SKU: XC.HRMG2351
UPC: 785147109655.
Requiem is a powerfully appealing, tender exploration of love and loss. Grounded in tradition while incorporating a present-day harmonic language, two Gregorian Chant motives are interwoven throughout the lush harmonies and soaring melodies. The level of difficulty is within the reach of many choirs and most orchestral players, making it an attractive choice for church or concert hall. A new translation of the traditional text makes it possible to perform the work entirely in English or entirely in Latin. Available accompaniments for piano, organ only, organ and winds, or chamber orchestra. Whether your choir sings a major work twice a year or is looking to try a multi-movement work for the first time, it is an excellent choice for the worship space or concert hall. The work has a flexible duration (28-40 min.) depending on the inclusions optional solo and a cappella movements. 40 min. – Complete – All movements - 34 min. – Without Solo Movements (5 And 9) - 33 min. – Without Unaccompanied Movements (2 and 7) - 28 min. – Without Unaccompanied or Solo Movements (1,3,4,6,9, 10 only) There are 3 accompaniment options: Piano/Organ only; Organ and Winds (5 players + org.); Chamber Orch. (13-20 players).
SKU: HL.49032183
ISBN 9790001071413.
SKU: CA.3116249
ISBN 9790007208943. Language: German/English. Scripture: Matthew 22:1-14.
The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200.
SKU: CL.012-4495-01
This prolific composer has penned many beautiful, dramatic, and emotional works. On this occasion, he has created a hymn setting that is highly reflective and musically very powerful. While the band parts certainly stand on their own, optional use of antiphonal trumpets, organ, and choir are included should you desire to provide your audience with a spectacular performance that won’t soon be forgotten. This is truly a very inspirational work. Very Impressive!
SKU: HL.49032181
ISBN 9790001071390.
SKU: CL.012-3410-01
From the powerful opening statement to the full and glorious ending, this new and spectacular rendition of our national anthem will captivate your audience's attention right from the very start. A solid approach to scoring allows this creative setting to be highly suitable for all occasions. In addition, the optional parts for both full choir and organ make this arrangement of our nation's song a special choice for that district band and choir festival. Incredibly satisfying and strongly recommended!
About Heritage of the March
Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style
SKU: HL.49032178
ISBN 9790001071369.
SKU: HL.49032177
ISBN 9790001071352.
SKU: HL.49001286
ISBN 9790001014410. UPC: 196288196945. 7.5x10.5 inches. German.
SKU: HL.49032176
ISBN 9790001071345.
SKU: CA.5017211
ISBN 9790007080549. Key: B flat major. Language: Latin.
The Mass in B flat, op. 172, dates from 1892 and was published in two authentic versions. The instrumental accompaniment can be played either by an ensemble of wind instruments or by organ. Between Gloria and Credo Rheinberger placed a powerfully expressive a cappella Ave Maria, probably due to the fact that the Mass was first performed on a major feast day of the Virgin Mary: on the feast of Purification (Candlemas) in Breslau Cathedral. Score and part available separately - see item CA.5017200.
SKU: HL.49032180
ISBN 9790001071383.
SKU: HL.49032182
ISBN 9790001071406.
SKU: HL.49004501
ISBN 9790001046916. German.
SKU: HL.49001287
ISBN 9790001014427. German.
SKU: HL.49019669
ISBN 9790001189880. Latin.
Die Satze dieser Missa entstanden im Verlauf mehrerer Jahre und wurden fur den Madchenchor am Essener Dom komponiert. Ihren Titel bezieht die Messe von der Widmung des Agnus Dei 'dem Gedenken der unschuldigen Opfer in Sant Anna di Stazzema im Kriegsjahre 1944 (einem Dorf i. d. Toscana) und der Idee und dem Geist des dortigen Friedenszentrums'.Kyrie und Agnus Dei sind a cappella gehalten, wahrend Gloria und Sanctus von Chor und Gemeinde gemeinsam gestaltet werden. Dieses ausserordentlich interessante Werk ist mit Orgelbegleitung oder mit Orgel- und Blaserbegleitung auffuhrbar.
SKU: HL.49001036
Die volle Besetzung ist 17stimmig, die Holzblaser sowie die fuhrenden Blechblaser konnen nach Bedarf verdoppelt werden. Die kleinste mogliche Besetzung besteht aus den folgenden sieben Stimmen: 2 Flugelhorner in B, Tenorhorn in B, 2 Trompeten in B, Posaune und Basstuba.
SKU: CA.2731705
ISBN 9790007182083. Language: Latin.
During his most productive period as an opera composer, Camille Saint-Saens also wrote sacred works, among which his Oratorio de Noel has enjoyed great worldwide popularity. The colorful and opulently orchestrated Messe de Requiem was composed in 1878 in Bern. The composer dedicated it to his patron, Albert Libon. We have published this edition both with its larger orchestral forces and to enable perfomances of the Requiem in slightly reduced scoring (without losing the special characteristics of the work), in a version with a smaller orchestra consisting of 11 winds, two harps, organ and string instruments. The full score reproduces the Urtext of the Requiem with its original scoring, whereas the performance material is presented and conceived so to enable it to be performed either in the original orchestration or the version with reduced forces. Score available separately - see item CA.2731700.
SKU: GI.G-7261
UPC: 785147726104. English, Spanish. Translation: Mary Louise Bringle. Text by Francisco Luis Bernárdez.
This easily sung piece is perfect for celebrations of the Spirit. The simple congregational melody, intertwined with the Latin chant “Veni Creator Spritus” sung by the choir, makes this an effective processional piece. Multiple reprint boxes are included for use with English, Spanish, or bilingual assemblies. Wind quintet part is optional
SKU: HL.48023873
UPC: 888680637705. 6.75x10.5 inches.
This beautiful, traditional Christmas text, also known as “Wind Through The Olive Trees,” has been delicately set by Carol Barnett. The beautiful, three staff organ accompaniment provides the long beautiful lines required of this piece. And the final verse, set in a chorale style, never reaches more than a piano dynamic establishing a beautiful manger scene.
SKU: GH.SK-783S
SKU: HL.49044198
ISBN 9790001192897. 9.0x11.75x0.07 inches. German.
The fact that Hermann Schroeder ranks among the most important composers of Catholic church music in the 20th century shows especially in the simple church music form of the choral setting, e. g. in his setting of the sacred song Unuberwindlich starker Held, Sankt Michael. With his own typical archaic tonal language, Schroeder creates an a cappella choral setting (SATB) in which the dignity and the admiration of the heroic deeds of the Archangel Michael find their musical expression in a very compact form. The underlying melody (GL 924) dates from 1623. The author of the text of the Song of Michael is the German hymn writer Friedrich Spee. A very charming choral setting that can be easily mastered by any church choir; its five verses have to be sung alternately by the choir and the congregation. Apart from the a cappella choral setting, the practical congregational edition also contains a chorale prelude and the organ chorale which can, of course, be used as accompaniment for the congregation, but also for the choral setting.
SKU: CA.9700349
ISBN 9790007238797. Language: Latin.
Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300.
SKU: MN.50-5204
UPC: 688670552045.
Set in an English style reminiscent of Ralph Vaughan Williams and Herbert Howells, David CherwienÕs music merges with an original text by Susan Palo Cherwien to evoke images of the music now made in heaven: the ÒEternal Praise.Ó Commissioned in memory of a violinist, mystical winds of Òhymning choirÓ move in and out of a string of sound in the violin. Part of the St. Luke United Methodist Series.
SKU: GI.G-CD-385
This new Mass provides the ultimate in flexibility, yet retains a wonderful musical unity that will enable your assembly to sing it with ease. Many options are provided to encourage your creativity in adapting the setting., yet the writing is straightforward and accessible to resources of every kind. Written for SAB choir, these settings provide both a substantial choral sound and greater accessibility to smaller parish choirs and ensembles. The Mass may even be sung by assembly and cantor alone. Mass of the Angels and Saints is wonderfully effective on piano with optional guitar and woodwinds as well as on organ with optional brass quartet and timpani. (The single keyboard part works on piano or organ.) Includes a penitential litany (with 9 sets of invocations), sprinkling song, Gloria, Alleluia and Lenten Gospel acclamations, general intercessions, sung Eucharistic Prayer III, and Lamb of God. Plus, the recording includes eight additional songs by Steven Janco.
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