SKU: CA.4009019

ISBN 9790007217570. Language: Latin.

In this occasionally unusual, expressive work, Cherubini sensitively follows the drama of the psalm texts, on which the work is based. In concert the work is suitable as an impressive pendant to the masses and requiem settings of Cherubini, Haydn, or Mozart, and also in combination with the great sacred works of the 19th century. Score and parts available separately - see item CA.4009000.

SKU: CA.4009012

ISBN 9790007217532. Language: Latin.

In this occasionally unusual, expressive work, Cherubini sensitively follows the drama of the psalm texts, on which the work is based. In concert the work is suitable as an impressive pendant to the masses and requiem settings of Cherubini, Haydn, or Mozart, and also in combination with the great sacred works of the 19th century. Score and part available separately - see item CA.4009000.

SKU: CA.4009015

ISBN 9790007217563. Language: Latin.

In this occasionally unusual, expressive work, Cherubini sensitively follows the drama of the psalm texts, on which the work is based. In concert the work is suitable as an impressive pendant to the masses and requiem settings of Cherubini, Haydn, or Mozart, and also in combination with the great sacred works of the 19th century. Score and part available separately - see item CA.4009000.

SKU: CA.4009011

ISBN 9790007217525. Language: Latin.

In this occasionally unusual, expressive work, Cherubini sensitively follows the drama of the psalm texts, on which the work is based. In concert the work is suitable as an impressive pendant to the masses and requiem settings of Cherubini, Haydn, or Mozart, and also in combination with the great sacred works of the 19th century. Score and part available separately - see item CA.4009000.

SKU: CA.4009000

ISBN 9790007094485. Language: Latin.

In this occasionally unusual, expressive work, Cherubini sensitively follows the drama of the psalm texts, on which the work is based. In concert the work is suitable as an impressive pendant to the masses and requiem settings of Cherubini, Haydn, or Mozart, and also in combination with the great sacred works of the 19th century.

SKU: HL.8203036

UPC: 884088633219. 6.75x10.5 inches.

The Irish artist Enya captures the ebb and flow of the Caribbean wind and waters in this lilting song from her second album. The layered vocals and finger style accompaniment for guitar or keyboard will create a mesmerizing atmosphere in performance. Available separately: SATB, SAB, SSA, ShowTrax CD. Rhythm section parts available as a digital download (syn, gtr, b, dm). Duration: ca. 3:10.

SKU: CA.3113005

ISBN 9790007170554. Language: German/English.

As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score available separately - see item CA.3113000.

SKU: CA.3113019

ISBN 9790007207878. Language: German/English.

As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score and parts available separately - see item CA.3113000.

SKU: CA.3113003

ISBN 9790007061296. Language: German/English.

As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score available separately - see item CA.3113000.

SKU: CA.3113049

ISBN 9790007207885. Language: German/English.

As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score and part available separately - see item CA.3113000.

SKU: HL.14018437

The Requiem Mass in C Minor, Cherubini's first, was commissioned for the anniversary of the execution of Louis XVI by the restored French monarchy. The Requiem was highly admired by the public and critics as well as by Mendelssohn, Berlioz and Beethoven. Cherubini sets a solemn tone right from the beginning by using the lower Strings and winds only to accompany the Voices and continues to display his inventiveness with great effectiveness throughout the work. The thunder and lightning of the Dies Irae, the prayerful pianissimo sections of the Agnus Dei accompanied by ostinato, the complete lack of soloists are all remarkable elements of this historically importantwork.Luigi Cherubini was a composer, conductor, teacher, administrator and music publisher who, though born in Italy, dominated the musical world of Paris for nearly five decades. His composing life can be divided very roughly into to phases: the operatic phase during the French Revolutionary period and the equally successful religious music phase at the beginning of the Restoration afterwards. His directorship of the Paris Conservatoire strengthened its position at the peak of musical education on the Continent.