| I Couldn't Hear Nobody Pray Choral SATB [Octavo] MorningStar Music Publishers
Composed by Marilyn Biery. For SATB choir, vocal soloist, a cappella. Spiritual....(+)
Composed by Marilyn Biery. For SATB choir, vocal soloist, a cappella. Spiritual. Moderately Easy to Medium. Octavo. Published by MorningStar Music Publishers
$2.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Gospelmania 1 Piano, 4 hands [Score] - Intermediate Van de Velde
Piano 4 hands - Level 3 SKU: LM.VV078 Composed by Annick Chartreux. Piano...(+)
Piano 4 hands - Level 3 SKU: LM.VV078 Composed by Annick Chartreux. Piano Jazz Blues. Pop, jazz. Score. Editions Van de Velde #VV078. Published by Editions Van de Velde (LM.VV078). ISBN 9790560050782. CHARTREUX Annick : I couldn't hear somedy pray - Didn't my lord deliver Daniel - Swing low sweet chariot - Where you there - When they crucified my lord - Josuah fit the battle of Jericho - Kumbaya. $21.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Stevie Ray Vaughan [Sheet music + Audio access] Hal Leonard
Book/Online Audio BC Instruments; Bb Instruments; C Instruments; Eb Instruments ...(+)
Book/Online Audio BC Instruments; Bb Instruments; C Instruments; Eb Instruments SKU: HL.843214 Blues Play-Along Volume 17. By Stevie Ray Vaughan. Blues Play-Along. Blues, Rock. Softcover Audio Online. 104 pages. Published by Hal Leonard (HL.843214). ISBN 9781423499893. UPC: 884088533373. 9.0x12.0x0.317 inches. For use with all C, Bb, Eb, and Bass Clef instruments, the Hal Leonard Blues Play-Along series is the ultimate jamming tool for all blues musicians. With easy-to-read lead sheets and other split-track choices on the included tracks, these first-of-a-kind packages will bring your local blues jam right into your house! 8 songs: Ain't Gone 'n' Give up on Love * Couldn't Stand the Weather * Crossfire * Empty Arms * Honey Bee * Love Struck Baby * Rude Mood * Scuttle Buttin'. The price of this book includes a unique code that provides access to audio tracks online, for download or streaming. The tracks include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard. $14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| I Couldn't Hear Nobody Pray Choral SATB SATB divisi, A Cappella Hal Leonard
Arranged by Moses Hogan. (SATB DV A Cappella). Festival Choral. Size 6.8x10.5 i...(+)
Arranged by Moses Hogan. (SATB DV A Cappella). Festival Choral. Size 6.8x10.5 inches. 8 pages. Published by Hal Leonard.
$1.40 $1.33 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Stevie Ray Vaughan: Couldn't Stand The Weather Guitar notes and tablatures [Sheet music] Hal Leonard
Performed by Stevie Ray Vaughan. For guitar and voice. Format: guitar tablature ...(+)
Performed by Stevie Ray Vaughan. For guitar and voice. Format: guitar tablature songbook. With guitar tablature, standard notation, vocal melody, lyrics, chord names, guitar notation legend and black & white photos. Blues rock and blues. Series: Hal Leonard Guitar Recorded Versions. 71 pages. 9x12 inches. Published by Hal Leonard.
(2)$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Ultimate Fake Book - C Instruments (3rd Edition)
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pa...(+)
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.
(31)$55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 7th Street Beat [Score] - Easy Carl Fischer
Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2, Voice - Grade 3.5 SKU...(+)
Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2, Voice - Grade 3.5 SKU: CF.CAS123F Composed by Lauren Bernofsky. Sws. Carl Fischer Concert String Orchestra Series. Full score. 16 pages. Duration 3:30. Carl Fischer Music #CAS123F. Published by Carl Fischer Music (CF.CAS123F). ISBN 9781491154762. UPC: 680160913312. 9 x 12 inches. Key: D minor. It was at a flute convention, of all places, where the composer learned how to beatbox. Greg Pattillo, the flutist of the ensemble Project Trio, taught a roomful of (mostly) flute players how to make a few sounds, and she couldn't believe how easy, and effective, it was! She figured, if a random bunch of adult flute players can do this, it should be a piece of cake for students. Inspired by this new-found knowledge, she composed 7th Street Beat, writing beatbox percussion into the parts of all the instruments. The sounds imitate percussive effects normally made by a drum set. The beatbox vocal lines are optional - they are reinforcements for the beatbox sounds in the string parts. Also optional (but highly recommended!) is the improvisation section starting at m. 49. Don't tell the students any rules about what notes to play or not play - simply offer them the opportunity to make up whatever they like, to show off their abilities and musical personalities!. It was at a flute convention, of all places, where the composer learned how to beatbox. Greg Pattillo, the flutist of the ensemble Project Trio, taught a roomful of (mostly) flute players how to make a few sounds, and she couldn’t believe how easy, and effective, it was! She figured, if a random bunch of adult flute players can do this, it should be a piece of cake for students.Inspired by this new-found knowledge, she composed 7th Street Beat, writing beatbox percussion into the parts of all the instruments. The sounds imitate percussive effects normally made by a drum set.The beatbox vocal lines are optional – they are reinforcements for the beatbox sounds in the string parts. Also optional (but highly recommended!) is the improvisation section starting at m. 49. Don’t tell the students any rules about what notes to play or not play – simply offer them the opportunity to make up whatever they like, to show off their abilities and musical personalities! About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Real Book - Volume V Eb Instruments Hal Leonard
E-flat Edition. Composed by Various. Fake Book. Jazz. Softcover. 504 page...(+)
E-flat Edition. Composed by Various. Fake Book. Jazz. Softcover. 504 pages. Published by Hal Leonard (HL.175279).
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Max Reger Breitkopf & Härtel
SKU: BR.BV-450 Werk statt Leben - Biographie. Composed by Susanne ...(+)
SKU: BR.BV-450 Werk statt Leben - Biographie. Composed by Susanne Popp. Softbound. Buchverlag Breitkopf & Hartel (Music Books). The extensive and eagerly awaited Reger biography couldn't be introduced at a better time. Late-romantic; Early modern. Book. 544 pages. Breitkopf and Haertel #BV 450. Published by Breitkopf and Haertel (BR.BV-450). ISBN 9783765104503. 6.5 x 9.5 inches. German. And it comes from a most qualified hand that of Susanne Popp, author of the Reger Work Catalogue and head of the Max Reger Institute for many years. She was predestined to portray one of the most fascinating composers of the past turn of the century. No better time? In May 2016 we will be commemorating the 100th anniversary of the death of Max Reger, and the musical world will want to honor with many events the great out-of-time composer who saw himself between tradition and avant-garde. Susanne Popp's comprehensive biography provides help for finding our way in this prolific life on the basis of letters and documents, some of them practically unknown, which visually depict the restless life of the workaholic. Moreover, for the biographical information, a multi-media project is also being planned through audio examples and visual documents on the Reger Institute's home page.
The extensive and eagerly awaited Reger biography couldn't be introduced at a better time. $62.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Real Book - Volume V
Bb Instruments Hal Leonard
B-flat Edition. Composed by Various. Fake Book. Softcover. 504 pages. Publish...(+)
B-flat Edition. Composed by
Various. Fake Book.
Softcover. 504 pages.
Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Book - Volume V
C Instruments [Fake Book] Hal Leonard
(C Edition). By Various. By Various. For C Instruments. Fake Book. Softcover. 46...(+)
(C Edition). By Various. By Various. For C Instruments. Fake Book. Softcover. 464 pages. Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Hope Remains Within [Score] - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Brake Drum, Chimes, Clarinet 1, ...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Brake Drum, Chimes, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum and more. - Grade 2.5 SKU: CF.YPS217F Composed by Zachary Cairns. Sws. Yps. Full score. 24 pages. Duration 4 minutes, 48 seconds. Carl Fischer Music #YPS217F. Published by Carl Fischer Music (CF.YPS217F). ISBN 9781491156551. UPC: 680160915095. 9 x 12 inches. Hope Remains Within was commissioned by and composed for the Mount Nittany Middle School 7th and 8th Grade Concert Bands. Having heard the students of Mount Nittany perform another work of mine, I was very excited when their director, Johanna Steinbacher, approached me about writing a piece specifically for them. I knew right away that I wanted to write something that would tie in with their non-music curriculum in some way, but I wasn't exactly sure how, or what. Johanna talked to some of her students and learned that, in 7th grade, the students spend a good deal of time studying mythology in their English class. In particular, two clarinet students mentioned how much they enjoyed the story of Pandora. As such, I decided to use that story as the basis of this composition. Hope Remains Within doesn't attempt to re-tell the story, event by event, in musical terms. Instead, my goal was to address what seems to be one of the central issues of the Pandora myth. Though there are some variations, we probably all know the basics as told by the ancient Greek poet Hesiod. Zeus decides to punish Prometheus for stealing fire from heaven and giving it to humans. He and the other gods create Pandora, a beautiful and deceitful woman, and they give her to Prometheus's brother Epimetheus as a bride. Pandora is herself given a jar (according to many sources, jar seems to be a more accurate translation for what we commonly call Pandora's box) which contained numerous evils, diseases, and other pains. Out of curiosity, Pandora opens the jar and releases all of these evils into the world. But one thing remains in the jar: hope. The issue of hope seems to be one of the big interpretive questions of the Pandora myth. Why does hope remain within the jar? Why doesn't it come out of the jar to help humanity? Is hope being held on a pedestal of some sort? Is hope deliberately withheld from humanity? Why was hope in the jar with all those evils in the first place? I'm not enough of a mythological scholar to claim to have definitive answers to those questions, but these are the questions that I've tried to engage from a musical perspective in Hope Remains Within. I encourage the students and listeners to consider their own ideas of what hope is, and where you can find your own hope when needed. Musically, Hope Remains Within draws one of its main themes from the Prometheus Symphony by Alexander Skryabin (Scriabin). The note sequence F-D-Gb -F, heard near Hope's beginning played by alto saxophones and chimes, comes from the opening measures of Skyrabin's work. Given the important role that Prometheus plays in the Pandora myth, this seemed like an appropriate musical gesture to quote. This Prometheus motive is varied throughout the course of the piece, and even provides closure at the end, recast in a major key. Additionally, I have tried to involve a manageable amount of chromaticism in this piece. I have worked from the key of Bb major, no doubt familiar to every student who has ever played an instrument in a band. But I have added three extra notes: Db, Gb, and Ab, which are drawn from the key of Bb minor. During the piece's slow opening, I have allowed these minor key pitches to mingle freely within the Bb major tonality, adding extra color and (I hope!) beauty. As the piece progresses, though, the tempo increases, and we lose sense of the Bb major key entirely, and these extra notes play a more important role. But finally, Bb major returns triumphantly and all the extra notes are gone, except for a brief memory near the very end. (Ok, there are a couple of E-naturals that sneak in there along the way. I couldn't resist.). Hope Remains Within was commissioned by and composed for the Mount Nittany Middle School 7th and 8th Grade Concert Bands. Having heard the students of Mount Nittany perform another work of mine, I was very excited when their director, Johanna Steinbacher, approached me about writing a piece specifically for them. I knew right away that I wanted to write something that would tie in with their non-music curriculum in some way, but I wasn’t exactly sure how, or what. Johanna talked to some of her students and learned that, in 7th grade, the students spend a good deal of time studying mythology in their English class. In particular, two clarinet students mentioned how much they enjoyed the story of Pandora.As such, I decided to use that story as the basis of this composition. Hope Remains Within doesn’t attempt to re-tell the story, event by event, in musical terms. Instead, my goal was to address what seems to be one of the central issues of the Pandora myth. Though there are some variations, we probably all know the basics as told by the ancient Greek poet Hesiod. Zeus decides to punish Prometheus for stealing fire from heaven and giving it to humans. He and the other gods create Pandora, a beautiful and deceitful woman, and they give her to Prometheus’s brother Epimetheus as a bride. Pandora is herself given a jar (according to many sources, “jar†seems to be a more accurate translation for what we commonly call “Pandora’s boxâ€) which contained numerous evils, diseases, and other pains. Out of curiosity, Pandora opens the jar and releases all of these evils into the world. But one thing remains in the jar: hope.The issue of hope seems to be one of the big interpretive questions of the Pandora myth. Why does hope remain within the jar? Why doesn’t it come out of the jar to help humanity? Is hope being held on a pedestal of some sort? Is hope deliberately withheld from humanity? Why was hope in the jar with all those evils in the first place?I’m not enough of a mythological scholar to claim to have definitive answers to those questions, but these are the questions that I’ve tried to engage from a musical perspective in Hope Remains Within. I encourage the students and listeners to consider their own ideas of what hope is, and where you can find your own hope when needed.Musically, Hope Remains Within draws one of its main themes from the Prometheus Symphony by Alexander Skryabin (Scriabin). The note sequence F-D-Gb -F, heard near Hope’s beginning played by alto saxophones and chimes, comes from the opening measures of Skyrabin’s work. Given the important role that Prometheus plays in the Pandora myth, this seemed like an appropriate musical gesture to quote. This Prometheus motive is varied throughout the course of the piece, and even provides closure at the end, recast in a major key.Additionally, I have tried to involve a manageable amount of chromaticism in this piece. I have worked from the key of Bb major, no doubt familiar to every student who has ever played an instrument in a band. But I have added three extra notes: Db, Gb, and Ab, which are drawn from the key of Bb minor. During the piece’s slow opening, I have allowed these minor key pitches to mingle freely within the Bb major tonality, adding extra color and (I hope!) beauty. As the piece progresses, though, the tempo increases, and we lose sense of the Bb major key entirely, and these extra notes play a more important role. But finally, Bb major returns triumphantly and all the extra notes are gone, except for a brief memory near the very end. (Ok, there are a couple of E-naturals that sneak in there along the way. I couldn’t resist.). $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hope Remains Within - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Brake Drum, Chimes, Clarinet 1, ...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Brake Drum, Chimes, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum and more. - Grade 2.5 SKU: CF.YPS217 Composed by Zachary Cairns. Folio. Yps. Set of Score and Parts. 8+8+4+8+8+4+2+6+4+4+4+8+8+8+8+6+6+6+4+6+4+2+2+4+6+10+24 pages. Duration 4 minutes, 48 seconds. Carl Fischer Music #YPS217. Published by Carl Fischer Music (CF.YPS217). ISBN 9781491156544. UPC: 680160915088. 9 x 12 inches. Hope Remains Within was commissioned by and composed for the Mount Nittany Middle School 7th and 8th Grade Concert Bands. Having heard the students of Mount Nittany perform another work of mine, I was very excited when their director, Johanna Steinbacher, approached me about writing a piece specifically for them. I knew right away that I wanted to write something that would tie in with their non-music curriculum in some way, but I wasn't exactly sure how, or what. Johanna talked to some of her students and learned that, in 7th grade, the students spend a good deal of time studying mythology in their English class. In particular, two clarinet students mentioned how much they enjoyed the story of Pandora. As such, I decided to use that story as the basis of this composition. Hope Remains Within doesn't attempt to re-tell the story, event by event, in musical terms. Instead, my goal was to address what seems to be one of the central issues of the Pandora myth. Though there are some variations, we probably all know the basics as told by the ancient Greek poet Hesiod. Zeus decides to punish Prometheus for stealing fire from heaven and giving it to humans. He and the other gods create Pandora, a beautiful and deceitful woman, and they give her to Prometheus's brother Epimetheus as a bride. Pandora is herself given a jar (according to many sources, jar seems to be a more accurate translation for what we commonly call Pandora's box) which contained numerous evils, diseases, and other pains. Out of curiosity, Pandora opens the jar and releases all of these evils into the world. But one thing remains in the jar: hope. The issue of hope seems to be one of the big interpretive questions of the Pandora myth. Why does hope remain within the jar? Why doesn't it come out of the jar to help humanity? Is hope being held on a pedestal of some sort? Is hope deliberately withheld from humanity? Why was hope in the jar with all those evils in the first place? I'm not enough of a mythological scholar to claim to have definitive answers to those questions, but these are the questions that I've tried to engage from a musical perspective in Hope Remains Within. I encourage the students and listeners to consider their own ideas of what hope is, and where you can find your own hope when needed. Musically, Hope Remains Within draws one of its main themes from the Prometheus Symphony by Alexander Skryabin (Scriabin). The note sequence F-D-Gb -F, heard near Hope's beginning played by alto saxophones and chimes, comes from the opening measures of Skyrabin's work. Given the important role that Prometheus plays in the Pandora myth, this seemed like an appropriate musical gesture to quote. This Prometheus motive is varied throughout the course of the piece, and even provides closure at the end, recast in a major key. Additionally, I have tried to involve a manageable amount of chromaticism in this piece. I have worked from the key of Bb major, no doubt familiar to every student who has ever played an instrument in a band. But I have added three extra notes: Db, Gb, and Ab, which are drawn from the key of Bb minor. During the piece's slow opening, I have allowed these minor key pitches to mingle freely within the Bb major tonality, adding extra color and (I hope!) beauty. As the piece progresses, though, the tempo increases, and we lose sense of the Bb major key entirely, and these extra notes play a more important role. But finally, Bb major returns triumphantly and all the extra notes are gone, except for a brief memory near the very end. (Ok, there are a couple of E-naturals that sneak in there along the way. I couldn't resist.). Hope Remains Within was commissioned by and composed for the Mount Nittany Middle School 7th and 8th Grade Concert Bands. Having heard the students of Mount Nittany perform another work of mine, I was very excited when their director, Johanna Steinbacher, approached me about writing a piece specifically for them. I knew right away that I wanted to write something that would tie in with their non-music curriculum in some way, but I wasn’t exactly sure how, or what. Johanna talked to some of her students and learned that, in 7th grade, the students spend a good deal of time studying mythology in their English class. In particular, two clarinet students mentioned how much they enjoyed the story of Pandora.As such, I decided to use that story as the basis of this composition. Hope Remains Within doesn’t attempt to re-tell the story, event by event, in musical terms. Instead, my goal was to address what seems to be one of the central issues of the Pandora myth. Though there are some variations, we probably all know the basics as told by the ancient Greek poet Hesiod. Zeus decides to punish Prometheus for stealing fire from heaven and giving it to humans. He and the other gods create Pandora, a beautiful and deceitful woman, and they give her to Prometheus’s brother Epimetheus as a bride. Pandora is herself given a jar (according to many sources, “jar†seems to be a more accurate translation for what we commonly call “Pandora’s boxâ€) which contained numerous evils, diseases, and other pains. Out of curiosity, Pandora opens the jar and releases all of these evils into the world. But one thing remains in the jar: hope.The issue of hope seems to be one of the big interpretive questions of the Pandora myth. Why does hope remain within the jar? Why doesn’t it come out of the jar to help humanity? Is hope being held on a pedestal of some sort? Is hope deliberately withheld from humanity? Why was hope in the jar with all those evils in the first place?I’m not enough of a mythological scholar to claim to have definitive answers to those questions, but these are the questions that I’ve tried to engage from a musical perspective in Hope Remains Within. I encourage the students and listeners to consider their own ideas of what hope is, and where you can find your own hope when needed.Musically, Hope Remains Within draws one of its main themes from the Prometheus Symphony by Alexander Skryabin (Scriabin). The note sequence F-D-Gb -F, heard near Hope’s beginning played by alto saxophones and chimes, comes from the opening measures of Skyrabin’s work. Given the important role that Prometheus plays in the Pandora myth, this seemed like an appropriate musical gesture to quote. This Prometheus motive is varied throughout the course of the piece, and even provides closure at the end, recast in a major key.Additionally, I have tried to involve a manageable amount of chromaticism in this piece. I have worked from the key of Bb major, no doubt familiar to every student who has ever played an instrument in a band. But I have added three extra notes: Db, Gb, and Ab, which are drawn from the key of Bb minor. During the piece’s slow opening, I have allowed these minor key pitches to mingle freely within the Bb major tonality, adding extra color and (I hope!) beauty. As the piece progresses, though, the tempo increases, and we lose sense of the Bb major key entirely, and these extra notes play a more important role. But finally, Bb major returns triumphantly and all the extra notes are gone, except for a brief memory near the very end. (Ok, there are a couple of E-naturals that sneak in there along the way. I couldn’t resist.). $75.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Take Two Bassoons 2 Bassoons (duet) Novello & Co Ltd.
(Bassoon Duet Two Performance Scores). By Thea Musgrave (1928-). For Bassoon Due...(+)
(Bassoon Duet Two Performance Scores). By Thea Musgrave (1928-). For Bassoon Duet. Music Sales America. Softcover. Novello and Co Ltd. #NOV121693. Published by Novello and Co Ltd.
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Stevie Ray Vaughan: The Best of Stevie Ray Vaughan - Easy Guitar Guitar notes and tablatures [Sheet music] - Easy Hal Leonard
Performed by Stevie Ray Vaughan. For guitar and voice. Format: easy guitar tabla...(+)
Performed by Stevie Ray Vaughan. For guitar and voice. Format: easy guitar tablature songbook. With guitar tablature, standard notation, vocal melody, lyrics, chord names, guitar chord diagrams, guitar notation legend and strum and pick patterns. Blues rock and blues. 63 pages. 9x12 inches.
(4)$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Album of Negro Spirituals: High Voice High voice, Piano [Sheet music] Alfred Publishing
Arranged by for Solo Voice by Harry T. Burleigh. For Voice. (High Voice). Vocal...(+)
Arranged by for Solo Voice by Harry T. Burleigh. For Voice. (High Voice). Vocal Collection. Spiritual. Book. 48 pages. Published by Alfred Publishing.
(1)$15.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Best of Spirituals and Gospels Piano, Vocal and Guitar Schott
Melody Edition. By Various. Arranged by H. Luedeman. (Voice and Piano). Schott....(+)
Melody Edition. By Various. Arranged by H. Luedeman. (Voice and Piano). Schott. Size 6x8.25 inches. 100 pages. Published by Schott.
$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Wicked (Violin)
Violin [Sheet music + Audio access] Hal Leonard
Violin Play-Along Pack. Composed by Stephen Schwartz. Instrumental Play-Along. P...(+)
Violin Play-Along Pack. Composed by Stephen Schwartz. Instrumental Play-Along. Play Along. Softcover Audio Online. 24 pages. Published by Hal Leonard
(2)$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Power of the KING - Bulk CD (10-pak) Choral Unison - Easy Word Music
Unison voices - Easy SKU: WD.080689857720 A Simply WordKidz Musical fo...(+)
Unison voices - Easy SKU: WD.080689857720 A Simply WordKidz Musical for Christmas. Composed by Gina Boe. Choral, cantatas. Simply WordKidz. Bulk CD (10-pak). Duration 29 minutes. Word Music #080689857720. Published by Word Music (WD.080689857720). UPC: 080689857720. Produced by Dave Clark. The Power of the KING is the latest Christmas musical from Simply WordKidz, the best-selling easy-learn, easy-sing series for children's choir from Word Music & Church Resources. The story behind The Power of the KING, written and created by Gina Boe and Barb Dorn, revolves around radio station K-I-N-G. A major winter storm is threatening to shut down the entire state. The power grid is failing all around, and highways are closing due to dangerous road conditions. A bus transporting a children's choir on their Christmas tour is stranded by the storm, so the choir takes refuge at the radio station. The timing of the winter storm couldn't be worse, as the station's power goes off just as they are about to broadcast the annual Christmas show. Unable to play any recorded music due to the limitations of the back-up generator, the radio station staff hastily scrambles to put together a live radio broadcast telling the joyous Good News of the Christmas story, with the help of the stranded children's choir! The Power of the KING from the Simply WordKidz Series... the perfect way to bring your church and community together this Christmas, in celebration of the miracle of Christ's birth!
Song Titles: K-I-N-G Christmas * The Power of the KING * Christmas Medley-Part 1 (O Come, O Come, Emmanuel); Christmas Medley-Part 2 (O Little Town of Bethlehem and Silent Night) * This Thing that Has Happened * How Great Our Joy! * Reprise (The Power of the KING with K-I-N-G Christmas). $69.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Bass Book Bass guitar Backbeat Books
A Complete Illustrated History of Bass Guitars Updated Edition. Book. Softcov...(+)
A Complete Illustrated
History of Bass Guitars
Updated Edition. Book.
Softcover. 176 pages.
Published by Backbeat Books
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerto For Oboe And Orchestra [Score] Theodore Presser Co.
Orchestra Orchestra SKU: PR.11641373S Composed by Peter Schickele. Full s...(+)
Orchestra Orchestra SKU: PR.11641373S Composed by Peter Schickele. Full score. Duration 24 minutes. Theodore Presser Company #116-41373S. Published by Theodore Presser Company (PR.11641373S). UPC: 680160680344. The concerto has always seemed an especially attractive medium to me, not necessarily because of its expectations of virtuosity (although flaunting it when you've got it certainly has its place), and emphatically not because of the perception of a concerto as a contest, but because so much of what I write feels song-like; I'm very much at home with the age-old texture of melody and accompaniment. I hope, before I move on, to have the opportunity to write concertos for all the major instruments, and perhaps some of the rarer ones as well. The oboe is not only one of the major instruments, it is one of my favorite instruments. I've always loved its sound, but since moving to New York I have gotten to hear and, in some cases, know some extremely fine oboists who broadened my appreciation of the instrument's possibilities. I especially remember a concert, probably in the late 1960's, in which Humbert Lucarelli played a Handel concerto, filling out large melodic leaps with cascading scale passages in a way that raised the hair on the back of your neck, somewhat in the way that John Coltrane's sheets of sound did. The sweeping scales in the second movement of my concerto were definitely inspired by Bert Lucarelli's performance. The first, third and fifth movements of the Concerto for Oboe and Orchestra are song-like, whereas the second and fourth have strong scherzo and dance qualities, including a couple of sections that sound like out-and-out pirate dances to me. The hymn-like tune at the beginning of the middle movement was originally begun as a vocal piece to be sung by my wife, son and daughter at my brother's wedding, but I couldn't come up with good works for it, so it ended up as an instrumental chant. The opening and closing of the concerto make use of the oboe's uniquely soulful singing. I had not heard Pamela Woods Pecha's solo playing in person when she approached me about writing a concerto, but I had heard her fine recording of chamber music for oboe and strings by the three B's (English, that is: Bliss, Bax and Britten) with the Audubon Quartet. I actually already had some oboe concerto ideas in my sketchbooks; although I didn't end up using any of those earlier ideas, it's interesting that most of them tended to share the general feeling and tonality of the eventual opening of the concerto. The work was completed on October 13, 1994. I hate the compromises involved in making piano reductions -- perhaps I would feel differently if I were a more accomplished pianist -- so I often decide to make piano reductions for four hands rather than two. My good friend Jon Kimura Parker is a terrific sight-reader, and I roped him into coming over to my place on February 17, 1995, to help me accompany Pamela on the first read-through of the piece. The first performance of the work took place on July 21, 1995, at the American Music Festival in Duncan, Oklahoma, with Mark Parker conducting the Festival Orchestra. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Music Theory for Young Musicians Music Theory - Intermediate Alfred Publishing
Grade 5 SKU: AP.99-9670831305 Book 5. Composed by Ying Ying Ng. Re...(+)
Grade 5 SKU: AP.99-9670831305 Book 5. Composed by Ying Ying Ng. Reference Textbooks; Textbook - General; Theory. Poco Studio. Book. Alfred Music #99-9670831305. Published by Alfred Music (AP.99-9670831305). ISBN 9789670831305. English. The Music Theory for Young Musicians series is a colorful and imaginative set of books that covers all aspects of the ABRSM theory syllabus for Grades 1--5. With one book per grade, assigning theory lessons for your students couldn't be easier. The new revised edition of the Grade 5 book contains a step-by-step guide for each concept, then general exercises for the evaluation and reinforcement of these concepts, and finally some sample test papers so you can be certain of success before entering your student. $10.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| International Accordion Favorites Accordion [Sheet music + Audio access] Mel Bay
(Waltzes, Polkas, Tangos, Hornpipes, Two-Steps and More!). Composed by Bruce Bol...(+)
(Waltzes, Polkas, Tangos, Hornpipes, Two-Steps and More!). Composed by Bruce Bollerud. For International Accordion Favorites. Saddle-stitched. Intermediate. Book and online audio. Published by Mel Bay Publications, Inc
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Spirituals of Harry T. Burleigh: High Voice High voice, Piano [Sheet music] Alfred Publishing
(High Voice). Arranged by for Solo voice by Harry T. Burleigh. For Voice (High v...(+)
(High Voice). Arranged by for Solo voice by Harry T. Burleigh. For Voice (High voice (Medium-High)). Vocal Collection. Spiritual. Book. 208 pages. Published by Alfred Music Publishing
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Music Theory for Young Musicians, Book 5 Music Theory [Book] Alfred Publishing
Composed by Ying Ying Ng. Book; Reference Textbooks; Textbook - General; Theor...(+)
Composed by Ying Ying Ng.
Book; Reference Textbooks;
Textbook - General; Theory.
Poco Studio Edition.
Published by Alfred Music
$9.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A King Is Born (Choral Score) Choral TTBB TTBB, Piano [Octavo] - Intermediate MorningStar Music Publishers
By Gorieb/Hosman. Arranged by Tim Sarsany. For TTBB choir, tenor or soprano voic...(+)
By Gorieb/Hosman. Arranged by Tim Sarsany. For TTBB choir, tenor or soprano voice solo, piano, optional Marimba, percussion (Shaker, conga drums), bass guitar. Christmas. Medium. Choral score. Published by MorningStar Music Publishers
$3.15 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Caroling Book for Trombone Quartet Brass Quartet: 4 trombones [Score and Parts] Cherry Classics
Arranged by Ausman / Sample. For Trombone Quartet. Christmas Trombone. Intermedi...(+)
Arranged by Ausman / Sample. For Trombone Quartet. Christmas Trombone. Intermediate. Score and parts. Published by Cherry Classics
$32.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Singer's Musical Theatre Anthology Duets Vol. 2
Piano, Voice Hal Leonard
Edited by Richard Walters. Songbook for voice and piano. A collection of songs f...(+)
Edited by Richard Walters. Songbook for voice and piano. A collection of songs from the musical stage, categorized by voice type. The selections are presented in their authentic settings, excerpted from the original vocal scores. 242 pages. Published by Hal Leonard.
(1)$26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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