| String Quartets String Quartet: 2 violins, viola, cello Breitkopf & Härtel
String Quartet (2vl,va,vc) SKU: BR.PB-5622-07 Urtext. Composed by ...(+)
String Quartet (2vl,va,vc) SKU: BR.PB-5622-07 Urtext. Composed by Joachim Raff. Edited by Severin Kolb and Stefan Konig. Chamber music; Softbound. Partitur-Bibliothek (Score Library). With his first String Quartet in D minor, op. 77, composed in 1855, the native Swiss composer Joachim Raff (1822-1882) bid a brilliant farewell to Weimar. Romantic period. Study Score. 176 pages. Breitkopf and Haertel #PB 5622-07. Published by Breitkopf and Haertel (BR.PB-5622-07). ISBN 9790004215197. 6.5 x 9 inches. With his first String Quartet in D minor, op. 77, composed in 1855, the native Swiss composer Joachim Raff bid a brilliant farewell to Weimar. He had been there as Franz Liszt's assistant since 1850 and had made a name for himself in the city's art scene - now he embarked on new paths. He composed his second Quartet in A major, op. 90, already in 1857 in Wiesbaden, the spa town that was to become his home for 21 years. The two quartets are unequivocal works: orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern. They confidently continue the Beethoven tradition and attest at the same time to Raff's intensive confrontation with Richard Wagner's music during the Weimar years. In his chamber music, the composer wanted to achieve progress in an inherently historical way and to ground the individual substance in existing forms, as he told the Viennese violinist Josef Hellmesberger, who launched opus 77. The quartets, first published in 1860/62, found illustrious interpreters, among them, the Muller brothers' renowned ensemble, to which opus 90 was also dedicated, and Joseph Joachim.In collaboration with the Joachim-Raff-Archiv Lachen (CH)
Some eighteen years elapsed between Raff's first counted String Quartet op. 77 and his Quartets Nos. 6-8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet composition - without, however, sacrificing musical quality. $55.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Easy Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
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| Sonatas Nr 2 Sonata In A Opus 2/2 Piano solo Alfred Lengnick
Piano SKU: HL.50514892 Composed by Ludwig van Beethoven. Lengnick Publish...(+)
Piano SKU: HL.50514892 Composed by Ludwig van Beethoven. Lengnick Publishing. Classical. Book Only. Alfred Lengnick & Co #AL5585A. Published by Alfred Lengnick & Co (HL.50514892). $14.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto for Pianoforte and Orchestra Nr. 5 E-flat major op. 73 Piano and Orchestra [Reduction] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. Arrang...(+)
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. Arranged by Martin Schelhaas. Piano and orchestra. For piano solo and piano reduction. This edition: Urtext edition. Paperback. Solo part and piano reduction. Opus 73, no. 5. 67/49 pages. Duration 38 minutes. Published by Baerenreiter Verlag
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| Grosse Fuge for String Quartet, op. 133 String Quartet: 2 violins, viola, cello Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. Thi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jonathan Del Mar.
This edition: urtext
edition. In a folder.
Barenreiter Urtext. For the
Critical Commentary, see BA
9030-40. Set of part(s).
Opus 133. 9/9/8/8 pages.
Baerenreiter Verlag
#BA09033. Published by
Baerenreiter Verlag
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| String Quartet in B-flat major, op. 130 String Quartet: 2 violins, viola, cello Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. Thi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jonathan Del Mar.
This edition: urtext
edition. In a folder.
Barenreiter Urtext. Set of
part(s). Opus 130.
17/16/17/15 pages.
Baerenreiter Verlag
#BA09030. Published by
Baerenreiter Verlag
$29.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata Piano solo Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This...(+)
Composed by Ludwig van
Beethoven (1770-1827). Edited
by Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter Urtext.
Performance Score(s). Opus
90. Baerenreiter Verlag
#BA11809. Published by
Baerenreiter Verlag
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| Romances in F major and G major for Violin and Orchestra, Op. 50, 40 [Critical report] Barenreiter
By Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. For violin and ...(+)
By Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. For violin and orchestra. This edition: 1st printing 2011 edition. Stapled. Critical report. Language: English. Opus 50, 40. 22 pages. Published by Baerenreiter Verlag
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| Mass C major op. 86 [part] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For violin...(+)
Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For violin 1. This edition: urtext edition. Stapled. Part. Opus 86. 18 pages. Published by Baerenreiter Verlag
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| Overture "Die Geschöpfe des Prometheus" for Orchestra, op. 43 Barenreiter
(Flutes (2), Oboes (2), Clarinets (2), Bassoons (2), Cornos (2), Trumpets (2), T...(+)
(Flutes (2), Oboes (2), Clarinets (2), Bassoons (2), Cornos (2), Trumpets (2), Timpani, Violins (2), Viola, Violoncello, Basso continuo) SKU: BA.BA11902-65 Composed by Ludwig van Beethoven. Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Set of wind parts. Opus 43. 3/3/4/4/4/4/4/4/3/3/3/3/3 pages. Baerenreiter Verlag #BA11902_65. Published by Baerenreiter Verlag (BA.BA11902-65). ISBN 9790006573479. 32.5 x 25.5 cm inches. $53.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for Pianoforte and Orchestra Nr. 5 E-flat major op. 73 Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 73, No. 5. 14 pages. Baerenreiter Verlag #BA09025-74. Published by Baerenreiter Verlag (BA.BA09025-74).
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| Concerto for Pianoforte and Orchestra Nr. 2 B-flat major op. 19 [score] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. For pi...(+)
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. For piano, orchestra. This edition: Urtext edition. Paperback. Score. Text Language: English/German. Opus 19, No. 2. Duration 28 minutes. Published by Baerenreiter Verlag
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| Mass C major op. 86 [wind set] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For flute ...(+)
Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For flute [2], oboe [2], B-flat clarinet [2], bassoon [2], horn [2], trumpet [2], timpani. This edition: urtext edition. Stapled. Wind set. Opus 86. 9/8/10/9/10/9/12/11/8/8/7/7/8 pages. Published by Baerenreiter Verlag
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| Quatuor A Cordes N. 4, Opus 42 String Quartet: 2 violins, viola, cello Durand
Quartet (String Quartet) SKU: HL.50575635 'Omaggio A Beethoven' (1989-...(+)
Quartet (String Quartet) SKU: HL.50575635 'Omaggio A Beethoven' (1989-1994, Rev 1995). Composed by Nicolas Bacri. Editions Durand. Score Only. Composed 2005. Editions Durand #DF14486. Published by Editions Durand (HL.50575635). $21.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mass C major op. 86 [part] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For violin...(+)
Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For violin 2. This edition: urtext edition. Stapled. Part. Opus 86. 16 pages. Published by Baerenreiter Verlag
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| Concerto for Pianoforte and Orchestra Nr. 1 C major op. 15 Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Set of winds. Opus 15, No. 1. 6/8/6/7/7/8/7/7/7/4/4/4 pages pages. Published by Baerenreiter Verlag (BA.BA9021-65).
$92.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mass C major op. 86 [part] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For viola....(+)
Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For viola. This edition: urtext edition. Stapled. Part. Opus 86. 14 pages. Published by Baerenreiter Verlag
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| Mass C major op. 86 Organ [part] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For organ....(+)
Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For organ. This edition: urtext edition. Stapled. Part. Opus 86. 29 pages. Published by Baerenreiter Verlag
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| Veranderung der Sonate fur Klavier, Op. 27/2 von Ludwig van Beethoven in eine Sonate fur Horn und Klavier, Op. 95 French Horn and Piano Barenreiter
Horn, piano SKU: BA.BA07046 Composed by Giselher Klebe. Stapled. Performa...(+)
Horn, piano SKU: BA.BA07046 Composed by Giselher Klebe. Stapled. Performance score, Part. Composed 1985/1986. Opus 95, 27/2 v. 45/7 pages. Duration 15 minutes. Baerenreiter Verlag #BA07046_00. Published by Baerenreiter Verlag (BA.BA07046). ISBN 9790006484713. 34 x 27.5 cm inches. $76.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mass C major op. 86 [part] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For double...(+)
Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For double bass. This edition: urtext edition. Stapled. Part. Opus 86. 12 pages. Published by Baerenreiter Verlag
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| Overture Die Geschöpfe des Prometheus for Orchestra, op. 43 Viola [Part] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This...(+)
Composed by Ludwig van
Beethoven (1770-1827). Edited
by Jonathan Del Mar. This
edition: urtext edition.
Stapled. Single part. Opus 43.
5 pages. Baerenreiter Verlag
#BA11902_79. Published by
Baerenreiter Verlag
$8.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonatina String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F). ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major. IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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