| Breathe [Score and Parts] - Advanced
For Concert Band and Prerecorded Soundscape. Composed by Alex Shapiro (1962-)...(+)
For Concert Band and
Prerecorded Soundscape.
Composed by Alex Shapiro
(1962-). Activist Music.
Concert. Softcover. Duration
600 seconds. Published by
Activist Music
$260.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Elegy for a Firefighter - Intermediate Carl Fischer
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Piccolo, String Bass, Trombone 1, Trombone 2, Trombone 3, Trumpet 1 and more. - Grade 4 SKU: CF.SPS87 Composed by Jeremy Martin. Folio. Sps. Set of Score and Parts. 4+4+2+2+2+8+8+4+2+4+4+2+2+2+2+3+3+3+4+4+4+4+3+3+3+6+4+4+2+2+1+1+1+1+4+24 pages. Duration 6 minutes, 28 seconds. Carl Fischer Music #SPS87. Published by Carl Fischer Music (CF.SPS87). ISBN 9781491156445. UPC: 680160914982. 9 x 12 inches. About the Work In the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty. Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring. Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost organ-like); be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes. About the WorkIn the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty.Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring.Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost “organ-likeâ€); be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes. $100.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Elegy for a Firefighter [Score] - Intermediate Carl Fischer
Band Bass Clarinet, Bassoon 1, Bassoon 2, Chimes, Clarinet, Clarinet 1, Clarinet...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Chimes, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion, Oboe 1, Oboe 2, Percussion and more. - Grade 4 SKU: CF.SPS87F Composed by Jeremy Martin. Sws. Sps. Full score. 24 pages. Duration 6 minutes, 28 seconds. Carl Fischer Music #SPS87F. Published by Carl Fischer Music (CF.SPS87F). ISBN 9781491156452. UPC: 680160914999. 9 x 12 inches. About the Work In the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty. Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring. Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost organ-like); be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes. About the WorkIn the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty.Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring.Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost “organ-likeâ€); be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes. $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Teen Broadway Songs of the 2010s - Young Women's Edition Piano, Voice [Sheet music + Audio access] Hal Leonard
Book/Online Audio Female Voice; Piano Accompaniment; Vocal SKU: HL.299347 ...(+)
Book/Online Audio Female Voice; Piano Accompaniment; Vocal SKU: HL.299347 12 Songs from Teen Musical Theatre Roles. Composed by Various. Vocal Collection. Broadway, Musicals, Teens. Softcover Audio Online. 88 pages. Published by Hal Leonard (HL.299347). ISBN 9781540060228. UPC: 888680956158. 9.0x12.0x0.222 inches. 12 songs from teen musical theatre roles from shows that opened in 2010-2019 complete with access to professionally-recorded piano accompaniments! Contents: Alyssa Greene from The Prom * Home from Beetlejuice * Home from Wonderland * I Love Play Rehearsal from Be More Chill * In My Dreams from Anastasia * Journey to the Past from Anastasia * Just Breathe from The Prom * One Perfect Moment from Bring It On: The Musical * Sal Tlay Ka Siti from The Book of Mormon * Stupid With Love from Mean Girls * What's Wrong With Me? from Mean Girls * World Burn from Mean Girls. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. $17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| On Track: 13 Ensemble Works For Key Stage 4 [Score and Parts] University Of York Music Press
Chamber Ensemble SKU: BT.MUSM570209088 On Track. By Sadie Harrison...(+)
Chamber Ensemble SKU: BT.MUSM570209088 On Track. By Sadie Harrison. Set (Score & Parts). 15 pages. University of York Music Press #MUSM570209088. Published by University of York Music Press (BT.MUSM570209088). English. 13 specially commissioned pieces which aim to breathe new life into a largely neglected component of the GCSE/Key Stage 4 Music syllabus, Ensemble Performance. On Track comes complete with a CD-Rom containing all the parts for all the pieces and transpositions for any instrument, and these parts come with a licence for printing as many copies as needed, directly from the CD-Rom. A separate 'audio' CD also contains recordings of every piece. The book contains scores for each piece and extended notes by the composers to aid in the preparation of the music: there are 5 pieces for fixed ensembles and 8 pieces for flexible ensembles. The editor of the compilation, Sadie Harrison, comments: Playing in an ensemble with one's peers is perhaps the most rewarding and satisfying thing to do as a young performer, and it is crucial to nurture this element of GCSE courses to reflect this. On Track is a fantastic collection of many different styles, approaches and sounds. There is something in here for everybody, at whatever level, and on whatever instrument. This is what GCSE Music teachers are crying out for, and finally here is something that really hits the mark. Harrison's comments are echoed by recent examiners' reports from EdExcel, one of the largest examiners of GCSE music. They describe how the music they heard in examinations demonstrated 'an extreme range of standards and revealed evidence of the very wide range of instruments in use'. The AQA (Assessment and Qualification Alliance) Examiners' report in 2004 warns schools against allowing their students to present solo music with a piano accompaniment played by a teacher or with a CD accompaniment for the ensemble performance component. It continues, saying that it is of utmost importance that the chosen ensemble allows the candidate to show rapport with the other player(s). This is a significant requirement with which many [examination] centres did NOT comply. Fixed Ensembles Sadie Harrison — On the run!for clarinet in Bb, violin, 'cello, piano Ed Hughes — Matthew's Mazurkafor piano duet Jeremy Dale Roberts — 'Takes three...' for trumpet, 'cello, piano Matthew Roddie — Gone Clubbin' for violin, 'cello Thomas Simaku — From Across the Sea for 2 flutes, clarinet in Bb Flexible Ensembles David Blake — Piece for Luis and Justin for four instruments Anthony Gilbert — U-GO for Arirang for four instruments Jo Kondo — A Birthday Toast for any number of instruments David Lumsdaine — A tree dances for Orpheus for three instruments Paul Mealor — Swing Slow for two instruments Robert Saxton — There and Back for three instruments John Stringer — Duo for two instruments Lu s Tinoco — Diversion for four instruments. $28.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Here Come The Girls... Again! Music Sales | | |
| Best Fake Book Ever - 5th Edition C Instruments [Fake Book] Hal Leonard
C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Stand...(+)
C Edition. Composed by
Various. Fake Book. Broadway,
Country, Jazz, Pop, Standards.
Softcover. 802 pages.
Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Young Maria/Coffee Serenade Concert band [Score] - Easy Molenaar Edition
By Ted Huggens. For Concert Band. Original Works Light Music Repertoire / Light ...(+)
By Ted Huggens. For Concert Band. Original Works Light Music Repertoire / Light Pieces / Slow Movements and Solemn Works / Novelties. Original Pieces. Grade 2. Score. Duration 5 minutes, 20 seconds. Published by Molenaar Edition . Score.
$21.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Ultimate Country Fake Book - 4th Edition
Fake Book [Fake Book] Hal Leonard
Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Publis...(+)
Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Published by Hal Leonard.
(8)$55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Ultimate Ukulele Fake Book Ukulele [Fake Book] Hal Leonard
Over 400 Songs to Strum and Sing. Composed by Various. Ukulele. Folk, Standard...(+)
Over 400 Songs to Strum and
Sing. Composed by Various.
Ukulele. Folk, Standards.
Softcover. 632 pages.
Published by Hal Leonard
$45.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Ultimate Ukulele Fake Book - Small Edition Ukulele [Fake Book] Hal Leonard
Over 400 Songs to Strum and Sing. By Various. Ukulele. Pop. Softcover. 632 pag...(+)
Over 400 Songs to Strum and
Sing. By Various. Ukulele.
Pop. Softcover. 632 pages.
Published by Hal Leonard
$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Best Fake Book Ever - C Edition - 3rd Edition
Fake Book [Fake Book] Hal Leonard
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.
(14)$59.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Hymn Fake Book - C Edition
Melody line, Lyrics and Chords [Fake Book] - Easy Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.
(3)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Thirty-two Rose Etudes for Flute Flute and Piano [Sheet music + CD] Carl Fischer
(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm F...(+)
(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm Ferling. Edited by Amy Porter. Arranged by Cyrille Rose. For flute and piano. Carl Fischer Classic Studies. Book and CD. 44 pages. Published by Carl Fischer
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Guitar Chord Songbook White Pages Lyrics and Chords [Sheet music] Hal Leonard
By Various. For Guitar. Guitar Chord Songbook. Softcover. 1024 pages. Published ...(+)
By Various. For Guitar. Guitar Chord Songbook. Softcover. 1024 pages. Published by Hal Leonard
$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 36 Celebrated Studies for the Cornet Carl Fischer
Chamber Music Cornet SKU: CF.O88X Composed by Narcisse Bousquet. Edited b...(+)
Chamber Music Cornet SKU: CF.O88X Composed by Narcisse Bousquet. Edited by Joey Tartell Edwin Franko Goldman. SWS. Softcover. With Standard notation. 44 pages. Carl Fischer Music #O88X. Published by Carl Fischer Music (CF.O88X). ISBN 9781491153406. UPC: 680160910908. 9 X 12 inches. These studies are a staple of the advanced trumpet method repertoire. Each etude is an exploration of a wide variety of registers, articulations and tonalities. While going through these 36 etudes the trumpeter will develop an even sound in all registers while tackling the musical and melodic challenges that lie within. IntroductionTips on Musical PracticeStarting a new study can be overwhelming. Using Etude No. 1, here’s an example of how to approach working on these etudes with both musicality and technique in mind.Bousquet’s first study can be broken down into three large musical sections:Section 1: from the beginning to the downbeat of m. 26.Section 2: from the upbeat of 2 in m. 26 to the downbeat of m. 51.Section 3: from the downbeat of m. 51 to the end.Each one of those sections can be broken down into two smaller sections:Section 1a: from the beginning to the downbeat of m. 16.Section 1b: from the downbeat of m. 16 to the downbeat of m. 26.Section 2a: from the upbeat of 2 in m. 26 to the end of m. 35.Section 2b: from m. 36 to the downbeat of m. 51.Section 3a: from the downbeat of m. 51 to the downbeat of m. 59.Section 3b: from the downbeat of m. 59 to the end.To get started playing, choose a slow tempo that allows you to play Section 1 all the way through without stopping. If that is problematic, just play through 1a.Remember to focus on the music. Section 1a is light, moving in four-measure phrases to the ninth measure, where it cadences in G. From there, retain the lightness through the arpeggiation that concludes with the trill that brings an arrival point at Section 1b. Here the style changes completely, alternating two measures of fluid, connected sixteenth notes with two measures of scalar staccato sixteenths before finally cadencing on the downbeat of m. 26.Section 2 begins with a melodic line of eighth notes, punctuated by sixteenths in the third full measure before returning to the original line for only a measure before driving forward with a flourish to finish Section 2a. Section 2b starts back in C with four-measure phrases in which the line moves up for two measures, then down for two measures, ending in G. The last seven measures of Section 2 stay light as they work their way back to C.Section 3 is very exciting, starting with a fiery cornet solo-like passage in 3a. 3b brings the piece to a dramatic conclusion outlining C major for the first four measures before arpeggiating C major and G dominant for two measures, finally finishing with the C-major scale.The next step is to isolate any of the parts that proved troublesome. Examples could include missed notes or figuring out where to breathe. Once you have practiced the troublesome sections in isolation, play the section all the way through without stopping again. Even if there are still problems, you are now practicing in a way that is preparing you to perform musically.The next day, play through Section 1 again, at a tempo that allows you to do this without stopping. Now go on to Section 2, and follow the same three steps:Play all the way through, at a tempo that allows you to do so without stopping,Isolate and practice the troublesome passages, thenPlay all the way through, at a tempo that allows you to do so without stopping.Now play from the beginning to the end of Section 2.The next day, play Section 1. Now play Section 2. Then play Section 3 and apply the same three steps outlined above.Now play the whole study. At this point you have spent time on each section, making musical decisions and correcting mistakes. Increase the tempo as you gain confidence and control of the material. As you work towards performing the entire study as a piece of music, record yourself playing the entire study as a performance each day. Review the recordings to reveal what still needs work. Be honest with yourself! When you are happy with the recording of your performance, it’s time to move on to the next study.About the Goldman PrefaceThese studies will be an excellent practice, especially for the lower register of the Cornet, which is somewhat neglected in other instruction books. It is recommended that the pupil should practice one of this series of Studies now and then to repose his lips, and acquire facility in difficult fingering.— Edwin Franko GoldmanIn his original preface, Edwin Franko Goldman is absolutely correct that these studies are excellent practice and will help with the dexterity demanded of today’s player. Although the low register is certainly explored throughout the book, it does not appear to be the focus of these studies. There are many books available now that concentrate on the low register. The suggested fingerings have been removed. Using alternate fingerings was more common to cornet players to aid in the fluidity of a passage. This practice is not nearly as common today, especially with trumpet players, as the difference in timbre caused by the alternate fingerings is disruptive to the musical line. Published for cornet, as it was the solo instrument of choice in the 1920s, these etudes are just as useful to today’s trumpet player. When playing these studies on trumpet, the performer should strive for a fluid line while maintaining a full and clear sound. Because of the musicianship and technique demanded, this book remains as useful today as it has ever been.— Joey TartellAbout Narcisse Bousquet and the 36 EtudesNarcisse Bousquet (c. 1800–1869) was French by birth, active as a composer, editor and arranger in both France and England in the early nineteenth century. Bousquet was respected as an accomplished performer of the French flageolet, a high-pitched woodwind instrument much like a recorder, although later outfitted with the Boehm key system like the modern flute. Although obsolete in modern times, the instrument once enjoyed great popularity with a variety of composers and performers, both amateur and professional. Purcell and Handel composed for the instrument, and Berlioz was purportedly an accomplished amateur performer of the flageolet. The Scottish author Robert Louis Stevenson, likewise, was a proficient performer of the instrument and composed a number of pieces for it.Little is known today of Bousquet’s life. He composed a large variety of music, including works specifically for the flageolet, which were widely appreciated in their day. The 36 Etudes for flageolet are undoubtedly the most well known of his works. Published in 1851, the Etudes explore a variety of techniques, such as scales, arpeggios, ornamentation, breath control and expressive playing, and their technically demanding writing confirms Bousquet’s prowess as a flageolet performer. However, the date of the arrangement of the etudes for cornet and their arranger remain speculative. Edwin Franko Goldman is credited as the arranger of the 1890 publication by Carl Fischer, although Goldman would have been only twelve years old at the time; his work on these pieces surely came at a later time. Bousquet himself may have arranged these pieces for cornet at the request of an accomplished cornet player at some point after their publication. $16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Utopia Concert band [Score and Parts] - Intermediate De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0940582-010 Composed by Jacob...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0940582-010 Composed by Jacob De Haan. Inspiration Series. Set (Score & Parts). Composed 1994. De Haske Publications #DHP 0940582-010. Published by De Haske Publications (BT.DHP-0940582-010). Utopia is the name of a book written by the English author Thomas More and was published in 1516. The title is a word thought up by More himself, after the Greek language, meaning Nowhereland and leading to the invention of the words utopian scheme and utopian. Utopia pictured an ideal state on an island far from the inhabited world. This idea was the basis of the composition. It makes one think of Oregon in variety of themes and style. Utopia also exists of a combination of styles that breathe the atmosphere of film music. However, Utopia sounds less American. The slow and stirring middle part for example is closer to the European romanticism: the chord signals in the brasssection remind of Wagner's music.
Utopia is de naam waaronder een in 1516 door de Engelse schrijver Thomas More gepubliceerd boek bekend is geworden. Utopia is een door More zelf naar het Grieks gemaakt woord dat Nergensland betekent en de woorden utopie en utopismeheeft doen ontstaan. Utopia schildert een ideale staat op een ver van de bewoonde wereld gelegen eiland. Dit idee vormde de inpiratiebron voor deze compositie. Qua variatie in thematiek en stijl doet het werk denken aan Oregon.Ook Utopia bestaat uit een combinatie van stijlen die de atmosfeer ademen van filmmuziek. Toch klinkt Utopia minder Amerikaans. Het langzame, meeslepende middendeel bijvoorbeeld komt dichter in de buurt van de Europese romantiek.de drieklanksignalen in het koper herinneren aan de muziek van Wagner. $184.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Wedding and Love Fake Book - 6th Edition C Instruments Hal Leonard
Over 500 Songs For All C Instruments. By Various. Fake Book. Love, Wedding. S...(+)
Over 500 Songs For All C
Instruments. By Various.
Fake Book. Love, Wedding.
Softcover. 456 pages.
Published by Hal Leonard
$35.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Best Fake Book Ever - 2nd Edition - Eb Edition
Eb Instruments [Fake Book] Hal Leonard
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: H...(+)
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.
(2)$49.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Utopia Marching band [Score and Parts] - Intermediate De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0940582-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4 SKU: BT.DHP-0940582-020 Composed by Jacob De Haan. Inspiration Series. Original Light Music. Set (Score & Parts). Composed 1994. De Haske Publications #DHP 0940582-020. Published by De Haske Publications (BT.DHP-0940582-020). Utopia is the name of a book written by the English author Thomas More and was published in 1516. The title is a word thought up by More himself, after the Greek language, meaning Nowhereland and leading to the invention of the words utopian scheme and utopian. Utopia pictured an ideal state on an island far from the inhabited world. This idea was the basis of the composition. It makes one think of Oregon in variety of themes and style. Utopia also exists of a combination of styles that breathe the atmosphere of film music. However, Utopia sounds less American. The slow and stirring middle part for example is closer to the European romanticism: the chord signals in the brasssection remind of Wagner's music.
Utopia is de naam waaronder een in 1516 door de Engelse schrijver Thomas More gepubliceerd boek bekend is geworden. Utopia is een door More zelf naar het Grieks gemaakt woord dat Nergensland betekent en de woorden utopie en utopismeheeft doen ontstaan. Utopia schildert een ideale staat op een ver van de bewoonde wereld gelegen eiland. Dit idee vormde de inpiratiebron voor deze compositie. Qua variatie in thematiek en stijl doet het werk denken aan Oregon.Ook Utopia bestaat uit een combinatie van stijlen die de atmosfeer ademen van filmmuziek. Toch klinkt Utopia minder Amerikaans. Het langzame, meeslepende middendeel bijvoorbeeld komt dichter in de buurt van de Europese romantiek.de drieklanksignalen in het koper herinneren aan de muziek van Wagner. $184.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Musician's Being GIA Publications
SKU: GI.G-10014 Composed by Dominic Gregorio, James Jordan, and Mark Moli...(+)
SKU: GI.G-10014 Composed by Dominic Gregorio, James Jordan, and Mark Moliterno. Evoking Sound. Music Education. 210 pages. GIA Publications #10014. Published by GIA Publications (GI.G-10014). ISBN 9781622774494. May this book serve to mend with gold our individual lives, and collectively to sing together toward the future. —Makoto Fujimura, from the Foreword Twenty years after the publication of his landmark work The Musician’s Soul, James Jordan returns to themes of musicianship, human connection, and artistry—but with depth and insight only possible with twenty years of additional perspective. Jordan explores our need for humility in music making and the importance of “slow art†for all musicians and teachers in this fast information age. He reflects on the loneliness of musicians and draws on yoga concepts to explore our deepest places. And he advocates, with contributions from Dominic Gregorio and Mark Moliterno, the gift of abundances and learning to breathe “as†another. The Musician’s Being, like its predecessor, is filled with inspiring, thought-provoking quotations, enlightened ideas and insights, and a contagious passion for the art of music making. Jordan has written another profound guide to musicianship and to “being†that miracle of artistry and human experience. James Jordan is Professor and Senior Conductor at Westminster Choir College in Princeton, New Jersey, where he conducts the acclaimed Westminster Williamson Voices. He is also Artistic Director and Conductor of the professional ensemble The Same Stream Choir (thesamestreamchoir.com), and Co-Director of the Choral Institute at Oxford (rider.edu/Oxford). He has published over 60 books and resources for music educators and conductors that are read around the world. Dominic Gregorio (1977–2019) served as Associate Professor and Director of Choral Activities at the University of Regina in Canada. He collaborated with James Jordan on several notable publications, including Discovering Chant, The Musician's Spirit, and The Musician's Being. Mark Moliterno is an accomplished professional opera singer, voice teacher, yoga teacher, IAYT-certified Yoga Therapist, workshop leader, and author who is known as a specialist in helping people understand and uncover their authentic voices.  Enjoy this discussion of The Musician’s Being featuring Makoto Fujimura, Irene Gregorio, Alec Harris, Mark Moliterno, and Mike Scheibe. The hour is filled with enlightened, thought-provoking ideas and insights, and a contagious passion for the art of music making. $22.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Horn Sonata No. 1 Forton Music
Horn in F and piano - Intermediate-Advanced SKU: FT.FM568 Composed by All...(+)
Horn in F and piano - Intermediate-Advanced SKU: FT.FM568 Composed by Allan Herbie Jones. Horn in F and Piano. Score and part. Forton Music #FM568. Published by Forton Music (FT.FM568). ISBN 9790570484676. The first movement should be played at a lively and energetic tempo with a joyful approach. Particular attention should be paid to articulation and phrasing. The second movement requires very quiet and expressive playing. Phrasing and legato playing should dominate throughout, with lots of feeling and tone. The glissandi are marked ad lib. which leaves this entirely up to the player. The only recommendation is to play the last glissando as marked, (Slow chromatic). Like the first movement, the third movement should be lively and energetic. No legato playing and attention once again to articulation and phrasing. In this movement, the phrasing has been left for the player to decide, i.e. twelve bars in one breath or choose where to breathe. $19.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| De Profundis Sikorski
Bayan SKU: HL.50600472 For Bayan Solo. Composed by Sofia Gubaiduli...(+)
Bayan SKU: HL.50600472 For Bayan Solo. Composed by Sofia Gubaidulina. Woodwind Solo. Classical. Softcover. 16 pages. Sikorski #SIK8742. Published by Sikorski (HL.50600472). 8.25x12.0x0.076 inches. In the field of New Music, Sofia Gubaidulina's “De profundis†has already achieved the status of a classic. It is not only an attainment of the New Music that instruments are capable of approaching the human voice in their sound, or that they can imitate areas of expression found in language and linguistic articulation. But the avant-garde has surely expanded the spectrum to a considerable extent. The piece for solo bayan is an impressive example of this. The listener witnesses a slow and inexorable intensification from the “rattling†of the lowest accordion register up to the pure, tender tones of the highest register. It is “anascent from the lowest to the highest, from the breath and soul to the world's soul or wisdomâ€, as Gubaidulina's friend and colleague Viktor Suslin once expressed it. With the means of sound, Gubaidulina transfers a symbol of life onto the music: breathing. Breathing distinguishes the living from the dead. What other instrument, other than the winds, perhaps, could better lendexpression to this characteristic than the accordion? In contrast to the wind instruments, however, the accordion is not an instrument into which the player breathes and creates breathing sounds - instead, the instrument itself assumes this function. It breathes through the pulling apart and pressing together of the bellows. As the basis of her composition, Gubaidulina chose the lines of the Psalm 130 “From the depths, o Lord, I call to you†for the characterisation of her interlaced message. Shadowy chorale melodies are occasionally heard, but the fundamental idea of ascent remains decisive. Sharp insertions and expressive gestures, intrusive glissandi and nervous vibrati repeatedly disturb the direction of movement. And then we hear consciously the integrated breathing of the instrument - breathing slightly, hardly audible, opposing the powerful chord blocks. The musicologist Valentina Cholopova once said of this: “All these sounds confront solemn chords richly ornamented with figurations, but there is also a long, monodic melody running through the entire symbolic path of the work - from the depths all the way up to the brilliant heights.†The work is dedicated to Friedrich Lips! $19.99 - See more - Buy online | | |
| Alfred's Easy Guitar Songs -- Love and Romance Guitar notes and tablatures Alfred Publishing
50 Classics. Composed by various artists and composers. This edition: Eas...(+)
50 Classics. Composed by various artists and composers. This edition: Easy Hits Guitar TAB. Book; Guitar Mixed Folio; Guitar TAB. Alfred's Easy. Love; Pop; Standard. 144 pages. Published by Alfred Music (AP.45245).
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Real Country Book C Instruments [Fake Book] Hal Leonard
(C Instruments). By Various. For C Instruments. Fake Book. Softcover. 520 pages....(+)
(C Instruments). By Various. For C Instruments. Fake Book. Softcover. 520 pages. Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Little New Broadway Fake Book C Instruments [Fake Book] Hal Leonard
645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway. Softcover....(+)
645 Songs from 285 Shows.
Composed by Various. Fake
Book. Broadway. Softcover.
696 pages. Published by Hal
Leonard
$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Alfred's Easy Ukulele Songs -- Love & Romance Ukulele Alfred Publishing
Ukulele SKU: AP.45243 50 Classics. Composed by Various Artists and...(+)
Ukulele SKU: AP.45243 50 Classics. Composed by Various Artists and composers. This edition: Easy Hits Ukulele. Series; Ukulele Mixed Folio. Alfred's Easy. Love; Pop; Standard. Book. 104 pages. Alfred Music #00-45243. Published by Alfred Music (AP.45243). ISBN 9781470633332. UPC: 038081519463. English. For beginning musicians, Alfred's Easy series is the fast track to developing a repertoire of well-known and fun-to-play songs, while more experienced players will find an excellent resource of favorite songs. The Easy Hits Ukulele format provides melody, chords, and lyrics for easy strum and sing performance---plus suggested strum patterns and TAB for any integral hook parts. This Love and Romance edition features songs from such artists as Celine Dion, Chicago, Bruno Mars, Andy Williams, Sam Cooke, Phil Collins, and many more! Titles: Against All Odds (Take a Look at Me Now) (Phil Collins) * Arthur's Theme (Best That You Can Do) (from Arthur) (Christopher Cross) * At Last (Etta James) * Because You Loved Me (Theme from Up Close and Personal) (Celine Dion) * Breathe (Faith Hill) * Can You Read My Mind? (Love Theme from Superman) (Maureen McGovern) * Colour My World (Chicago) * Evergreen (Love Theme from A Star Is Born) (Barbra Streisand feat. Kris Kristofferson) * Falling Slowly (from Once) (Glen Hansard and Marketa Irglova) * Feelings (Dime?) (Morris Albert) * For Your Eyes Only (from For Your Eyes Only) (Sheena Easton) * Glory of Love (Theme from The Karate Kid Part II) (Peter Cetera) * The Greatest Love of All (Whitney Houston) * Hold Me, Thrill Me, Kiss Me (Mel Carter) * How Do I Live (LeAnn Rimes) * How Do You Keep the Music Playing? (from Best Friends) (Patti Austin and James Ingram) * (Everything I Do) I Do It for You (Bryan Adams) * I Swear (John Michael Montgomery) * Theme from Ice Castles (Through the Eyes of Love) (Melissa Manchester) * If You Leave Me Now (Chicago) * I'll Stand by You (The Pretenders) * I'm Not In Love (10cc) * It Might Be You (Theme from Tootsie) (Stephen Bishop) * Just the Way You Are (Amazing) (Bruno Mars) * Just You 'n' Me (Chicago) * Laura (Standard) * Look What You've Done to Me (Boz Scaggs) * Love Is a Many Splendored Thing (Standard) * A Love Song (Anne Murray). $18.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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