From Burlesque. Arranged by Jay Dawson. Arrangers' Publ Marching Band. Movies. 8 pages. Published by Arrangers' Publishing Company (HL.128550).

Viola

SKU: HL.48182609

Leduc. Classical. Softcover. 7 pages. Alphonse Leduc #AL23996. Published by Alphonse Leduc (HL.48182609).

UPC: 888680833947. 10.5x13.25x0.078 inches.

Eugène Bozza: Improvisation burlesque (Viola & Piano).

Piano

SKU: BR.MN-12048

(en forme d'impressions). Composed by Boris Mersson. Solo instruments; Softcover. Musikverlag Nepomuk. Music post-1945. Score. Composed 1938. 12 pages. Breitkopf and Haertel #MN 12048. Published by Breitkopf and Haertel (BR.MN-12048).

ISBN 9790004791714. 8.5 x 11.5 inches.

Die Cinq pieces burlesques entstanden 1938, als der Komponist Student in der Solistenklasse am Konservatorium Lausanne war. Er stand unter dem Einfluss der franzosischen Schule, besonders der gewagten Einfalle der Groupe des Six. Die Cinq pieces burlesques sind Boris Merssons Antwort auf Arthur Honeggers Sept pieces breves.

Clarinet Choir

SKU: IS.CC7003EM

Composed by Ferenc Farkas. Woodwinds - Clarinet. Vanoosthuyse, Eddy. Metropolis Music Publishers #CC7003EM. Published by Metropolis Music Publishers (IS.CC7003EM).

ISBN 9790365070039.

In 1941, I was invited by Viktor Vaszy to take on a choice double role, as a teacher of composition at the Cluj Conservatory as well as chorus master at the Cluj National Theatre. For me, this meant both an official state appointment and a substantial increase in my income. At the time I was over 35 years old and still without a permanent post. I took up my new duties at the end of the summer. My wife and I felt very much at home in Cluj but the most important for me was that along with my artistic obligations I found time to compose. Unfortunately we do not know why Farkas wrote in 1992 a new version of the Three Burlesques for clarinet quintet and for whom it was intended. The first movement Allegro, arc shaped, is more a succession of rhythmic patterns than melodies, with hectic ostinatos and staccato chords. In the middle of the movement, a short figure, like a second theme, brings a bit of calm and gentleness. The second movement, an expressive Moderato comodo and the final Allegro are shorter and also contrast with staccato chords.

Composed by Jef Maes (1905-). Woodwinds - Bassoon. Metropolis Music Publishers #BP4378EM. Published by Metropolis Music Publishers

Orchestra

SKU: HL.48187424

Composed by Florent Schmitt. Leduc. Classical. Softcover. Heugel & Cie #HE30384. Published by Heugel & Cie (HL.48187424).

Florent Schmitt: Ronde burlesque Op.78 (PH186) (Orchestra).

Trombone (Trombone)

SKU: HL.48182378

Composed by Antoine Tisné. Leduc. Classical. Softcover. Alphonse Leduc #AL23559. Published by Alphonse Leduc (HL.48182378).

Antoine Tisne: Elegie et Burlesque (Trombone & Piano).

Flute

SKU: HL.48183923

Composed by Yuri Falik. Leduc. Classical. Softcover. Alphonse Leduc #AL26178. Published by Alphonse Leduc (HL.48183923).

UPC: 888680853372. 9.0x12.0x0.055 inches.

Yuri Falik: Pastorale et Burlesque (Flute & Piano).

Short, light-hearted and tuneful piece for a brass quintet consisting two trumpets, horn, trombone and tuba. This is a one-movement rag that is not difficult and employs many devices characteristic of this kind of music, such as glissandi and strong dynamic contrasts

By Diane Warren. Arranged by Greg Gilpin. Choir Secular. SATB choir. Choral Octavo. Pop Choral. Movie. 12 pages. Published by Alfred Music Publishing

Trombone (Trombone)

SKU: HL.48181902

Composed by Jean-Pierre Rivière. Leduc. Classical. Softcover. 5 pages. Alphonse Leduc #AL21912. Published by Alphonse Leduc (HL.48181902).

UPC: 888680852573. 10.5x13.5x0.064 inches.

Jean-Pierre Riviere: Burlesque (Trombone & Piano).

Bassoon, piano

SKU: FG.55011-524-8

Composed by Kirmo Lintinen. Score and part. Fennica Gehrman #55011-524-8. Published by Fennica Gehrman (FG.55011-524-8).

ISBN 9790550115248.

In Kirmo Lintinen's Rondo burlesque (2007-2008) for bassoon and piano , the qualitative elements of the bar, with their upbeats, accents and GPs, create a refined musical rhetoric and are very much to the fore. At the premiere, Lintinen's manner of playing, with its sparing use of the pedal obscuring the first beat but not the sense of time, underlined the inherent character of the piece. The roguish poetic metres gambolled jerkily along, and although at surface level the music may appear guileless, Lintinen knows his polyphony, judging by the capital roving of his voices even in the homophonic textures. Kirmo Lintinen (b. 1967) is a man of many musical talents: composer, pianist and conductor. His catalogue encompasses almost all gen-res and categories of composition, from solo work to opera, and he operates with ease from one to another without being a crossover artist; in his case, the versatility is both internalised and innate. He often finds inspiration in French music of the 1920s and its intrinsic musicality. Humour and playfulness are characteristic elements of his music, as are a natural, musicianly approach and an enchantingly effervescent, even tongue-in-cheek texture.