wird, dann aber als Zugtier für den Schlitten vom Weihnachtsmann Karriere macht, erfreut sich mittlerweile auch in Europa großer Beliebtheit. Die gelungene Blasorchesterbearbeitung des lustigen Liedes von Naohiro Iwai sorgt für fröhliche Stimmung und wird sich schnell einen festen Platz in Ihrem Weihnachts-konzertrepertoire erobern. Parmi les rennes du Père Noël, il en est un pas comme les autres : il s’appelle Rudolph et a un nez rouge. Il est né de l’imaginaire du poète Robert L. May, un soir de 1939. Son histoire fera le tour du monde et enchantera des générations d’enfants. La musique est lumineuse et joyeuse. Un standard de Noël ! Tra le renne di Babbo Natale c’e ne è una diversa dalle altre: si chiama Rudolph ed ha il naso rosso. E’ nata dall’immaginazione del poeta Robert L. May, una sera del 1939. La sua storia far il giro del mondo e delizier intere generazioni di bambini. La musica è luminosa e gioiosa. Un vero piacere per esecutori e pubblico!
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