SKU: GI.G-7400

ISBN 9781579999698.

Intended especially for the growing number of multicultural, bilingual (Latino/Anglo) parishes and communities in the United States, Oramos Cantando / We Pray in Song is a hymnal and service book that is comprehensive enough to satisfy the liturgical needs of such communities, when they are worshipping in Spanish, in English, or bilingually. Bilingual from the first page to the last. Organized to reflect the liturgical life of the Church: morning, evening and night prayer from the Liturgy of the Hours, the sacramental rites of Christian initiation of adults, baptism of children, holy communion outside Mass, eucharistic exposition and benediction, reconciliation of penitents, anointing of the sick, marriage, and funerals, the Order of Mass, service music, hymns and songs, lectionary responsorial psalms. All ritual texts are from the English- and Spanish-language liturgical books approved for use in the dioceses of the United States of America Seventy settings of psalms and biblical canticles in a variety of styles, for use in the Liturgy of the Hours, at Mass, and in other liturgical rites. Many employ Gelineau, Guimont, or Conception Abbey tones. Standards from the “Celebration-style” repertoire by Haugen, Joncas, Haas, and others. All with Spanish and English texts ICEL chants for the Order of Mass, accompanied by the complementary plainsong chants in Spanish. Five bilingual settings of the ordinary of the Mass, along with one Latin and two English-only Mass settings, plus a number of additional service music items to serve the liturgical needs of Anglo/Latino parishes for many years to come A broad and stylistically diverse collection of nearly 550 hymns, psalms, and inspired songs, containing the best and most beloved traditional and contemporary music of Latino and Anglo communities, with more than 300 items newly translated according to guidelines for preserving meaning, rhyme, and meter Music from around the world, encompassing plainsong chants, classical hymnody, contemporary scripture-based songs, Taizé chants, and world music from Asia and Africa. Settings originally with Spanish texts are from the United States, Spain, Mexico, Central and South America, and the Caribbean Lectionary psalms with USCCB-approved refrains in both English and Spanish and verses from The Revised Grail Psalms and the salterio of Spain’s Conferencia Episcopal Española (CEE). These bilingual lectionary psalms have been included in the Sacred Song missalette program of The Liturgical Press since 2005 Eleven indexes: liturgical, topical, psalms and canticles, service music, scripture references in hymns, hymn tunes, tune meters, musical settings using languages other than Spanish and English, psalm refrains set to music, common titles and first lines, and hymnal contributors (composers, authors, translators, sources) A hymnal which not only addresses the liturgical experience of today, but also opens the door to new possibilities in the future. Fulfilling the statement of the American bishops: Liturgical music today must reflect the multicultural diversity and intercultural relationships of the members of the gathered liturgical assembly. The varied use of musical forms such as ostinato refrains, call and response, song translations, and bilingual or multilingual repertoire can assist in weaving the diverse languages and ethnicities of the liturgical assembly into a tapestry of sung praise. Sing to the Lord, 60 Destinado especialmente para el creciente número de parroquias y comunidades multiculturales, bilingües (Latinas/Anglas) en los Estados Unidos, Oramos Cantando / We Pray in Song es un himnario y ceremonial lo suficientemente completo para satisfacer las necesidades litúrgicas de tales comunidades, cuando oran en español, en inglés, o de una manera bilingüe. Bilingüe desde la primera página hasta la última. Organizado para reflejar la vida litúrgica de la Iglesia: oración matutina, vespertina y nocturna tomada de la Liturgia de las Horas, los ritos sacramentales de la iniciación cristiana de adultos, del bautismo de niños, para la sagrada comunión fuera de la Misa, para la exposición y bendición eucarística, para la reconciliación de varios penitentes, para la unción de los enfermos, el matrimonio, y las exequias, el Ordinario de la Misa, música para las ceremonias, himnos y cantos, salmos responsoriales del leccionario. Todos los textos de los ritos están tomados de los libros litúrgicos en inglés y en español aprobados para su uso en las diócesis de los Estados Unidos de América. Setenta arreglos de salmos y cánticos en una variedad de estilos, para usarlos en la Liturgia de las Horas, en la Misa, y en otros ritos litúrgicos. Muchos emplean los tonos de Gelineau, Guimont, o Conception Abbey. Normas del repertorio del “estilo-de-celebración” por Haugen, Joncas, Haas, y otros. Todos con el texto en español y en inglés. Cantos de ICEL para el Ordinario de la Misa, acompañados por los cantos llanos complementarios en español. Cinco arreglos bilingües para el ordinario de la Misa, junto con uno en latín y dos arreglos para la Misa sólo en inglés, además de un número de cantos adicionales para responder a las necesidades litúrgicas de las parroquias anglas/latinas por muchos años en el futuro Una colección amplia y de diversos estilos de casi 550 himnos, salmos y cantos inspirados, que contienen lo mejor y lo más apreciado de la música tradicional y contemporánea de las comunidades latinas y anglas, con más de 300 composiciones recientemente traducidas según las normas para la preservación del significado, del ritmo, y del metro Música de todo el mundo, incluyendo cantos llanos, himnos clásicos, cantos contemporáneos basados en la biblia, cantos de Taizé, y música mundial de Asia y África. Arreglos originales con textos en español que vienen de los Estados Unidos, de España, de México, de Centro y Sud América, y del Caribe. Salmos del Leccionario con estribillos aprobados por la Conferencia Episcopal de Estados Unidos (USCCB) tanto en inglés como en español y versos del salterio: The Revised Grail Psalms y del salterio de la Conferencia Episcopal Española (CEE) de España. Estos salmos bilingües del leccionario se han incluido en el programa del misalito Sacred Song de la editorial: The Liturgical Press desde 2005 Once índices: litúrgico, temático, salmos y cánticos, música para celebraciones, referencias bíblicas en himnos, tonadas de himnos, metros de himnos, arreglos con idiomas además de español e inglés, antífonas musicalizadas para los salmos, títulos comunes y primeras frases, y contribuyentes al himnario (compositores, autores, traductores, fuentes) Un himnario que no sólo responde a la experiencia litúrgica de hoy, sino también abre la puerta a nuevas posibilidades en el futuro. Cumple la declaración de los obispos americanos: “La música litúrgica de hoy debe reflejar la diversidad multicultural y las relaciones interculturales de los miembros de la asamblea litúrgica reunida. El uso variado de formas musicales como estribillos en ostinato, llamado y respuesta, traducción de cantos, y el repertorio bilingüe o multilingüe puede ayudar a entretejer los diferentes idiomas y etnias de la asamblea litúrgica en un tapiz de alabanza cantada.” Cantemos al Señor, 60 There is no doubt that the goal of singing each other's liturgical music as an expression of the catholicity of our faith embodied in this volume, does in fact allow bilingual and multicultural parishes through the United States—and beyond—to respond to the liturgical needs of today while opening the door to new possibilities. — Becca Whitla The Hymn Society Journal. Volume 66, No. 4.

SKU: HL.438866

UPC: 852940000936. 6.25x10.25x2.259 inches.

Whether you are an international touring musician, or a weekend warrior, you should be very concerned with the power you are supplying to your pedals.....and because you are, the Carl Martin “DC Factory” Power Supply was designed just for you! With the constant addition of very 'power hungry' digital pedals on the market, we designed the DC Factory to address that very need. Highly powered and totally noise free, the DC Factory doesn't take up too much realestate on your pedalboard and literally weighs about 2/3 of a kilogram (1.5 lbs). To meet these goals, we had to forget about the standard toroidal transformers and design a fully digital switch mode power supply! The benefits go beyond ample power, the size and weight are reduced and most importantly, there is no radiation of hum to Wah pedals or certain analog drive pedals. Inside the attractive grey anodized housing are 5, 100% isolated and separated, 500 mA power supplies, four with two 9v DC output jacks, and 1 with two 12v DC output jacks. These 10 output jacks supply a massive 2500mA of pure clean power for your effects. Most digital pedals require somewhere between 300-400mA of power, and your standard analogue pedals somewhere around 20-50mA, so you have the option to run up to 5 analog pedals and 5 digital pedals simultaneously! On top of that, using the Current Doubler Cable, you can plug into 2 DC Outputs (as shown in the diagram) for 18v of power! The DC Factory is fine to use on any pedal board or on it's own, but it is also compatible with PedalTrain PT-VDL-MK (mounting brackets not included). Power supply set up... The DC Factory can power up to 5 digital pedals when you plug one of each into the five separated and isolated digital power supplies, and also 5 analogue effects when you plug them into the second jack in each of the 5 power supplies, as long as the power demand for the two pedals in each PSU does not exceed 500mA.

SKU: HP.C6201

UPC: 763628162016. By Andrae Crouch. Revelation 1:7, Luke 21:28, Revelation 7:17, 21:4.

Medley of a tune by Andrae Crouch and a spiritual This clever, Appalachian-style anthem introduces the theme of heaven and the promised land, and then segues into the Andrae Crouch classic. The optional fiddle and acoustic guitar add just the right amount of flavor to set the easy flowing pace, as the voices join to sing, Hallelujah! Walk on the streets of gold; hallelujah! Heaven's glory behold!'.

SKU: GI.G-018040

What has made this Mass rise to the top in popularity in parishes across the English-speaking world? Its adaptability. From parishes with keyboard and/or guitar and cantor to cathedrals with a large SATB choir and multiple instruments (organ, brass quartet, timpani, handbells), Mass of Wisdom has proven itself as a “Mass for the masses.” Its step-wise melodic patterns make it easy to learn without sounding musically trite in any way. Music directors agree that the through-composed Gloria is one of the most finely crafted of all the new musical settings of the prayer. That fine crafting extends to all components of this Mass, especially the acclamations sung during the Eucharistic Prayer. The multi-layered Hosannas in the Sanctus will delight the members of the choir as well as the singing assembly. This is a Mass setting that simply soars. It is a perfect setting for Ordinary Time, but music directors tell us that the Christmas and Easter seasons are made more glorious and joyful when this setting is sung, especially when the additional instrumentation is added. Dioceses and parishes that employed Mass of Wisdom as the first setting during the implementation of the new translation have found themselves returning to it time and time again. It truly has become part of the “Catholic musical DNA” across the United States and beyond.

SKU: HL.276699

SKU: GI.G-CD-834

Down To Earth helps children to make a connection between the comfortable and uncomfortable parts of their lives and God. The songs are perfect for school assemblies, linking with themes for Christian Festivals, and for Religious Education. “Religious Eduication needs to be authentic in the ways it portrays religion. Buy this CD, and use it with your 7- to 11-year-olds, and you will hit that target” – RE Today (UK) Down To Earth has been produced by Fischy Music—an established and well-respected music charity working throughout the UK and beyond. Fischy Music is well-known for their singing and song-writing workshops, concerts, teacher training sessions, and music recordings. Their overall mission is to promote the emotional, social and spiritual well-being of children and families. Fischy Music is a charity with over 11 years' experience and their resources are used in thousands of schools across the world. Down To Earth fills a gap in resources that are available to schools— music that can be used in a Christian setting which is thoughtful and reflective, yet catchy and fun. The songs are easy to pick up and incorporate multi-cultural elements as well as contemporary influences.   Down To Earth is suitable for Elementary school children and is available as a standalone CD or as a CD-ROM Resource Pack (which includes teaching notes, backing tracks, lyric sheets, and videos showing signs and actions and piano/guitar music arrangements).  .

SKU: GI.G-018000

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Before the implementation of the new translation of The Roman Missal, the Mass of Redemption enjoyed a high level of popularity in parishes across the country and beyond. With the advent of the new translation, this Mass has become even more popular. Steve Janco rewrote the Gloria for the new translation and his through-composed setting is energetic and bright, bringing a sparkle to the new text. The Mass is written in the bright key of D major, bringing a joyful quality to the celebration of Sunday Mass, especially during the Christmas and Easter seasons, as well as the Sundays of Ordinary Time. Set for cantor, choir, assembly, keyboard, and guitar (with optional instrumental parts for brass quartet and timpani, two woodwinds, and handbells), the choral writing is in two parts (SA/TB) with optional third voice, often a soprano descant, at climaxes in various sections. Music directors agree that the simple choral arranging makes this a setting appropriate for parishes that do not have the musical “forces” to sing many of the more vocally complex Mass settings. Mass of Redemption brings the choir, musicians, and assembly together in a symphony of praise and thanksgiving for the great gift of redemption in Christ—a wonderful setting to raise hearts and voices to God at Sunday Mass. Join the hundreds of parishes that have made Mass of Redemption a musical staple and a reliable setting of the Mass. Parishes simply never grow weary of singing this setting!   Highlights: Highly popular among parishes before the implementation of new texts, now even more widely used! Written in the key of D major, bringing jubilance to the celebration of Mass. A variety of options for instrumentation with simple choral arrangements—ideal for smaller choirs. A delightful setting for the Christmas and Easter seasons and ideal for Sundays during Ordinary Time.  .

SKU: HL.1349224

SKU: GI.G-017348

A whimsical, delightful, and dazzling book for children and adults, sprung from the imagination of adored artist Michael O'Neill Mcgrath and poet-composer Alan Hommerding. Follow along with St. Cecilia on her exciting and colorful journey across the world (and beyond) as she gathers together a group of extraordinary musician for her heavenly orchestra. Learn about familiar instruments (piano, trumpet, and flute) and not-so-familiar instruments (kora, zukra, and the didgeridoo!), while visiting the fascinating spaces and places where the music of all God's children resounds!

SKU: PE.EP68488A

ISBN 9790300758909. English.

At the end of 1938, Jelly Roll Morton (1890-1941) returned to New York from his years in Washington, D.C. Recent publicity had made a comeback seem possible, and he hoped to recapture the prominent place in the jazz world that he had held in the 1920s. Still well known, though mainly as a New Orleans music pioneer, he understood that in order to be taken seriously as a contemporary artist, he needed to form a big band like those of his competition, such as Duke Ellington, Count Basie, Benny Goodman, and Tommy and Jimmy Dorsey. In the 1920s Morton's recordings and tours featured a ten-piece band following the first-generation big-band format. But in the late 1930s, larger groups were popular, so Morton assembled a conventional '30s band consisting of four saxophones, six brass, and four rhythm. The band was to open at the Golden Gate Ballroom in Harlem on April 17th, 1939, but on opening night Morton collapsed before going onstage. During his recuperation from the asthma and heart problems that dogged him, the band broke up, never to reassemble. Only six items written for that band's instrumentation are known to exist: Morton's arrangements of his own compositions -- Finger Breaker, GanJam, Good Old New York, Mister Joe, and Stop and Go -- and an arrangement, Mamies' Blues, by another artist. -- James Dapogny (Editor)

As an editor, Dapogny shows his customary sound musical scholarship and deep knowledge of Morton's style....The publishers are to be congratulated for bringing this fascinating work into the public domain, which throws a totally new light on 'Mister Jelly Lord.' Who knows what he would have achieved had he lived beyond his alleged 51 years? --Martin Litton, for JUST JAZZ (Feb 2011)

SKU: KN.61965S

UPC: 822795619652.

This tuneful funk chart grooves from start to finish, and has all the characteristics that makes Jarvis' bestselling funk charts so popular with advancing jazz groups. Although it was commissioned by Chuck Wackerman for the McAuliffe Middle School program, this chart is just as appropriate for high school groups and beyond. It has a catchy melody supported by solid secondary lines and background figures, plus some other fun twists. The solo section has very accessible chord changes, and everyone has interesting parts to play throughout. A guitar chord chart by Jim Greeson is included in each set. Duration 4:25.

SKU: HP.8926

UPC: 763628189266. By Albert E. Brumley.

Medley of well-loved gospel greats by Albert E. Brumley Brimming with nostalgia, this Joel Raney medley features snippets of many well-loved gospel greats, all centering on heaven, beginning and ending with I'll fly away, O glory! Choirs will have fun with this delightful toe-tapper and the exciting rhythm parts which take it to the next level. The Rhythm Parts include Guitar, Bass, B3 (or Synth) & Percussion (Conga or Hand Drum).