| Requiem In D Minor K 626 Concert band, Choral [Score and Parts] - Intermediate Scomegna Edizioni Musicali
Excerpts: I. Introitus: Requiem aeternam, II. Kyrie eleison, III. Sequenz: 1. Di...(+)
Excerpts: I. Introitus: Requiem aeternam, II. Kyrie eleison, III. Sequenz: 1. Dies irae, 3. Rex tremendae majestatis, 5. Confutatis maledictis, 6, Lacrimosa dies illa - SATB choir ad libitum. By Wolfgang Amadeus Mozart. Arranged by Marco Somadossi. Concert band. Classical, Transcription. Level: Grade 4.5. Score and set of parts. Duration 15:00. Published by Scomegna Edizioni Musicali (Italian import).
$234.00 $222.3 (5% off) See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Kopi Confutatis [Score] Music Sales
Orchestra, Soprano, SATB SKU: HL.14018137 Composed by Arne Nordheim. Musi...(+)
Orchestra, Soprano, SATB SKU: HL.14018137 Composed by Arne Nordheim. Music Sales America. Classical. Score. 23 pages. Music Sales #KP00444. Published by Music Sales (HL.14018137). ISBN 9788759887165. English. Confutatis from Requiem Der Versohnung (Requiem of Reconciliation) was composed by Arne Norheim in 1995. For Soprano solo, SATB Choir and large Orchestra. $34.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Carus Verlag
Violoncello/double bass part (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2...(+)
Violoncello/double bass part (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc) SKU: CA.5165214 Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. KV 626. Duration 50 minutes. Carus Verlag #5165214. Published by Carus Verlag (CA.5165214). ISBN 9790007313876. Key: D minor. Latin. The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?†you might ask, since this publication is only the latest in a long line reaching back to the traditional Süßmayr version. Yet such is the enormous power of Mozart’s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Arman’s additions to Mozart’s great original show the requisite care and respect while incorporating many new insights.
Arman’s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozart’s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrument’s unique sound is given an opportunity to shine. Arman’s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather – in the spirit of Mozart – on creating a sense of drama and illuminating the theme in all its possible facets. Mozart’s fragment ends with the Hostias, and so does Arman’s completion.
For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Süßmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.
Arman’s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike – and celebrated as offering a scholarly, entirely fresh perspective on Mozart’s masterpiece.
- World premiere by the Bavarian Radio Choir - Enthusiastically received by audience and press. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem, K. 626 Choral SATB SATB Schirmer
SATB. By Wolfgang Amadeus Mozart. (SATB). Choral Large Works. Size 7x10.75 inch...(+)
SATB. By Wolfgang Amadeus Mozart. (SATB). Choral Large Works. Size 7x10.75 inches. 41 pages. Published by G. Schirmer, Inc.
(1)$12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem (CD only - no sheet music) |voice solo|vocal||choral|vocal| [Accompaniment CD] Rehearsal Arts, LLC
By Wolfgang Amadeus Mozart. Teaching Singer: Deborah Rentz-Moore. For Alto voice...(+)
By Wolfgang Amadeus Mozart. Teaching Singer: Deborah Rentz-Moore. For Alto voice. Choral learning aid. SingleParts with StudySpots. Classical; Choral. Level: Novice to semi professional. Choral Practice CD. Duration 0:54:44. Published by Rehearsal Arts, LLC.
$21.80 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Requiem (Arman-Fassung) Carus Verlag
2nd violin (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, ...(+)
2nd violin (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc) SKU: CA.5165212 Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. KV 626. Duration 50 minutes. Carus Verlag #5165212. Published by Carus Verlag (CA.5165212). ISBN 9790007313852. Key: D minor. Latin. The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?†you might ask, since this publication is only the latest in a long line reaching back to the traditional Süßmayr version. Yet such is the enormous power of Mozart’s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Arman’s additions to Mozart’s great original show the requisite care and respect while incorporating many new insights.
Arman’s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozart’s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrument’s unique sound is given an opportunity to shine. Arman’s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather – in the spirit of Mozart – on creating a sense of drama and illuminating the theme in all its possible facets. Mozart’s fragment ends with the Hostias, and so does Arman’s completion.
For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Süßmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.
Arman’s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike – and celebrated as offering a scholarly, entirely fresh perspective on Mozart’s masterpiece.
- World premiere by the Bavarian Radio Choir - Enthusiastically received by audience and press. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc) SKU: CA.5165205 Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Choral Score. KV 626. Duration 50 minutes. Carus Verlag #5165205. Published by Carus Verlag (CA.5165205). ISBN 9790007314286. Key: D minor. Latin. The English conductor and composer Howard Arman has presented us with a completed version of Mozartâs Requiem. âAnother one?â you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃmayr version. Yet such is the enormous power of Mozartâs score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâs additions to Mozartâs great original show the requisite care and respect while incorporating many new insights.
Armanâs approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâs brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâs unique sound is given an opportunity to shine. Armanâs Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â in the spirit of Mozart â on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâs fragment ends with the Hostias, and so does Armanâs completion.
For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to SüÃmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.
Armanâs version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â and celebrated as offering a scholarly, entirely fresh perspective on Mozartâs masterpiece.
- World premiere by the Bavarian Radio Choir - Enthusiastically received by audience and press. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem [Score] Music Distribution Services
Soloists, choir and orchestra SKU: M7.DOHR-17625 Grande Messa di Requi...(+)
Soloists, choir and orchestra SKU: M7.DOHR-17625 Grande Messa di Requiem (1850/1851) mit Libera me (1856). Composed by Mabellini and Teodulo. Arranged by Guido Johannes and Joerg. Sheet music. Score. 260 pages. MDS (Music Distribution Services) #DOHR 17625. Published by MDS (Music Distribution Services) (M7.DOHR-17625). ISBN 9790202036259. Latin. Das Requiem besteht aus:Grande Messa di Requiem c-Moll (1850/1851) - Libera me, Domine f-Moll (1856) - Die Partitur enthält ein ausführliches Nachwort, das über Leben und Schaffen des Komponisten sowie die hier vorgelegte Requiem-Komposition informiert, sowie einen umfangreichen kritischen Bericht. Der Klavierauszug enthält beide Teile des Requiems. Das Aufführungsmaterial erscheint für beide Teile separat und enthält jeweils eine Digigier-Partitur im Format DIN A3.
2 Flöten - 2 Oboen / 1 Englischhorn (nur Nr. 3) - 2 Klarinetten - Bassklarinette (nur Libera me) - 2 Fagotte (4 Fagotte im Libera me) - 4 Hörner - 2 Trompeten (4 Trompeten im Libera me) - 3 Posaunen - 1 Ophikleide (oder Basstuba) - 4 Pauken (2 Musiker) - Tam-tam (nur Libera me) - Soli (SATB / TTBB) - Chor SATB - Streicher. $46.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Two Selections from Mozart's Requiem Mass Orchestra [Score] - Easy Highland/Etling
Orchestra - Grade 3 SKU: AP.38490S Composed by Wolfgang Amadeus Mozart. A...(+)
Orchestra - Grade 3 SKU: AP.38490S Composed by Wolfgang Amadeus Mozart. Arranged by Bob Lipton. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Form: Transcription. Classical; Masterwork Arrangement. Score. 16 pages. Highland/Etling #00-38490S. Published by Highland/Etling (AP.38490S). UPC: 038081432489. English. The Confutatis and Lacrimosa from this emotional work comprise some of the most heartbreakingly sad and beautiful music ever written. Your string students get a chance to play the music that was featured in the climatic scenes of the movie Amadeus. $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Requiem Mass, Op. 89 Soli, Mixted choir and accompaniment satb (soli), SATB (chorus), Keyboard [Sheet music] Kalmus
SATB divisi with SATB Soli (Orch.) (Latin Language Edition). Composed by Antonin...(+)
SATB divisi with SATB Soli (Orch.) (Latin Language Edition). Composed by Antonin Dvorak (1841-1904). Choral (Sacred); Choral Worship Cantata; Larger Works; Masterworks; Performance Music Ensemble; Worship Resources. Kalmus Edition. Masterwork; Romantic; Sacred. Book. 156 pages. Kalmus Classic Edition #00-K06163. Published by Kalmus Classic Edition
$16.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| 5 etudes sacrees [Score] - Intermediate Lemoine, Henry
Voice - Intermediate SKU: LM.JJ2286 Choeur a 6 voix. Composed by Y...(+)
Voice - Intermediate SKU: LM.JJ2286 Choeur a 6 voix. Composed by Yann Robin. Instrumental Music. Score. Editions Henry Lemoine #JJ2286. Published by Editions Henry Lemoine (LM.JJ2286). ISBN 9790230822862. 9 x 12 inches. Francais. $200.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Requiem Mass, K. 626 Choral SATB satb (soli), SATB (choir), Orchestra [Sheet music] Kalmus
SATB with SATB Soli (Orch.) (Latin Language Edition). Composed by Wolfgang Amade...(+)
SATB with SATB Soli (Orch.) (Latin Language Edition). Composed by Wolfgang Amadeus Mozart (1756-1791). Choral (Sacred); Choral Worship Cantata; Larger Works; Masterworks; Performance Music Ensemble; Worship Resources. Kalmus Edition. Classical; Masterwork; Sacred. Book. 80 pages. Kalmus Classic Edition #00-K06351. Published by Kalmus Classic Edition
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Requiem (CD only - no sheet music) |voice solo|vocal||choral|vocal| [Accompaniment CD] Rehearsal Arts, LLC
By Wolfgang Amadeus Mozart. Teaching Singer: Murry Kidd. For Tenor voice. Choral...(+)
By Wolfgang Amadeus Mozart. Teaching Singer: Murry Kidd. For Tenor voice. Choral learning aid. SingleParts with StudySpots. Classical; Choral. Level: Novice to semi professional. Choral Practice CD. Duration 0:54:42. Published by Rehearsal Arts, LLC.
$21.80 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Amadeus Soundtrack Highlights String Orchestra [Score and Parts] - Intermediate Hal Leonard
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Larry Moore. Mu...(+)
Composed by Wolfgang Amadeus
Mozart (1756-1791). Arranged
by Larry Moore. Music for
String Orchestra. Movies,
Classical. Softcover.
Published by Hal Leonard
$55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Requiem (Arman-Fassung) Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc) SKU: CA.5165219 Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Set of Orchestra Parts. KV 626. Duration 50 minutes. Carus Verlag #5165219. Published by Carus Verlag (CA.5165219). ISBN 9790007313883. Key: D minor. Latin. The English conductor and composer Howard Arman has presented us with a completed version of Mozartâs Requiem. âAnother one?â you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃmayr version. Yet such is the enormous power of Mozartâs score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâs additions to Mozartâs great original show the requisite care and respect while incorporating many new insights.
Armanâs approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâs brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâs unique sound is given an opportunity to shine. Armanâs Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â in the spirit of Mozart â on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâs fragment ends with the Hostias, and so does Armanâs completion.
For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to SüÃmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.
Armanâs version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â and celebrated as offering a scholarly, entirely fresh perspective on Mozartâs masterpiece.
- World premiere by the Bavarian Radio Choir - Enthusiastically received by audience and press. $240.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Carus Verlag
1st violin (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, ...(+)
1st violin (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc) SKU: CA.5165211 Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. KV 626. Duration 50 minutes. Carus Verlag #5165211. Published by Carus Verlag (CA.5165211). ISBN 9790007313845. Key: D minor. Latin. The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?†you might ask, since this publication is only the latest in a long line reaching back to the traditional Süßmayr version. Yet such is the enormous power of Mozart’s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Arman’s additions to Mozart’s great original show the requisite care and respect while incorporating many new insights.
Arman’s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozart’s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrument’s unique sound is given an opportunity to shine. Arman’s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather – in the spirit of Mozart – on creating a sense of drama and illuminating the theme in all its possible facets. Mozart’s fragment ends with the Hostias, and so does Arman’s completion.
For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Süßmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.
Arman’s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike – and celebrated as offering a scholarly, entirely fresh perspective on Mozart’s masterpiece.
- World premiere by the Bavarian Radio Choir - Enthusiastically received by audience and press. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem Soli, Mixted choir and accompaniment Soli, mixted choir and piano [Vocal Score] Carus Verlag
Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Tim...(+)
Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc) SKU: CA.5165203 Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Vocal score. KV 626. Duration 50 minutes. Carus Verlag #5165203. Published by Carus Verlag (CA.5165203). ISBN 9790007294243. Key: D minor. Latin. The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.
Armanâ??s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion.
For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Sü�mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.
Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.
- World premiere by the Bavarian Radio Choir - Enthusiastically received by audience and press. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem (CD only - no sheet music) |voice solo|vocal||choral|vocal| [Accompaniment CD] Rehearsal Arts, LLC
By Wolfgang Amadeus Mozart. Teaching Singer: Don Wilkinson. For Bass voice. Chor...(+)
By Wolfgang Amadeus Mozart. Teaching Singer: Don Wilkinson. For Bass voice. Choral learning aid. SingleParts with StudySpots. Classical; Choral. Level: Novice to semi professional. Choral Practice CD. Duration 0:53:35. Published by Rehearsal Arts, LLC.
$21.80 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Requiem (Arman-Fassung) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc) SKU: CA.5165209 Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Set of Orchestra Parts. KV 626. Duration 50 minutes. Carus Verlag #5165209. Published by Carus Verlag (CA.5165209). ISBN 9790007313838. Key: D minor. Latin. The English conductor and composer Howard Arman has presented us with a completed version of Mozartââ¬â¢s Requiem. ââ¬ÅAnother one?ââ¬Â you might ask, since this publication is only the latest in a long line reaching back to the traditional Süßmayr version. Yet such is the enormous power of Mozartââ¬â¢s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanââ¬â¢s additions to Mozartââ¬â¢s great original show the requisite care and respect while incorporating many new insights.
Armanââ¬â¢s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartââ¬â¢s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentââ¬â¢s unique sound is given an opportunity to shine. Armanââ¬â¢s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather ââ¬â in the spirit of Mozart ââ¬â on creating a sense of drama and illuminating the theme in all its possible facets. Mozartââ¬â¢s fragment ends with the Hostias, and so does Armanââ¬â¢s completion.
For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Süßmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.
Armanââ¬â¢s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike ââ¬â and celebrated as offering a scholarly, entirely fresh perspective on Mozartââ¬â¢s masterpiece.
- World premiere by the Bavarian Radio Choir - Enthusiastically received by audience and press. $69.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem in c minor Choral SATB SATB Schirmer
SATB. By Michael Haydn. (SATB). Choral Large Works. Size 9x12 inches. 72 pages....(+)
SATB. By Michael Haydn. (SATB). Choral Large Works. Size 9x12 inches. 72 pages. Published by G. Schirmer, Inc.
$12.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Requiem Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Score] Barenreiter
New Completion. Composed by Wolfgang Amadeus Mozart (1756- 1791). Edited by Mic...(+)
New Completion. Composed by
Wolfgang Amadeus Mozart (1756-
1791). Edited by Michael
Ostrzyga. This edition:
Urtext. Paperback Binding.
Baerenreiter Urtext. Classical
Period. Score. Baerenreiter
Verlag #BA11310. Published by
Baerenreiter Verlag
$92.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Wolfgang Amadeus Mozart: Requiem, K. 626
Choral SATB SATB, Piano [Vocal Score] - Intermediate/advanced Schirmer
(SATB). By Wolfgang Amadeus Mozart (1756-1791). For soprano solo voice, alto sol...(+)
(SATB). By Wolfgang Amadeus Mozart (1756-1791). For soprano solo voice, alto solo voice, tenor solo voice, bass solo voice, SATB choir and piano accompaniment (SATB). This edition: ED1882. Choral Large Works. Classical Period. Difficulty: medium to medium-difficult. Vocal score. Choral notation and piano reduction. 80 pages. Published by G. Schirmer
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| Giuseppe Verdi: Requiem
Choral SATB SATB, Piano [Vocal Score] - Intermediate/advanced Peters
Composed by Giuseppe Verdi (1813-1901), edited by Kurt Soldan. For SATB solos, S...(+)
Composed by Giuseppe Verdi (1813-1901), edited by Kurt Soldan. For SATB solos, SATB choir and piano accompaniment. Format: vocal score. With choral notation, piano reduction and introductory text. Romantic period. Text language Latin. 144 pages. 7.5x10.5 inches. Published by C.F. Peters.
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| The Oratorio Anthology - Baritone/Bass
Baritone voice, Piano [Sheet music] - Intermediate Hal Leonard
The Vocal Library. By Various. Arranged by Richard Walters. (Baritone). Vocal Co...(+)
The Vocal Library. By Various. Arranged by Richard Walters. (Baritone). Vocal Collection. Size 8.5x11 inches. 272 pages. Published by Hal Leonard Corporation.
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| Requiem, K. 626 |voice solo|piano|vocal| [Vocal Score] Serenissima
By Wolfgang Amadeus Mozart. Edited by Wolfgang Amadeus Mozart. Arranged by Franz...(+)
By Wolfgang Amadeus Mozart. Edited by Wolfgang Amadeus Mozart. Arranged by Franz Xaver Sussmayr, Friedrich Ferdinand Brissler. For Solo voices, Choir / Piano. (Chorus and piano). Classical; Sacred/Hymns; Funerals. Vocal Score. Text Language: Latin. Composed 1791. 80 pages. Duration 57 minutes. Published by Serenissima.
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| Messa di Requiem Choral SATB SATB [Vocal Score] Schirmer
Vocal Score. By Giuseppe Verdi. (SATB). Choral Large Works. Size 6.75x10.5 inche...(+)
Vocal Score. By Giuseppe Verdi. (SATB). Choral Large Works. Size 6.75x10.5 inches. 214 pages. Published by Schirmer.
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| Requiem (CD only - no sheet music) |voice solo|vocal||choral|vocal| [Accompaniment CD] Rehearsal Arts, LLC
By Wolfgang Amadeus Mozart. Teaching Singer: Gail Abbey. For Soprano voice. Chor...(+)
By Wolfgang Amadeus Mozart. Teaching Singer: Gail Abbey. For Soprano voice. Choral learning aid. SingleParts with StudySpots. Classical; Choral. Level: Novice to semi professional. Choral Practice CD. Duration 0:54:43. Published by Rehearsal Arts, LLC.
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