SKU: CA.5529413
ISBN 9790007227135. Key: B flat major. Language: all languages.
Handel composed the Concerto for Harp, two recorders, strings and basso continuo for the premiere of his ode Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). He later performed it himself as an organ concerto. The fine sonorous effects (use of mutes, pizzicato, recorders), which last but not least made the work famous, are also shown in the version for organ to the best advantage. For the first time the new edition is based solely on the autograph score which, according to the latest findings, renders the only reliable source. In addition, the basso continuo part presents the figuration of the first edition, which is of interest for historical performance practice. Score and part available separately - see item CA.5529400.
SKU: CA.5529449
ISBN 9790007227173. Key: B flat major. Language: all languages.
SKU: CA.5529411
ISBN 9790007227111. Key: B flat major. Language: all languages.
SKU: CA.5529414
ISBN 9790007227142. Key: B flat major. Language: all languages.
SKU: CA.5529400
ISBN 9790007170547. Key: B flat major. Language: all languages.
Handel composed the Concerto for Harp, two recorders, strings and basso continuo for the premiere of his ode Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). He later performed it himself as an organ concerto. The fine sonorous effects (use of mutes, pizzicato, recorders), which last but not least made the work famous, are also shown in the version for organ to the best advantage. For the first time the new edition is based solely on the autograph score which, according to the latest findings, renders the only reliable source. In addition, the basso continuo part presents the figuration of the first edition, which is of interest for historical performance practice.
SKU: CA.5529448
ISBN 9790007227166. Key: B flat major. Language: all languages.
SKU: CA.5529412
ISBN 9790007227128. Key: B flat major. Language: all languages.
SKU: CA.5529419
ISBN 9790007227159. Key: B flat major. Language: all languages.
Handel composed the Concerto for Harp, two recorders, strings and basso continuo for the premiere of his ode Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). He later performed it himself as an organ concerto. The fine sonorous effects (use of mutes, pizzicato, recorders), which last but not least made the work famous, are also shown in the version for organ to the best advantage. For the first time the new edition is based solely on the autograph score which, according to the latest findings, renders the only reliable source. In addition, the basso continuo part presents the figuration of the first edition, which is of interest for historical performance practice. Score and parts available separately - see item CA.5529400.
SKU: HL.49003076
ISBN 9790220114588. UPC: 841886033740. 9.0x12.0x0.1 inches.
Contents: Scarborough Fair * I know where I'm goin' * The Birch Tree * Alouette * Kalinka * La Jesusita * The Barnyards o' Delgaty * Oh, dem Golden Slippers * Amo, amas, I love a lass (The Frog and the Mouse) * The Spanish Guitar * High Road to Linton * Go tell it on the mountain * The Bagpipers' Carol * Bella Bimba * The Lorelei * Santa Lucia * Non piu andrai (Mozart) * Norwegischer Tanz, Op. 35, No. 2 (Grieg) * Two lovely black eyes (Coborn) * Rule Britannia (Arne) * Star of County Down * Hamilton House * Scipio (Handel) * Langsamer Marsch * Comin' thro' the Rye * Toreador's Song from Carmen (Bizet) * Theme from the Violin Concerto (Beethoven) * Plaisir d'amour (Martini) * Wanderlied (Wohlauf noch getrunken) * Jerusalem (Parry) * Linstead Market * Heidenroslein (Schubert) * Aloha Oe (Queen Liliuokalani) * The Trout (Schubert) * Mrs McGrath * My Grandfather's Clock (Work) * Theme from Land of Hope and Glory (Mozart) * The Golden Wheat * Take a pair of sparkling eyes (Sullivan) * Funiculi, funicula * Botany Bay * Garry Owen * Trumpet Air (Clarke) * The Soldier's Joy (Reel) * Sailor's Hornpipe * The Entertainer (Joplin) * The Irish Washerwoman * Turkey in the Straw.
SKU: BA.BA10726-01
ISBN 9790006575596. 33 x 26 cm inches. Text Language: Italian. Preface: Pacholke, Michael.
In the brief half-year period from August 14, 1736, to January 27, 1737, Georg Friedrich Handel achieved an unprecedented level of productivity in his opera compositions, creating three operas. Additionally, in March 1737, he also composed a largely new oratorio titled â??Il trionfo del Tempo e della Verità â? (â??The Triumph of Time and Truthâ?) HWV 46b. The libretto of this oratorio closely corresponds to that of the oratorio â??La Bellezza ravveduta nel trionfo del Tempo e del Disingannoâ? (â??Beauty Reconciled in the Triumph of Time and Enlightenmentâ?) HWV 46a written in 1707. With â??La Bellezza ravvedutaâ?, Handel composed an allegorical and particularly dramatic oratorio right at the beginning of his oratorio compositions. In this work, there is no chorus inclined towards reflection. Not only do the four allegorical figures, Bellezza (Beauty), Piacere (Pleasure), Tempo (Time), and Disinganno (Enlightenment), listen to each other and react to the ideas presented by the others, but this prevailing dramatic principle of dispute is also found in the recitatives.In 1737, when reworking the oratorio material as â??Il trionfo del Tempo e della Verità â?, Handel approached the task pragmatically. He needed a new non-dramatic work to fulfill the eveningâ??s program for his audience at the Covent Garden Theatre during the fasting season when theatrical performances were prohibited. Although he had excellent Italian vocal soloists, notorious for their pronunciation in Handelâ??s English oratorios and who naturally preferred singing in Italian, Handel found a solution. It was evident to Handel that, in response to the ban on performances of his Italian operas during the fasting season of 1737, he should promptly create a new oratorio in the Italian language but following the three-part â??Englishâ? oratorio form that he had developed in â??Estherâ? HWV 50b in 1732. Unlike in Rome in 1707, he had access to a chorus in London in 1737, and the English oratorio, with its substantial choral sections, a preference for concert-like rather than dramatic composition, and frequent inclusion of organ concertos loosely related to the narrative, was already established.The new volume of the HHA includes the original version of the 1737 premiere as well as all the surviving early and later versions (the latter being exceptional highlights) of individual musical pieces from â??Il trionfo del Tempo e della Verità â?.
SKU: AP.36-52720469
ISBN 9781628763874. UPC: 746241220448. English.
A best seller for over ten years! Everything the working soloist needs to play a wedding prelude and service, without being technically taxing. All 22 selections from the original album have been rescored to include introductions for solo performance. Air on the G String (Bach); Arioso (Bach); Jesu, Joy of Man's Desiring (Bach); Sheep May Safely Graze (Bach); Wachet auf (Bach); Ave Maria (Bach/Gounod); Ave Maria (Schubert); Ode to Joy (Beethoven); Canon (Pachelbel); La Rejouissance (Handel); Queen of Sheba (Handel); Water Music Selections (Handel); "Largo" from Winter (Vivaldi); Bridal Chorus (Wagner); Wedding March (Mendelssohn); Alleluja (Mozart); Piano Concerto No. 21 (Mozart); Panis Angelicus (Franck); Prelude (Charpentier); Rondeau (Mouret); Trumpet Tune (Purcell); Trumpet Voluntary (Clarke).
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: BR.OB-5386-19
ISBN 9790004334591. 10 x 12.5 inches.
Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions.The popular Concerto Op. 4 No. 6 in B flat major was originally a harp concerto (and is thus called Concerto per la Harpa in the autograph) and was performed in this version at its premiere in 1736, when it was inserted into Handel's oratorio Alexander's Feast in order to illustrate the harp playing of the Greek singer Timotheus. A harp edition is also in preparation.I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik)Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.
SKU: BR.OB-5386-15
ISBN 9790004334577. 10 x 12.5 inches.
SKU: BR.PB-5386
ISBN 9790004210772. 9 x 12 inches.
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