| Billy Branch's Blues Harp (Harmonica) - DVD Harmonica [DVD] Rittor Music | | |
| Longing for the Light Choral CD Brookfield Press
Choral (Preview CD) SKU: HL.144042 A Service for Advent. Composed ...(+)
Choral (Preview CD) SKU: HL.144042 A Service for Advent. Composed by John Purifoy. Brookfield Christmas Choral. Advent, Cantata, Christmas, Sacred. CD only. Published by Brookfield Press (HL.144042). ISBN 9781495030062. UPC: 888680060688. 5x5 inches. Pamela Stewart/John Purifoy. This moving cantata is a worship service of contemplation and reflection. Based on the classic Evensong service, the work is appropriate for choirs looking for a something that is both traditional and yet very innovative. A profound blending of message and music, the writers have provided a moving invitation to quietly consider the advent moment from an ancient yet relevant perspective, while the narration for multiple readers and congregation poignantly weaves everything together. Though brief, this powerful work will be an inspiring moment as your church prepares for the Christmas event. Truly inspired!
Songs include: 'Tis the Winter of Our Longing; O Come, Thou Wisdom; O Come, Thou Branch of Jesse's Tree; O Come, Thou Key of David; O Savior, Open Heaven Wide; Come, Thou Long-Expected Jesus; Wake, Awake, for Night Is Flying; O Come, O Come, Emmanuel. Score and Parts (fl, ob, eng hn, vn 1-2, va, vc, db) available as a Printed Edition and as a digital download. $15.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Longing for the Light Brookfield Press
Choral (CD 10-pak) SKU: HL.144043 A Service for Advent. Composed b...(+)
Choral (CD 10-pak) SKU: HL.144043 A Service for Advent. Composed by John Purifoy. Brookfield Christmas Choral. Advent, Cantata, Christmas, Sacred. CD only. Published by Brookfield Press (HL.144043). ISBN 9781495030093. UPC: 888680060695. 5x5 inches. Pamela Stewart/John Purifoy. This moving cantata is a worship service of contemplation and reflection. Based on the classic Evensong service, the work is appropriate for choirs looking for a something that is both traditional and yet very innovative. A profound blending of message and music, the writers have provided a moving invitation to quietly consider the advent moment from an ancient yet relevant perspective, while the narration for multiple readers and congregation poignantly weaves everything together. Though brief, this powerful work will be an inspiring moment as your church prepares for the Christmas event. Truly inspired!
Songs include: 'Tis the Winter of Our Longing; O Come, Thou Wisdom; O Come, Thou Branch of Jesse's Tree; O Come, Thou Key of David; O Savior, Open Heaven Wide; Come, Thou Long-Expected Jesus; Wake, Awake, for Night Is Flying; O Come, O Come, Emmanuel. Score and Parts (fl, ob, eng hn, vn 1-2, va, vc, db) available as a Printed Edition and as a digital download. $59.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| I Broke Off A Golden Branch Violin Chester
Score and Parts Chamber Group, String Instruments, Piano Chamber (Chamber Orches...(+)
Score and Parts Chamber Group, String Instruments, Piano Chamber (Chamber Orchestra) SKU: HL.14035706 For Violin, Viola, Cello, Double Bass, and Piano Score and Parts. Composed by Judith Weir. Music Sales America. 20th Century. Set. Composed 2000. 108 pages. Chester Music #CH60298. Published by Chester Music (HL.14035706). ISBN 9780711930070. 9.25x12.0x0.37 inches. This work was commissioned by the Schubert Ensemble, and first performed by them on 5th July 1992 as part of the Cheltenham International Festival. The words I broke off a golden branch come from a Croatian folksong, which is very obliquely referred to in the second of the work's two movements. Scored for Violin, Viola, Cello, Double Bass and Piano. Duration: c.15 minutes. $63.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Winter Branches Choral 3-part SSA Hal Leonard
Choral (SSA Choir) Discovery Level 2. Composed by Cristi Cary Miller. Discovery...(+)
Choral (SSA Choir)
Discovery Level 2. Composed by
Cristi Cary Miller. Discovery
Choral. Concert, Festival,
Holiday, Winter. Octavo. 16
pages. Duration 170 seconds.
Published by Hal Leonard
$2.35 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Roots Before Branches Choral SATB SATB, Piano Hal Leonard
(Featured in the Twentieth Century Fox Television Series Glee). By The Cast of G...(+)
(Featured in the Twentieth Century Fox Television Series Glee). By The Cast of GLEE. By Adam Anders and Nicole Hassman. Arranged by Adam Anders and Peer Astrom. For Choral (SATB). Pop Choral Series. Published by Hal Leonard
$2.25 $2.1375 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A Gathering of Grace [Score and Parts] Shawnee Press
Choral (Listening CD) SKU: HL.35032529 A Service for Holy Week. Co...(+)
Choral (Listening CD) SKU: HL.35032529 A Service for Holy Week. Composed by Douglas Nolan. Shawnee Sacred. Cantata, Easter, General Worship, Holy Week, Sacred. CD. Duration 2220 seconds. Published by Shawnee Press (HL.35032529). ISBN 9781540040183. UPC: 888680896898. 5x5 inches. Written to commemorate the Passion of Christ, this cantata is a moving tribute to His life and ministry. Composed for maximum flexibility and scored for SA(T)B voices, the optional cued notes make it possible for the cantata to grow with your choir. Smaller choirs will enjoy the rich textures and larger ensembles will be able to engage their full resources. For churches that desire an instrumental component, a very modest consort instrumentation creates a reverent accompaniment. The narration contains scriptures and prayers to convey the graceful theme of Christ's sacrificial love. Ending with the crucifixion, A Gathering of Grace will set the stage for Easter morning. Songs include: Prelude of Shadows; In the Stillness of This Moment; Ask of Me; Palm Branches; A Light in the Upper Room; Jesus, in Gethsemane; The Day the Cross Held Up the Sky; A Green Hill Far Away; Recessional. Score and Parts (fl, cl, hn, perc, pno, hp, vn, vc) available as a Printed Edition and as a digital download. $15.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Branches Of The Night And Of The Day Op.153 University Of York Music Press
Horn and String Quartet SKU: BT.MUSM570205134 Composed by Elisabeth Lutye...(+)
Horn and String Quartet SKU: BT.MUSM570205134 Composed by Elisabeth Lutyens. Set of Parts. University of York Music Press #MUSM570205134. Published by University of York Music Press (BT.MUSM570205134). English. For Horn and String Quartet (or Violin, 2 Violas, Cello). Published 1981. First performance: Locrain Quartet, 9th October 1981. $21.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| You Are The Branches |vocal||choral|vocal| [Octavo] Choristers Guild
By Michael Jothen. For Unison choir/2-part (any combination of voices) choir. Sa...(+)
By Michael Jothen. For Unison choir/2-part (any combination of voices) choir. Sacred. Sacred Anthem. Published by Chorister's Guild.
$2.10 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Roots Before Branches Choral CD [CD] Hal Leonard
(From the Twentieth Century Fox Television Show GLEE). By The Cast of GLEE. By A...(+)
(From the Twentieth Century Fox Television Show GLEE). By The Cast of GLEE. By Adam Anders and Nicole Hassman. Edited by Mac Huff. Arranged by Adam Anders and Peer Astrom. For Choral (ShowTrax CD). Pop Choral Series. Published by Hal Leonard
$26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Roots Before Branches Choral 3-part SSA Hal Leonard
(From the Twentieth Century Fox Television Show GLEE). By The Cast of GLEE. By A...(+)
(From the Twentieth Century Fox Television Show GLEE). By The Cast of GLEE. By Adam Anders and Nicole Hassman. Edited by Mac Huff. Arranged by Adam Anders and Peer Astrom. For Choral (SSA). Pop Choral Series. 16 pages. Published by Hal Leonard (HL.103228)
$2.25 $2.1375 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Seek a Place of Breathless Beauty MorningStar Music Publishers
Hymn Collection SKU: MN.90-70 Composed by James Biery and Marilyn Biery. ...(+)
Hymn Collection SKU: MN.90-70 Composed by James Biery and Marilyn Biery. Hymn Collections. Hymnary. MorningStar Music Publishers #90-70. Published by MorningStar Music Publishers (MN.90-70). Text: Marilyn Biery. This collection of twenty-five original hymn texts flows from the writers years of experience as a practicing Church musician. The texts cover many aspects of the church year and includes texts for many particular needs such as confirmation and stewardship. Eleven new hymn tunes are also included in this collection. Complete tune, title, topic, meter, and scriptural indexes are included, making this a very useful collection of hymns. Hymns include: Break Forth in Joyous Song Christ is the Vine, We are the Branches Come To Us, O Holy Spirit Easter Dawn, Streaming Bright Embrace the Love that Makes Us One Emmanuel Comes! From the Word of God, Creation Jesus Walked Among the People Joined Together As One Body Lift Up Your Hearts, You Poor in Spirit Listen to the Voice of Gladness Lord God, The Source of Every Gracious Gift May Peace from Christ Come Dwell in You O Dearest Jesus O God of All Life, Now Hid from Our Sight O God of Love, Enable Us O God, Hear My Cry Our Gifts, O Lord, to You We Bring Radiant Light, Love Divine Rejoice, Rejoice, God's Kingdom is Coming Seek a Place of Breathless Beauty The Ancient Story Thrills Our Modern Ear The Frozen Earth Begins to Thaw The Spirit Makes Us One in Christ We Sing our Love for Jesus. $15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Roots Before Branches Choral 3-part SAB Hal Leonard
(From the Twentieth Century Fox Television Show GLEE). By The Cast of GLEE. By A...(+)
(From the Twentieth Century Fox Television Show GLEE). By The Cast of GLEE. By Adam Anders and Nicole Hassman. Edited by Mac Huff. Arranged by Adam Anders and Peer Astrom. For Choral (SAB). Pop Choral Series. 16 pages. Published by Hal Leonard
$2.25 $2.1375 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Branches Of The Night And Of The Day Op.153 [Score] University Of York Music Press
Horn and String Quartet SKU: BT.MUSM570205127 Composed by Elisabeth Lutye...(+)
Horn and String Quartet SKU: BT.MUSM570205127 Composed by Elisabeth Lutyens. Score Only. 8 pages. University of York Music Press #MUSM570205127. Published by University of York Music Press (BT.MUSM570205127). English. For Horn and String Quartet (or Violin, 2 Violas, Cello). Published 1981. First performance: Locrain Quartet, 9th October 1981. $18.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Cinderella Concert band - Intermediate De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175835-010 Music from the...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175835-010 Music from the Motion Picture Soundtrack. Composed by Al Hoffman and Patrick Doyle. Arranged by Eiji Suzuki. New Sounds for Concert Band. TV-Film-Musical-Show. Set (Score and Parts). Composed 2017. De Haske Publications #DHP 1175835-010. Published by De Haske Publications (BT.DHP-1175835-010). Who doesnâ??t know the famous Disney fairytale â??Cinderellaâ??? Not only are the fantastic visuals in the animation movie impressive, the beautiful songs are too. Eiji Suzuki made a medley of Bibbidi Bobbidi Boo, The First Branch, PumpkinPursuit, Who Is She, Lavenderâ??s Blue and A Dream Is A Wish Your Heart Makes. A perfect choice for your audience!
Wie kent niet het bekende Disney-sprookje Cinderella (Assepoester)? Niet alleen de betoverende beelden uit de film zijn indrukwekkend; de mooie liedjes zijn dat ook. Eiji Suzuki maakte een medley van Bibbidi Bobbidi Boo, The FirstBranch, Pumpkin Pursuit, Who Is She, Lavenderâ??s Blue en A Dream Is a Wish Your Heart Makes. Hier wordt uw publiek blij van!
Wer kennt nicht den bekannten Disney-Märchenfilm Cinderellaâ??? Nicht nur die fantastischen Bilder des Animationsfilms sind beeindruckend, sondern auch die wunderschönen Lieder. Eiji Suzukis Medley beinhaltet die Lieder Bibbidi Bobbidi Boo,The First Branch, Pumpkin Pursuit, Who Is She, Lavenderâ??s Blue und A Dream Is A Wish Your Heart Makes. Das Stück wird Ihr Publikum begeistern!
Qui ne connaît pas le célèbre conte Cendrillon de Disney ? Les images magnifiques du dessin animé mais aussi ses chansons merveilleuses sont impressionnantes. Eiji Suzuki a fait un medley de Bibbidi-Bobbidi-Boo, The First Branch (« lapremière branche »), Pumpkin Pursuit (« poursuite sur citrouille »), Who Is She ? (« Qui est-elle ? »), Lavenderâ??s Blue (« lavende bleue ») et Le rêve de ma vie. Un choix idéal qui plaira votre public !
Chi non conosce la famosa fiaba Disney â??Cenerentolaâ?? Non ci sono solo le fantastiche illustrazioni dellâ??animazione, ma anche delle bellissime canzoni. Eiji Suzuki ha composto il medley di Bibbidi Bobbidi Boo, The First Branch,Pumpkin Pursuit, Who Is She, Lavenderâ??s Blue e A Dream Is A Wish Your Heart Makes. La scelta perfetta per il tuo pubblico! $155.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Future of Tomorrow - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cornet, Cornet 2...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cornet, Cornet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Glockenspiel, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum and more. - Grade 3 SKU: CF.CPS245 Composed by Benjamin Yeo. Folio. Cps. Set of Score and Parts. 8+2+8+8+2+4+4+4+4+2+4+4+4+4+6+6+4+4+8+2+2+1+4+1+2+24 pages. Duration 2 minutes, 42 seconds. Carl Fischer Music #CPS245. Published by Carl Fischer Music (CF.CPS245). ISBN 9781491158128. UPC: 680160916726. 9 x 12 inches. ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this anew ideaa needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo. ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this 'new idea' needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo. ABOUT THE MUSICFuture of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang.Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work.EDUCATIONAL NOTESKey: Eb MajorSECTIONBARSEVENT / SCORING / SUGGESTIONSIntroduction1-4Opens in Eb major with dotted rhythm motif.1st Strain5-20Take note of melodic phrasing above the (light) oom-pah ostinato;melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this ‘new idea’ needs to be heard clearly for contrast with the previous statement.2nd Strain21-36C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29.Trio37-56Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps.Break Strain57-62Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain.Final Strain63-82Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79.NOTE TO THE CONDUCTORThis march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece.This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets.I wish you the best in the performance of this work.- Benjamin Yeo. $85.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Bela Bartok: Piano Music of Bela Bartok - Series II Piano solo [Sheet music] - Intermediate/advanced Dover Publications
Composed by Bela Bartok (1881-1945), edited by Dr Benjamin Suchoff. For piano. T...(+)
Composed by Bela Bartok (1881-1945), edited by Dr Benjamin Suchoff. For piano. The Archive Edition. Format: piano solo book. With standard notation, fingerings and introductory text. 20th Century and Hungarian. 150 pages. 9x12 inches. Published by Dover Publications.
(2)$19.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Future of Tomorrow [Score] - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cornet, Cornet 2...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cornet, Cornet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Glockenspiel, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum and more. - Grade 3 SKU: CF.CPS245F Composed by Benjamin Yeo. Sws. Cps. Full score. 24 pages. Carl Fischer Music #CPS245F. Published by Carl Fischer Music (CF.CPS245F). ISBN 9781491158135. UPC: 680160916733. 9 x 12 inches. ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this anew ideaa needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo. ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this 'new idea' needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo. ABOUT THE MUSICFuture of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang.Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work.EDUCATIONAL NOTESKey: Eb MajorSECTIONBARSEVENT / SCORING / SUGGESTIONSIntroduction1-4Opens in Eb major with dotted rhythm motif.1st Strain5-20Take note of melodic phrasing above the (light) oom-pah ostinato;melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this ‘new idea’ needs to be heard clearly for contrast with the previous statement.2nd Strain21-36C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29.Trio37-56Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps.Break Strain57-62Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain.Final Strain63-82Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79.NOTE TO THE CONDUCTORThis march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece.This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets.I wish you the best in the performance of this work.- Benjamin Yeo. $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Singapura Suite Concert band [Score and Parts] - Easy De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-0981357-010 Composed by Jan...(+)
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-0981357-010 Composed by Jan Van der Roost. Performance Series. Concert Piece. Set (Score & Parts). Composed 1998. De Haske Publications #DHP 0981357-010. Published by De Haske Publications (BT.DHP-0981357-010). 9x12 inches. Singapura Suite was commissioned by Singapore's Ministry of Education Extracurricular Activities Branch to serve as a compulsory piece for the 1999 Singapore Youth Festival.Singapura is the original name of Singapore in Malay, the native language there. Because Singapore is one of the most important harbors in the world, this two-piece work opens with a seaman's dance. An authentic melody, Chan Mali Chan, is woven into the middle of this first part, whose ABA form becomes clear through the recapitulation of the seaman's dance in a somewhat altered form.Singapore is also a dynamic city-state alive with excitement, thus the second part begins with a fitting dance, a fastbourrée. As contrast there is a second authentic melody, Dayung Sampan, a more easygoing sailing song. This short but curious suite ends in high spirits with a recapitulation of the beginning.
‘Singapura’ is de oorspronkelijke naam van Singapore in het Maleis, de originele taal van deze stadstaat. Omdat Singapore een van de belangrijkste havens ter wereld is, opent de componist met een ‘zeemansdans’. Ook de authentiekemelodie Chan Mali Chan is te herkennen. Het dynamische aspect van Singapore wordt verbeeld in een snelle bourree, gevolgd door een contrasterend authentiek en rustig bootslied: Dayung Sampan.
Das Werk Singapura Suite wurde vom ‚Singapure’s Ministry of Education Extracurricular Activities Branch‘ (Ministerium für Erziehung, Kultur und Sport, Singapur) als eines der Pflichtstücke für das Singapur Jugendfestival“ 1999 in Auftrag gegeben.Singapura“ - das ist der malaiische Name der Bewohner Singapurs, es ist die Sprache der Eingeborenen. Weil in Singapur einer der wichtigsten Häfen der Welt ist, öffnet dieses zweiteilige Werk mit einem Seemannstanz. Eine authentische Melodie, Chan Mali Chan, wird in den Mittelteil dieses ersten Teils eingeflochten, dessen A-B-A-Form durch die Wiederholung des Seemannstanzes in einer etwas veränderten Form deutlichwird.Singapur ist auch ein dynamischer und lebendiger Stadtstaat, und deshalb beginnt der zweite Teil mit einem passenden Tanz, einer schnellen Bourrée. Als Kontrast hierzu erklingt eine zweite authentische Melodie, Dayung Sampan, ein sehr leichtes, gelassenes Matrosenlied. Diese kurze, aber kuriose Suite endet sehr ausgelassen mit einer Wiederholung des Anfangs.
Singapore, la citt del leone, è uno dei più importanti crocevia dell’Asia. Singapore mischia abilmente le culture provenienti dalla Cina, dalla Malesia, dall’India a quelle occidentali. La musica tradizionale è l’immagine delle molte etnie di questa citt -stato. I due movimenti di questa composizione si ispirano a canti tradizionali della Malesia. Il primo movimento sviluppa quattro canti tradizionali di carattere contrastante e contrastato. Il secondo movimento è basato sui canti Lenggang Kangkung e Katang Lompat, che, come d’abitudine in oriente, descrivono animali e l’ambiente in cui vivono legandoli a simbolismi, e un canto tradizionale in occasione di matrimoni. I duemovimenti di questa rapsodia non sono legati tra loro, rendendo possibile eseguirli separatamente. $184.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Just Wing It Jazz Ensemble - Easy Alfred Publishing
Jazz Ensemble - Grade 2.5 SKU: AP.47027 Commissioned by the South Side...(+)
Jazz Ensemble - Grade 2.5 SKU: AP.47027 Commissioned by the South Side Bee Branch Hornet Jazz Band, Bee Branch, Arkansas, Justin Berg, Director. Composed by Kris Berg. Jazz Ensemble; Performance Music Ensemble; Single Titles. Young Jazz Ensemble. Funk; Jazz. Score and Part(s). 92 pages. Alfred Music #00-47027. Published by Alfred Music (AP.47027). UPC: 038081539805. English. Oh yeah, it's time for another chicken flavored chart! This one is definitely funky and more accessible than previous chicken charts. Lead trumpet range is only to written G on top of the staff, and written-out solos are provided for alto and trumpet. Also, with only two chords in the solo section, it is ideal for young players to work on improvising. Tempo is around 136 BPM. $48.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Singapura Suite Concert band [Score] - Easy De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-0981357-140 Composed by Jan...(+)
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-0981357-140 Composed by Jan Van der Roost. Performance Series. Concert Piece. Score Only. Composed 1998. 76 pages. De Haske Publications #DHP 0981357-140. Published by De Haske Publications (BT.DHP-0981357-140). 9x12 inches. Singapura Suite was commissioned by Singapore's Ministry of Education Extracurricular Activities Branch to serve as a compulsory piece for the 1999 Singapore Youth Festival.Singapura is the original name of Singapore in Malay, the native language there. Because Singapore is one of the most important harbors in the world, this two-piece work opens with a seaman's dance. An authentic melody, Chan Mali Chan, is woven into the middle of this first part, whose ABA form becomes clear through the recapitulation of the seaman's dance in a somewhat altered form.Singapore is also a dynamic city-state alive with excitement, thus the second part begins with a fitting dance, a fastbourrée. As contrast there is a second authentic melody, Dayung Sampan, a more easygoing sailing song. This short but curious suite ends in high spirits with a recapitulation of the beginning.
‘Singapura’ is de oorspronkelijke naam van Singapore in het Maleis, de originele taal van deze stadstaat. Omdat Singapore een van de belangrijkste havens ter wereld is, opent de componist met een ‘zeemansdans’. Ook de authentiekemelodie Chan Mali Chan is te herkennen. Het dynamische aspect van Singapore wordt verbeeld in een snelle bourree, gevolgd door een contrasterend authentiek en rustig bootslied: Dayung Sampan.
Das Werk Singapura Suite wurde vom ‚Singapure’s Ministry of Education Extracurricular Activities Branch‘ (Ministerium für Erziehung, Kultur und Sport, Singapur) als eines der Pflichtstücke für das Singapur Jugendfestival“ 1999 in Auftrag gegeben.Singapura“ - das ist der malaiische Name der Bewohner Singapurs, es ist die Sprache der Eingeborenen. Weil in Singapur einer der wichtigsten Häfen der Welt ist, öffnet dieses zweiteilige Werk mit einem Seemannstanz. Eine authentische Melodie, Chan Mali Chan, wird in den Mittelteil dieses ersten Teils eingeflochten, dessen A-B-A-Form durch die Wiederholung des Seemannstanzes in einer etwas veränderten Form deutlichwird.Singapur ist auch ein dynamischer und lebendiger Stadtstaat, und deshalb beginnt der zweite Teil mit einem passenden Tanz, einer schnellen Bourrée. Als Kontrast hierzu erklingt eine zweite authentische Melodie, Dayung Sampan, ein sehr leichtes, gelassenes Matrosenlied. Diese kurze, aber kuriose Suite endet sehr ausgelassen mit einer Wiederholung des Anfangs.
Singapore, la citt del leone, è uno dei più importanti crocevia dell’Asia. Singapore mischia abilmente le culture provenienti dalla Cina, dalla Malesia, dall’India a quelle occidentali. La musica tradizionale è l’immagine delle molte etnie di questa citt -stato. I due movimenti di questa composizione si ispirano a canti tradizionali della Malesia. Il primo movimento sviluppa quattro canti tradizionali di carattere contrastante e contrastato. Il secondo movimento è basato sui canti Lenggang Kangkung e Katang Lompat, che, come d’abitudine in oriente, descrivono animali e l’ambiente in cui vivono legandoli a simbolismi, e un canto tradizionale in occasione di matrimoni. I duemovimenti di questa rapsodia non sono legati tra loro, rendendo possibile eseguirli separatamente. $38.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Just Wing It Jazz Ensemble [Score] - Easy Alfred Publishing
Jazz Ensemble - Grade 2.5 SKU: AP.47027S Commissioned by the South Sid...(+)
Jazz Ensemble - Grade 2.5 SKU: AP.47027S Commissioned by the South Side Bee Branch Hornet Jazz Band, Bee Branch, Arkansas, Justin Berg, Director. Composed by Kris Berg. Jazz Ensemble; Performance Music Ensemble; Single Titles. Young Jazz Ensemble. Funk; Jazz. Score. 16 pages. Alfred Music #00-47027S. Published by Alfred Music (AP.47027S). UPC: 038081539812. English. Oh yeah, it's time for another chicken flavored chart! This one is definitely funky and more accessible than previous chicken charts. Lead trumpet range is only to written G on top of the staff, and written-out solos are provided for alto and trumpet. Also, with only two chords in the solo section, it is ideal for young players to work on improvising. Tempo is around 136 BPM. $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 15 Hot Pops - Spring 2003 - Big Note Piano Big Note Piano [Sheet music] - Easy Alfred Publishing
Edited by Zoby Perez. Arranged by Richard Bradley. Piano arrangement mixed folio...(+)
Edited by Zoby Perez. Arranged by Richard Bradley. Piano arrangement mixed folio (Big Note Piano: large, simple, easy-to-read melodies). Published by Alfred Publishing.
$10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Journey to the Stars Concert band [Score and Parts] LudwigMasters Publications
Composed by Aric Branchfield. Concert Band; Performance Music Ensemble; Sing...(+)
Composed by Aric Branchfield.
Concert Band; Performance
Music Ensemble; Single Titles.
Beginning Band. Programmatic.
Score and Part(s). Duration
2:00. LudwigMasters
Publications #36-50100315.
Published by LudwigMasters
Publications
$50.00 - See more - Buy online | | |
| Five States of Change Marching band [Score and Parts] - Intermediate Anglo Music
Fanfare Band - Grade 4 SKU: BT.AMP-342-020 Composed by Philip Sparke. Ang...(+)
Fanfare Band - Grade 4 SKU: BT.AMP-342-020 Composed by Philip Sparke. Anglo Music Midway Series. Set (Score & Parts). Composed 2012. Anglo Music Press #AMP 342-020. Published by Anglo Music Press (BT.AMP-342-020). 9x12 inches. English-German-French-Dutch. Five States of Change was commissioned by Kunstfactor for the 4th section of the Dutch National Brass Band Championships (NBK) 2011. It is dedicated to Jappie Dijkstra and the Music Information Centre (MUI), Arnhem, Holland, in acknowledgement of their outstanding work in developing band repertoire.The composer writes: The idea for the piece came when I was reading an article about a branch of Chinese philosophy which is abbreviated as Wu Xing*, which has no exact translation but can mean, for example, five elements, five phases or five states of change. It is central to all elements of Chinese thought, including science, philosophy, medicine andastrology, and in simple terms tries to create various cyclic relationships between five elements in all walks of life.An example is: Earth - Metal - Water - Wood - Fire - (Earth) etc. where (in one cycle) earth bears metal, metal changes to liquid (water) when heated, water helps trees grow, wood burns to create fire, fire produces ash (earth) and the cycle continues.I was particularly interested in the cycle of emotions:- Meditation - Sorrow - Fear - Anger - Joy - (Meditation) etc. and thought this cyclic principle would provide an effective emotional journey for a piece of music. So Five States of Change has five equal sections which loosely characterise this emotional cycle. I have tried to make the music grow organically, with minimal repetition, and each movement evolves from the musical elements at the end of the previous one, with the opening material appearing, transformed, at the end of the piece to complete the cycle. *in full Wu zhong liu xing zhi chi or the five types of chi dominating at different times
Five States of Change is geschreven in opdracht van Kunstfactor voor de 4e divisie van de NBK (Nederlandse Brassband Kampioenschappen) 2011. Het werk is opgedragen aan Jappie Dijkstra en het MUI (Muziekuitleen- en Informatiecentrum)te Arnhem,als waardering voor hun inspanningen met betrekking tot de ontwikkeling van het repertoire voor blaasorkesten.De componist schrijft: Het idee voor het werk kwam in mij op toen ik een artikel las over een takbinnen de Chinese filosofie waarvan denaam wordt afgekort tot Wu Xing* - waar geen exacte vertaling voor is, maar wat zoveel betekent als vijf elementen, vijf fasen of vijf stadia van verandering. Het gaat om eenwezenlijk onderdeel van alle componenten binnen hetChinese gedachtegoed, inclusief de wetenschap, filosofie, geneeskunst en astrologie. Simpel gezegd draait het om het creëren van diverse cyclische verbanden tussen vijf elementendie in ieders leven een rol spelen.Een voorbeeld: Aarde - Metaal - Water- Hout - Vuur - (Aarde) enz. In deze cyclus bevat aarde metaal, metaal verandert in vloeistof (water) door verhitting, water helpt bomen te groeien, houtdat brandt creëert vuur, en vuur produceert as (aarde). Zo blijft de cyclus voortgaan. Zelf wasik vooral ge nteresseerd in de cyclus van emoties: Meditatie - Verdriet - Angst - Boosheid - Vreugde - (Meditatie) enz. De gedachte aandit cyclische principe leverde een reis door een muzikale wereld van emoties op. Five States of Changebestaat uit vijf delen die betrekking hebben op de emotionele cyclus. Ik heb geprobeerd de muziek op natuurlijke wijzete laten ontstaan, met zo weinig mogelijk herhalingen. Elk deel vloeit voort uit de muzikale elementen uit het slot van hetvoorgaande deel. Het openingsmateriaal komt, in getransformeerde gedaante, terug aan het einde van het werk.
Five States of Change wurde von Kunstfactor für die vierte Abteilung der Holländischen Nationalen Brass-Band-Meisterschaft (NBK) 2011 in Auftrag gegeben. Die Widmung gilt Jappie Dijkstra und dem Musik-Informationszentrum (MUI) in Arnhem(Holland), in Anerkennung derer außerordentlichen Bemühungen um die Entwicklung des Blasorchester-Repertoires. Der Komponist über sein Werk: Die Idee zu diesem Stück kam mir beim Lesen eines Artikels über eine Richtung derchinesischen Philosophie, die abgekürzt Wu Xing* heißt, was nicht wörtlich übersetzt werden kann, aber so viel wie fünf Elemente, fünf Phasen oder fünf Stadien der Verwandlung bedeutet. DiesesPrinzip nimmt eine zentrale Position im gesamten chinesischen Gedankengut ein, sei es in der Wissenschaft, Medizin oder Astrologie. Einfach ausgedrückt, werden damit in allen Lebensbereichen verschiedene zyklische Beziehungen zwischenfünf Elementen hergestellt.Zum Beispiel: Erde - Metall - Wasser - Holz - Feuer - (Erde) - usw. In diesem Zyklus enthält die Erde Metall, das sich bei Erhitzung verflüssigt (Wasser); Wasser lässt Bäume wachsen, deren Holz verbrennt (Feuer)und zu Asche wird (Erde), womit der Kreislauf von neuem beginnt.Mich interessierte besonders der Kreislauf von Gefühlen:Meditation - Trauer - Angst - Ärger - Freude - (Meditation) usw.Ich dachte mir, dass dieser Kreislauf eine wirkungsvolleemotionale Reise“ durch ein Musikstück darstellen könnte. Folglich besteht Five States of Change aus fünf gleichen Abschnitten, die diesen Kreislauf der Gefühle grob nachzeichnen. Ich habe versucht, die Musik organischwachsen zu lassen mit möglichst wenig Wiederholungen. Jeder Satz entwickelt sich aus den Elementen vom Ende des vorhergehenden Satzes und das Material der Eröffnung vollendet am Schluss des Werkes den Kreis. *Abkürzung für Wu zhongliu xing zhi chi oder Die fünf Arten von Chi, die zu unterschiedlichen Zeiten dominieren
Five States of Change est une commande de l’institut Kunstfactor pour la 4e division des Championnats néerlandais de Brass Band en 2011. Cette œuvre est dédiée Jappie Dijkstra et au Music Information Centre (MUI) d’Arnhem, aux Pays-Bas, en hommage leur rôle exceptionnel dans le développement du répertoire pour Orchestre Vent.Le compositeur écrit : L’idée de cette composition m’est venue alors que je lisais un article sur un aspect de la philosophie chinoise, connu sous l’abréviation de Wu Xing*, qu’il est impossible de traduire littéralement mais qui peut signifier, par exemple, cinq éléments, cinq phases ou cinq états de changement. Toutechose dans l’univers est le fruit d’un cycle de création (ou d’engendrement) et de domination (ou contrôle). Ce concept est essentiel tous les éléments de la pensée chinoise, y compris les sciences, la philosophie, la médecine et l’astrologie et, en termes simples, il représente les multiples rapports cycliques qui existent entre cinq éléments liés l’univers et toute chose dans l’univers, donc l’homme.Évoquons le cycle de la création : Terre - Métal - Eau - Bois - Feu - (Terre) etc. La terre contient des minéraux, source de métal, le métal peut être fondu et se liquéfie, l’eau arrose et fait pousser les arbres, le bois br le et produit du feu, le feu produit des cendres, une sorte de terre, dans une dynamique cyclique perpétuelle.Parmi tous les cycles existants, celui des émotions éveilla particulièrement mon intérêt : Méditation - Chagrin - Peur - Colère - Joie - (Méditation) etc. et je me suis dit que ce principe cyclique pourrait être la source d’un puissant et émotionnel voyage musical. Five States of Change se compose donc de cinq parties égales qui reflètent assez librement ce cycle des émotions. J’ai essayé de faire en sorte que la musique se développe de manière fluide et naturelle, avec un minimum de répétitions. Chaque mouvement s’ouvre partir des éléments musicaux qui parachèvent le mouvement précédent, tandis que
L’idea di comporre questo brano è venuta a Philip Sparke leggendo un articolo sulla filosofi a cinese che si basa su cicli di cinque elementi, fasi e stadi di cambiamento. A Sparke interessavano in particolare il flusso dei sentimenti come la meditazione, il lutto, la paura, la rabbia e la gioia. A partire da questi elementi ha composto un impressionante “viaggio†musicale suddiviso in cinque sezioni, tematicamente intrecciate tra loro, quasi a voler formare un cerchio. $241.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| As a Branch in May Voice, Guitar Schirmer
By Gwyneth W. Walker. Vocal. For Medium Voice and Guitar. Wedding. Published by ...(+)
By Gwyneth W. Walker. Vocal. For Medium Voice and Guitar. Wedding. Published by E.C. Schirmer Publishing.
$6.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Dreamcatcher - Easy Hal Leonard
Score and Parts Brass Band (Score & Parts) - Level 2.5 SKU: HL.4008973 (+)
Score and Parts Brass Band (Score & Parts) - Level 2.5 SKU: HL.4008973 Brass Band, Grade 2.5 8:10 Score and Parts. Composed by Otto M. Schwarz. Symphonic Dimensions. Brass, Concert. Softcover. Duration 490 seconds. Hal Leonard #SDP276-24-202. Published by Hal Leonard (HL.4008973). UPC: 196288282228. Once upon a time in North America, there lived a mother and her small daughter in a tribe of Ojibwa Indians. The girl suffered from constant nightmares. The mother sought help from Spider Woman known as Asibikaashi, who took care of the children and people on the land. Asibikaashi span a magic web to protect the girl from these evil dreams using a branch from the meadow bent into a sacred circle, with a web woven from cord that had dried on sacred herbs, and with a hole in the middle to let good dreams pass through. The dreamcatcher, decorated with sacred feathers, only allowed good dreams to pass through; the bad dreams were caught in the web. If one awoke early in the morning and the rest of the sun's rays touched the dreamcatcher, the bad dreams would be burnt and turned into invisible stardust. This work contains well-known dream images: the dream of flying, the transcendental meeting with a deceasedperson, and the dream of running away on legs that wont run. Everything turns out well in the end, as the sun's rays burn off the evil and everything is forgotten. $105.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Longing for the Light Choral Brookfield Press
(A Service for Advent). Composed by John Purifoy. For Choral (PREV PAK). Brookfi...(+)
(A Service for Advent). Composed by John Purifoy. For Choral (PREV PAK). Brookfield Christmas Choral. Published by Brookfield Press
$16.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Hustle Marching band [Score] - Easy De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1064184-120 Composed by Van McCoy. Arr...(+)
Fanfare Band - Grade 3 SKU: BT.DHP-1064184-120 Composed by Van McCoy. Arranged by Lorenzo Bocci. De Haske Pop Collection. Score Only. Composed 2006. 28 pages. De Haske Publications #DHP 1064184-120. Published by De Haske Publications (BT.DHP-1064184-120). 9x12 inches. International. In 1975, a new dance form took the Latin-Amercan areas of the Bronx by storm. After observing the frenzy of the dancers in that area, Van McCoy composed a melody that successfully took its basis from Latin and R&B. The Hustle was an instant success and made a large contribution to the evolution of disco music in the 1970's. Your band will not be able to resist the fantastic groove and drive of this evergreen disco hit, fantastically arranged by Lorenzo Bocci.
Im Jahr 1975 schrieb Van McCoy, inspiriert von einem neuen Tanzstil der lateinamerikanischen Jugend in der Bronx, eine prickelnde Melodie, in welcher der unwiderstehliche Latin-Beat und Rhythm and Blues mit der verführerischen Einladung Do it, do the hustle“ verschmolz. Das Lied und der Tanzstil eroberten die Diskotheken auf der ganzen Welt. Lorenzo Boccis Bearbeitung ist ebenso packend wie das Original. Ihr Publikum wird die Tanzlust packen!
En 1975, une nouvelle forme de danse faisait fureur parmi la jeunesse latinoaméricaine des quartiers sud du Bronx. Après avoir observé la frénésie des danseurs, Van McCoy compose une mélodie crépitante qui évolue sur des éléments de musique latine et de R&B. The Hustle connut un immense succès et contribua grandement l’évolution du disco qui, d’une simple musique branchée jouée le samedi soir, allait devenir une philosophie de vie dans les années 1970. Personne ne résistera l’enthousiasme déclenché par les rythmes de ce tube toujours d’actualité. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Christmas Cross - Accompaniment Video - Easy Word Music
Unison/2-part children's choir, piano accompaniment - Easy SKU: WD.0806895200...(+)
Unison/2-part children's choir, piano accompaniment - Easy SKU: WD.080689520099 Composed by Spencer Dalton. Arranged by Spencer and Preston Dalton. Choral, cantatas. Simply WordKidz. Christmas. Accompaniment video. Duration ca. 27 minutes. Word Music #080689520099. Published by Word Music (WD.080689520099). UPC: 080689520099. Ginger Breadhouse, Carolyn Bells, Holly Branch, Candy Cane, Mary, and...Ned, Ted and Jed! These are a few of the names to be found among the cast of the new Simply WordKidz Christmas musical, The Christmas Cross! Created by Jeff Slaughter, with tracks produced and arranged by the team of Preston and Spencer Dalton, The Christmas Cross is a super-easy-to-learn, 27-minute musical designed to help you celebrate the season with the perfect setting for your kids choir! In the opening scene, Miss Carolyn Bells, our children's choir director, is leading the kids through their first rehearsal for this year's Christmas Extravaganza. As they begin to share their thoughts on Christmas, the heart of the story comes to the forefront as Mary begins to tell everyone about the Christmas Cross - a very special ornament with special significance - an heirloom, handed down by her grandmother. As she explains the meaning behind the ornament...You can't have Christmas without the Cross..., this fun, lighthearted musical is beautifully and simply transformed into a powerful message about the love of God and the message of the Gospel. Full of great new songs, in tandem with traditional carols and a humor-filled, Biblically-sound script, The Christmas Cross highlights Jeff Slaughter's signature brand of creativity. And, for the first time, he brings his unique style and infectious spirit to the Simply WordKidz Series, a fresh line of EZ-to-Sing-EZ-to-Perform musicals designed for both excellence and accessibility by the smallest of choirs, or for choirs with little rehearsal time. Bring an extra dose of Christmas cheer to your performance through the use of the production-enhancing DVD Accompaniment Track available, from WordKidz. $159.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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