SKU: YM.GTP01101464

ISBN 9784636880472. 8.75 x 12 inches.

The Yamaha Piano Library, which began in the 1980s, is a series designed to provide students with new teaching materials and repertoire essential to music education. Today, pianists all over the world are required to play pieces from different eras with technique and sensitivity that reflect the characteristics of the music of that period. To meet these demands, this series offers a wide range of piano compositions from different periods, regions, and styles. Many of these pieces are not included in other collections and are selected as required pieces for competitions each year.
This fascinating collection includes compositions from Germany, one of the leading countries of the Romantic period, as well as from all over Europe, Russia, the United States and other regions, ranging from the less frequently played to the standard pieces in a well-balanced manner. Arranged in order of difficulty so that they can be played according to the student's skill level, the 31 pieces composed for the piano by Romantic composers are selected for students studying at Bayer's later levels.

SKU: BT.EMBZ20084

English-Hungarian.

Bartók's Mikrokosmos has been one of the milestones in pedagogical piano repertoire for 80 years - and yet it is also far more than a classical piano primer. These 153 piano pieces, organized in ascending order of difficulty, engage not only with technical aspects of piano playing but also with the fundamentals of composition - from Imitation and Inversion, Ostinato, and Free Variations, concerning compositional technique, to mood pieces and pieces with programmatic ideas such as Notturno, Boating, From the Diary of a Fly, or the famous Six Dances in Bulgarian Rhythm. Mikrokosmos first appeared in 1940 in six volumes. Based on volume 40 of the Bartók CompleteEdition published in 2020(Z. 15040), the present Urtext edition offers the series gathered in three volumes. This edition includes Bartók's preface, exercises, and notes written for the first edition. Furthermore, it also features a preface and comments by the editor, which not only discuss the genesis and the compositional sources but also provide performers, teachers and pupils alike, with authentic and detailed information about Bartók's notation and the specific performing problems of Mikrokosmos.