| Caritas Abundat Carl Fischer
Choral Hand Clap, Hand Drum, Violin, alto 1, alto 2, soprano 1, soprano 2 SKU...(+)
Choral Hand Clap, Hand Drum, Violin, alto 1, alto 2, soprano 1, soprano 2 SKU: CF.CM9563 Great and Fiery Force. Composed by Michael John Trotta. Hidegard Von Bingen transcribed by Michael John Trotta. Mjts. With Standard notation. 24 pages. Duration 4 minutes, 41 seconds. Carl Fischer Music #CM9563. Published by Carl Fischer Music (CF.CM9563). ISBN 9781491153635. UPC: 680160911134. 6.75 x 10.5 inches. Key: G minor. Latin, English. Hidegard Von Bingen transcribed by Michael John Trotta. Trotta's composition is an energetic reimagining of timeless text and tune from the 12th century poet, composer, and philosopher Hildegard of Bingen. The marriage of the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works) creates an entirely new work that expresses themes of empowerment. There is a reflective sense of the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This commissioned work for womens choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2]. This commissioned work for womenas choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2]. This commissioned work for womenas choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2]. This commissioned work for women's choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2]. This commissioned work for women's choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2]. This commissioned work for women’s choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself.This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment.An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish.I am the great and fiery force,That breathes life into all things:I am what awakens and supports lifeAnd enkindles all living thingsI am the great and fiery force,That breathes life into all things:Everything in the cosmosIs encircled with my wisdom.I am the beauty in the fields,The force, that moves like a graceful windI shine in the waters, and burn in the sun,Glimmering in the stars.Caritas abundat in omnia (Grace abounds for everyone)[Liber Divinorum Operum (The Book of Divine Works), I.I.2]. $3.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| On Music Carl Fischer
Choral SSA Choir, piano, flute SKU: CF.CM9583 Composed by Christopher Gab...(+)
Choral SSA Choir, piano, flute SKU: CF.CM9583 Composed by Christopher Gabel. Sws. Performance Score. 20 pages. Duration 4 minutes, 9 seconds. Carl Fischer Music #CM9583. Published by Carl Fischer Music (CF.CM9583). ISBN 9781491154052. UPC: 680160912551. 6.875 x 10.5 inches. Key: Eb major. English. Thomas Moore (1779-1852). Thomas Moore (17791852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Filld with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasures dream is gone, Its memory lives in Musics breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendships balmy words may feign, Loves are even more false than they; Oh! tis only musics strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece. Thomas Moore (1779a1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music a Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fillad with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasureas dream is gone, Its memory lives in Musicas breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendshipas balmy words may feign, Loveas are even more false than they; Oh! atis only musicas strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece. Thomas Moore (1779-1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music - Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fill'd with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasure's dream is gone, Its memory lives in Music's breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendship's balmy words may feign, Love's are even more false than they; Oh! 'tis only music's strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece. Thomas Moore (1779-1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music - Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fill'd with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasure's dream is gone, Its memory lives in Music's breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendship's balmy words may feign, Love's are even more false than they; Oh! 'tis only music's strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece. Thomas Moore (1779–1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song.We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life?On Music – Thomas MooreWhen through life unblest we rove,Losing all that made life dear,Should some notes we used to love,In days of boyhood, meet our ear,Oh! how welcome breathes the strain!Wakening thoughts that long have slept,Kindling former smiles againIn faded eyes that long have wept.Like the gale, that sighs alongBeds of oriental flowers,Is the grateful breath of song,That once was heard in happier hours.Fill’d with balm the gale sighs on,Though the flowers have sunk in death;So, when pleasure’s dream is gone,Its memory lives in Music’s breath.Music, oh, how faint, how weak,Language fades before thy spell!Why should Feeling ever speak,When thou canst breathe her soul so well?Friendship’s balmy words may feign,Love’s are even more false than they;Oh! ’tis only music’s strainCan sweetly soothe, and not betray.Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece. $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Protocol: A Guide to the Collegiate Audition Process for Violin Violin Carl Fischer
(Foreword and Additional Editing by Doris Gazda). By George Frideric Handel Fede...(+)
(Foreword and Additional Editing by Doris Gazda). By George Frideric Handel Federigo Fiorillo. Edited by Larry Clark, Leopold Auer, Doris Gazda. Arranged by William Strasser. For Violin, Violin and Piano. Book. 96 pages. Published by Carl Fischer
$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 101 Worship Songs for Violin Violin Hal Leonard
Violin SKU: HL.360036 Composed by Various. Instrumental Folio. Chris...(+)
Violin SKU: HL.360036 Composed by Various. Instrumental Folio. Christian, General Worship, Worship. Softcover. 120 pages. Published by Hal Leonard (HL.360036). ISBN 9781705122822. UPC: 840126947168. 9.0x12.0 inches. This glorious collection provides hours of repertoire for instrumentalists. Includes: Amazing Grace (My Chains Are Gone) â?¢ As the Deer â?¢ The Blessing â?¢ Build My Life â?¢ Do It Again â?¢ Draw Me Close â?¢ Everlasting God â?¢ Goodness of God â?¢ Great Are You Lord â?¢ Here I Am to Worship (Light of the World) â?¢ How Great Is Our God â?¢ In Christ Alone â?¢ Living Hope â?¢ Mighty to Save â?¢ Oceans (Where Feet May Fail) â?¢ Open the Eyes of My Heart â?¢ Shout to the Lord â?¢ 10,000 Reasons (Bless the Lord) â?¢ This Is Amazing Grace â?¢ Way Maker â?¢ Yet Not I but Through Christ in Me â?¢ Your Name â?¢ and many more! $17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Four Chord Songs Ukulele Hal Leonard
Lyrics/Chord Symbols/Ukulele Chord Diagrams Ukulele SKU: HL.249573 Compos...(+)
Lyrics/Chord Symbols/Ukulele Chord Diagrams Ukulele SKU: HL.249573 Composed by Various. Ukulele Chord Songbook. Pop, Rock. Softcover. 176 pages. Published by Hal Leonard (HL.249573). ISBN 9781540005571. UPC: 888680711528. 6.0x9.0x0.396 inches. Ukulele Chord Songbook. This series features convenient 6″ x 9″ books with complete lyrics and chord symbols above the lyrics for dozens of great songs. Each song also includes chord grids at the top of every page, and the first notes of the melody for easy reference. These books are perfect for people who don't read music but want to strum chords and sing, and are equally ideal for more advanced, music-reading ukulele players who don't feel like wading through note-for-note notation. This easy collection features 60 songs you can play with just four chords: Brave • Careless Whisper • Cecilia • Drift Away • Every Rose Has Its Thorn • Fields of Gold • Good Riddance (Time of Your Life) • Hey, Soul Sister • Ho Hey • Last Kiss • Let It Be • Mean • Peaceful Easy Feeling • Renegades • Stand by Me • Teach Your Children • Toes • Viva La Vida • What's Up • Zombie • and many more. $19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Breathe on Me, Breath of God Choral SATB SATB A Cappella - Intermediate Laurendale Associates
SATB choir a cappella - Intermediate SKU: MN.CAP-06 Composed by Beverly M...(+)
SATB choir a cappella - Intermediate SKU: MN.CAP-06 Composed by Beverly Mortensen. Octavo. Laurendale Associates #CAP-06. Published by Laurendale Associates (MN.CAP-06). Breath on me, breath of God, Fill me with life anew... Starts with a lovely unison breaking into a gracious 4-part harmonization. $1.40 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Slavonic Dances Op. 46 Breitkopf & Härtel
Violin 1 part (picc.2.2.2.2. - 4.2.3.0. - timp.perc - str) SKU: BR.OB-5273-15...(+)
Violin 1 part (picc.2.2.2.2. - 4.2.3.0. - timp.perc - str) SKU: BR.OB-5273-15 Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Stapled. Orchester-Bibliothek (Orchestral Library). Dances/marches; Romantic. Part. 20 pages. Duration 35'. Breitkopf and Haertel #OB 5273-15. Published by Breitkopf and Haertel (BR.OB-5273-15). ISBN 9790004332498. 10 x 12.5 inches. In his Slavonic Dances Op. 46, Dvorak did not draw on pre-existent music, but created something original and new, projecting his own compositional will into the creative process. What we hear are Dvoraks melodies,and that it is due to his creative will that he cast them as in Dance 3, for example in the form of a melodic four-tone model which is common to many folk songs and childrens songs. Finally, it is his rhythmic invention and shaping of the musical character of each dance that breathe life into the elements of Slavonic dance music. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Slavonic Dances Op. 46 Breitkopf & Härtel
Woodwinds (picc.2.2.2.2. - 4.2.3.0. - timp.perc - str) SKU: BR.OB-5273-30 ...(+)
Woodwinds (picc.2.2.2.2. - 4.2.3.0. - timp.perc - str) SKU: BR.OB-5273-30 Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Folder. Orchester-Bibliothek (Orchestral Library). Picc.2.2.2.2. - 4.2.3.0. - timp.perc - str. Dances/marches; Romantic. Set of parts. 344 pages. Duration 35'. Breitkopf and Haertel #OB 5273-30. Published by Breitkopf and Haertel (BR.OB-5273-30). ISBN 9790004332542. 10 x 12.5 inches. In his Slavonic Dances Op. 46, Dvorak did not draw on pre-existent music, but created something original and new, projecting his own compositional will into the creative process. What we hear are Dvoraks melodies,and that it is due to his creative will that he cast them as in Dance 3, for example in the form of a melodic four-tone model which is common to many folk songs and childrens songs. Finally, it is his rhythmic invention and shaping of the musical character of each dance that breathe life into the elements of Slavonic dance music. $232.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Slavonic Dances Op. 46 Breitkopf & Härtel
Viola part (picc.2.2.2.2. - 4.2.3.0. - timp.perc - str) SKU: BR.OB-5273-19(+)
Viola part (picc.2.2.2.2. - 4.2.3.0. - timp.perc - str) SKU: BR.OB-5273-19 Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Stapled. Orchester-Bibliothek (Orchestral Library). Picc.2.2.2.2. - 4.2.3.0. - timp.perc - str. Dances/marches; Romantic. Part. 24 pages. Duration 35'. Breitkopf and Haertel #OB 5273-19. Published by Breitkopf and Haertel (BR.OB-5273-19). ISBN 9790004332511. 10 x 12.5 inches. In his Slavonic Dances Op. 46, Dvorak did not draw on pre-existent music, but created something original and new, projecting his own compositional will into the creative process. What we hear are Dvoraks melodies,and that it is due to his creative will that he cast them as in Dance 3, for example in the form of a melodic four-tone model which is common to many folk songs and childrens songs. Finally, it is his rhythmic invention and shaping of the musical character of each dance that breathe life into the elements of Slavonic dance music. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Slavonic Dances Op. 46 Breitkopf & Härtel
Violoncello part (picc.2.2.2.2. - 4.2.3.0. - timp.perc - str) SKU: BR.OB-5273...(+)
Violoncello part (picc.2.2.2.2. - 4.2.3.0. - timp.perc - str) SKU: BR.OB-5273-23 Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Stapled. Orchester-Bibliothek (Orchestral Library). Picc.2.2.2.2. - 4.2.3.0. - timp.perc - str. Dances/marches; Romantic. Part. 26 pages. Duration 35'. Breitkopf and Haertel #OB 5273-23. Published by Breitkopf and Haertel (BR.OB-5273-23). ISBN 9790004332528. 10 x 12.5 inches. In his Slavonic Dances Op. 46, Dvorak did not draw on pre-existent music, but created something original and new, projecting his own compositional will into the creative process. What we hear are Dvoraks melodies,and that it is due to his creative will that he cast them as in Dance 3, for example in the form of a melodic four-tone model which is common to many folk songs and childrens songs. Finally, it is his rhythmic invention and shaping of the musical character of each dance that breathe life into the elements of Slavonic dance music. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Slavonic Dances Op. 46 Breitkopf & Härtel
Double bass part (picc.2.2.2.2. - 4.2.3.0. - timp.perc - str) SKU: BR.OB-5273...(+)
Double bass part (picc.2.2.2.2. - 4.2.3.0. - timp.perc - str) SKU: BR.OB-5273-27 Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Stapled. Orchester-Bibliothek (Orchestral Library). Picc.2.2.2.2. - 4.2.3.0. - timp.perc - str. Dances/marches; Romantic. Part. 20 pages. Duration 35'. Breitkopf and Haertel #OB 5273-27. Published by Breitkopf and Haertel (BR.OB-5273-27). ISBN 9790004332535. 10 x 12.5 inches. In his Slavonic Dances Op. 46, Dvorak did not draw on pre-existent music, but created something original and new, projecting his own compositional will into the creative process. What we hear are Dvoraks melodies,and that it is due to his creative will that he cast them as in Dance 3, for example in the form of a melodic four-tone model which is common to many folk songs and childrens songs. Finally, it is his rhythmic invention and shaping of the musical character of each dance that breathe life into the elements of Slavonic dance music. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Crystal Breathe [Score and Parts] Forton Music
Wind Quintet - Intermediate-Advanced SKU: FT.FM255 Composed by Christian ...(+)
Wind Quintet - Intermediate-Advanced SKU: FT.FM255 Composed by Christian Natta. Score and Parts. Forton Music #FM255. Published by Forton Music (FT.FM255). ISBN 9790570481545. Wind Quintet. In three movements, this contemporary piece focuses on the importance of giving life to the voice of each individual instrument. It was inspired by the varied sounds, images and flavours of the City of Buenos Aires and its inhabitants, many of them Europeans. $32.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Slavonic Dances Op. 46 Orchestra [Score] Breitkopf & Härtel
Orchestra (picc.2.2.2.2. - 4.2.3.0. - timp.perc - str) SKU: BR.PB-5273 (+)
Orchestra (picc.2.2.2.2. - 4.2.3.0. - timp.perc - str) SKU: BR.PB-5273 Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Orchestra; Softbound. Partitur-Bibliothek (Score Library). The Slavonic Dances Op. 46, which began to conquer the world's concert halls in 1878, made a major contribution to Dvorak's international breakthrough. The Urtext edition is based on the main sources, mainly on the autograph score and the first edition. Dances/marches; Romantic. Full score. 296 pages. Duration 35'. Breitkopf and Haertel #PB 5273. Published by Breitkopf and Haertel (BR.PB-5273). ISBN 9790004210079. 10 x 12.5 inches. In his Slavonic Dances Op. 46, Dvorak did not draw on pre-existent music, but created something original and new, projecting his own compositional will into the creative process. What we hear are Dvoraks melodies,and that it is due to his creative will that he cast them as in Dance 3, for example in the form of a melodic four-tone model which is common to many folk songs and childrens songs. Finally, it is his rhythmic invention and shaping of the musical character of each dance that breathe life into the elements of Slavonic dance music.
The Slavonic Dances Op. 46, which began to conquer the world's concert halls in 1878, made a major contribution to Dvorak's international breakthrough. The Urtext edition is based on the main sources, mainly on the autograph score and the first edition. $172.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Slavonic Dances Op. 46 Breitkopf & Härtel
2nd violin part (picc.2.2.2.2. - 4.2.3.0. - timp.perc - str) SKU: BR.OB-5273-...(+)
2nd violin part (picc.2.2.2.2. - 4.2.3.0. - timp.perc - str) SKU: BR.OB-5273-16 Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Stapled. Orchester-Bibliothek (Orchestral Library). Picc.2.2.2.2. - 4.2.3.0. - timp.perc - str. Dances/marches; Romantic. Part. 20 pages. Duration 35'. Breitkopf and Haertel #OB 5273-16. Published by Breitkopf and Haertel (BR.OB-5273-16). ISBN 9790004332504. 10 x 12.5 inches. In his Slavonic Dances Op. 46, Dvorak did not draw on pre-existent music, but created something original and new, projecting his own compositional will into the creative process. What we hear are Dvoraks melodies,and that it is due to his creative will that he cast them as in Dance 3, for example in the form of a melodic four-tone model which is common to many folk songs and childrens songs. Finally, it is his rhythmic invention and shaping of the musical character of each dance that breathe life into the elements of Slavonic dance music. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Great Is Thy Faithfulness Choral SATB SATB, Piano Lorenz Publishing Company
Composed by Molly Ijames. Choral. Sacred Anthem. Octavo. Lorenz Publishing Co...(+)
Composed by Molly Ijames.
Choral. Sacred Anthem.
Octavo. Lorenz Publishing
Company #10/5332L. Published
by Lorenz Publishing Company
$2.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Great Is Thy Faithfulness - Performance/Accompaniment CD Choral CD Lorenz Publishing Company
SKU: LO.99-4044L Composed by Molly Ijames. Arranged by Ed Hogan. Choral. ...(+)
SKU: LO.99-4044L Composed by Molly Ijames. Arranged by Ed Hogan. Choral. Sacred Anthem. Performance/accompaniment CD. Lorenz Publishing Company #99/4044L. Published by Lorenz Publishing Company (LO.99-4044L). UPC: 000308154023. Performance/accompaniment CD for 10/5332L Molly Ijames breathes life into this beloved hymn. Soaring vocal lines, rich sonorities, and dramatic key changes underscore the profound and enduring promise that God is faithful in all seasons of life. This truly inspired setting is equally effective with full orchestra or with solo violin and piano. $29.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Great Is Thy Faithfulness - Orchestral Score and CD with Printable Parts Orchestra Lorenz Publishing Company
Full orchestra SKU: LO.30-3717L Composed by Molly Ijames. Choral. Sacred ...(+)
Full orchestra SKU: LO.30-3717L Composed by Molly Ijames. Choral. Sacred Anthem. Orchestral score and CD with printable parts. Lorenz Publishing Company #30/3717L. Published by Lorenz Publishing Company (LO.30-3717L). UPC: 000308154887. Orchestral Score and CD with Printable Parts for 10/5332L Molly Ijames breathes life into this beloved hymn. Soaring vocal lines, rich sonorities, and dramatic key changes underscore the profound and enduring promise that God is faithful in all seasons of life. This truly inspired setting is equally effective with full orchestra or with solo violin and piano. $69.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Praise and Worship Fake Book
Bb Instruments [Fake Book] Hal Leonard
The Praise and Worship Fake Book (B Flat Edition). By Various. For Bb Instrument...(+)
The Praise and Worship Fake Book (B Flat Edition). By Various. For Bb Instruments. Fake Book. Softcover. 432 pages. Published by Hal Leonard
$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Bell Carol Choral 3-part SSA, Piano [Octavo] Lorenz Publishing Company
(Ukrainian Bell Carol). Composed by Heather Sorenson. For SSA choir, piano 4-han...(+)
(Ukrainian Bell Carol). Composed by Heather Sorenson. For SSA choir, piano 4-hands. Sacred Anthem, Christmas. Octavo. Published by Lorenz Publishing Company
$3.20 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Garritan Concert and Marching Band�® 2 Alfred Publishing
(Virtual Software Instruments). Books and DVDs; DVD; Software; Virtual Instrumen...(+)
(Virtual Software Instruments). Books and DVDs; DVD; Software; Virtual Instrument Software. Garritan Virtual Instrument Software. Published by Alfred Music
$149.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| English Suite 3-5 Oct Handbells - Easy Beckenhorst Press
3-5 octave handbells - Grade 2 SKU: BP.HB630 Composed by Michael Helman. ...(+)
3-5 octave handbells - Grade 2 SKU: BP.HB630 Composed by Michael Helman. Arranged by Michael Helman. Handbell choir music. Handbell score. Beckenhorst Press #HB630. Published by Beckenhorst Press (BP.HB630). 3-5 octave handbell choir, optional 3 or 4 octaves of handchimes. Level 2 to 3. Set of three pieces: March (processional); Air (Meditation); Giga (Rejoicing). This delightful trio of tunes from Michael Helman are great fun to play and hear, whether individually, or played together as an entire suite. The stately March throws in some exciting harmonies while maintaining a steady, forward-moving tempo. The delicate Air breathes life into a flowing, memorable melody and makes effective use of handchimes. The spirited Giga is a grand celebration in six-eight time. Each movement also has alternate subtitles, suitable for use in worship. Also available in a 2-3 octave version. $5.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Of the Father's Love Begotten Choral SATB SATB, Piano [Octavo] Lorenz Publishing Company
By Molly Ijames. For SATB choir, piano. Advent, Christmas. Octavo. Published by ...(+)
By Molly Ijames. For SATB choir, piano. Advent, Christmas. Octavo. Published by Lorenz Publishing Company
$2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Celtic Guitar Solos DVD Baughman Guitar Solid Air Records | | |
| Jesus, Our Emmanuel Piano solo - Intermediate/advanced Lorenz Publishing Company
Composed by Anthony Giamanco. Sacred, Advent, Christmas. Lorenz Publishing Co...(+)
Composed by Anthony
Giamanco. Sacred, Advent,
Christmas. Lorenz Publishing
Company #70/2120L. Published
by Lorenz Publishing Company
$26.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Bell Carol Choral TTBB [Octavo] Lorenz Publishing Company
Composed by Heather Sorenson. Sacred Anthem, Christmas. Octavo. Lorenz Publishi...(+)
Composed by Heather Sorenson. Sacred Anthem, Christmas. Octavo. Lorenz Publishing Company #10/4921L. Published by Lorenz Publishing Company (LO.10-4921L).
$3.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| English Suite 2-3 Oct Handbells - Easy Beckenhorst Press
2-3 octave handbells - Grade 2 SKU: BP.HB622 Composed by Michael Helman. ...(+)
2-3 octave handbells - Grade 2 SKU: BP.HB622 Composed by Michael Helman. Arranged by Michael Helman. Handbell choir music. Handbell score. Beckenhorst Press #HB622. Published by Beckenhorst Press (BP.HB622). 2-3 octave handbell choir, optional 2 octaves of handchimes. Level 2 to 3-. Set of three pieces: March (processional); Air (Meditation); Giga (Rejoicing). This delightful trio of tunes from Michael Helman are great fun to play and hear, whether individually, or played together as an entire suite. The stately March throws in some exciting harmonies while maintaining a steady, forward-moving tempo. The delicate Air breathes life into a flowing, memorable melody and makes effective use of handchimes. The spirited Giga is a grand celebration in six-eight time. Each movement also has alternate subtitles, suitable for use in worship. Also available for 3-5 octaves.
The recording is of the 3 to 5 octave version. $5.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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