Composed by Nicolo Paganini (1782-1840). Edited by Frederic Zigante. Editions Durand. Softcover. 92 pages. Editions Max Eschig #DF16375. Published by Editions Max Eschig

With Suggested Chordal Accompaniment. Composed by Craig Duncan. Violin,Guitar: Gospel and Sacred,Style,Featured Products,Duets and Ensembles,Solos,Duets and Ensemble,Solos,Holiday: Christmas,. 100 Hymns. Book. 124 pages. Published by Mel Bay Publications, Inc

By Various. Arranged by Mark Phillips. Guitar Collection. Movies, Pop, Standards. Softcover. 114 pages. Published by Hal Leonard

Guitar - difficult

SKU: HL.49010950

Canti e rimpianti amorosi. Composed by Hans Werner Henze. Arranged by Juergen Ruck. This edition: Saddle stitching. Sheet music. Gitarren-Archiv (Guitar Archive). Classical. Playing score. Composed 1998. 28 pages. Duration 23'. Schott Music #GA538. Published by Schott Music (HL.49010950).

ISBN 9790001126427. UPC: 884088674472. 9.0x12.0x0.098 inches.

''The movements in this suite were originally taken from my animal opera The English Cat but have undergone a series of mutations in the process of adaptation, their shape has changed and the melody and harmonies have altered, mainly, in order to accommodate the specific tonal qualities and possibilities of the guitar duet.'' - Hans Werner Henze I. Canzona felina e campagnola * II. Aria lunare * III. Il cuore spezzato * IV. Pianto delle due sorelle * V. Minuetto di Minette * VI. Chanson d'Adieu * VII. La morte amorosa dell'eroina.

Guitar

SKU: UT.CH-322

Composed by Giovanni Scapecchi. Edited by Raffaello Ravasio. Saddle stitching. Piero Bonaguri Collection. Classical. Score and Parts. Ut Orpheus #CH 322. Published by Ut Orpheus (UT.CH-322).

ISBN 9790215326309. 9 x 12 inches.

I am delighted to include in this series â?? so far almost totally made up of pieces written for me â?? this piece for guitar and piano composed by Giovanni Scapecchi and dedicated to the duo made up of my former student Raffaello Ravasio, who edited the fingering of the guitar part, and of Samuele Amidei. I am also particularly delighted because this piece was commissioned by the Duo Ravasio-Amidei as part of their full project in homage to Mario Castelnuovo-Tedesco on the fiftieth anniversary of his death.
In this composition, there are many references to the figure and work of Mario Castelnuovo-Tedesco. First of all the duo guitar-piano is the same as in Fantasia Op. 145 by Castelnuovo-Tedesco (written for Andrés Segovia and Paquita Madrigueira), the most famous piece of the twentieth century composed for this formation. The piece by Giovanni Scapecchi, in the form of a Suite of dances, refers explicitly to the one by the famous dedicatee by means of some references which appear in the Sarabanda and in the Giga. The Crete mentioned in the title are, of course, the famous Senese clays which, with their colours and shapes, make up a remarkable part of the Tuscan landscape. Furthermore, profound meanings are attributed by Giovanni Scapecchi to the earth which makes up the clays (like Castelnuovo-Tedesco, he is a native of Tuscany, where he still lives). The Composer recalls first of all that the book of Genesis tells us that the first man was taken from the earth (there is therefore this primordial connection between man and earth). Moreover, the historic man, Mario Castelnuovo-Tedesco, honoured here, maintained a deep relationship with his homeland â?? despite the dramatic separation due to the enforced exile to the USA, which took place in 1939 following the racial laws. Stylistically, I then found a further link between this piece and its dedicatee â?? who was influenced in his early works by musical Impressionism â?? in a certain French atmosphere running through the Suite.
(Piero Bonaguri).