By Kenneth Udy. For organ. Organ Music. Published by MorningStar Music Publishers.

Piano - Level 3

SKU: LM.VV038

Composed by Florencia Raitzin. Piano a portee de mains. Classical. Score. Editions Van de Velde #VV038. Published by Editions Van de Velde (LM.VV038).

ISBN 9790560050386.

BACH C.P.E. : Solfeggietto - WAGENSEIL G.P. : Ricercata - GOLDBERG J.G. : Polonaise - BEETHOVEN L.V. : Valse - Marche turque (4 mains) - CZERNY C. : Choeur des clochettes - SCHUBERT F. : Landler et valse - SCHUMANN R. : Phantasietanz - 1ere des Scenes d'enfants - BARTOK B. : Study for the left hand - TURINA J. : Danse de la seduction - SZELENYI I. : Sur le terrain de jeux - DESORMIERES B. : Opus six - HENRY C. : Cerebral blues - GAGNEUX R. : Carillons lointains.

Piano - Level 3

SKU: LM.VV216

Classical. Score. Editions Van de Velde #VV216. Published by Editions Van de Velde (LM.VV216).

ISBN 9790560052168.

DESORMIERES Bernard : Modulations - Opus six - CHARTREUX Annick : 18 images par secondes - FLENDER Reinhard David : Rochers dans la brume - GAGNEUX Renaud : Carillons lointains - Signal continu - LEVY Krishna : La petite plaisanterie - LUMET Dominique : Ballade en 5/4.

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Piccolo and more.

SKU: PR.11641139S

Composed by Lowell Liebermann. Full score. Duration 15 minutes. Theodore Presser Company #116-41139S. Published by Theodore Presser Company (PR.11641139S).

UPC: 680160682119.

Barcarolles for a Sinking City was inspired by the city of Venice, a place that has long held the fascination of artists, writers and composers, and which I have been lucky enough to visit on several occasions. Sadly it seems that future generations may not be so lucky: in addition to the city's slow sinking and recently discovered tilting, studies predict that if global warming and the resultant rise of ocean levels is unabated, the entire city (as well as many other coastal cities around the globe) will be under water by 2100.   I. Funeral Gondola The late, cryptic piano works of Franz Liszt made a profound impression on me as a young composer, among them two works he entitled La Lugubre Gondola (usually translated as The Funeral Gondola ) which were said to be a premonition of Wagner's death in Venice, his coffin transported through the canals in a black gondola. These late pieces of Liszt acquired even greater significance to me after I spent two summers in Bayreuth under the patronage of Friedelind Wagner, the granddaughter of Wagner and great-granddaughter of Liszt. This movement is a meditation on Wagner, Liszt, Venice and its own evanescence. II. Barcarolle/Quodlibet The Quodlibet (Latin for what pleases) is a musical form dating back to the 15th century where many disparate melodies are juxtaposed. Popular in the Renaissance, sacred and secular melodies were combined, often to comical effect due to the resultant incongruity of the words. The form was considered the ultimate test of a composer's mastery of counterpoint. The most famous Quodlibet is without doubt the final Variation of Bach's Goldberg Variations. As a form the Quodlibet is less common in more recent music, although examples can be found in the works of Kurt Weill and David Del Tredici.   My own Barcarolle/Quodlibet was inspired by the (perhaps apocryphal) story of the funeral where musicians were asked to play a Bach Choral, but due to miscommunication played instead the Bacarolle from The Tales of Hoffmann. Here, the Bach Choral Allen Menschen mussen sterben (All Men Must Die) is heard in the strings pizzicato, with a tempo indication In slow motion. The alto line of the Bach suggests a phrase from Beethoven's Ninth Symphony (Alle Menchen werden Bruder) heard in the muted trombone. Before long, the famous tune from Offenbach's opera is heard, followed by quotations from iconic Barcarolles by Chopin, Mendelssohn and Faure, as well as two Venetian popular songs and more Beethoven.   III. Barcarola/Ostinato/Carillon An ostinato is a repeated musical figure, and carillon is Italian for music box. This movement references the obsolete genre of salon pieces that imitated music boxes: such works by composers like Liadov and Gretchaninov used to be a mainstay of pianists' encore repertoire. This movement is however much darker in conception than those pleasant trifles. Utilizing the full battery of percussion, the carefully notated temporal slowing of the ostinato becomes overwhelmed by a poignant chorale melody before this box is snapped shut.   IV. Barcarolle Oubliee (Forgotten Barcarolle) Marked limpido (still) the final movement begins with the sound of rain produced by a percussion instrument called (appropriately) a rain stick. Halting phrases in the harp coalesce into the accompaniment for a plangent melody heard in the clarinet. The central Adagio of this movement leads to a shattering climax, before the opening phrases return and dissipate into nothingness.

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Piccolo and more.

SKU: PR.11641139L

Composed by Lowell Liebermann. Large Score. Duration 15 minutes. Theodore Presser Company #116-41139L. Published by Theodore Presser Company (PR.11641139L).

UPC: 680160682126.

Barcarolles for a Sinking City was inspired by the city of Venice, a place that has long held the fascination of artists, writers and composers, and which I have been lucky enough to visit on several occasions. Sadly it seems that future generations may not be so lucky: in addition to the city's slow sinking and recently discovered tilting, studies predict that if global warming and the resultant rise of ocean levels is unabated, the entire city (as well as many other coastal cities around the globe) will be under water by 2100.   I. Funeral Gondola The late, cryptic piano works of Franz Liszt made a profound impression on me as a young composer, among them two works he entitled La Lugubre Gondola (usually translated as The Funeral Gondola ) which were said to be a premonition of Wagner's death in Venice, his coffin transported through the canals in a black gondola. These late pieces of Liszt acquired even greater significance to me after I spent two summers in Bayreuth under the patronage of Friedelind Wagner, the granddaughter of Wagner and great-granddaughter of Liszt. This movement is a meditation on Wagner, Liszt, Venice and its own evanescence. II. Barcarolle/Quodlibet The Quodlibet (Latin for what pleases) is a musical form dating back to the 15th century where many disparate melodies are juxtaposed. Popular in the Renaissance, sacred and secular melodies were combined, often to comical effect due to the resultant incongruity of the words. The form was considered the ultimate test of a composer's mastery of counterpoint. The most famous Quodlibet is without doubt the final Variation of Bach's Goldberg Variations. As a form the Quodlibet is less common in more recent music, although examples can be found in the works of Kurt Weill and David Del Tredici.   My own Barcarolle/Quodlibet was inspired by the (perhaps apocryphal) story of the funeral where musicians were asked to play a Bach Choral, but due to miscommunication played instead the Bacarolle from The Tales of Hoffmann. Here, the Bach Choral Allen Menschen mussen sterben (All Men Must Die) is heard in the strings pizzicato, with a tempo indication In slow motion. The alto line of the Bach suggests a phrase from Beethoven's Ninth Symphony (Alle Menchen werden Bruder) heard in the muted trombone. Before long, the famous tune from Offenbach's opera is heard, followed by quotations from iconic Barcarolles by Chopin, Mendelssohn and Faure, as well as two Venetian popular songs and more Beethoven.   III. Barcarola/Ostinato/Carillon An ostinato is a repeated musical figure, and carillon is Italian for music box. This movement references the obsolete genre of salon pieces that imitated music boxes: such works by composers like Liadov and Gretchaninov used to be a mainstay of pianists' encore repertoire. This movement is however much darker in conception than those pleasant trifles. Utilizing the full battery of percussion, the carefully notated temporal slowing of the ostinato becomes overwhelmed by a poignant chorale melody before this box is snapped shut.   IV. Barcarolle Oubliee (Forgotten Barcarolle) Marked limpido (still) the final movement begins with the sound of rain produced by a percussion instrument called (appropriately) a rain stick. Halting phrases in the harp coalesce into the accompaniment for a plangent melody heard in the clarinet. The central Adagio of this movement leads to a shattering climax, before the opening phrases return and dissipate into nothingness.

Piano - Level 1

SKU: LM.24315

Classical. Score. Editions Henry Lemoine #24315. Published by Editions Henry Lemoine (LM.24315).

ISBN 9790230943154.

ABSIL : Chanson francaise - Noel francais - APREA : C'est le printemps - La Petite mendiante - BARLOW : Une Petite fille parle au Bon Dieu - COULPIED-SEVESTRE : Chanson - Valse - GRETCHANINOV : Conte de fee - JAUME : Le Chant de la source - Petite bourree - KIRBY-MASON : Berceuse - LANTIER : A Cloche-pied - Comptine - MEUNIER : Pianoletta - PLE : Dors joli chaton - Fleurs des champs - La Petite soeur malade - Legende - PUIG-ROGET : Il fait deja nuit - Ou allez-vous bergere ? - ROWLEY : La Petite orpheline - La Vieille - Reflets sur l'eau - SOHET-BOULNOIS : Jouer avec ses soldats - Le Petit carillon - WERNER : Chanson.

Solo flute - Level 3

SKU: LM.26465

Composed by Atarah Ben Tovim. Classical. Score. Editions Henry Lemoine #26465. Published by Editions Henry Lemoine (LM.26465).

ISBN 9790230964654.

BACH : Concerto Brandebourgeois n. 2 (1er mvt) - BBEETHOVEN : Concerto pour piano n. 1 (3e mvt) - Marche turque des Ruines d'Athenes - Symphonie n. 6 (1er mvt) - Symphonie n. 7 (3e mvt) - BERLIOZ : Les Francs-Juges (ouverture) - Symphonie fantastique (La Marche a l'echafaud) - BIZET : Carmen (Prelude) - L'Arlesienne (Carillon et Suite) - BRAHMS : Ouverture pour une fete academique - Variations sur un theme de Haydn (Final) - CHABRIER : Espana (Rapsodie) - DEBUSSY : Nocturne (Nuages) - DVORAK : Danses slaves Op.46 n. 1 - Symphonie n. 8 (2e, 4e mvt) - Symphonie n. 9 (2e, 3e mvt) - Variation symphonique n. 3 - ELGAR : Enigma variations (n. 1 et final) - FRANCK : Symphonie en re mineur (3e mvt) - GRIEG : Concerto pour piano Op.16 (1er, 3e mvt) - HAYDN : Symphonie n. 94 (3e, 4e mvt) - Symphonie n. 101 (2e mvt) - HOLST : Les Planetes (Jupiter) - LISZT : Rapsodie hongroise - MENDELSSOHN : Les Hebrides (ouverture) - Songe d'une nuit d'ete (Marche nuptiale) - MOZARTt : Concerto pour piano n. 21 (2e mvt) - Symphonie n. 40 (3e mvt) - NICOLAI : Les Joyeuses Commeres de Windsor (ouverture) - RIMSKY-KORSAKOV : Cappriccio espagnol (2e mvt) - Sheherazade (3e mvt, Le Prince) - ROSSINI : Le Barbier de Seville (ouverture) - Guillaume Tell (ouverture) - L'Italienne a Alger - SCHUBERT : Symphonie n. 5 (2e, 4e mvt) - Symphonie n. 8 (1er, 2e mvt) - SCHUMANN : Concerto pour piano Op.54 (3e mvt) - SMETANA : La Fiancee vendue (ouverture) - SUPPE : Cavalerie legere (ouverture) - TCHAIKOVSKY : Casse-Noisette (Danse russe, Valse des fleurs) - Ouverture 1812 Op.49 - Symphonie n. 2 (2e mvt) - Symphonie n. 5 (1er mvt) - Symphonie n. 6 (2e, 3e mvt) - WAGNER : Le Vaisseau fantome (ouverture) - WEBER : Oberon (ouverture).

By Melody Bober. For Piano. Composers In Focus. Original duets are written for two students or student and teacher. Includes: Let's Beguine; Frontier Frolic; Carillon; Backstreet Boogie; Knock on Wood. Level: Intermediate/Late Intermediate. Book. Published by The FJH Music Company, Inc.

MERULO Claudio (1533-1604) : Toccata - Canzone - CAMPO Regis : Capriccio - Sonnerie - COUPERIN Louis (1626-1661) - Duo - Fantaisie des duretez - Carillon - CANAT de CHIZY Edith : Vega - PAUSET Brice : Six Pieces pour orgue (extraits) - GRIGNY Nicolas de (1672-1703) : Hymne Pange Lingua - En taille a quatre - Fugue a cinq - Recit du chant de l'hymne precedent - PESSON Gerard : Etudes pour orgue (La discrete ou L'Inouie, Fanfare) - MANTOVANI Bruno : Aussi..

(F Horn)

SKU: HL.48184023

Composed by Bruno Rossignol. Leduc. CD. Alphonse Leduc #AL26304. Published by Alphonse Leduc (HL.48184023).

Carillon Fhn/Pno.

Piano - Level 2

SKU: LM.23846

Composed by Henriette Puig-Roget. Method, studies. Score. Editions Henry Lemoine #23846. Published by Editions Henry Lemoine (LM.23846).

ISBN 9790230938464.

A...comme Apprendre - B...comme Berger - C...comme Carillon - D...comme Danser - E...comme Ecouter - F...comme Frere et soeur - G...comme Galoper - H...comme Horizons - I...comme Imiter - J...comme Jardiner - K...comme Kilometres - L...comme Loisirs - M...comme Marionnettes - N... comme Naviguer - O...comme Obstine - P...comme Prier - Q...comme Quatre par quatre - R... comme Rever - S...Saute-mouton - T...comme Trois et deux font cinq - U...comme Uniforme - V...comme Valser - W...comme Western - X...comme Xylophone - Y...comme Y es-tu, loup ? - Z...comme Zig-Zag.