| Verdi: 25 Arias for Soprano Soprano voice, Piano [Sheet music + CD] Ricordi
(Cantolopera Collection). Composed by Giuseppe Verdi (1813-1901). For Vocal, Pia...(+)
(Cantolopera Collection). Composed by Giuseppe Verdi (1813-1901). For Vocal, Piano Accompaniment. Vocal Collection. Softcover with CD. 221 pages. Ricordi #NR141007. Published by Ricordi
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Complete Method for Modern Guitar Guitar [Sheet music] Mel Bay
by Mel Bay. For all guitars. Modern Guitar Method. All styles, solos & duets. Le...(+)
by Mel Bay. For all guitars. Modern Guitar Method. All styles, solos & duets. Level: Multiple Levels. Book. Method. Size 8.75x11.75. 320 pages. Published by Mel Bay Pub., Inc.
$39.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Weber Complete Edition 2/5 Schott
(P+KRB) SKU: HL.49042438 Together with Other Occasional Works for Birt...(+)
(P+KRB) SKU: HL.49042438 Together with Other Occasional Works for Birthdays or Funerals. Composed by Carl Maria von Weber. Edited by Frank Ziegler. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 312 pages. Schott Music #WGA1025. Published by Schott Music (HL.49042438). ISBN 9783795794811. 10.0x13.5x1.098 inches. Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. $299.00 - See more - Buy online | | |
| Weber Complete Edition 2/1 Choral SATB Schott
Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trum...(+)
Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trumpets, 3 trombones, timpani and strings (P+KRB) SKU: HL.49042434 Composed by Carl Maria von Weber. Edited by Frank Ziegler and Johannes Kepper. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 306 pages. Schott Music #WGA1021. Published by Schott Music (HL.49042434). ISBN 9783795794491. 10.25x13.5x1.141 inches. German. Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. $257.00 - See more - Buy online | | |
| Weber Complete Edition 6/1 Schott
(P+KRB) SKU: HL.49042459 Composed by Carl Maria von Weber. Edited by Andr...(+)
(P+KRB) SKU: HL.49042459 Composed by Carl Maria von Weber. Edited by Andreas Fukerider and Claudia Theis. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 274 pages. Schott Music #WGA1061. Published by Schott Music (HL.49042459). ISBN 9783795794682. 8.75x12.25x1.022 inches. Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. $244.00 - See more - Buy online | | |
| Weber Complete Edition 7/1 Piano solo Schott
Piano (P+KRB) SKU: HL.49042462 No. 1-4. Composed by Carl Maria von...(+)
Piano (P+KRB) SKU: HL.49042462 No. 1-4. Composed by Carl Maria von Weber. Edited by Markus Bandur. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. Op. 24+39+49+70. 372 pages. Schott Music #WGA1071. Published by Schott Music (HL.49042462). ISBN 9783795794637. German - English. Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. $354.00 - See more - Buy online | | |
| The Sound of Music (Karaoke CD)
Karaoke CD [Karaoke CD] Stage Stars Records
By Rodgers and Hammerstein. Lyricist: Oscar Hammerstein. 2 discs. Broadway. Kara...(+)
By Rodgers and Hammerstein. Lyricist: Oscar Hammerstein. 2 discs. Broadway. Karaoke CD. Published by Stage Stars Records.
(1)$29.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Leipzig Edition of the Works of Felix Mendelssohn Bartholdy Choral Unison Breitkopf & Härtel
Choir SKU: BR.SON-442 Complete Works. Composed by Felix Bartholdy ...(+)
Choir SKU: BR.SON-442 Complete Works. Composed by Felix Bartholdy Mendelssohn. Edited by Clemens Harasim. Linen. Complete Works. Romantic period. Complete Works. 188 pages. Breitkopf and Haertel #SON 442. Published by Breitkopf and Haertel (BR.SON-442). ISBN 9790004803509. 10 x 12.5 inches. This volume contains three reworkings and orchestrations of religious works by Felix Mendelssohn Bartholdy which were originally set for smaller ensembles (solo voices, four-part chorus and organ). They were composed at different times and for different occasions, two of them as commissions. The anthem ,,Why, o Lord, delay forever MWV A 19 was originally the sacred vocal piece MWV B 33, published in England in 1841 with the additional title ,,[…] The Thirteenth Psalm, and in Germany in the same year as ,,Lass, o Herr, mich Hilfe finden with the title ,,Drei geistliche Lieder which was composed at the suggestion of the English literature and music lover Charles B. Broadley who also provided the paraphrase of the psalm text. After Mendelssohn had refused an initial request by Broadley to furnish the anthem post festum with an organ prelude, the composer did not want to turn down a second request to orchestrate the work and he even expanded the existing material with a lengthy closing fugue involving additional trumpets and timpani. The ,,Ave Maria MWV B 19 was written in connection with Mendelssohn's appointment as municipal music director, a position which at the same time included the responsibility for the musical organization of church services. The instrumentation of the work with an accompaniment of two clarinets and two bassoons as well as low strings was due to the fact that the organ in Dusseldorf's principal church St. Lambertus was out of order for an extended period of time, and Mendelssohn considered this solution explicitly only as a surrogate for the organ should there be none. A further psalm paraphrase in English, this time by William Bartholomew, of the hymn ,,Hear my prayer MWV B 49 was set to music in early 1844; the orchestration of the organ part commissioned by the distinguished Dublin musician Joseph Robinson was not completed until 1847 so that the premiere finally only took place after Mendelssohn's death. In the further course of the century ,,Hear my prayer would, particularly in the version with organ accompaniment, come to enjoy great popularity in Great Britain and Ireland. $248.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Masterworks for Two (10 Duets for Recitals, Concerts, and Contests) Vocal duet [Sheet music + CD] Alfred Publishing
10 Duets for Recitals, Concerts, and Contests. Arranged by Patrick M. Lieb...(+)
10 Duets for Recitals,
Concerts, and Contests.
Arranged by Patrick M.
Liebergen, Earlene Rentz,
Russell Robinson, and Ruth
Elaine Schram. Book; CD;
Duet or Duo; Masterworks;
Vocal Collection. For Two
Series. Masterwork
Arrangement; Sacred;
Secular. 64 pages. Published
by Alfred Music
$26.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Masterworks for Two Alfred Publishing
Voice SKU: AP.45627 10 Duets for Recitals, Concerts, and Contests....(+)
Voice SKU: AP.45627 10 Duets for Recitals, Concerts, and Contests. Arranged by Earlene Rentz, Patrick M. Liebergen, Russell L. Robinson, and Ruth Elaine Schram. Duet or Duo; Masterworks; Solo Small Ensembles; Vocal Collection. For Two Series. Masterwork Arrangement; Sacred; Secular. CD. Alfred Music #00-45627. Published by Alfred Music (AP.45627). UPC: 038081513669. English. This outstanding collection features 10 classic songs for any combination of two voices and piano. Alfred Music's top masterwork arrangers provide supportive accompaniments, well-crafted vocal lines, historically informed editorial markings, plus IPA pronunciation guides and complete translations for every piece in a foreign language. Superb recital, concert, and contest repertoire for developing singers. Titles: Abendlied (Mendelssohn) * Alleluia (Mozart) * Ave Maria (Bach/Gounod) * Ave Verum Corpus (Mozart) * Bon Dì (Lully) * Caro Mio Ben (Giordani) * Kyrie (Dvorák) * The Maiden (Dvorák) * Pie Jesu (Fauré) * Where'er You Walk (Handel). $16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Masterworks for Two Vocal duet, Piano Alfred Publishing
10 Duets for Recitals, Concerts, and Contests. Arranged by Patrick M. Lie...(+)
10 Duets for Recitals, Concerts, and Contests. Arranged by Patrick M. Liebergen; Earlene Rentz; Russell Robinson; Ruth Elaine Schram. Duet or Duo; Masterworks; Solo Small Ensembles; Vocal Collection. For Two Series. Masterwork Arrangement; Sacred; Secular. Book. 64 pages. Alfred Music #00-45626. Published by Alfred Music (AP.45626).
$15.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Clarinet Solos and Duos: The Ultimate Collection Clarinet CD Sheet Music
SKU: SU.00220334 Woodwinds, Clarinet. Accompanied by piano. CD (PDF Score...(+)
SKU: SU.00220334 Woodwinds, Clarinet. Accompanied by piano. CD (PDF Scores). CD Sheet Music #00220334. Published by CD Sheet Music (SU.00220334). This CD Sheet Music™ collection makes available a wealth of music for solo clarinet including sonatas, concertos, and solo works by 28 composers from the 18th, 19th and early 20th centuries. Also included are two complete volumes of collected works: Easy Duets and Album of Short Solos by Various Composers. Works include: Baermann, C. (Duo Concertante); Baermann, H. (Adagio); Beethoven (3 Duos for Clarinet and Bassoon); Berg (4 Pieces for Clarinet & Piano); Brahms (Sonata Nos. 1 & 2); Busoni (Elegie for Clarinet & Piano); Cavallini (30 Caprices for Clarinet); Debussy (Première Rhapsodie); Fauré (Berceuse); Gade (4 Fantasy Pieces); Glazunov (Saxophone Concerto [for clarinet & piano]); Jeanjean (Variations on Au Clair de la Lune); Klosé )Souvenir); Mason (Sonata for Clarinet & Piano); Mendelssohn (Concert Piece for 2 Clarinets & Piano); Mozart, L. (Concerto in Bb major); Mozart, W.A. (3 Duets for 2 Clarinets); Paganini (14 Caprices); Pierné (Pièce in G minor); Prokofiev (Visions Fugitives); Reger (Sonata Nos. 1 & 2); Reinecke (Sonata, Undine); Saint-Saëns (Sonata in Eb major); Schumann (Fantasy Pieces, 3 Romances); Spohr (Concerto Nos. 1-4); Stravinsky (3 Pieces for Clarinet Solo); Wagner (Adagio for Clarinet & Strings); Weber (Fantasia & Rondo, Grand Duo Concertante) Easy Duets Book 1: works by Fodor, Pleyel, Volckmar, Wanhal; Book 2: works by Mazas, Bruni, Campagnoli, Gebauer, Geminiani, Haydn, Pleyal, Viotti Album of Short Solos by Various Composers: 30 familiar works arranged for clarinet, including Brahms (Cradle Song), Dvorák (Humoreske), Fibich (Poéme), Handel (Largo), Giordani (Caro mio bien), Richter (Seppl-Polka), Schubert (Ave Maria), Schumann (Träumerei), Weber (Bauernwalzer), and more Also includes composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 1200+ pages Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Incidental Music 2 Orchestra Schott
Incidental Music 2 (Carl Maria von Weber Complete Edition - Series 3 Volume 10a)...(+)
Incidental Music 2 (Carl Maria von Weber Complete Edition - Series 3 Volume 10a). By Carl Maria von Weber (1786-1826). Edited by Oliver Huck. For Orchestra (Complete Ed). Carl Maria von Weber - Samtliche Werke. Score. 367 pages. Schott Music #WGA1039-20. Published by Schott Music
$375.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Six concertos for Anna Maria, volume 2 Edition HH
Violin, organ, strings & basso continuo SKU: HH.HH523-FSC Composed by Ant...(+)
Violin, organ, strings & basso continuo SKU: HH.HH523-FSC Composed by Antonio Vivaldi. Edited by Federico Maria Sardelli. Full score. Edition HH Music Publishers #HH523-FSC. Published by Edition HH Music Publishers (HH.HH523-FSC). ISBN 9790708185345. The so-called 'Anna Maria Partbook' consists of an elegantly bound volume in red leather containing the violin part of 31 highly virtuoso violin concertos, 26 of which are by Vivaldi. The collection represents the personal repertoire of the Venetian composer's most gifted pupil, the famous 'Anna Maria della Pieta', who also played the viola d'amore, mandolin, theorbo and harpsichord. Twenty of the Vivaldi concertos are known from other manuscript sources and are therefore familiar to us in their complete versions. The remaining six -- three for violin and three for violin and organ -- are unique to the Anna-Maria Partbook, and, because they are incomplete, have not hitherto been part of the Vivaldi performing canon. Now, as a result of Federico Maria Sardelli's rigorous musicological research and painstaking work of reconstruction based on many concordant sources, we are at last able to enjoy these six concertos in startlingly persuasive realizations. $31.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Six concertos for Anna Maria, volume 1 Edition HH
Violin, strings & continuo SKU: HH.HH522-IPT Composed by Antonio Vivaldi....(+)
Violin, strings & continuo SKU: HH.HH522-IPT Composed by Antonio Vivaldi. Edited by Federico Maria Sardelli. Instrumental parts. Edition HH Music Publishers #HH522-IPT. Published by Edition HH Music Publishers (HH.HH522-IPT). ISBN 9790708185390. The so-called 'Anna Maria Partbook' consists of an elegantly bound volume in red leather containing the violin part of 31 highly virtuoso violin concertos, 26 of which are by Vivaldi. The collection represents the personal repertoire of the Venetian composer's most gifted pupil, the famous 'Anna Maria della Pieta', who also played the viola d'amore, mandolin, theorbo and harpsichord. Twenty of the Vivaldi concertos are known from other manuscript sources and are therefore familiar to us in their complete versions. The remaining six -- three for violin and three for violin and organ -- are unique to the Anna-Maria Partbook, and, because they are incomplete, have not hitherto been part of the Vivaldi performing canon. Now, as a result of Federico Maria Sardelli's rigorous musicological research and painstaking work of reconstruction based on many concordant sources, we are at last able to enjoy these six concertos in startlingly persuasive realizations. $92.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Six concertos for Anna Maria, volume 2 Edition HH
Violin, organ, strings & basso continuo SKU: HH.HH523-IPT Composed by Ant...(+)
Violin, organ, strings & basso continuo SKU: HH.HH523-IPT Composed by Antonio Vivaldi. Edited by Federico Maria Sardelli. Instrumental parts. Edition HH Music Publishers #HH523-IPT. Published by Edition HH Music Publishers (HH.HH523-IPT). ISBN 9790708185406. The so-called 'Anna Maria Partbook' consists of an elegantly bound volume in red leather containing the violin part of 31 highly virtuoso violin concertos, 26 of which are by Vivaldi. The collection represents the personal repertoire of the Venetian composer's most gifted pupil, the famous 'Anna Maria della Pieta', who also played the viola d'amore, mandolin, theorbo and harpsichord. Twenty of the Vivaldi concertos are known from other manuscript sources and are therefore familiar to us in their complete versions. The remaining six -- three for violin and three for violin and organ -- are unique to the Anna-Maria Partbook, and, because they are incomplete, have not hitherto been part of the Vivaldi performing canon. Now, as a result of Federico Maria Sardelli's rigorous musicological research and painstaking work of reconstruction based on many concordant sources, we are at last able to enjoy these six concertos in startlingly persuasive realizations. $92.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Six concertos for Anna Maria, volume 1 Edition HH
Violin, strings & continuo SKU: HH.HH522-FSC Composed by Antonio Vivaldi....(+)
Violin, strings & continuo SKU: HH.HH522-FSC Composed by Antonio Vivaldi. Edited by Federico Maria Sardelli. Full score. Edition HH Music Publishers #HH522-FSC. Published by Edition HH Music Publishers (HH.HH522-FSC). ISBN 9790708185338. The so-called 'Anna Maria Partbook' consists of an elegantly bound volume in red leather containing the violin part of 31 highly virtuoso violin concertos, 26 of which are by Vivaldi. The collection represents the personal repertoire of the Venetian composer's most gifted pupil, the famous 'Anna Maria della Pieta', who also played the viola d'amore, mandolin, theorbo and harpsichord. Twenty of the Vivaldi concertos are known from other manuscript sources and are therefore familiar to us in their complete versions. The remaining six -- three for violin and three for violin and organ -- are unique to the Anna-Maria Partbook, and, because they are incomplete, have not hitherto been part of the Vivaldi performing canon. Now, as a result of Federico Maria Sardelli's rigorous musicological research and painstaking work of reconstruction based on many concordant sources, we are at last able to enjoy these six concertos in startlingly persuasive realizations. $31.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| A Glorious Wedding Celebration Piano solo Alfred Publishing
(Classical, Sacred, and Popular Piano Arrangements for Weddings). Arranged by Ma...(+)
(Classical, Sacred, and Popular Piano Arrangements for Weddings). Arranged by Marilynn Ham. Piano Collection. Sacred Performer Collections. 40 pages. Published by Alfred Music
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Verdi: 22 Arias for Tenor Tenor voice [Sheet music + CD] Ricordi
Cantolopera Collection. Composed by Giuseppe Verdi (1813-1901). Vocal Col...(+)
Cantolopera Collection. Composed by Giuseppe Verdi (1813-1901). Vocal Collection. Softcover with CD. 114 pages. Ricordi #NR141008. Published by Ricordi (HL.50499558).
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Suzuki Viola School, Volume 7 Viola [Sheet music + CD] Alfred Publishing
Viola Part. Composed by Dr. Shinichi Suzuki. Book; CD; Method/Instruction...(+)
Viola Part. Composed by Dr. Shinichi Suzuki. Book; CD; Method/Instruction; SmartMusic; String - Viola (Suzuki); Suzuki. Suzuki Viola School. 44 pages. Published by Alfred Music (AP.40757).
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Weddings and More Organ GIA Publications
Organ SKU: GI.G-003026 Simplified Ceremonial Music for Organ. Arra...(+)
Organ SKU: GI.G-003026 Simplified Ceremonial Music for Organ. Arranged by Kyle Johnson. Sacred. GIA Publications #003026. Published by GIA Publications (GI.G-003026). Organists who are not only completely comfortable withe instrument are still called upon to play for a variety of ceremonial occasions, including weddings. Organist and organ teacher, Kyle Johnson, has provided pragmatic adaptations of some of the core pieces in the ceremonial repertoire. These were field tested by organ students from Kyle's own organ studio, and are tailored for organists who, in particular, have a still-developing pedal technique. In addition to wedding staples from Wagner, Mendelssohn, Pachelbel, and Clarke, some of the the other favorites include are: Air on the G String/Bach, Ave Maria/Schubert, Panis Angelicus/Franck, Rondeau/Mouret, Air from Water Music/Handel. $12.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Complete Organ Works Organ - Intermediate Schott
Organ - intermediate SKU: HL.49016761 7 Capriccios - 2 Ricercares....(+)
Organ - intermediate SKU: HL.49016761 7 Capriccios - 2 Ricercares. Composed by Nikolaus Adam Strunck. Edited by Klaus Beckmann. This edition: Paperback/Soft Cover. Sheet music. Organ Collection. Classical. 56 pages. Schott Music #ED20078. Published by Schott Music (HL.49016761). ISBN 9790001145459. UPC: 841886006850. 12.0x8.75x0.161 inches. $31.00 - See more - Buy online | | |
| La Rose - Complete Choral SATB SATB A Cappella [Sheet music] Peermusic Classical
By Morten Lauridsen (1943-). SATB A Cappella. Peermusic Classical. Softcover. 12...(+)
By Morten Lauridsen (1943-). SATB A Cappella. Peermusic Classical. Softcover. 12 pages. Peermusic #61845-121. Published by Peermusic
$3.25 $3.0875 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Liszt - 6 Consolations 1St and 1850 Version Piano Piano solo G. Henle
Piano SKU: HU.HN465 Original Version and First Edition of the Early Version. Co...(+)
Piano
SKU: HU.HN465
Original Version and First Edition of the Early Version. Composed by Franz Liszt. Edited by Maria Eckhardt. Piano Solo, Piano and Keyboard, Repertoire, Solos. Consolations. Classical, Romantic. Softcover Book. 48 pages. G. Henle #HN465. Published by G. Henle (HU.HN465).
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| More Easy Classical Themes Piano solo - Easy Santorella Publications
More Easy Classical Themes composed by Various. Arranged by Alexander Cole. For ...(+)
More Easy Classical Themes composed by Various. Arranged by Alexander Cole. For easy piano. This edition: Paperback. Collection. Classical. Book. Text Language: English. 48 pages. Published by Santorella Publications
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| James Taylor: James Taylor Complete - Volume 1
Piano, Vocal and Guitar [Sheet music] - Intermediate Alfred Publishing
Performed by James Taylor. Songbook for voice, piano and guitar chords. 288 page...(+)
Performed by James Taylor. Songbook for voice, piano and guitar chords. 288 pages. Published by Alfred Publishing.
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| Verdi G Rigoletto Schott
(TB BR) SKU: HL.49041681 Textbuch (Italienisch-Deutsch) . Composed...(+)
(TB BR) SKU: HL.49041681 Textbuch (Italienisch-Deutsch). Composed by Giuseppe Verdi. Edited by Kurt Pahlen. This edition: Paperback/Soft Cover. Paperback. Serie Musik. Giuseppe Verdis Oper Rigoletto, die tragische Geschichte des gleichnamigen buckligen Hofnarren, liegt hier im vollstandigen italienischen Textbuch nebst der an den meisten deutschen Opernhausern verwendeten Ubertragung mit zahlreichen Notenbeispielen vor. Text book/libretto. 238 pages. Duration 120'. Schott Music #SEM 8025. Published by Schott Music (HL.49041681). ISBN 9783254080257. 4.75x7.5x0.416 inches. Italian - German. Giuseppe Verdi's opera 'Rigoletto', the tragic story of the eponymous hunchbacked court jester, is now published with the complete Italian libretto as well as the translation used by most German opera-houses, including numerous music examples. Kurt Pahlen comments on the work with music-related references as well explanations on the external and internal action. A summary of the plot and a brief outline of the genesis bring 'Rigoletto' into relation with the composer's entire oeuvre and his life, thus providing comprehensive, richly illustrated information on this opera. $15.99 - See more - Buy online | | |
| Requiem Orchestra [Study Score / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score) SKU: HL.49018099 Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099). ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German. On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009. $93.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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