| Gospel's Greatest
Melody line, Lyrics and Chords [Fake Book] - Intermediate Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord n...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord names and guitar chord chart. Gospel and worship. Series: Hal Leonard Fake Books. 295 pages. 9x12 inches. Published by Hal Leonard.
(26)$37.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Everglades (River of Grass) Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, Double Bass, English Horn, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1 and more. SKU: PR.16500101F Mvt. 1 from Symphony No. 6 (Three Places in the East). Composed by Dan Welcher. Full score. 52 pages. Theodore Presser Company #165-00101F. Published by Theodore Presser Company (PR.16500101F). ISBN 9781491131725. UPC: 680160680252. Ever since the success of my series of wind ensemble works Places in the West, I've been wanting to write a companion piece for national parks on the other side of the north American continent. The earlier work, consisting of GLACIER, THE YELLOWSTONE FIRES, ARCHES, and ZION, spanned some twenty years of my composing life, and since the pieces called for differing groups of instruments, and were in slightly different styles from each other, I never considered them to be connected except in their subject matter. In their depiction of both the scenery and the human history within these wondrous places, they had a common goal: awaking the listener to the fragile beauty that is in them; and calling attention to the ever more crucial need for preservation and protection of these wild places, unique in all the world. With this new work, commissioned by a consortium of college and conservatory wind ensembles led by the University of Georgia, I decided to build upon that same model---but to solidify the process. The result, consisting of three movements (each named for a different national park in the eastern US), is a bona-fide symphony. While the three pieces could be performed separately, they share a musical theme---and also a common style and instrumentation. It is a true symphony, in that the first movement is long and expository, the second is a rather tightly structured scherzo-with-trio, and the finale is a true culmination of the whole. The first movement, Everglades, was the original inspiration for the entire symphony. Conceived over the course of two trips to that astonishing place (which the native Americans called River of Grass, the subtitle of this movement), this movement not only conveys a sense of the humid, lush, and even frightening scenery there---but also an overview of the entire settling-of- Florida experience. It contains not one, but two native American chants, and also presents a view of the staggering influence of modern man on this fragile part of the world. Beginning with a slow unfolding marked Heavy, humid, the music soon presents a gentle, lyrical theme in the solo alto saxophone. This theme, which goes through three expansive phrases with breaks in between, will appear in all three movements of the symphony. After the mood has been established, the music opens up to a rich, warm setting of a Cherokee morning song, with the simple happiness that this part of Florida must have had prior to the nineteenth century. This music, enveloping and comforting, gradually gives way to a more frenetic, driven section representative of the intrusion of the white man. Since Florida was populated and developed largely due to the introduction of a train system, there's a suggestion of the mechanized iron horse driving straight into the heartland. At that point, the native Americans become considerably less gentle, and a second chant seems to stand in the way of the intruder; a kind of warning song. The second part of this movement shows us the great swampy center of the peninsula, with its wildlife both in and out of the water. A new theme appears, sad but noble, suggesting that this land is precious and must be protected by all the people who inhabit it. At length, the morning song reappears in all its splendor, until the sunset---with one last iteration of the warning song in the solo piccolo. Functioning as a scherzo, the second movement, Great Smoky Mountains, describes not just that huge park itself, but one brave soul's attempt to climb a mountain there. It begins with three iterations of the UR-theme (which began the first movement as well), but this time as up-tempo brass fanfares in octaves. Each time it begins again, the theme is a little slower and less confident than the previous time---almost as though the hiker were becoming aware of the daunting mountain before him. But then, a steady, quick-pulsed ostinato appears, in a constantly shifting meter system of 2/4- 3/4 in alteration, and the hike has begun. Over this, a slower new melody appears, as the trek up the mountain progresses. It's a big mountain, and the ascent seems to take quite awhile, with little breaks in the hiker's stride, until at length he simply must stop and rest. An oboe solo, over several free cadenza-like measures, allows us (and our friend the hiker) to catch our breath, and also to view in the distance the rocky peak before us. The goal is somehow even more daunting than at first, being closer and thus more frighteningly steep. When we do push off again, it's at a slower pace, and with more careful attention to our footholds as we trek over broken rocks. Tantalizing little views of the valley at every switchback make our determination even stronger. Finally, we burst through a stand of pines and----we're at the summit! The immensity of the view is overwhelming, and ultimately humbling. A brief coda, while we sit dazed on the rocks, ends the movement in a feeling of triumph. The final movement, Acadia, is also about a trip. In the summer of 2014, I took a sailing trip with a dear friend from North Haven, Maine, to the southern coast of Mt. Desert Island in Acadia National Park. The experience left me both exuberant and exhausted, with an appreciation for the ocean that I hadn't had previously. The approach to Acadia National Park by water, too, was thrilling: like the difference between climbing a mountain on foot with riding up on a ski-lift, I felt I'd earned the right to be there. The music for this movement is entirely based on the opening UR-theme. There's a sense of the water and the mysterious, quiet deep from the very beginning, with seagulls and bell buoys setting the scene. As we leave the harbor, the theme (in a canon between solo euphonium and tuba) almost seems as if large subaquatic animals are observing our departure. There are three themes (call them A, B and C) in this seafaring journey---but they are all based on the UR theme, in its original form with octaves displaced, in an upside-down form, and in a backwards version as well. (The ocean, while appearing to be unchanging, is always changing.) We move out into the main channel (A), passing several islands (B), until we reach the long draw that parallels the coastline called Eggemoggin Reach, and a sudden burst of new speed (C). Things suddenly stop, as if the wind had died, and we have a vision: is that really Mt. Desert Island we can see off the port bow, vaguely in the distance? A chorale of saxophones seems to suggest that. We push off anew as the chorale ends, and go through all three themes again---but in different instrumentations, and different keys. At the final tack-turn, there it is, for real: Mt. Desert Island, big as life. We've made it. As we pull into the harbor, where we'll secure the boat for the night, there's a feeling of achievement. Our whale and dolphin friends return, and we end our journey with gratitude and celebration. I am profoundly grateful to Jaclyn Hartenberger, Professor of Conducting at the University of Georgia, for leading the consortium which provided the commissioning of this work. $36.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Symphony No. 6 Theodore Presser Co.
Band SKU: PR.16500104F Three Places in the East. Composed by Dan W...(+)
Band SKU: PR.16500104F Three Places in the East. Composed by Dan Welcher. Full score. Theodore Presser Company #165-00104F. Published by Theodore Presser Company (PR.16500104F). ISBN 9781491132159. UPC: 680160681082. Ever since the success of my series of wind ensemble works Places in the West, I've been wanting to write a companion piece for national parks on the other side of the north American continent. The earlier work, consisting of GLACIER, THE YELLOWSTONE FIRES, ARCHES, and ZION, spanned some twenty years of my composing life, and since the pieces called for differing groups of instruments, and were in slightly different styles from each other, I never considered them to be connected except in their subject matter. In their depiction of both the scenery and the human history within these wondrous places, they had a common goal: awaking the listener to the fragile beauty that is in them; and calling attention to the ever more crucial need for preservation and protection of these wild places, unique in all the world. With this new work, commissioned by a consortium of college and conservatory wind ensembles led by the University of Georgia, I decided to build upon that same model---but to solidify the process. The result, consisting of three movements (each named for a different national park in the eastern US), is a bona-fide symphony. While the three pieces could be performed separately, they share a musical theme---and also a common style and instrumentation. It is a true symphony, in that the first movement is long and expository, the second is a rather tightly structured scherzo-with-trio, and the finale is a true culmination of the whole. The first movement, Everglades, was the original inspiration for the entire symphony. Conceived over the course of two trips to that astonishing place (which the native Americans called River of Grass, the subtitle of this movement), this movement not only conveys a sense of the humid, lush, and even frightening scenery there---but also an overview of the entire settling-of- Florida experience. It contains not one, but two native American chants, and also presents a view of the staggering influence of modern man on this fragile part of the world. Beginning with a slow unfolding marked Heavy, humid, the music soon presents a gentle, lyrical theme in the solo alto saxophone. This theme, which goes through three expansive phrases with breaks in between, will appear in all three movements of the symphony. After the mood has been established, the music opens up to a rich, warm setting of a Cherokee morning song, with the simple happiness that this part of Florida must have had prior to the nineteenth century. This music, enveloping and comforting, gradually gives way to a more frenetic, driven section representative of the intrusion of the white man. Since Florida was populated and developed largely due to the introduction of a train system, there's a suggestion of the mechanized iron horse driving straight into the heartland. At that point, the native Americans become considerably less gentle, and a second chant seems to stand in the way of the intruder; a kind of warning song. The second part of this movement shows us the great swampy center of the peninsula, with its wildlife both in and out of the water. A new theme appears, sad but noble, suggesting that this land is precious and must be protected by all the people who inhabit it. At length, the morning song reappears in all its splendor, until the sunset---with one last iteration of the warning song in the solo piccolo. Functioning as a scherzo, the second movement, Great Smoky Mountains, describes not just that huge park itself, but one brave soul's attempt to climb a mountain there. It begins with three iterations of the UR-theme (which began the first movement as well), but this time as up-tempo brass fanfares in octaves. Each time it begins again, the theme is a little slower and less confident than the previous time---almost as though the hiker were becoming aware of the daunting mountain before him. But then, a steady, quick-pulsed ostinato appears, in a constantly shifting meter system of 2/4- 3/4 in alteration, and the hike has begun. Over this, a slower new melody appears, as the trek up the mountain progresses. It's a big mountain, and the ascent seems to take quite awhile, with little breaks in the hiker's stride, until at length he simply must stop and rest. An oboe solo, over several free cadenza-like measures, allows us (and our friend the hiker) to catch our breath, and also to view in the distance the rocky peak before us. The goal is somehow even more daunting than at first, being closer and thus more frighteningly steep. When we do push off again, it's at a slower pace, and with more careful attention to our footholds as we trek over broken rocks. Tantalizing little views of the valley at every switchback make our determination even stronger. Finally, we burst through a stand of pines and----we're at the summit! The immensity of the view is overwhelming, and ultimately humbling. A brief coda, while we sit dazed on the rocks, ends the movement in a feeling of triumph. The final movement, Acadia, is also about a trip. In the summer of 2014, I took a sailing trip with a dear friend from North Haven, Maine, to the southern coast of Mt. Desert Island in Acadia National Park. The experience left me both exuberant and exhausted, with an appreciation for the ocean that I hadn't had previously. The approach to Acadia National Park by water, too, was thrilling: like the difference between climbing a mountain on foot with riding up on a ski-lift, I felt I'd earned the right to be there. The music for this movement is entirely based on the opening UR-theme. There's a sense of the water and the mysterious, quiet deep from the very beginning, with seagulls and bell buoys setting the scene. As we leave the harbor, the theme (in a canon between solo euphonium and tuba) almost seems as if large subaquatic animals are observing our departure. There are three themes (call them A, B and C) in this seafaring journey---but they are all based on the UR theme, in its original form with octaves displaced, in an upside-down form, and in a backwards version as well. (The ocean, while appearing to be unchanging, is always changing.) We move out into the main channel (A), passing several islands (B), until we reach the long draw that parallels the coastline called Eggemoggin Reach, and a sudden burst of new speed (C). Things suddenly stop, as if the wind had died, and we have a vision: is that really Mt. Desert Island we can see off the port bow, vaguely in the distance? A chorale of saxophones seems to suggest that. We push off anew as the chorale ends, and go through all three themes again---but in different instrumentations, and different keys. At the final tack-turn, there it is, for real: Mt. Desert Island, big as life. We've made it. As we pull into the harbor, where we'll secure the boat for the night, there's a feeling of achievement. Our whale and dolphin friends return, and we end our journey with gratitude and celebration. I am profoundly grateful to Jaclyn Hartenberger, Professor of Conducting at the University of Georgia, for leading the consortium which provided the commissioning of this work. $90.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Phillips Collection of Traditional American Fiddle Tunes Vol 1 Violin [Sheet music] Mel Bay
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels. Book. Solos. Size 8.75x11.75. 268 pages. Published by Mel Bay Pub., Inc.
(1)$39.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Singer's Musical Theatre Anthology - Volume 1 (Soprano Book)
Soprano voice, Piano [Sheet music + Audio access] Hal Leonard
Soprano Book/Online Audio. Edited by Richard Walters. Vocal Collection. Piece fo...(+)
Soprano Book/Online Audio. Edited by Richard Walters. Vocal Collection. Piece for the NFMC Vocal event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. Musical theatre, broadway, play along. Softcover Audio Online. 248 pages. Published by Hal Leonard
$44.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Richard Rodgers Classics Piano solo [Sheet music] - Intermediate/advanced Hal Leonard
The Phillip Keveren Series. Piano Solo Mixed Folio (Intermediate to advanced pia...(+)
The Phillip Keveren Series. Piano Solo Mixed Folio (Intermediate to advanced piano arrangements with no lyrics). Book only. Size 9x12 inches. 72 pages. Published by Hal Leonard.
(3)$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Singer's Musical Theatre Anthology - Volume 1 Revised - Soprano
Soprano voice, Piano [Sheet music] Hal Leonard
Compiled by Richard Walters. For soprano voice and piano. Format: piano/vocal so...(+)
Compiled by Richard Walters. For soprano voice and piano. Format: piano/vocal songbook. With vocal melody, piano accompaniment, lyrics and introductory text. Broadway and vocal standards. 248 pages. 9x12 inches
(1)$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Best Broadway Piano Solos Ever Piano solo Hal Leonard
By Various. For Piano/Keyboard. Piano Solo Songbook. Softcover. 320 pages. Publi...(+)
By Various. For Piano/Keyboard. Piano Solo Songbook. Softcover. 320 pages. Published by Hal Leonard
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The First Book of Broadway Solos - Soprano
Soprano voice, Piano [Sheet music + Audio access] - Intermediate Hal Leonard
Soprano. Vocal Collection. Piece for the NFMC Vocal event with the National Fede...(+)
Soprano. Vocal Collection. Piece for the NFMC Vocal event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. Vocal Standards, Broadway and Play Along. Softcover Audio Online. With vocal melody, lyrics, piano accompaniment, introductory text and chord names. 96 pages. Published by Hal Leonard
(4)$27.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| You'll Never Walk Alone (with Climb Every Mountain) Choral TTBB TTBB, Piano Shawnee Press
Composed by Richard Rodgers and Oscar Hammerstein. Arranged by Mark Hayes. Sh...(+)
Composed by Richard Rodgers
and Oscar Hammerstein.
Arranged by Mark Hayes.
Shawnee Press. Broadway,
Movies, Standards. Octavo. 12
pages. Published by Shawnee
Press
$2.15 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 101 Broadway Songs for Violin Violin Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 112 pages. Published by Ha...(+)
Composed by Various.
Instrumental Solo.
Softcover. 112 pages.
Published by Hal Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 101 Broadway Songs for Trombone Trombone Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 112 pages. Published by Ha...(+)
Composed by Various.
Instrumental Solo.
Softcover. 112 pages.
Published by Hal Leonard
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 101 Broadway Songs for Cello Cello Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 112 pages. Published by Ha...(+)
Composed by Various.
Instrumental Solo.
Softcover. 112 pages.
Published by Hal Leonard
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 101 Broadway Songs for Flute Flute Hal Leonard
Composed by Various. For Flute. Instrumental Folio. Softcover. 112 pages. Publis...(+)
Composed by Various. For Flute. Instrumental Folio. Softcover. 112 pages. Published by Hal Leonard
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| 101 Broadway Songs for Clarinet Clarinet Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 114 pages. Published by Ha...(+)
Composed by Various.
Instrumental Solo.
Softcover. 114 pages.
Published by Hal Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 101 Broadway Songs for Tenor Sax Tenor Saxophone Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 112 pages. Published by Ha...(+)
Composed by Various.
Instrumental Solo.
Softcover. 112 pages.
Published by Hal Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 101 Broadway Songs for Viola Viola Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 112 pages. Published by Ha...(+)
Composed by Various.
Instrumental Solo.
Softcover. 112 pages.
Published by Hal Leonard
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 101 Broadway Songs for Alto Sax Alto Saxophone Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 112 pages. Published by Ha...(+)
Composed by Various.
Instrumental Solo.
Softcover. 112 pages.
Published by Hal Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 101 Broadway Songs for Trumpet Trumpet Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 112 pages. Published by Ha...(+)
Composed by Various.
Instrumental Solo.
Softcover. 112 pages.
Published by Hal Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 101 Broadway Songs for Horn French horn Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 112 pages. Published by Ha...(+)
Composed by Various.
Instrumental Solo.
Softcover. 112 pages.
Published by Hal Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Climb Ev'ry Mountain (from The Sound of Music) Concert band [Score and Parts] - Easy Hal Leonard
Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Robert Longfi...(+)
Composed by Oscar Hammerstein
and Richard Rodgers. Arranged
by Robert Longfield. For
Concert Band (Score & Parts).
Discovery Plus Concert Band.
Grade 2. Published by Hal
Leonard
$45.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Climb Ev'ry Mountain Choral SATB SATB, Piano Hal Leonard
From The Sound of Music. Arranged by Kirby Shaw. Broadway Choral. Broadway, I...(+)
From The Sound of Music.
Arranged by Kirby Shaw.
Broadway Choral. Broadway,
Inspirational, Movies, Show
Choir. Octavo. 12 pages.
Published by Hal Leonard
$1.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Sound of Music (The Escape) Marching band [Score and Parts] - Intermediate Arrangers' Publishing Company
(Includes: The Chase, Climb Ev'ry Mountain). By Oscar Hammerstein and Richard Ro...(+)
(Includes: The Chase, Climb Ev'ry Mountain). By Oscar Hammerstein and Richard Rodgers. Arranged by Jay Dawson. Score and Parts. Arrangers' Publ Marching Band. Grade 3. Published by Arrangers' Publishing Company
$80.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Climb Ev'ry Mountain Choral 3-part SSA Hal Leonard
Choral (SSA Choir) SKU: HL.158106 From The Sound of Music. Arrange...(+)
Choral (SSA Choir) SKU: HL.158106 From The Sound of Music. Arranged by Kirby Shaw. Broadway Choral. Broadway, Inspirational, Movies, Show Choir. Octavo. 12 pages. Duration 215 seconds. Published by Hal Leonard (HL.158106). UPC: 888680611101. 6.75x10.5x0.026 inches. Jordan Smith's 2015 performance on The Voice wowed the audience with its smooth R&B take on the Rodgers & Hammerstein classic. This choral adaptation captures much of this R&B flavor for a warm contemporary approach. $1.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Climb Ev'ry Mountain Choral SATB SATB Hal Leonard
(from The Sound of Music). By Oscar Hammerstein, Richard Rodgers. Arranged by Ed...(+)
(from The Sound of Music). By Oscar Hammerstein, Richard Rodgers. Arranged by Ed Lojeski. (SATB). Choral. Size 6.75x10.5 inches. 8 pages. Published by Hal Leonard.
$2.15 $2.0425 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Climb Ev'ry Mountain Choral 3-part SAB Hal Leonard
(from The Sound of Music). By Richard Rodgers, Oscar Hammerstein. Arranged by Ed...(+)
(from The Sound of Music). By Richard Rodgers, Oscar Hammerstein. Arranged by Ed Lojeski. (SAB). Choral. 8 pages. Published by Hal Leonard.
$2.10 $1.995 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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