Guitar Games. (Learn Guitar. Read Music. Fight Space Monsters.). For Guitar. Guitar Educational. Softcover with DVD-ROM. 40 pages. Published by Hal Leonard

(Major and Minor, Six Progressively Graded Games on Each Player Card) Written by Andrew Surmani, Karen Farnum Surmani, Morton Manus. Bingo Game Cards. Series: Alfred's Essentials of Music Theory. Published by Alfred Publishing.

Essentials of Music Theory Software, Version 2.0. (Complete Educator Version). By Andrew Surmani and Morton Manus. Reference Textbooks; Textbook - General; Theory. Essentials of Music Theory. Software. Published by Alfred Music Publishing

SKU: HL.1458386

Team - 18 Month License for Single Projects. Sound Particles. Vault Download. Hal Leonard #1342-1003. Published by Hal Leonard (HL.1458386).

Sound particles is an immersive audio software capable of generating thousands (even millions) of sounds in a virtual 3D audio world. Creating highly complex sounds has never been this quick. The Ultimate 3D Audio Software With Sound Particles, you will take the art of creating sounds to a whole new level. It doesn't matter if you work on film, videogames, TV or VR, this audio software will let you create everything you can imagine. Create Sounds Like Never Before Sound Particles uses computer graphics techniques applied to audio. Our software combines particle systems with a 3D Computer Graphics-like engine. That is why Sound Particles is capable of generating thousands of sounds to create complex sound effects, enriching the audio results. Immersive Audio With Sound Particles, you can create sounds in virtually any output format you can image: mono, stereo, Ambisonics, 5.1, 7.1, Dolby Atmos beds, Auro 3D, and many more. New Audio Engine The 2.1 update incorporates a new audio engine, responding to real-time changes with optimized iterations, delivering the best audio quality possible. Scale Sound Particles opens the door to the creation of high-scale sounds. From the sounds of thousands of violins playing to the sound of one million people talking. Batch Processing Create your session and set Sound Particles to output hundreds of different renders in one pass. This feature makes mass productions of sound effects a reality. Greatest Features Sound Particles is something completely different from any other professional 3D audio software that exists today with batch processing, CGI integration, binaural monitoring, and doppler effect. Randomness We can think of the sounds we hear in the real-world as random events. That is why Sound Particles has a randomized set of parameters that you can control in order to create the most realistic sounds. Postproduction Use Sound Particles to add depth and richness to your sounds. Import videos and match particle system to exact events. Unlimited Resources Sound Particles doesn't have any type of limitations regarding the amount of sounds you can use. Import hundreds and hundreds of audio files to a particle system and let them do the rest. Track Presets Create and save an infinite number of track and microphone settings, recall track setups with just two mouse clicks. Binaural Monitoring Sound Particles will let you monitor binaural audio by decoding any type of audio format.

SKU: HL.1458385

Perpetual License. Sound Particles. Vault Download. Hal Leonard #1342-1002. Published by Hal Leonard (HL.1458385).

Sound particles is an immersive audio software capable of generating thousands (even millions) of sounds in a virtual 3D audio world. Creating highly complex sounds has never been this quick. The Ultimate 3D Audio Software With Sound Particles, you will take the art of creating sounds to a whole new level. It doesn't matter if you work on film, videogames, TV or VR, this audio software will let you create everything you can imagine. Create Sounds Like Never Before Sound Particles uses computer graphics techniques applied to audio. Our software combines particle systems with a 3D Computer Graphics-like engine. That is why Sound Particles is capable of generating thousands of sounds to create complex sound effects, enriching the audio results. Immersive Audio With Sound Particles, you can create sounds in virtually any output format you can image: mono, stereo, Ambisonics, 5.1, 7.1, Dolby Atmos beds, Auro 3D, and many more. New Audio Engine The 2.1 update incorporates a new audio engine, responding to real-time changes with optimized iterations, delivering the best audio quality possible. Scale Sound Particles opens the door to the creation of high-scale sounds. From the sounds of thousands of violins playing to the sound of one million people talking. Batch Processing Create your session and set Sound Particles to output hundreds of different renders in one pass. This feature makes mass productions of sound effects a reality. Greatest Features Sound Particles is something completely different from any other professional 3D audio software that exists today with batch processing, CGI integration, binaural monitoring, and doppler effect. Randomness We can think of the sounds we hear in the real-world as random events. That is why Sound Particles has a randomized set of parameters that you can control in order to create the most realistic sounds. Postproduction Use Sound Particles to add depth and richness to your sounds. Import videos and match particle system to exact events. Unlimited Resources Sound Particles doesn't have any type of limitations regarding the amount of sounds you can use. Import hundreds and hundreds of audio files to a particle system and let them do the rest. Track Presets Create and save an infinite number of track and microphone settings, recall track setups with just two mouse clicks. Binaural Monitoring Sound Particles will let you monitor binaural audio by decoding any type of audio format.

Chamber Music Violin, cello, Piano

SKU: PR.11441825S

Composed by Stacy Garrop. Contemporary. Score. With Standard notation. Composed 2013. 40 pages. Duration 23 minutes. Theodore Presser Company #114-41825S. Published by Theodore Presser Company (PR.11441825S).

UPC: 680160643745. 9 x 12 inches.

In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.

SKU: HL.50576367

The Original Sudoku. Composed by Bernat Puertas and David Puertas. This edition: Paperback/Soft Cover. Book. Max Eschig. 60 Ratsel in 3 verschiedenen Varianten und 4 Schwierigkeitsgraden - Ein unterhaltsamer und anspruchsvoller Ratselspass fur Jung und Alt - Das ideale Geschenk fur Musik- und Ratselfreunde. 112 pages. Schott Music #ED2002/1. Published by Schott Music (HL.50576367).

ISBN 9783795705725. German.

The Sudoku fever has finally reached the world of music. 'Musik-Sudoku' is the first musical variant of the popular number-placement puzzle. Instead of numbers, the seven solfege syllables Do Re Mi Fa Sol La Si have to be entered in a certain order. The really special thing about it is that the notes in the marked boxes match the beginning of a famous melody - from 'Let it be' by the Beatles to Mozart's 'Kleine Nachtmusik' -, thus providing a musical clue to the solution.The puzzles of varying difficulty, from 'elementary' to 'virtuoso', can also be resolved by players without a special knowledge of music. What is most required is brains, power of deduction and a bit of patience. And for the experts among the puzzle freaks, there are also dodecaphonic sudokus and sudokus based on musical symbols.Coming from a family of musicians, the brothers David and Bernat Puertas jointly invented the musical sudokus. The appropriate software was developed by Bernat, the computer scientist, who currently works in a games company. The idea for the musical solutions was conceived by his brother David, who is both a musician and an author of books on music by composers such as Mozart and Stravinsky.

Educational Piano Library. Level 2. Softcover Audio Online. 72 pages. Published by Hal Leonard

International Edition. Educational Piano - International Edition. Method. Softcover Audio Online. 80 pages. Published by Hal Leonard

Educational Piano Library. Level 2. Softcover Audio Online. 80 pages. Published by Hal Leonard