| Suite No. 1 Guitar Classical guitar [Score] - Advanced Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. Les Productions d'OZ #DZ 4308. Published by Les Productions d'OZ (DZ.DZ-4308). ISBN 9782898522253. Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.
FRANCESCO BIRAGHI
Au lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture àlaquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'Ã
Âuvre m'a amené àtrouver des titres qui invitaient l'interprète àapprofondir l'inspiration esthétique de l'Ã
Âuvre. J'ai donc suggéré àGiorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu àquatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée àla Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue àla manière de Buxtehude (qui vivait àLübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né àHalle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait àMagdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'Ã
Âuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'Ã
Âil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des Ã
Âuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'àcelle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'Ã
Âuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'àla fin de la Chaconne de Magdebourg. Je souhaite àGiorgio et àë notre û Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.
FRANCESCO BIRAGHI. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mastering the Violin A Comprehensive Study for the Adult Learner Violin [Sheet music + Audio access] Mel Bay
Celtic / Irish, Perfect binding, World. Sacred. Book and online audio. 108 pag...(+)
Celtic / Irish, Perfect
binding, World. Sacred. Book
and online audio. 108 pages.
Mel Bay Publications, Inc
#31036M. Published by Mel Bay
Publications, Inc
$22.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Chaconne Piano solo Schott
Transcription from Partita No. 1 in D Minor BWV1004 Piano Solo. Composed by ...(+)
Transcription from Partita
No. 1 in D Minor BWV1004
Piano Solo. Composed by
Martin Stadtfeld. Piano Solo.
Classical. Softcover. 24
pages. Schott Music #ED23299.
Published by Schott Music
$21.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Arpalinea Guitar Gehrmans Musikforlag
Guitar solo SKU: GH.GE-11464 Composed by Benjamin Staern. Duration 15 min...(+)
Guitar solo SKU: GH.GE-11464 Composed by Benjamin Staern. Duration 15 minutes. Gehrmans Musikforlag #GE 11464. Published by Gehrmans Musikforlag (GH.GE-11464). ISBN 979-0-070-11464-6. A4 inches. Work note by the composer: When I received the news of this commission, I had no idea what it would lead to. Writing for guitar solo is not the same as composing for orchestra where you have forty voices where you can easily mask an entire section. Here you are very naked to the bone. The starting point for this work was from J.S. Bach's Chaconne in D-minor that Johannes had performed in concert, originally written for violin but there is a version transcribed for guitar and piano made by Ferruccio Busoni. When I went to Cortona (in Tuscany, Italy) completed the southern mentality of this work. Arpalineais actually a merged word in Italian language. Arpa means harp, however in a musical context it's more or less resembled with the word arpeggio, which means broken chords. Lineameans line. The work is divided in three parts. I. Arpeggio: It starts with an opening chaconne-like sequence and is marked with a certain depth in which the chords starts to separate from the organum note in the bass and it culminates into a section called with rhythmical focus. These sections alternates, variates which each other. The middle section has a playful and childish atmosphere where the guitarist knocks on the body of the guitar resembling a Spanish folk instrument cajon. This is leading to a section which tends more to a very aggressive fusion-like riff that loses control and reaches its climax at the end. II. Linea: The static rhytmical pulse is now disintegrated and it forms more or less sort of a free, improvisational state in a rubatolike tempo. The character is described as a very hot day with temperatures rising above 37! C (or 100! F) where you can hardly do anything just sitting dozed off and pespiring because of the extreme heat watching a huge fog coming up in the evening that spreads around the Tuscan atmosphere. III. Finale: It starts off with fast one-note ostinati then more and more notes pop up like a gradual rain storm with thunder strikes! And eventually it leads to that is a large flood through the streets of an medieval Southern town. The work ends with a short circuit slapped strings along with extremely fast tremolos that reaches higher and louder as possible! Benjamin Staern $26.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| String Quartet No. 4 "chaconne" - Score And Parts String Quartet: 2 violins, viola, cello Schott
String quartet SKU: HL.49045639 Chaconne. Composed by Fred Lerdahl...(+)
String quartet SKU: HL.49045639 Chaconne. Composed by Fred Lerdahl. This edition: Saddle stitching. Sheet music. String Ensemble. Softcover. Composed 2016. 108 pages. Duration 990 seconds. Schott Music #ED 30174. Published by Schott Music (HL.49045639). ISBN 9781540004796. UPC: 888680710774. 9.5x12.0x0.37 inches. Chaconne (2016), for string quartet, was commissioned by the Daedalus Quartet to celebrate its 15th anniversary. The commission was supported by New Music USA, made possible by annual program support and/or endowment gifts from Pennsylvania Council on the Arts, Helen F. Whitaker Fund, and Aaron Copland Fund for Music.My music has a substantial history with Daedalus. I composed the Third String Quartet (2008) for them, and subsequently they performed my three string quartets on several occasions and recorded them brilliantly on Bridge Records (Bridge 9352: Music of Fred Lerdahl, vol. 3). Chaconne is in one movement lasting 19 minutes. It is effectively my fourth string quartet. Quartets 1-3 form a unified cycle lasting 70 minutes. When I finished the cycle, I thought I would never write again for the medium; yet I could not resist the opportunity of working again with Daedalus. The issue was how to compose another string quartet unrelated to the earlier cycle. The solution came from my solo cello piece There and Back Again (2010), which was based on a four-bar variation pattern from a 17th-century chaconne. Unlike the asymmetrical phrases and expanding variations of much of my music, the chaconne form requires symmetrical phrases and strictly periodic variations. I wished to work again with these symmetries but on a larger scale. Chaconne also differs in character and expression from the three-quartet cycle. The cycle is inward and intense, a kind of psychological excavation. Chaconne is, for the most part, transparent and playful. Many of its textures emerge from little canons, not completely unlike the rounds that children sing. Any composer who writes in chaconne form (one thinks above all of the last movement of Bach's D minor violin partita and the finale of Brahms's Fourth Symphony) is confronted with the challenge of how to create a larger form out of a constantly repeating pattern.My Chaconne grows from paired antecedent-consequent phrases, each variation lasting eight bars. The 50 variations group into three large rotations, forming three arcs of tension and relaxation, with subtle parallel connections across the rotations. Notwithstanding my attraction to chaconne form, I purposefully disguised its symmetries and periodicities in order to build an overall dramatic shape. Fred Lerdahl. $118.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Partita No. 2 Piccolo [Score] Theodore Presser Co.
Chamber Music Piccolo SKU: PR.114422450 Composed by Johann Sebastian Bach...(+)
Chamber Music Piccolo SKU: PR.114422450 Composed by Johann Sebastian Bach. Arranged by Nicola Mazzanti. Sws. Full score. 20 pages. Duration 17 minutes. Theodore Presser Company #114-42245. Published by Theodore Presser Company (PR.114422450). ISBN 9781491134986. UPC: 680160685974. 9 x 12 inches. Bachâs colossal Partita No. 2 for Solo Violin has been crowned by many masters as one of musicâs greatest achievements, and even its famous Chaconne movement alone is a mountain many performers dare not scale. While the literature of several other instruments has been enriched by transcriptions of the Chaconne, Mazzantiâs heroic adaptation of the complete Partita is the culmination of many yearsâ work, and the only transcription specifically for the piccoloâs unique range. THE INSPIRATIONEver since my childhood, Johann Sebastian Bachâs solo violin music (like his works for solo cello) has always held a charm and mystery for me. Thereâs something about this repertoire that sparks an inextinguishable questioning in my musical and human soul.It is music without spatial limits or temporal cages, a music as essential as it is masterfully complex, in which the solitary voice of man meets the all-encompassing voice of God. It is a music whose vertical and horizontal dimensions, already admirably fused, are faceted into new and mysterious realities. For every violinist, the study of these compositions is at the apex of tenacious technical study and interpretative effort.Violinist Joshua Bell has said the Ciaccona (Bach did write the Partitaâs movement titles in Italian) is ânot just one of the greatest pieces of music ever written, but one of the greatest achievements of any man in history. Itâs a spiritually powerful piece, emotionally powerful, structurally perfect.âTranscribing and performing Bachâs PARTITA NO. 2, BWV 1004 on piccolo was a feat that took years of work. The famous Ciaccona movement is, of course, the piece that alone occupied most of this time. How does one honor and elevate such high music with such a âsmallâ instrument, devoid of the enormous expressive potential of the violin, devoid of its chords and its polyphony? How might I transform the piccolo into an instrument with, like the violin, full-bodied low notes and subtle high notes? Above all, why undertake such a demanding and extraordinary journey?The first reason is obvious: by transcribing, studying, and performing such an admirable piece, we assimilate it, it becomes part of us, it enormously enriches our musical interior.In addition, it forces us technically to expand the colors, agility, and flexibility of the instrument; it makes us think in a polyphonic way.Finally, the daily study, especially of the Ciaccona, is an extraordinary gymnasium in which to consolidate and strengthen our general technique.THE TRANSCRIPTIONThe whole Partita was transcribed in the key of A minor, a fifth above the original in D minor. This was necessary for the lowest note of the violin (G) to correspond to the lowest note of the piccolo (D). This version exploits the full range of the piccolo, from the D of the first octave to the B of the third octave. However some octave adjustments were needed.The chords, particularly in the Sarabanda and the Ciaccona, have been left with the same notational system used by Bach in his version for violin. I chose to respect Bachâs presentation and did not transcribe these into grace notes breaking the chords. I advocate that we must at least try to think of this music in its vertical dimension, trying to make the notes resonate as if they were being played together, deciding the speed of the arpeggio based on musical needs.While some woodwind editions of Bachâs string solos do indicate broken chords as grace notes, this implies that the most important note is necessarily the highest one, while sometimes it is precisely in the lower pitches that the theme is voiced.In this piccolo adaptation, many of Bachâs original articulations have been respected. Some have been changed, when needing to adapt them to the specific needs of flute playing.The two passages in the Ciaccona where Bach indicates âarpeggioâ were rendered trying to respect the most consolidated and virtuous violin traditions, and at the same time the possibilities that the piccolo offers us. For this purpose, in some cases, different revoicings of the chords have been used.I thank all those who patiently listened to me and were close to me during this period, for their observations and advice. In particular, I thank my daughter Sara for her assistance and skill in entering this edition into music writing software. $18.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Johann Sebastian Bach: Chaconne In D Minor Piano solo [Singles] - Intermediate/advanced Hal Leonard
Composed by Johann Sebastian Bach (1685-1750), arranged by Ferruccio Benvenuto B...(+)
Composed by Johann Sebastian Bach (1685-1750), arranged by Ferruccio Benvenuto Busoni (1866-1924). For solo piano. Format: piano solo single. With standard notation. Baroque. D Minor. 21 pages. 9x12 inches. Published by Hal Leonard.
(1)$3.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Ultimate Organ Book
Organ [Sheet music] Hope Publishing Company
Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding ...(+)
Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding and Sacred. Print Music Collection (Book). 407 pages. Published by Hope Publishing Company. Level: (Moderate).
(4)$79.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| J. S. Bach Transcriptions for Classic Guitar Guitar Classical guitar [Sheet music + Audio access] - Intermediate Mel Bay
Composed by Johann Sebastian Bach (1685-1750). Arranged by Javier Calderon. Fo...(+)
Composed by Johann Sebastian
Bach (1685-1750). Arranged
by Javier Calderon. For
classical guitar.
Solos/Studies, Baroque.
Intermediate. Book and
Online Audio. 72 pages.
Published by Mel Bay
Publications, Inc
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Johann Sebastian Bach: Chaconne in D minor
Piano solo [Singles] - Advanced Peters
(With Variations from Partita No.2 for Violin Solo) Composed by Johann Sebastian...(+)
(With Variations from Partita No.2 for Violin Solo) Composed by Johann Sebastian Bach (1685-1750), arranged by Ferruccio Busoni (1866-1924), edited by Paul Banks. Single piece for piano solo. With introductory text, critical commentary, fingerings and editorial commentary. 35 pages. Published by C.F. Peters.
(1)$16.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Memorial Suite in C Minor Concert band [Score] - Easy De Haske Publications
Concert Band (Score) - Grade 3 SKU: HL.44011072 Concert Band Full Scor...(+)
Concert Band (Score) - Grade 3 SKU: HL.44011072 Concert Band Full Score. Composed by Jacob De Haan. De Haske Concert Band. Classical. Score Only. Composed 2009. De Haske Publications #1094774140. Published by De Haske Publications (HL.44011072). UPC: 884088646097. 9x12 inches. English-German-French-Dutch. Diese Suite in c-Moll zollt einem berühmten klassischen Blaserwerk Tribut - der Ersten Suite in Es-Dur von Gustav Holst von 1909 - und erscheint zu deren 100-jahrigem Jubilaum. Die viersatzige Suite erinnert an die Stilistik von Holst, enthalt aber auch charakteristische Klangidiome sowie Strukturmerkmale von Jacob de Haan. Eine erfrischende originale Komposition, inspiriert von einem durchaus nicht angestaubten Klassiker.
En 1909, Gustav Holst composa une œuvre audacieuse et novatrice, la Premiere Suite en Mib Majeur, op. 28 ndeg1 (First Suite in Eb major, Op. 28, No. 1), une suite exclusivement ecrite pour instruments a vent. A l'occasion du centenaire de cette piece, devenue un classique du repertoire pour Orchestre d'Harmonie, Jacob de Haan a compose la Memorial Suite en Ut mineur. Cette composition en quatre mouvements fait reference aux qualites stylistiques de l'œuvre de Holst, tout en s'appuyant sur le langage sonore et l'ecriture caracteristiques du style de Jacob de Haan. Le resultat est original.Comme Gustav Holst, Jacob de Haan a choisi d'ouvrir sasuite avec une chaconne, une forme de variation contrapuntique (a l'origine une danse espagnole a trois temps) dans laquelle un theme revient de facon recurrente accompagne a chaque fois par un nouveau contre-chant. Ce theme ostinato est utilise de differentes manieres tout au long des quatre mouvements, assurant ainsi l'unite de l'œuvre. Le second mouvement est un scherzo. Par sa progression et son caractere, il s'apparente a l'intermezzo central de la suite de Holst. Le troisieme mouvement, Song Without Words (Chanson sans paroles), porte le meme titre que le second mouvement de la Deuxieme Suite en Fa, op. 28 ndeg 2 (Second Suite in F, Op. 28, No. 1) composee par Holst en 1911. A mi-chemin de ce mouvement tres expressif apparait un solo de saxophone alto. Jacob de Haan conclut son œuvre par une Marche comme le fit jadis Gustav Holst. $33.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Johann Sebastian Bach : Chaconne from Partita No. 2 in D Minor Piano solo G. Henle
(Piano Solo). By Johann Sebastian Bach (1685-1750). Edited by Norbert M&Atil...(+)
(Piano Solo). By Johann
Sebastian Bach (1685-1750).
Edited by Norbert Müllemann.
For Piano. Henle Music Folios.
Softcover. 35 pages. G. Henle
#HN557. Published by G. Henle
$18.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Chaconne in D Minor Brass ensemble [Score and Parts] - Beginner Brass Wind Publications
By Bach/Busoni. Arranged by Purser. For 4 trumpets, 1 horn, 4 trombones, 1 tuba....(+)
By Bach/Busoni. Arranged by Purser. For 4 trumpets, 1 horn, 4 trombones, 1 tuba. Brass Ensemble. London Brass Exclusive. Grade 14-15. Score and parts. Published by Brass Wind Publications
$50.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Chaconne in D minor Concert band [Score and Parts] - Intermediate Daehn Publications
Grade 4.5 SKU: CL.LDP-7052-00 Composed by Johann Sebastian Bach. Arranged by Da...(+)
Grade 4.5
SKU: CL.LDP-7052-00
Composed by Johann Sebastian Bach. Arranged by Daehn. Concert Band. Score and set of parts. Composed 1998. Duration 9 minutes, 19 seconds. Published by Daehn Publications (
$86.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Chaconne in D minor Concert band [Score] - Intermediate Daehn Publications
Grade 4 SKU: CL.LDP-7052-75 Composed by Johann Sebastian Bach. Arranged b...(+)
Grade 4 SKU: CL.LDP-7052-75 Composed by Johann Sebastian Bach. Arranged by Daehn. Concert Band. Oversized, spiral-bound score. Composed 1998. Duration 9 minutes, 19 seconds. Daehn Publications #LDP-7052-75. Published by Daehn Publications (CL.LDP-7052-75). $30.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Chaconne in D minor Concert band [Score] - Intermediate Daehn Publications
Grade 4 SKU: CL.LDP-7052-01 Composed by Johann Sebastian Bach. Arranged b...(+)
Grade 4 SKU: CL.LDP-7052-01 Composed by Johann Sebastian Bach. Arranged by Daehn. Concert Band. Extra full score. Composed 1998. Duration 9 minutes, 19 seconds. Daehn Publications #LDP-7052-01. Published by Daehn Publications (CL.LDP-7052-01). Freely adapted and excerpted from the Ferruccio Busoni transcription of Partita II, BWV 1004. $10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| An Anthology of Piano Music for the Left Hand Alone Piano solo Carl Fischer
Chamber Music Piano SKU: CF.PL1072 Edited by Ruby Morgan. Collection. 168...(+)
Chamber Music Piano SKU: CF.PL1072 Edited by Ruby Morgan. Collection. 168 pages. Carl Fischer Music #PL1072. Published by Carl Fischer Music (CF.PL1072). ISBN 9781491160244. UPC: 680160918836. An Anthology of Piano Music for the Left Hand Alone marks a rare and significant entry to the piano literature as one of the only collections of the oft-neglected left-hand piano repertoire. Serious literature for the left hand alone has a long and storied past. Contained within this volume, the serious advanced pianist will find a wealth of artistically satisfying repertoire for the left hand that will not only strengthen the technical development of the left hand, but also make for impressive showpieces on the recital stage.This volume includes hitherto unpublished gems like Earl Wild's Etude No. 3 for the Left Hand Alone (Based on Gershwin’s The Man I Love) and Ruth Wylie's Soliloquy for Piano, Left Hand, Op. 23, as well as established classics of the repertoire like Godowky's Chopin arrangements, and even modern and contemporary additions like Bartok’s Etude for the Left Hand and Corigliano's Etude No. 1 for the Left Hand Alone. $39.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Festival Anthology Organ Associated
Organ Solo. By Various. Arranged by E. Power Biggs. Organ Collection. Size 9x11....(+)
Organ Solo. By Various. Arranged by E. Power Biggs. Organ Collection. Size 9x11.25 inches. Published by Associated.
$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Volume 3 (CD) - Blue
CD. Published by Daehn Publications (DH.CDVOL3). Song List (17) Stone: Ancient V...(+)
CD. Published by Daehn Publications (DH.CDVOL3).
Song List (17)
Stone: Ancient Visions: Fanfare for
Winds and Percussion
Daehn: Country Wildflowers
Broege: Procession and Torch Dance
Forsblad: Medusa
Fenske: Music from the Great Hall
Barton: For the New Day Arisen
La Plante: Prairie Songs
Forsblad: Delineations
Sousa/Knoener: New York Hippodrome March
Bach/Daehn: Chaconne in D minor
Cichy: Galilean Moons
Sousa/Worman: Beau Ideal March
La Plante: American Riversongs
Deiro/Daehn: PietroÃs Return March
Daehn: Highland Echoes
La Plante: Come to the Fair!
$3.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Prelude, Fugue Et Chaconne In D Minor (maitres No.63) (organ) Organ Leduc, Alphonse
Organ (Organ) SKU: HL.48184685 Composed by Johann Pachelbel. Leduc. Baroq...(+)
Organ (Organ) SKU: HL.48184685 Composed by Johann Pachelbel. Leduc. Baroque. Softcover. 10 pages. Alphonse Leduc #AL27816. Published by Alphonse Leduc (HL.48184685). UPC: 888680843359. 9.0x12.0x0.057 inches. Johann Pachelbel: Prelude, Fugue et Chaconne in D minor (Maitres No.63) (Organ). $22.40 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Chaconne in D Minor - Brass Quartets With Score Brass Quartet - Intermediate Rubank Publications
Chaconne in D Minor. (Brass Quartet - Grade 3.5). By Newell H. Long. For Brass Q...(+)
Chaconne in D Minor. (Brass Quartet - Grade 3.5). By Newell H. Long. For Brass Quartet, Brass Ensemble. Rubank Solo/Ensemble Sheet. Grade 3.5. 28 pages. Rubank Publications #RUBX352. Published by Rubank Publications
$9.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Freiburger Orgelbuch Organ [Sheet music] Carus Verlag
By Various. Edited by Meuser, Michael / Berning, Thomas / Kohlmann, Mathias / De...(+)
By Various. Edited by Meuser, Michael / Berning, Thomas / Kohlmann, Mathias / Degott, Matthias / Kolle, Martin / Walter, Meinrad / Geismann, Wilm. Occasions: Eucharist, Communion, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Mourning, Death; Use during church year: Advent, Lent and Passiontide, Easter and Eastertide, Christmas. Collection. 224 pages. Published by Carus Verlag (German import).
$81.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| J.S. Bach: Chaconne for Organ (Ed. John Cook) Music Sales | | |
Next page 1 31 61 |