| Breathing with Beethoven Choral [Octavo] Heritage Music Press
By Phyllis Wolfe White. 3-part mixed. Octavo. Published by Heritage Music Press....(+)
By Phyllis Wolfe White. 3-part mixed. Octavo. Published by Heritage Music Press.
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| Breathing with Beethoven Choral Unison Unison [Octavo] Heritage Music Press
By Phyllis Wolfe White. For unison voices. Sing Out Series. Novelty. Octavo. Pub...(+)
By Phyllis Wolfe White. For unison voices. Sing Out Series. Novelty. Octavo. Published by Heritage Music Press. (15/1338H)
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| Ludwig van Beethoven : Adelaide Op. 46 High voice, Piano G. Henle
(Original Key for High Voice and Piano). By Ludwig van Beethoven (1770-1827). Ed...(+)
(Original Key for High Voice and Piano). By Ludwig van Beethoven (1770-1827). Edited by Helga Lühning. For Vocal. Henle Music Folios. Softcover. G. Henle #HN1043. Published by G. Henle
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| HMP CD Trak Pak 24 Fall 1997 2-part Choral Heritage Music Press
For performance/accompaniment CD. Octavo. Published by Heritage Music Press. (99...(+)
For performance/accompaniment CD. Octavo. Published by Heritage Music Press. (99/1109H)
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| HMP CD Accompaniment Trak 4 Fall 97 Jr High [accompaniment CD] Heritage Music Press
Accompaniment CD. Heritage Music Press #99/1108H. Published by Heritage Music Pr...(+)
Accompaniment CD. Heritage Music Press #99/1108H. Published by Heritage Music Press
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| Oxford Book Of Flexible Anthems
Choral SATB [Vocal Score] Hildegard
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction Composed by John Rutter
A Prayer Of St Richard Of Chichester Composed by L. J. White
Alleluia Composed by William Boyce
Author Of Life Divine Composed by Cecilia Mcdowall
Be Still For The Presence Of The Lord Composed by David Evans; Arranged by Richard Shephard
Bread Of The World Composed by Scottish Traditional; Arranged by Alan Bullard
Brightest And Best Composed by Malcolm Archer
Christ Is The World's True Light Composed by W. K. Stanton
Christ The Lord Is Risen Again Composed by Richard Shephard
Christians Shout For Joy And Gladness Composed by Johann Sebastian Bach
Come Down, O Love Divine Composed by Hilary Tadman-robins
Plainsong: Creator Of The Stars Arranged by John Scott
Drop, Drop Slow Tears Composed by Kerry Andrew
Evening Service In C Composed by Frank Henry Shera
Fairest Lord Jesus Composed by Martin How
Gabriel To Mary Came Composed by 14th Century Irish; Arranged by Alan Bullard
Give Thanks To God Composed by Botswanan Traditional; Arranged by Alan Bullard
God Be In My Head Composed by Armstrong Gibbs
God In Mine Eternity Composed by Alan Bullard
God So Loved The World Composed by Alan Bullard
God That Madest Earth And Heaven Composed by Welsh Traditional; Arranged by David Thorne
Hail, Virgin Mary (Ave Maria) Composed by Franz Liszt
Hark, The Glad Sound Composed by David Thorne
Harvest Carol Composed by Ian Ray
He Is Risen Composed by Cecil Cope
Hide Not Thy Face Composed by Richard Farrant
see all...
Holy, Holy, Holy, Holy Is The Lord Composed by Franz Schubert; Arranged by Alan Bullard
Holy, Holy, Holy! Lord God Almighty Composed by Alan Smith
Hosanna To The Son Of David Composed by Georg Philipp Telemann
Irish Blessing Composed by Bob Chilcott
Jesu, Lamb Of God, Redeemer (Ave Verum Corpus) Composed by Edward Elgar
Jesus Christ The Apple Tree Composed by English Traditional; Arranged by Alan Bullard
Jubilate (Let Us Praise You) Composed by Wolfgang Amadeus Mozart
Lamb Of God (Agnus Dei) Composed by Samuel Webbe
Let All Mortal Flesh Keep Silence Composed by Stephen Cleobury
Like The Murmur Of The Dove's Song Composed by Alan Smith
Lord, In Thy Mercy Composed by Felix Bartholdy Mendelssohn
Magnificat And Nunc Dimittis In C Composed by F. H. Shera
Never Weather-beaten Sail Composed by Thomas Campion; Arranged by Alan Bullard
Now The Green Blade Riseth Composed by French Traditional; Arranged by Alan Bullard
O Breath Of Life Composed by English Traditional; Arranged by Alan Bullard
O For A Closer Walk With God Composed by Charles Villiers Stanford
O God Of Mercy Composed by Simon Lole
O God, Your Goodness Composed by Ludwig Van Beethoven
O Praise God In His Holiness Composed by John Weldon
Panis Angelicus Composed by Cesar Auguste Franck
Peace Between Nations Composed by Christopher Wiggins
Pie Jesu Composed by Gabriel Faure
Praise To The Trinity Composed by Hildegard Of Bingen
Psalm 150 Composed by Bob Chilcott
Rejoice In The Lord Always Composed by Christopher Wiggins
Shout For Joy Composed by African Traditional; Arranged by Alan Bullard
Star Of Wonder Composed by Alan Bullard
The Eternal Gifts Of Christ The King Composed by Guidetti/henry G. Ley
The Heavens Sing Praises To God Composed by Ludwig Van Beethoven
The Lord Ascendeth Composed by Michael Praetorius
The Lord Bless You And Keep You Composed by John Rutter
The Lord's My Shepherd Composed by Bob Chilcott
The Peace Of God Composed by Alan Bullard
The True And Living Bread Composed by David Blackwell
There Is No Rose Composed by Andrew Smith
Thou Visitest The Earth Composed by Maurice Greene
To Be A Pilgrim Composed by Nick Burt
Were You There? Composed by American Spiritual; Arranged by Peter Hunt
Where All Charity And Love Are (Ubi Caritas) Arranged by Alan Bullard
Wondrous Cross Composed by Philip Wilby
The Oxford Book of Flexible Anthems by Alan Bullard (1947-). For flexible instrumentation. Mixed Voices. Sacred. Paperback. 296 pages. Published by Oxford University Press
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| Lobgesang / Hymn of Praise, op. 52 MWV A 18 Barenreiter
Solo voices, SATB chorus, orchestra (Soprano solo (2), Tenor solo, Mixed choir (...(+)
Solo voices, SATB chorus, orchestra (Soprano solo (2), Tenor solo, Mixed choir (SATB), Orchestra) SKU: BA.BA09092 A Symphony-Cantata after Texts from the Holy Scriptures. Composed by Felix Bartholdy Mendelssohn. Edited by John Michael Cooper. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 52, MWV A 18. Baerenreiter Verlag #BA09092_00. Published by Baerenreiter Verlag (BA.BA09092). ISBN 9790006565795. 31 x 24.3 cm inches. Text Language: German, English. Preface: John Michael Cooper. Text: Mendelssohn Bartholdy, Felix (nach der Luther-Bibel und Martin Rinckart) / Monicke, Charles Henry. Mendelssohn’s contemporaries frequently mentioned his “Hymn of Praise†in the same breath as Beethoven’s Ninth – and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper, in his extensive Introduction to this new Urtext edition, shows that the comparison is completely unfounded: with this work Mendelssohn created a new genre to which he gave the name “symphony-cantataâ€. Later he added a secular counterpart with “Die Erste Walpurgisnachtâ€.
Drawing on all relevant sources, Cooper provides a detailed account of the genesis and structure of this monumental work. Rounding off his scholarly performing edition are notes on the work’s performance, e.g. tempo, articulation and dynamics.
For the first time the piano reduction includes Mendelssohn’s authorised version of the “Sinfoniaâ€, based on the first edition of No. 1 for piano solo.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
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| The Real Little Ultimate Broadway Fake Book - 4th Edition Fake Book [Fake Book] - Intermediate Hal Leonard
Fake Book (Includes melody line and chords). Size 6.7x10.5 inches. 640 pages. Pu...(+)
Fake Book (Includes melody line and chords). Size 6.7x10.5 inches. 640 pages. Published by Hal Leonard.
(1)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Ultimate Broadway Fake Book - 4th Edition
Fake Book [Fake Book] Hal Leonard
Fake Book (Includes melody line and chords). Size 9x12 inches. 640 pages. Publis...(+)
Fake Book (Includes melody line and chords). Size 9x12 inches. 640 pages. Published by Hal Leonard.
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| Premier Solos Concertos Classiques - Concerto No. 7, Solo No. 1 Violin and Piano Leduc, Alphonse
Violin (violin/piano) SKU: HL.48180642 For Violin and Piano. Compo...(+)
Violin (violin/piano) SKU: HL.48180642 For Violin and Piano. Composed by Pierre Rode. Leduc. Classical. Softcover. Alphonse Leduc #AL18427. Published by Alphonse Leduc (HL.48180642). Part of the collection Concertos Cassiques, 7th Concerto - 1st Solo is a piece for violin and piano by Pierre Rode with an arrangement by Georges Catherine. Relatively difficult, it features the score and the Violin part. Really melodious, it includes numerous trills, harmonies, accidentals, acciaturas and some indications of the positions and techniques to use. The breathings are also indicated. It is a really nice work to play in recitals and can also be used for contests. Pierre Rode (1774-1830) was a French violinist and musician who composed numerous romantic concertos for Violin and Piano. He was the violin soloist to Napoleon and was dedicated a violin sonata (Op.96) by Beethoven. $13.30 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem Orchestra [Study Score / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score) SKU: HL.49018099 Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099). ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German. On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009. $93.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Worlds Greatest Wedding Music
Piano solo [Sheet music] - Easy Alfred Publishing
50 of the Most Requested Wedding Pieces. Arranged by Dan Fox. For Piano. This ed...(+)
50 of the Most Requested Wedding Pieces. Arranged by Dan Fox. For Piano. This edition: Easy Piano. Piano Collection. Worlds Greatest. Love. Book. 144 pages. Published by Alfred Publishing. Level: Easy Piano.
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