SKU: BR.EB-9304
ISBN 9790004187685. 12 x 9 inches.
This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.pure source edition (no mixture of different transmissions); comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only)); good page turnsflexible division of voices (on 2 or 3 systems, good legibility); contains facsimiles. The corresponding Critical Commentary is contained in Volume I/2 (EB 9305).
SKU: CA.3601212
ISBN 9790007213572. Key: C major. Language: German/English.
Buxtehude's numerous vocal compositions which was written for performance in the Lubeck Marienkirche, are stylistically quite varied. The cantata Singet dem Herrn ein neues Lied is based on a text from the first verses of psalm 98 which occupies a unique position in the oeuvre of Buxtehude, since it employs only one solo instrument. The composition, which is in concertato style, offers both soloists rewarding challenges. Score and part available separately - see item CA.3601200.
SKU: AP.36-M159691
ISBN 9798888521625. UPC: 676737751470. English.
Danish composer and organist Dietrich Buxtehude (1637-1707) is a prime example of the North German baroque school and an influence on Johann Sebastian Bach's style. The works in this three-volume collection were found in a family-book, which for centuries was handed down in the Danish family of Ryge until their discovery in the mid-20th century. The collection of 19 suites, 6 works of variation, and 3 anonymous works (likely by Buxtehude) have been compiled and edited by Emilius Bangert. Vol. 1 includes Suites I-X; Vol. 2 includes Suites XI-XIX; Vol. 3 includes Works of variation and anonymous works.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: CA.3600215
ISBN 9790007052614. Language: German/English.
There are many so called arias in the works of Buxtehude. These compositions are based on a poetic text like those chorale cantatas, but do not use of preexisting melody. Score and part available separately - see item CA.3600200.
SKU: CA.3601719
ISBN 9790007293925. German. Text: Luther, Martin.
This setting of Luther's hymn perfectly typifies the basic concept of a chorale cantata as Buxtehude probably envisaged it. The first two verses are set, line by line, in a four-part homophonic texture. The two violins add interludes to the chorale, and lead in a kind of ritornello to the next verse. In the third and last verse Buxtehude departs from this model as the violins also play the chorale, and in which the lines of the hymn follow each other without a break. This cantata has come down to us in a tabulatur from the Duben Collection. It belongs in the context of a number of chorale cantatas which were copied around 1685. Score and parts available separately - see item CA.3601700.
SKU: CA.3622200
ISBN 9790007181604. Language: German.
The Ascension Cantata Du Lebensfurst, Herr Jesu Christ BuxWV 22 by Dieterich Buxtehude is based on five verses of the hymn of thanksgiving of the same name by Johann Rist (1641), and in formal terms, is in the genre of a Concerto cum aria. An introductory sonata is followed by verse and ritornello in alternation. A special feature of the scoring is the use of the violetta as a string instrument in the middle of the five-part string texture. This can be played by a modern viola.
SKU: CA.3601619
ISBN 9790007144388. Language: German.
This work has survived in an autograph, unfortunately undated, preserved in the Duben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24-26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on Nun danket alle Gott create the work's structure. In Nun danket alle Gott Buxtehude indicated in detail, in at least one instance, the use of an a cappella entrance of the choir. If the sections without instrumental accompaniment are sung by soloists, the choir is added in the tutti passages. Score and parts available separately - see item CA.3601600.
SKU: CA.3622249
ISBN 9790007214227. Language: German.
The Ascension Cantata Du Lebensfurst, Herr Jesu Christ BuxWV 22 by Dieterich Buxtehude is based on five verses of the hymn of thanksgiving of the same name by Johann Rist (1641), and in formal terms, is in the genre of a Concerto cum aria. An introductory sonata is followed by verse and ritornello in alternation. A special feature of the scoring is the use of the violetta as a string instrument in the middle of the five-part string texture. This can be played by a modern viola. Score and part available separately - see item CA.3622200.
SKU: CA.3601605
ISBN 9790007112578. Language: German.
This work has survived in an autograph, unfortunately undated, preserved in the Duben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24-26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on Nun danket alle Gott create the work's structure. In Nun danket alle Gott Buxtehude indicated in detail, in at least one instance, the use of an a cappella entrance of the choir. If the sections without instrumental accompaniment are sung by soloists, the choir is added in the tutti passages. Score available separately - see item CA.3601600.
SKU: CA.3620016
ISBN 9790007214135. Language: German. Text: Eber, Paul. Text: Paul Eber.
Liturgically, the present cantata is meant to be performed at the turn of the year. For his setting of the text Buxtehude chose a two-part form with a concluding Amen. This plea for a propitious new year is given a special musical interpretation. Score and part available separately - see item CA.3620000.
SKU: CA.3622211
ISBN 9790007214159. Language: German.
SKU: CA.3600219
ISBN 9790007139070. Language: German/English.
There are many so called arias in the works of Buxtehude. These compositions are based on a poetic text like those chorale cantatas, but do not use of preexisting melody. Score and parts available separately - see item CA.3600200.
SKU: CA.3601614
ISBN 9790007213787. Language: German.
This work has survived in an autograph, unfortunately undated, preserved in the Duben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24-26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on Nun danket alle Gott create the work's structure. In Nun danket alle Gott Buxtehude indicated in detail, in at least one instance, the use of an a cappella entrance of the choir. If the sections without instrumental accompaniment are sung by soloists, the choir is added in the tutti passages. Score and part available separately - see item CA.3601600.
SKU: CA.3622212
ISBN 9790007214166. Language: German.
SKU: CA.3600249
ISBN 9790007245078. Language: German/English.
SKU: CA.3622203
ISBN 9790007186395. Language: German.
The Ascension Cantata Du Lebensfurst, Herr Jesu Christ BuxWV 22 by Dieterich Buxtehude is based on five verses of the hymn of thanksgiving of the same name by Johann Rist (1641), and in formal terms, is in the genre of a Concerto cum aria. An introductory sonata is followed by verse and ritornello in alternation. A special feature of the scoring is the use of the violetta as a string instrument in the middle of the five-part string texture. This can be played by a modern viola. Score available separately - see item CA.3622200.
SKU: CA.3601013
ISBN 9790007213534. Key: G major. Language: German/English.
Buxtehude's numerous vocal compositions which was written for performance in the Lubeck Marienkirche, are stylistically quite varied. The cantata Also hat Gott die Welt geliebet is a concerto for solo soprano, with a text taken from the Gospel of St. John. The text employs the principle of dialog as a musical competition between individual instruments or between instruments and the voice, with the inclusion of virtuoso passages. Score and part available separately - see item CA.3601000.
SKU: CA.3601014
ISBN 9790007213541. Key: G major. Language: German/English.
SKU: CA.3603414
ISBN 9790007214005. Language: German. Text: Ebert, Jakob. Text: Jakob Ebert.
The present cantata is a setting of the first three verses of the hymn Du Friedefurst, Herr Jesu Christ, with a text by Jakob Ebert (1549-1614). In the variety of ways for deploying the instruments in concert and the alternation between the instrumental and vocal parts, it goes beyond the comparatively simple model found in other cantatas of Buxtehude. Score and part available separately - see item CA.3603400.
SKU: CA.3620005
ISBN 9790007162092. Language: German. Text: Eber, Paul. Text: Paul Eber.
Liturgically, the present cantata is meant to be performed at the turn of the year. For his setting of the text Buxtehude chose a two-part form with a concluding Amen. This plea for a propitious new year is given a special musical interpretation. Score available separately - see item CA.3620000.
SKU: CA.3620015
ISBN 9790007214128. Language: German. Text: Eber, Paul. Text: Paul Eber.
SKU: CA.3620049
ISBN 9790007214142. Language: German. Text: Eber, Paul. Text: Paul Eber.
SKU: CA.3600149
ISBN 9790007241698. Key: G major. Language: German/English.
Score and part available separately - see item CA.3600100.
SKU: CA.3622205
ISBN 9790007186494. Language: German.
SKU: CA.3620012
ISBN 9790007214098. Language: German. Text: Eber, Paul. Text: Paul Eber.
SKU: CA.3600212
ISBN 9790007052584. Language: German/English.
SKU: CA.3622216
ISBN 9790007214203. Language: German.
SKU: CA.3601003
ISBN 9790007111090. Key: G major. Language: German/English.
Buxtehude's numerous vocal compositions which was written for performance in the Lubeck Marienkirche, are stylistically quite varied. The cantata Also hat Gott die Welt geliebet is a concerto for solo soprano, with a text taken from the Gospel of St. John. The text employs the principle of dialog as a musical competition between individual instruments or between instruments and the voice, with the inclusion of virtuoso passages. Score available separately - see item CA.3601000.
SKU: CA.3601611
ISBN 9790007213756. Language: German.
SKU: CA.3603411
ISBN 9790007213978. Language: German. Text: Ebert, Jakob. Text: Jakob Ebert.
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