Choral (SSA Choir)

SKU: HL.266674

Discovery Level 1. Composed by Audrey Snyder. Discovery Choral. Concert, Festival. Octavo. 8 pages. Published by Hal Leonard (HL.266674).

UPC: 888680733346. 6.75x10.5 inches.

Master composer and educator Audrey Snyder knows the importance of hope in the lives of young people. In this original song she lifts up the need for hope of a brighter day.

By Colbie Caillat. Arranged by Alan Billingsley. For Choral (ShowTrax CD). Pop Choral Series. CD only. Published by Hal Leonard

By Colbie Caillat. Arranged by Alan Billingsley. For Choral (SSA). Pop Choral Series. 16 pages. Published by Hal Leonard

Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 3

SKU: CF.CAS117F

Composed by Lauren Bernofsky. Concert String Orchestra (CAS). Full score. With Standard notation. 8 pages. Carl Fischer Music #CAS117F. Published by Carl Fischer Music (CF.CAS117F).

ISBN 9781491153307. UPC: 680160910809. 9 x 12 inches.

Abendstern, composed by Lauren Bernofsky,?evokes an image of a sunset over the tree-covered hills of the Bavarian countryside with the Abendstern, or evening star, shining brightly over the scene. A hauntingly beautiful theme in falling thirds?evokes the treetops as they become darker and murkier. This piece is a wonderful addition to any concert program and can be used as a touching?tribute at a memorial service.
One summer night during a visit to Bavaria in southern Germany, I stood outside on a balcony overlooking the hills of the Bavarian forest, watching the beautiful early-evening sky. It was still light out, but I could make out one solitary star in the sky. As the sun slowly went down, the landscape became more and more dark and indistinct, and the star shone brighter and brighter. My mother-in-law stood there with me. I asked her the name of the star, and she answered, Abendstern (or Evening Star.) I was so moved by what I saw, I went inside and took out my manuscript paper and started to write down this piece. The tree-covered hills and tranquility of the evening are evoked by the theme, whose contour (with little bumps) mirrors the contour of the treetops on the hills. The star is represented by the sustained note E; at the beginning of the piece, it can be heard in a low register in the violas, and over the course of the piece, it is heard in higher and higher octaves, as the star shines ever more brightly. By the end, the landscape has disappeared into the darkness, and now all we see is the star, shining its brightest, and played by the upper strings, now harmonized to convey its brilliant light..
One summer night during a visit to Bavaria in southern Germany, I stood outside on a balcony overlooking the hills of the Bavarian forest, watching the beautiful early-evening sky. It was still light out, but I could make out one solitary star in the sky. As the sun slowly went down, the landscape became more and more dark and indistinct, and the star shone brighter and brighter. My mother-in-law stood there with me. I asked her the name of the star, and she answered, Abendstern (or Evening Star.) I was so moved by what I saw, I went inside and took out my manuscript paper and started to write down this piece. The tree-covered hills and tranquility of the evening are evoked by the theme, whose contour (with little bumps) mirrors the contour of the treetops on the hills. The star is represented by the sustained note E; at the beginning of the piece, it can be heard in a low register in the violas, and over the course of the piece, it is heard in higher and higher octaves, as the star shines ever more brightly. By the end, the landscape has disappeared into the darkness, and now all we see is the star, shining its brightest, and played by the upper strings, now harmonized to convey its brilliant light..
One summer night during a visit to Bavaria in southern Germany, I stood outside on a balcony overlooking the hills of the Bavarian forest, watching the beautiful early-evening sky. It was still light out, but I could make out one solitary star in the sky. As the sun slowly went down, the landscape became more and more dark and indistinct, and the star shone brighter and brighter. My mother-in-law stood there with me. I asked her the name of the star, and she answered, Abendstern (or Evening Star.) I was so moved by what I saw, I went inside and took out my manuscript paper and started to write down this piece. The tree-covered hills and tranquility of the evening are evoked by the theme, whose contour (with little bumps) mirrors the contour of the treetops on the hills. The star is represented by the sustained note E; at the beginning of the piece, it can be heard in a low register in the violas, and over the course of the piece, it is heard in higher and higher octaves, as the star shines ever more brightly. By the end, the landscape has disappeared into the darkness, and now all we see is the star, shining its brightest, and played by the upper strings, now harmonized to convey its brilliant light.

About Carl Fischer Concert String Orchestra Series

This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Band Bass Clarinet, Bassoon, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion, Snare Drum, Suspended Cymbal, Timpani, Triangle, Trombone 1 and more. - Grade 2

SKU: CF.YPS235

Composed by Yukiko Nishimura. Folio. Yps. Set of Score and Parts. 8+8+4+8+8+2+2+5+5+2+2+4+4+4+4+3+3+3+2+3+1+1+4+20 pages. Duration 3 minutes, 21 seconds. Carl Fischer Music #YPS235. Published by Carl Fischer Music (CF.YPS235).

ISBN 9781491158531. UPC: 680160917136. 9 x 12 inches.

This piece was originally composed for string orchestra, commissioned by the North Ohio Youth Orchestras. This transcription for band sounds brighter than the original version because of the instrumentation, and addition of percussion. Primula is a dainty little flower blooms in spring. The piece opens with a short introduction. The sound should be arisoluto.a After the introduction, the main theme begins. The combination of 8th note accompaniment and legato melody flows everywhere. Enjoy the dialogue of each melody line and its fresh and bright atmosphere. Letas celebrate the coming of spring!.
This piece was originally composed for string orchestra, commissioned by the North Ohio Youth Orchestras. This transcription for band sounds brighter than the original version because of the instrumentation, and addition of percussion. Primula is a dainty little flower blooms in spring. The piece opens with a short introduction. The sound should be risoluto. After the introduction, the main theme begins. The combination of 8th note accompaniment and legato melody flows everywhere. Enjoy the dialogue of each melody line and its fresh and bright atmosphere. Let's celebrate the coming of spring!.
This piece was originally composed for string orchestra, commissioned by the North Ohio Youth Orchestras. This transcription for band sounds brighter than the original version because of the instrumentation, and addition of percussion.Primula is a dainty little flower blooms in spring. The piece opens with a short introduction. The sound should be “risoluto.” After the introduction, the main theme begins. The combination of 8th note accompaniment and legato melody flows everywhere. Enjoy the dialogue of each melody line and its fresh and bright atmosphere. Let’s celebrate the coming of spring!

Performed by Lincoln Brewster. By Lincoln Brewster. Arranged by J. Daniel Smith. (SATB). Integrity Choral. Size 6.75x10.5 inches. 12 pages. Published by Integrity Music.

SATB choir

SKU: LP.765762171923

God's Promise Fulfilled. Composed by Dave Clark & Don Koch Cliff Duren. Arranged by Cliff Duren. Musical. Sacred. Split-channel accompaniment CD. Published by Lillenas Publishing Company (LP.765762171923).

UPC: 765762171923.

Usher your congregation into God s throne room of grace with this stirring Easter musical created by songwriting dynamos Dave Clark Don Koch and Cliff Duren! The title cut Mercy Came Running made popular by trio Phillips Craig and Dean in the 1990s takes on new significance in the context of Easter as we visualize God running to save us through Christ s death and resurrection. With performance options for a 47-minute full-length musical an abbreviated 30-minute piece and even a 20-minute option Mercy Came Running is adaptable for any Easter service. And each powerful song can also stand alone to impact your congregation throughout the year! Accompaniment DVD available.

30 of the Year's Top Gospel Artists and Songs. Performed by Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 234 pages. Published by Word Music.

By Jan Van Der Roost. (Score). De Haske Concert Band Full Set. Size 8.1x11.75 inches. 48 pages. Published by De Haske Publications.

Composed by Dirk Brosse. The Dirk Brosse Collection. Published by Metropolis Music (IS.CP6186EM).

Brass Band - Grade 4

SKU: BT.DHP-1165658-030

Composed by Stephen Bulla. Concert and Contest Collection Brass Band en Fanfare. Concert Piece. Set (Score & Parts). Composed 2016. De Haske Publications #DHP 1165658-030. Published by De Haske Publications (BT.DHP-1165658-030).

English-German-French-Dutch.

Dedicated to the North American Brass Band Association, this is music that is full of energy and dynamic extremes. In form it draws from the overture style, although the themes are self-existing and the piece is programmatic. Working well asa festival opener, it sets a mood of excitement. Following the rhythmic fanfares of the opening, the first theme is presented in the cornets followed by a return to the same rhythmic material. A second theme appears in the horn section and isdeveloped, changing into a darker and sinister form of the same motif. Eventually a Maestoso section is reached, full of sustained block chords in the cornets and trombones, as the rest of the band counters with cascading lines that weavestraight through the brighter instruments.

Dit levendige werk vol dynamische uitersten is opgedragen aan de North American Brass Band Association. Qua vorm is het geënt op de ouverturestijl, hoewel de thema’s op zichzelf staan en het een programmatische compositie betreft. Het is heelgeschikt voor de opening van een festival, want het creëert een enthousiaste, verwachtingsvolle stemming. Na de ritmische fanfares van de opening wordt het eerste thema gepresenteerd in de cornetten, gevolgd door een terugkeer naar hetzelfderitmische materiaal. Er verschijnt een tweede thema in de hoornsectie, dat wordt doorontwikkeld en overgaat in een duistere en onheilspellende vorm van hetzelfde motief. Uiteindelijk komt er een maestoso gedeelte tot stand, vol aangehouden akkoordenin de kornetten en trombones, waarbij de rest van het orkest dalende lijnen produceert die door de helder klinkende instrumenten heen zijn geweven.

Dieses Musikstück, das voller Energie und von extremer Dynamik geprägt ist, wurde der North American Brass Band Association gewidmet. Der formale Aufbau des Werkes orientiert sich an einer Ouvertüre, auch wenn die Themen für sich selbst stehenund das Stück programmatisch ist. Es eignet sich gut als Eröffnungsstück für ein Festival, da es das Publikum begeistern wird. Auf den Fanfarenrhythmus der Einleitung folgt das erste Thema, das von den Kornetten vorgestellt wird und schließlich zumursprünglichen rhythmischen Material zurückkehrt. Das zweite Thema wird von den Hörnern gespielt und weiterentwickelt, wobei das gleiche Motiv in eine dunklere und unheimlichere Stimmung wechselt. Danach erklingt ein Maestoso-Teil mit Akkordblöckenin den Kornetten und Posaunen, während das restliche Orchester kaskadenartige Melodielinien spielt, die sich durch die helleren Instrumente schlängeln.

Dédiée la North American Brass Band Association, cette œuvre est pleine d’énergie et de dynamiques extrêmes. En dépit de sa forme d’ouverture, les thèmes ne sont pas liés et l’œuvre est programme. Convient comme pièce d’ouverture defestival et crée une ambiance d’enthousiasme. Suite aux fanfares rythmiques du début, le premier thème est présenté par les cornets piston, suivi par un retour au même matériel rythmique. Un deuxième thème apparaît dans le registre des cors et estdéveloppé, se changeant en une version plus sombre et sinistre du même motif. Finalement on arrive une section de Maestoso, qui contient de nombreuses double-cordes soutenues chez les cornets et trombones, tandis que le reste de l’ensemblerépond par des lignes descendantes qui se tissent travers les instruments plus aigus.