Composed by Walter Becker, Donald Fagan and Keith Jarrett. Arranged by Fred Sturm. The Fred Sturm Big Band Series. Rock. Score. Published by Sierra Music (S1.SMP-1211S). 0.5

(Music from the Motion Pictures Arranged for Big Note Piano). By Howard Shore. Arranged by Carol Matz. For Piano. This edition: Big Note Piano. Book; Piano - Big Note Collection; Piano Supplemental. Movie. Big Note; Late Elementary. 48 pages

Arranged by Bill Cunliffe. Swing; Jazz. Score and parts. Published by Walrus Music Publishing (WA.65088).

By Robert Plant. Piano/Vocal/Guitar Artist Songbook. Softcover. 104 pages. Published by Hal Leonard

by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels. Book. Solos. Size 8.75x11.75. 268 pages. Published by Mel Bay Pub., Inc.

Trombone

SKU: AP.1-ADV3104

Composed by Mark Kellog. Brass - Trombone and Baritone Method or Collection; Method/Instruction; Play-Along; Technique Musicianship. Advance Music. Jazz. Book and CD. Advance Music #01-ADV3104. Published by Advance Music (AP.1-ADV3104).

ISBN 9783892210795. UPC: 805095031041. English.

Improvisation is at the heart of jazz, but knowing how to play stylistically correct in a large jazz ensemble is also a necessity. How to Play Lead Trombone in a Big Band offers tips, suggestions, examples and a play along CD to help you put it all together.

How to Play Lead Trombone in a Big Band by Mark Kellogg is an annotated guide written to help trombonists explore the joys and challenges of playing in a large jazz ensemble. Topics covered include the distinct roles of lead and section players in a big band; playing with a cohesive section sound; and performing with an even sense of balance, intonation, and rhythmic feel. These insightful comments are conveyed by taking a detailed look at seven compositions and addressing the specific challenges of each work. The CD which accompanies this text provides a helpful aural guide, enabling the trombonist to listen to each example or to play along with the recording. The variety of jazz styles covered in this volume include medium swing, funk, bossa, fast swing, and Afro-Cuban feels. Composers and arrangers of these pieces include some of the most innovative and respected voices of the genre, such as Clare Fischer, Bill Dobbins, Jim Snidero, Heiner Wiberny, and Joey Sellers. This publication is designed for use by trombonists of all ages and experience levels.

SKU: HL.3710214

24-inches. Paiste Cymbals. General Merchandise. Hal Leonard #1068524. Published by Hal Leonard (HL.3710214).

UPC: 697643113657. 24.0x24.0x0.075 inches.

Series Description: 2002 Black Big Beat represent a modernized, yet timeless interpretation of the legendary 2002 sound. Visually, the cymbals feature a distinctly new hammering pattern for the 2002 family, a slightly darkened, semi-matted finish and simplified black logos to distinguish the Big Beat set. With the 2002 Black Big Beat models, we take the 2002 sound into a new realm, while preserving the legendary 2002 heritage. Alloy: CuSn8 Bronze, also known as “2002 Bronze” Size: 24-inches Weight: medium thin Volume: medium low to loud Stick Sound: defined Intensity: lively Sustain: medium Bell Character: integrated Sound character: Warm, deep, brilliant, lush. Medium wide range, complex mix. Responsive, giving feel. Warm luscious crashes with swift fade. Airy, defined ping over wide multi-layered wash. Broad, musical, integrated bells. Multifunctional design to work well as both crashes and rides in medium low to loud settings.

SKU: HL.3710211

20-inches. Paiste Cymbals. General Merchandise. Hal Leonard #1068520. Published by Hal Leonard (HL.3710211).

UPC: 697643113626. 20.0x20.0x0.054 inches.

Series Description: 2002 Black Big Beat represent a modernized, yet timeless interpretation of the legendary 2002 sound. Visually, the cymbals feature a distinctly new hammering pattern for the 2002 family, a slightly darkened, semi-matted finish and simplified black logos to distinguish the Big Beat set. With the 2002 Black Big Beat models, we take the 2002 sound into a new realm, while preserving the legendary 2002 heritage. Alloy: CuSn8 Bronze, also known as “2002 Bronze” Size: 20-inches Weight: medium thin Volume: medium low to loud Stick Sound: defined Intensity: lively Sustain: medium Bell Character: integrated Sound character: Warm, deep, brilliant, lush. Medium wide range, complex mix. Responsive, giving feel. Warm luscious crashes with swift fade. Airy, defined ping over wide multi-layered wash. Broad, musical, integrated bells. Multifunctional design to work well as both crashes and rides in medium low to loud settings.

Composed by Wayne Erbsen. Spiral-bound. Book/CD set. Published by Mel Bay Publications, Inc (MB.NGB203).

(BUCH+CD)

SKU: HL.49033158

Klang - Technologie - Sinn. Composed by Goebel. This edition: Hardback/Hard Cover. Book with CD. Edition Schott. Edition with CD. 272 pages. Schott Music #ED 9544. Published by Schott Music (HL.49033158).

ISBN 9783795704759. German.

Mit dem Einzug des Computers in die Musik habe sich etwas geandert. Die einen postulieren diese Anderung von theoretischer Seite her, die anderen praktizieren jetzt mit Computeruntertutzung das noch immer Gleiche, die dritten sehen hier zukunftsweisende interaktivmultimediale Cross-Over Potentiale oder nutzen die neuen Materialien als virtuell-perfekte Fassade fur weltweite potjemkische Dorfer, die vierten suchen und fragen und moglicherweise finden sie als funfte - wie sollen wir da noch einer eigenen Orientierung folgen, zu der wir auch ab und an Abstand nehmen konnen?Indem das Neue als etwas Altes betrachtet wird, konnen wir vielleicht das Neue im Neuen ohne Zwang und Beliebigkeit entdecken - und das Neue im Alten als Erfrischung auf dem Weg.Ohne Sinn kein Sinn. Unsere Sinne bilden die Grundlage fur Sinn. Alle digitalen Signale mussen noch in analoge verwandelt werden, damit wir sie wahrnehmen und interpretieren konnen, damit wir Sinn erzeugen konnen. Die Moglichkeit, in der digitalen Welt beliebig 'mappen' zu konnen, tauscht uns vor, einen universalen Schlussel fur die Produktion und Interpretation kunstlerischer Erlebnisse zu besitzen. Diese Annahme kann uns darin behindern, das kunstlerische Potential der digitalen Technologie zu begreifen.In den gut 25 Jahren seiner Arbeit mit Computern als Komponist, Produzent, Grunder des Instituts fur Musik und Akustik im Zentrum fur Kunst und Medientechnologie Karlsruhe und derzeitiger Grunder des 'Experimental Media and Performing Arts Center' (EMPAC) am 'Rensselaer Polytechnic Institute' in den USA hat Johannes Goebel in Vortragen und Aufsatzen die Veranderung der (kunstlerischen) Werkzeuge durch die digitale Technologie reflektiert. Er bietet eine hervorlockende Herangehensweise an, digitale Technologie, Musik, die Kunste und den Menschen als Handelnden und Wahrnehmenden zu betrachten.Mit uber 2 Stunden Hormaterial auf einer Audio-CD mit ROM-Teil (PC/MAC).

E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Size 9x12 inches. 120 pages. Published by Hal Leonard.