| Allegro From Water Music Woodwind Quintet: flute, oboe, bassoon, clarinet, horn - Intermediate Kendor Music Inc.
By George Frideric Handel. Arranged by North. For flute, oboe, Bb clarinet, fren...(+)
By George Frideric Handel. Arranged by North. For flute, oboe, Bb clarinet, french horn and bassoon. Woodwind Quintet. Level: Grade 4. Published by Kendor Music Inc.
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| In a Bright Room Clarinet, Bassoon (duet) - Intermediate Cimarron Music Press
Composed by Scott Balentine. For clarinet and bassoon. Duet music. Grade 4. Publ...(+)
Composed by Scott Balentine. For clarinet and bassoon. Duet music. Grade 4. Published by Cimarron Music Press
$13.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Christmas Trios For All (Trombone, Baritone B.C., Bassoon, Tuba) Brass Trio Belwin
(Holiday Songs from Around the World) Arranged by William Ryden (1939-), edited ...(+)
(Holiday Songs from Around the World) Arranged by William Ryden (1939-), edited by Thom Proctor. Instrumental trio book for 3 bass clef instruments (trombone, baritone B.C., bassoon, tuba). Series: Educational Instrumental Collection. 24 pages. Published by Belwin.
$7.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Rondo - Third Movement from Bassoon Concerto for Bass Clarinet and Piano Metropolis Music Publishers
Bass Clarinet and Piano SKU: IS.BCP7144EM Composed by Wolfgang Amadeus Mo...(+)
Bass Clarinet and Piano SKU: IS.BCP7144EM Composed by Wolfgang Amadeus Mozart. Arranged by Matt Johnston. Woodwinds - Bass Clarinet / Basset Horn. Metropolis Music Publishers #BCP7144EM. Published by Metropolis Music Publishers (IS.BCP7144EM). ISBN 9790365071449. This arrangement came about thanks to a bright, high school bass clarinet student from Washington State, expressing his desire to play a concerto of some sort. Though the repertoire for the instrument has been quickly expanding in recent decades, the arranger thought what might suit him perfectly would be just to simply transcribe this Rondo movement of the Mozart Bassoon Concerto. Written when Mozart was only 18 years old, this concerto is a cornerstone in the repertoire, and bassoonists are typically expected to play at least part of it in any orchestral audition. The solo part suits the range of the bass clarinet very well and an extended range instrument is not required. $20.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Testimony of Life Shawnee Press
Consort (CD-ROM) Choral (Instrumental Consort) SKU: HL.35029297 A Serv...(+)
Consort (CD-ROM) Choral (Instrumental Consort) SKU: HL.35029297 A Service of Lessons and Carols Celebrating the Life of Christ Chamber Orchestration. Composed by Joseph M. Martin. Shawnee Sacred. General Worship, Sacred. CD-ROM. Duration 2400 seconds. Published by Shawnee Press (HL.35029297). UPC: 884088951801. 5.0x5.0x0.19 inches. Chamber Orchestration CD-ROM: Written in a traditional style and inspired by the celebrated lessons and carols format, Testimony of Life presents the life, death and resurrection of Jesus Christ. Comprised of choral anthems, Scripture and congregational songs, the work also divides easily into three sections, enabling directors to present the work progressively through Lent and Easter. Choirs of any size will enjoy the thoughtful part writing and the easily learned melodies. From joyful celebrations of Christ's early ministry to the deep sadness of His suffering and crucifixion, from the shadowed whispers of Gethsemane to the brilliant alleluias of Easter, Testimony of Life is a thoughtful mix of artistry and ministry. A full line of support products is available to enhance your performance. Songs include: Prologue * I Will Sing the Wondrous Story * The Story Begins * A Day of Rejoicing and Praise * Hosanna, Loud Hosanna * Banquet of Mercy * Into the Garden * When I Survey the Wondrous Cross * A Day Bright with Joy * I Know that My Redeemer Lives. Instrumentation: (1 Player per Part) Score and parts for flute, oboe clarinet, bassoon (sub. Bass clarinet), trumpet, percussion, harp, piano (play from vocal score), violin 1&2, viola, cello, double bass. Can work with woodwinds only or with strings only. $175.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| So Wondrous Bright [Score] - Intermediate Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Bongos, Clarinet 1, Clarinet 2, Clarinet 3, ...(+)
Band Bass Clarinet, Bassoon, Bells, Bongos, Clarinet 1, Clarinet 2, Clarinet 3, Congas, Cowbell, Euphonium, Euphonium T.C., Flute 1, Flute 2, Güiro, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion 1, Mallet Percussion 2, Maracas, Marimba, Oboe and more. - Grade 4 SKU: CF.SPS63F Based on a Puerto Rican Carol. Composed by Carol Brittin Chambers. SWS. Full score. 24 pages. Duration 3 minutes. Carl Fischer Music #SPS63F. Published by Carl Fischer Music (CF.SPS63F). ISBN 9781491141090. UPC: 680160629152. 9 x 12 inches. So Wondrous Bright is a fresh, unique take on a Puerto Rican carol. Composer Carol Brittin Chambers' setting is full of Latin infused rhythms and percussion. It will make a strong statement at your next holiday concert by adding some multicultural flair. $13.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| John Gardner Carols Choral SATB SATB A Cappella [Vocal Score] Oxford University Press
By John Gardner. For SATB choir accompanied and a cappella (A Gallery Carol: per...(+)
By John Gardner. For SATB choir accompanied and a cappella (A Gallery Carol: percussion (optional: timpani, xylophone, glockenspiel, triangle, tambourine, snare drum, cymbal), organ; (from vocal score) How bright the morning star does shine: flute (optional), oboe, clarinet (optional), bassoon, horn, trumpet (opti). Mixed Voices. Composer Carol Collections. Christmas, Choral Collection. Vocal score. 64 pages. Published by Oxford University Press
$18.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Whole Bright World Rejoices Now Choral SATB SATB MorningStar Music Publishers
By Peter Crisafulli. For SATB choir (2 C instruments, Handbells 2-octaves, percu...(+)
By Peter Crisafulli. For SATB choir (2 C instruments, Handbells 2-octaves, percussion, cello/bassoon. Choral Music. Easter. Medium
$2.15 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Bright Eyes Concert band [Score and Parts] Theodore Presser Co.
For Trumpet Trio and Band (Full Score and Parts). By Walter Alan Finlayson. Conc...(+)
For Trumpet Trio and Band (Full Score and Parts). By Walter Alan Finlayson. Concert band/stage band. For Piccolo, Flute, Oboe, Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Bassoon, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Trumpet III, Cornet I, Cornet II, Cornet III, Horn, Tenor I, Tenor II, Tenor III, Baritone (Bass Clef), Double Bass, Drums, Timpani, Bells. Classical. Score and parts. 20 pages. Published by Theodore Presser Company.
$75.00 $71.25 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Circles In A Square Concert band [Score and Parts] Carl Fischer
Composed by Ed Kiefer. For concert band (flute, oboe, clarinet 1 in Bb, clarinet...(+)
Composed by Ed Kiefer. For concert band (flute, oboe, clarinet 1 in Bb, clarinet 2 in Bb, clarinet 3 in Bb, bass clarinet in Bb, bassoon, alto saxophone 1 in Eb, alto saxophone 2 in Eb, tenor saxophone in Bb, baritone saxophone in Eb, trumpet 1 in Bb, trumpet 2 in Bb, trumpet 3 in Bb, horn 1 in ). Concert Performcnace Series. Score and parts. Duration 4 minutes, 49 seconds. Published by Carl Fischer
$95.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Christ, you who are the bright day [Score and Parts] Music Distribution Services
Violin, bassoon and organ SKU: M7.DOHR-16339 Chorale Suite. Compos...(+)
Violin, bassoon and organ SKU: M7.DOHR-16339 Chorale Suite. Composed by Lothar Graap. Sheet music. Score and parts. 20 pages. MDS (Music Distribution Services) #DOHR 16339. Published by MDS (Music Distribution Services) (M7.DOHR-16339). ISBN 9790202033395. Der Text dieses Liedes basiert auf dem Hymnus Christe, qui lux es et dies aus dem 6. Jahrhundert, deutsch von Erasmus Alkberg um 1556. Die Melodie stammt aus Frankfurt am Main 1557, bei Cyriakus Spangenberg 1568 / Seth Calvisius 1597 (GL 90 / EG 469). Bei geistlichen Musiken ist das Stück am besten als Abschluss zu spielen. Das Lied eignet sich besonders als gesamte Choralsuite bei einer Abendandacht mit Textauslegung. (Lothar Graap). $18.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Compatible Christmas Duets for Winds [Score] Carl Fischer
By Doris Gazda and Larry Clark. For trombone or baritone or bassoon. Score. Publ...(+)
By Doris Gazda and Larry Clark. For trombone or baritone or bassoon. Score. Published by Carl Fischer
$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| O Morning Star, How Fair and Bright Choral SATB SATB, Keyboard - Easy GIA Publications
SATB choir, keyboard accompaniment, flute, violin - Early intermediate SKU: G...(+)
SATB choir, keyboard accompaniment, flute, violin - Early intermediate SKU: GI.G-8036 Composed by Philipp Nicolai. Edited by Patrick M. Liebergen. Arranged by Johann Kuhnau. Christmastide, Epiphany. Choral. Tune Name: Wie Schön Leuchtet. Sacred. Octavo. 8 pages. GIA Publications #8036. Published by GIA Publications (GI.G-8036). UPC: 785147803607. English. Text Source: 'Wie schön leuchtet der Morgenstern' Translation: Catherine Winkworth. Text by Phillip Nicolai. Although a part for flute (or violin) is provided to emphasize the hymn tune, there are other creative instrumental opportunities to explore. Use a cello or bassoon for the bass accompaniment line. The organist is encouraged to experiment with different registrations and colors. The tenors will want to be well warmed-up, and the occasional tenuous bass section will appreciate the support from the keyboard. The Flute and Violin parts are optional. . $2.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sixteen Chorales Concert band - Intermediate Schirmer
Bassoon I Part. By Johann Sebastian Bach. Arranged by Mayhew Lake. Hal Leonard C...(+)
Bassoon I Part. By Johann Sebastian Bach. Arranged by Mayhew Lake. Hal Leonard Concert Band Series. Grade 4. Size 9x12 inches. 8 pages. Published by G. Schirmer, Inc.
$3.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Summit March Concert band Carl Fischer
By Harold Bennett. Arranged by Larry Clark. Concert Band. For Flute, Oboe, Flute...(+)
By Harold Bennett. Arranged by Larry Clark. Concert Band. For Flute, Oboe, Flute II, Clarinet I, Clarinet II, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Horn, Tenor, Baritone (Bass Clef), Bassoon, Baritone ( Full Score
$10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| All things bright and beautiful Choral SATB SATB, Piano [Score] Oxford University Press
Composed by John Rutter (1945-). For SATB choir and piano/small orchestra (2 flu...(+)
Composed by John Rutter (1945-). For SATB choir and piano/small orchestra (2 flutes, 2 oboes, 2 clarinets, bassoon, 2 horns, harp, strings). This edition: Paperback. Mixed Voices. John Rutter Anniversary Edition. Full score. Duration 3 minutes. Published by Oxford University Press
$31.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Habits of a Successful Beginner Band Musician - Bassoon GIA Publications
SKU: GI.G-10163 A Comprehensive Method Book for Year One and Beyond(+)
SKU: GI.G-10163 A Comprehensive Method Book for Year One and Beyond. Composed by Jeff Scott and Scott Rush. Habits. Music Education. 56 pages. GIA Publications #10163. Published by GIA Publications (GI.G-10163). ISBN 9781622774722. NOW AVAILABLE! Habits of a Successful Beginner Band Musician is a field-tested, vital, and—most important—musical collection of 225 sequenced exercises for the beginning band student. The book’s cutting-edge online component, Habits Universal, features a backend gradebook that allows students to submit video recordings of their performances as a primary source of assessment. This gradebook is compatible with PowerSchool, Canvas, Google Classroom, Brightspace, Edmodo, Schoology, and many other platforms! In addition, Habits Universal features supplemental rhythm vocabulary sheets, accompaniment tracks, video start-up clinics, as well as a professional video coach for each exercise in the book. What makes Habits of a Successful Beginner Band Musician unique? Features include: Teacher tips for each exercise in the book. Diatonic solfege that begins on the first day of instruction. Initial exercises on the mouthpiece, mouthpiece and barrel, reed, bocal and reed, or headjoint prior to playing the first notes in the book. Sequential rhythm charts embedded in the book. These same rhythms are then presented with pitches for a seamless transfer to the music students are performing. Technique and skill-building exercises embedded within the method, which helps to prepare students for future Habits exercises. The introduction of the key of Concert C, which results in students playing the pitches B, E, and A more often (as opposed to the typical emphasis on B-flat, E-flat, and A-flat). The introduction of five keys: Concert B-flat, E-flat, A-flat, C, and F. The Concert G scale is also provided in the back of the book. Left (L) and right (R) indicators for woodwinds along with appropriate chromatic alternate fingering indicators. Shaded boxes around first-time challenges in the student books. A thorough explanation of (T:1) for trombones and rules for when to use it. Rhythm vocabulary that progresses through quarters, eighths, dotted rhythms, sixteenths, and an eighth and two sixteenths. The sequential introduction of the one-handed breakdown of a percussion rudiment before introducing the rudiment itself. The use of the “enharmonic ladder†and the “call-and-response game†to learn enharmonic notes. A thorough explanation of and markings for the “F dilemma†on oboe. An explanation of appropriate flicking on bassoon. Two pages of slow “clarinets only†work that focuses on going over the break and throat tones. . $10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| with brightness round about it Concert band [Set of Parts] Subito Music
Composed by Nancy Galbraith (1951-). For Concert Band (2 flutes, piccolo, 2 oboe...(+)
Composed by Nancy Galbraith (1951-). For Concert Band (2 flutes, piccolo, 2 oboes, Eb clarinet, 3 clarinets, bass clarinet, 2 bassoons; 2 alto saxophones, tenor saxophone, baritone saxophone; 4 horns, 4 trumpets, 3 trombones, euphonium, 2 tubas; timpani, 4 percussion, piano/synthesizer, string-bass). Set of Parts. Composed 1993. Duration 11'. Published by Subito Music Corporation
$145.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Danza de los Duendes Concert band [Study Score / Miniature] Subito Music
By Nancy Galbraith (1951-). For Concert Band (2 flutes, piccolo, 2 oboes, Eb cla...(+)
By Nancy Galbraith (1951-). For Concert Band (2 flutes, piccolo, 2 oboes, Eb clarinet, 3 clarinets*, bass clarinet, 2 bassoons; 2 alto saxophones, tenor saxophone, baritone saxophone; 4 horns, 4 trumpets, 3 trombones, euphonium, 2 tubas; timpani, 4 percussion, piano, string-bass (*at least 2 per part). Study Score. Composed Arr. 1996. Duration 10'. Published by Subito Music Corporation
$42.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Bright Wings Theodore Presser Co.
Orchestra *Perc, 2 Bassoons, 2 Flutes (2d doubling Piccolo 2), 2 Oboes, 3 Clarin...(+)
Orchestra *Perc, 2 Bassoons, 2 Flutes (2d doubling Piccolo 2), 2 Oboes, 3 Clarinets (3d doubling Bass Clarinet), 3 Trombones, 4 Horns, 4 Percussion*, 4 Trumpets, Contrabassoon, English Horn (doubling Oboe 3), Harp, Piano and Celesta, Piccolo, Strings, Timpani, Tuba SKU: PR.46600063L Valediction for Large Orchestra. Composed by Dan Welcher. Premiere: Dallas Symphony Orchestra, Andrew Litton, Music Director; Eugene McDermott Concert Hall, Dallas, TX. Contemporary. Large Score. With Standard notation. Composed July 4 1996. 61 pages. Duration 14 minutes. Theodore Presser Company #466-00063L. Published by Theodore Presser Company (PR.46600063L). UPC: 680160599172. 11 x 17 inches. $90.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Bright Wings [Score] Theodore Presser Co.
Orchestra *Perc, 2 Bassoons, 2 Flutes (2d doubling Piccolo 2), 2 Oboes, 3 Clarin...(+)
Orchestra *Perc, 2 Bassoons, 2 Flutes (2d doubling Piccolo 2), 2 Oboes, 3 Clarinets (3d doubling Bass Clarinet), 3 Trombones, 4 Horns, 4 Percussion*, 4 Trumpets, Contrabassoon, English Horn (doubling Oboe 3), Harp, Piano and Celesta, Piccolo, Strings, Timpani, Tuba SKU: PR.466000630 Valediction for Large Orchestra. Composed by Dan Welcher. Premiere: Dallas Symphony Orchestra, Andrew Litton, Music Director; Eugene McDermott Concert Hall, Dallas, TX. Contemporary. Full score. With Standard notation. Composed July 4 1996. 61 pages. Duration 14 minutes. Theodore Presser Company #466-00063. Published by Theodore Presser Company (PR.466000630). UPC: 680160599165. 8.5 x 11 inches. $42.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Solar Flare Concert band - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2 and more. - Grade 3.5 SKU: CF.CPS219 Composed by Tyler Arcari. Concert Band (CPS). Set of Score and Parts. With Standard notation. 16+4+8+16+4+4+8+4+4+8+8+8+4+4+4+4+6+6+2+6+8+2+3+2+4+10+28+4 pages. Duration 4 minutes, 6 seconds. Carl Fischer Music #CPS219. Published by Carl Fischer Music (CF.CPS219). ISBN 9781491152454. UPC: 680160909957. Solar Flare, by Tyler Arcari, depicts the huge explosion on the Sun that appears as a sudden bright flash. The piece incorporates a whirlwind of mixed meters to?depict this phenomenon. Arcari showcases his fresh, exciting, and well-scored compositional style in this piece. Solar Flare makes for? an excellent concert opener. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a teaching 7/8 space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 6972 should be treated as a transitional fanfare to the new material at m. 73. Measures 99115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the ^ accent on the final note is one meant to be played heavy, and not short. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a ateaching 7/8a space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69a72 should be treated as a transitional fanfare to the new material at m. 73. Measures 99a115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the a^a accent on the final note is one meant to be played heavy, and not short. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a ateaching 7/8a space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69a72 should be treated as a transitional fanfare to the new material at m. 73. Measures 99a115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the a^a accent on the final note is one meant to be played heavy, and not short. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a teaching 7/8 space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69-72 should be treated as a transitional fanfare to the new material at m. 73. Measures 99-115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the ^ accent on the final note is one meant to be played heavy, and not short. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a teaching 7/8 space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69-72 should be treated as a transitional fanfare to the new material at m. 73. Measures 99-115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the ^ accent on the final note is one meant to be played heavy, and not short. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work.About the Work:Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a “teaching 7/8†space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69–72 should be treated as a transitional fanfare to the new material at m. 73.Measures 99–115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the “^†accent on the final note is one meant to be played heavy, and not short. $95.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Solar Flare Concert band [Score] - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2 and more. - Grade 3.5 SKU: CF.CPS219F Composed by Tyler Arcari. Concert Band (CPS). Full score. With Standard notation. 28 pages. Carl Fischer Music #CPS219F. Published by Carl Fischer Music (CF.CPS219F). ISBN 9781491153130. UPC: 680160910632. Solar Flare, by Tyler Arcari, depicts the huge explosion on the Sun that appears as a sudden bright flash. The piece incorporates a whirlwind of mixed meters to?depict this phenomenon. Arcari showcases his fresh, exciting, and well-scored compositional style in this piece. Solar Flare makes for? an excellent concert opener. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a teaching 7/8 space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 6972 should be treated as a transitional fanfare to the new material at m. 73. Measures 99115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the ^ accent on the final note is one meant to be played heavy, and not short. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a ateaching 7/8a space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69a72 should be treated as a transitional fanfare to the new material at m. 73. Measures 99a115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the a^a accent on the final note is one meant to be played heavy, and not short. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a ateaching 7/8a space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69a72 should be treated as a transitional fanfare to the new material at m. 73. Measures 99a115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the a^a accent on the final note is one meant to be played heavy, and not short. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a teaching 7/8 space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69-72 should be treated as a transitional fanfare to the new material at m. 73. Measures 99-115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the ^ accent on the final note is one meant to be played heavy, and not short. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a teaching 7/8 space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69-72 should be treated as a transitional fanfare to the new material at m. 73. Measures 99-115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the ^ accent on the final note is one meant to be played heavy, and not short. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work.About the Work:Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a “teaching 7/8†space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69–72 should be treated as a transitional fanfare to the new material at m. 73.Measures 99–115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the “^†accent on the final note is one meant to be played heavy, and not short. $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Primula [Score] - Easy Carl Fischer
Band Bass Clarinet, Bassoon, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, E...(+)
Band Bass Clarinet, Bassoon, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion, Snare Drum, Suspended Cymbal, Timpani, Triangle, Trombone 1 and more. - Grade 2 SKU: CF.YPS235F Composed by Yukiko Nishimura. Sws. Yps. Full score. 20 pages. Duration 3 minutes, 21 seconds. Carl Fischer Music #YPS235F. Published by Carl Fischer Music (CF.YPS235F). ISBN 9781491158548. UPC: 680160917143. 9 x 12 inches. This piece was originally composed for string orchestra, commissioned by the North Ohio Youth Orchestras. This transcription for band sounds brighter than the original version because of the instrumentation, and addition of percussion. Primula is a dainty little flower blooms in spring. The piece opens with a short introduction. The sound should be arisoluto.a After the introduction, the main theme begins. The combination of 8th note accompaniment and legato melody flows everywhere. Enjoy the dialogue of each melody line and its fresh and bright atmosphere. Letas celebrate the coming of spring!  . This piece was originally composed for string orchestra, commissioned by the North Ohio Youth Orchestras. This transcription for band sounds brighter than the original version because of the instrumentation, and addition of percussion. Primula is a dainty little flower blooms in spring. The piece opens with a short introduction. The sound should be risoluto. After the introduction, the main theme begins. The combination of 8th note accompaniment and legato melody flows everywhere. Enjoy the dialogue of each melody line and its fresh and bright atmosphere. Let's celebrate the coming of spring!  . This piece was originally composed for string orchestra, commissioned by the North Ohio Youth Orchestras. This transcription for band sounds brighter than the original version because of the instrumentation, and addition of percussion.Primula is a dainty little flower blooms in spring. The piece opens with a short introduction. The sound should be “risoluto.†After the introduction, the main theme begins. The combination of 8th note accompaniment and legato melody flows everywhere. Enjoy the dialogue of each melody line and its fresh and bright atmosphere. Let’s celebrate the coming of spring! . $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Primula - Easy Carl Fischer
Band Bass Clarinet, Bassoon, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, E...(+)
Band Bass Clarinet, Bassoon, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion, Snare Drum, Suspended Cymbal, Timpani, Triangle, Trombone 1 and more. - Grade 2 SKU: CF.YPS235 Composed by Yukiko Nishimura. Folio. Yps. Set of Score and Parts. 8+8+4+8+8+2+2+5+5+2+2+4+4+4+4+3+3+3+2+3+1+1+4+20 pages. Duration 3 minutes, 21 seconds. Carl Fischer Music #YPS235. Published by Carl Fischer Music (CF.YPS235). ISBN 9781491158531. UPC: 680160917136. 9 x 12 inches. This piece was originally composed for string orchestra, commissioned by the North Ohio Youth Orchestras. This transcription for band sounds brighter than the original version because of the instrumentation, and addition of percussion. Primula is a dainty little flower blooms in spring. The piece opens with a short introduction. The sound should be arisoluto.a After the introduction, the main theme begins. The combination of 8th note accompaniment and legato melody flows everywhere. Enjoy the dialogue of each melody line and its fresh and bright atmosphere. Letas celebrate the coming of spring!. This piece was originally composed for string orchestra, commissioned by the North Ohio Youth Orchestras. This transcription for band sounds brighter than the original version because of the instrumentation, and addition of percussion. Primula is a dainty little flower blooms in spring. The piece opens with a short introduction. The sound should be risoluto. After the introduction, the main theme begins. The combination of 8th note accompaniment and legato melody flows everywhere. Enjoy the dialogue of each melody line and its fresh and bright atmosphere. Let's celebrate the coming of spring!. This piece was originally composed for string orchestra, commissioned by the North Ohio Youth Orchestras. This transcription for band sounds brighter than the original version because of the instrumentation, and addition of percussion.Primula is a dainty little flower blooms in spring. The piece opens with a short introduction. The sound should be “risoluto.†After the introduction, the main theme begins. The combination of 8th note accompaniment and legato melody flows everywhere. Enjoy the dialogue of each melody line and its fresh and bright atmosphere. Let’s celebrate the coming of spring! $70.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
Next page 1 31 61 61 91 |