SKU: P2.W0007

In the spring of 2010, University of Arizona Associate Professor of Music Kelly Thomas invited me to join him in designing a project that would result in a new and challenging large-scale work for the euphonium repertoire. I eagerly accepted; and after tossing around a number of ideas, we decided that a double concerto for euphonium and tuba with wind ensemble accompaniment would not only be great fun to put together, but also would contribute significantly to the growing repertoire of new music designed specifically to show off the virtuoso capabilities of these two low brass instruments. Movement I, Playground, needs little description beyond its title. Together, the two solo instruments make their way through a relentless maze of technical challenges (imagine seesaws, sliding boards, swing sets, obstacle courses, and trampolines) accompanied by the wind ensemble, which is faced with its own insistent array of fun and games. Movement II, Passage, is best described as the recollection of a journey -- as though the two soloists have returned from a noble quest and are recounting their adventures. Unique to this movement is the challenging role played by the ensemble's two euphoniumists and two tubists -- the instrumentation commonly referred to as a tuba quartet. One might easily imagine that this tuba quartet has accompanied the soloists on their journey, as they are featured prominently in the movement supporting the soloists' unfolding narrative; and twice, all six instruments briefly join forces to present unaccompanied triple two-voice canons -- just think Frere Jacques on steroids, played by three euphoniums and three tubas. Like the title to the first movement, the title to movement III, Sprint, speaks for itself. The music is based on materials from a previous work originally scored for tuba quartet, called Etude/Attitude, and is a breathless, high-energy romp from beginning to end.

SKU: P2.80082

Arranger Jack Adler-McKean says, This concerto originally forms part of L'Estro Armonico ('Harmonic Inspiration'), a collection of concerti grossi written by Vivaldi in 1711 described by many as amongst the most important and influential instrumental works of the period. This is perhaps why it is one of several concerti that Bach chose to arrange for the harpsichord, and also why it is now just as famous as his own original concerti for the instrument. The work came to the attention of the brass playing world after an arangement was made for German Brass by their expert piccolo trumpet player Matthias Hofs. Whilst not being directly based on his transcription, this arrangement certainly retains a virtuosic character. Technical and stylistic challenges create a demanding piece of music, but the end product will be highly impressive; a Baroque masterpiece that will undoubtedly entertain players and audiences alike..

SKU: P2.80150

Arranger Derek Fenstermacher says, William Bolcom is a musically diverse composer and performer. His compositions include cabaret songs, concertos, sonatas, operas, and symphonies, and in 1988 he was awarded the Pulitzer Prize for his Twelve New Etudes for piano. The Serpent's Kiss was originally written for piano solo, and then arranged by Derek Fenstermacher for the Boreas Quartet. The work is from a cycle of four Ragtime-inspired piano pieces entitled The Garden of Eden, which Bolcom composed in1969. Along with the syncopated ragtime character, the music takes a few twists incorporating different styles..