| Violoncello Concerto No. 1 in D minor Op. 193 Breitkopf & Härtel
Cello and orchestra (solo: vc - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-57...(+)
Cello and orchestra (solo: vc - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-5715 Urtext. Composed by Joachim Raff. Edited by Jonas Andrea and Kreienbuhl Wiesli. Orchestra; stapled. Partitur-Bibliothek (Score Library). Solo concerto; Romantic. Sheet Music. 64 pages. Duration 25'. Breitkopf and Haertel #PB 5715. Published by Breitkopf and Haertel (BR.PB-5715). ISBN 9790004216521. 10 x 12.5 inches. Joachim Raff's celebrated first cello concerto is only gradually being rediscovered today. This is astounding, taking into account both the quality of the composition as well as its enthusiastic reception in the past. All renowned cellists of the time performed the work, but the history of op. 193 is still more closely linked to Friedrich Grutzmacher, its commissioner, co-editor, and soloist in its world premiere, than to any other musician. Grutzmachers wish for a concerto to free us poor cellists from our situation that is becoming truly unbearable and driving us to the utmost discontent was certainly fulfilled by Raff.The extensive preface of this first Urtext-Edition documents the close collaboration between composer and interpreter, as well as performance practice of the time. The corresponding piano reduction includes not only an Urtext-solo part, but also a part with the markings by the Zurich cellist Jonas Kreienbuhl. In collaboration with the Joachim-Raff-Archiv Lachen (CH). $80.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Violoncello Concerto No. 1 in D minor Op. 193 Cello, Piano Breitkopf & Härtel
Cello and piano (solo: vc - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.EB-9426(+)
Cello and piano (solo: vc - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.EB-9426 Urtext. Composed by Joachim Raff. Edited by Andrea Wiesli and Jonas Kreienbuhl. Solo instruments; stapled. Edition Breitkopf. Solo concerto; Romantic. Piano reduction. 88 pages. Duration 25'. Breitkopf and Haertel #EB 9426. Published by Breitkopf and Haertel (BR.EB-9426). ISBN 9790004189030. 9 x 12 inches. Joachim Raff's celebrated first cello concerto is only gradually being rediscovered today. This is astounding, taking into account both the quality of the composition as well as its enthusiastic reception in the past. All renowned cellists of the time performed the work, but the history of op. 193 is still more closely linked to Friedrich Grutzmacher, its commissioner, co-editor, and soloist in its world premiere, than to any other musician. Grutzmachers wish for a concerto to free us poor cellists from our situation that is becoming truly unbearable and driving us to the utmost discontent was certainly fulfilled by Raff.The extensive preface of this first Urtext-Edition documents the close collaboration between composer and interpreter, as well as performance practice of the time. The corresponding piano reduction includes not only an Urtext-solo part, but also a part with the markings by the Zurich cellist Jonas Kreienbuhl. In collaboration with the Joachim-Raff-Archiv Lachen (CH). $40.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Requiem in D major ZWV 46 Breitkopf & Härtel
Chorus (with soloists) and piano (solos: SATB - choir: SATB - 2.2.chal.0(2) - 2....(+)
Chorus (with soloists) and piano (solos: SATB - choir: SATB - 2.2.chal.0(2) - 2.2.0.0. - timp - theorbe - str) SKU: BR.EB-8913 Urtext. Composed by Jan Dismas Zelenka. Edited by David Erler. Arranged by Andreas Kohs. Choir; stapled. Edition Breitkopf. Royal Funeral Music Requiem; Baroque. Piano/Vocal Score. 80 pages. Breitkopf and Haertel #EB 8913. Published by Breitkopf and Haertel (BR.EB-8913). ISBN 9790004185797. 7.5 x 10.5 inches. For the funeral rites after the death of King Augustus I. of Saxony (Augustus the Strong), Zelenka composed the Requiem in D (ZWV 46) and the Officium Defunctorum (ZWV 47), both integral parts of the exequies for the Saxon-Polish ruler. Zelenka had to finish this work in a great hurry, and implemented - suitable to the occasion - an impressing abundance of sound colors and inventiveness: muted trumpets and horns, chalumeau, obligate fagotti as well as extremely virtuoso solo parts and fully developed counterpoints in the choral settings. With the present Urtext edition David Erler is closing one of the last gaps in the series of large-scale sacred works of Zelenka in Breitkopf & Hartel's catalog. Have a look into the piano vocal score.
Royal Funeral Music. $31.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Dresdner Orgelmusik d. 19. Jh. Organ Breitkopf & Härtel
Edited by Andreas Siehling. For organ. This edition: paperback. Edition Breitkop...(+)
Edited by Andreas Siehling. For organ. This edition: paperback. Edition Breitkopf. 68 pages. Published by Breitkopf and Haertel
$45.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Berliner Orgelmusik d. 19. Jh. Organ [collection] Breitkopf & Härtel
Edited by Andreas Siehling. For organ. This edition: paperback. Edition Breitkop...(+)
Edited by Andreas Siehling. For organ. This edition: paperback. Edition Breitkopf. Collection. 64 pages. Published by Breitkopf and Haertel
$44.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Gemeinsam unterwegs. Lieder und Texte zur Okumene [collection] Carus Verlag
Composed by Various. Edited by Wolfgang Bretschneider / Gunter Ruddat / Andreas ...(+)
Composed by Various. Edited by Wolfgang Bretschneider / Gunter Ruddat / Andreas Busch / Inken Christiansen / Martin von Essen / Jan Janssen / Stefan Klockner / Helmut Kruger / Arnd Schomerus / Lioba Speer. This edition: Paperbound. Gemeinsam unterwegs. Lieder- und Gebetb. einzeln. Unison hymns, Hymn settings, Eucharist, Communion, Peace and justice, Prayer, Praise and thanks. Collection. 184 pages. Published by Carus Verlag
$12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Pression Double Bass [Score] Breitkopf & Härtel
Double bass solo SKU: BR.EB-9268 Revised Version 2010. Composed by...(+)
Double bass solo SKU: BR.EB-9268 Revised Version 2010. Composed by Helmut Lachenmann. Arranged by Caleb Salgado. Solo instruments; Folder. Edition Breitkopf. Music post-1945; New music (post-2000). Score. Composed 1969/2010. 26 pages. Duration 9'. Breitkopf and Haertel #EB 9268. Published by Breitkopf and Haertel (BR.EB-9268). ISBN 9790004185681. 12 x 9 inches. This piece originated as an introduction to instrumental musique-concrete. In this sort of piece it is common for sound phenomena to be so refined and organised that they are not so much the results of musical experiences as of their own acoustic attributes. Timbres, dynamics and so on arise not of their own volition but as components of a concrete situation characterised by texture, consistency, energy, resistance.This does not come from within but from a liberated compositional technique. At the same time it implies that our customary sharply-honed auditory habit is thwarted. The result is aesthetic provocation: beauty denying habit.(Helmut Lachenmann),,Cette nouvelle edition est une invitation faite aux violoncellistes qui souhaiteraient redecouvrir leur instrument et la maniere de la faire sonner en realisant dessus un nouveau genre de polyphonie: une polyphonie d'actions. (Francois-Xavier Feron, Circuit, Heft 25, Juni 2015)CDs/LPs:Michael Bach CD cpo 999 102-2 Lucas Fels CD Montaigne Auvidis MO 782075 Walter Grimmer CD col legno WWE 31863 Taco Kooistra CD Attacca Babel 9369-1 Pierre Strauch CD Accord 202082 Michael Bach LP ABE ERZ 1003 Werner Taube LP ABE ERZ 1003ensemble phorminxCD WER 6682 2Michael M. KasperCD Michael M. Kasper rounds per minute, Ensemble Modern Medien, EMCD-006Michael Svoboda (trombone)CD Wittener Tage fur neue Kammermusik 2011Bibliography:Deltz, Eberhard: begegnung im grenzbereich. Zwei Werke von Helmut Lachenmann und Hideaki Yamanobe im Spiegel eines Haiku von Matsuo Basho, in: Neue Zeitschrift fur Musik 167 (2006), Heft 1, pp. 36-41.Feron, Francois-Xavier: Enjeux et evolution du systeme de notation dans ,,Pression pour un(e) violoncelliste de Helmut Lachenmann, in: Circuit, Heft 25, 2015, pp. 55-65.GoGwilt, Keir: Templates for Technique in Mantel and Lachenmann. Between Transcendence and Immanence, in: The Dark Precursor: Deleuze and Artistic Research. Band I: The Dark Precursor in Sound and Writing, hrsg. von Paulo de Assis und Paolo Giudici, Leuven: Leuven University Press 2017, pp. 105-113.Griffiths, Paul: ModernMusic and After, 3rd edition, Oxford University Press 2010, pp. 216-219.Handschick, Matthias: Musik als ,,Medium der sich selbst erfahrenden Wahrnehmung. Moglichkeiten der Vermittlung Neuer Musik unter dem Aspekt der Auflosung und Reflexion von Gestalthaftigkeit (= Schriften der Hochschule fur Musik Freiburg 3), Hildesheim u. a.: Olms 2015, dort pp. 161-167.Hiekel, Jorn Peter: Helmut Lachenmann und seine Zeit, Laaber: Laaber 2023, S. 169-172, 231-232.Jahn, Hans-Peter: simultan eine Erinnerung, in: Neue Zeitschrift fur Musik 167 (2006), Heft 1, pp. 12-15.Lessing, Wolfgang: Musizieren als Prozess. Zur didaktischen Dimension von Helmut Lachenmanns Pression, in: Musik inszeniert. Prasentation und Vermittlung zeitgenossischer Musik heute, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 46), Mainz u. a.: Schott 2006, pp. 73-83.ders.: Verweigerung von Gewohnheit. Instrumentaldidaktische Annaherungen an Pression von Helmut Lachenmann, in: Darstellen und Mitteilen. Ein Handbuch der musikalischen Interpretation, hrsg. von Ursula Brandstatter, Martin Losert, Christoph Richter und Andrea Welte, Mainz: Schott 2010, pp. 111-122.ders.: Interpretation, Verstehen und Vermittlung, in: Ans Licht gebracht. Zur Interpretation Neuer Musik, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 53), Mainz u. a.: Schott 2013, pp. 24-39.Mosch, Ulrich: Das Unberuhrte beruhren Anmerkungen zur Interpretation von Helmut Lachenmanns Werken Pression und Allegro sostenuto, in: Musik inszeniert. Prasentation und Vermittlung zeitgenossischer Musik heute, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 46), Mainz u. a.: Schott 2006, pp. 25-46.Musik als Bildkritik Gesprach zwischen Gottfried Boehm, Helmut Lachenmann und Matteo Nanni, in: Helmut Lachenmann: Musik mit Bildern? Hrsg. von Matteo Nanni und Matthias Schmidt (= eikones, hrsg. von Nationalen Forschungsschwerpunkt Bildkritik an der Universitat Basel), Munchen: Wilhelm Fink 2012, pp. 237-269.Neuwirth, Markus: Strukturell vermittelte Magie. Kognitionswissenschaftliche Annaherungen an Helmut Lachenmanns Pression und Allegro sostenuto, in: Musik als Wahrnehmungskunst. Untersuchungen zu Kompositionsmethodik und Horasthetik bei Helmut Lachenmann, hrsg. von Christian Utz und Clemens Gadenstatter (= musik.theorien der gegenwart 2), Saarbrucken: Pfau 2008, pp. 73-100.Orning, Tanja: The Polyphonic Performer. A Study of Performance Practice in Music for Cello Solo by Morton Feldman, Helmut Lachenmann, Klaus K. Hubler and Simon Steen-Andersen, Diss. Oslo 2014, Oslo: NMH-publikasjoner (mit DVD).Sparrer, Walter-Wolfgang: Wider den geolten Gleichlauf. Von der Notwendigkeit strukturierender Verfahrensweisen bei der Interpretation von Musik. Modell I: Kompositionen fur Violoncello solo von J. S. Bach, Isang Yun und Helmut Lachenmann, in: Musikalische Produktion und Interpretation, hrsg. von Otto Kolleritsch, Wien/Graz 2003 (= Studien zur Wertungsforschung, Band 43), pp. 75-100.Utz, Christian: Erinnerte Gestalt und gebannter Augenblick. Zur Analyse und Interpretation post-tonaler Musik als Wahrnehmungspraxis Klangorganisation und Zeiterfahrung bei Morton Feldman, Helmut Lachenmann und Brian Ferneyhough, in: Ans Licht gebracht. Zur Interpretation Neuer Musik, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 53), Mainz u. a.: Schott 2013, pp. 40-67.
World premiere: Como (Autunno musicale), September 30, 1970. $49.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Hoeren Und Spielen Iii Piano solo - Beginner Schott
Piano - very easy SKU: HL.49015391 Ein Weg zum absoluten Gehor. Co...(+)
Piano - very easy SKU: HL.49015391 Ein Weg zum absoluten Gehor. Composed by Naoyuki Taneda and Ruth Taneda. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. 136 pages. Schott Music #ED 7893. Published by Schott Music (HL.49015391). ISBN 9790001081733. 12.0x8.75x0.422 inches. German. Andreas Schuermann. Ruth und Naoyuki Taneda beschaftigen sich seit vielen Jahren mit der Musikerziehung von Kindern ab drei Jahren. In dieser Schule zeigen sie auf, dass es moglich ist, bei Kleinkindern uber das Medium Farbe (farbige Noten) das absolute Gehor zu entwickeln, also jene Horfahigkeit, die bisher als angeborenes Privileg einiger weniger, besonders begnadeter Musiker galt. Die Autoren betrachten den Mythos absolutes Gehor ganz nuchtern und zeigen, welche Moglichkeiten er fur die Musikerziehung am Klavier bietet. Sie weisen damit einen neuen Weg fur den fruhinstrumentalen Unterricht. $41.95 - See more - Buy online | | |
| Markus Passion BWV 247 Breitkopf & Härtel
Chorus (with soloists) and piano (solos: SATB, speaker - choir: SATB - 2.2.0.0. ...(+)
Chorus (with soloists) and piano (solos: SATB, speaker - choir: SATB - 2.2.0.0. - 0.0.0.0. - 2 lte - str (2vagb) - bc) SKU: BR.EB-8916 Composed by Johann Sebastian Bach. Edited by Malcolm Bruno. Arranged by Andreas (KlA) Kohs. Choir; Softbound. Edition Breitkopf. The music scholar Malcolm Bruno has prepared a new reconstruction of the work based on the meanwhile established parody model Trauerode BWV 198. Oratorio/passion; Baroque. Piano/Vocal Score. 92 pages. Duration 85'. Breitkopf and Haertel #EB 8916. Published by Breitkopf and Haertel (BR.EB-8916). ISBN 9790004185827. 7.5 x 10.5 inches. Welcome comebackBach's St John and St. Matthew Passions are popular and well established in concert life. Of a third, the Markus Passion, only Picander's original libretto is extant. Parallel arias from various cantatas replace the lacking music for arias, and instead of the lost recitative and the turba [crowd] choruses, the spoken gospel text is bilingually published in this edition (in German/English). The freshly-prepared performance material including a detailed commentary is supplemented by a newly-arranged piano reduction.,,Une version qui n'a rien d'authentique, mais qui tient la route. C'est du Bach de bout en bout et, contrairement a d'autres reconstitutions, l'editeur ne propose rien pour les recitatifs. L'evangeliste pourrait meme etre un recitant. Interessante suggestion. (Alain Paris, La Lettre du Musicien)
The music scholar Malcolm Bruno has prepared a new reconstruction of the work based on the meanwhile established parody model Trauerode BWV 198. $31.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Messiah 1741 HWV 56 Choral Breitkopf & Härtel
Chorus (with soloists) and piano SKU: BR.EB-8450 Urtext. Composed ...(+)
Chorus (with soloists) and piano SKU: BR.EB-8450 Urtext. Composed by George Frideric Handel. Edited by Caroline Ritchie and Malcolm Bruno. Arranged by Andreas Kohs. Choir; Softbound. Edition Breitkopf. Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary. Have a look into EB 8450. Oratorio/passion; Baroque. Piano/Vocal Score. 300 pages. Duration 120'. Breitkopf and Haertel #EB 8450. Published by Breitkopf and Haertel (BR.EB-8450). ISBN 9790004184936. 7.5 x 10.5 inches. Messiah 1741 - new light on Handel's masterpiece The focus of this new edition is the Messiah as first conceived by the composer in 1741: before its first performance in Dublin in 1742, before the first London performances of the mid 1740s, before the final Foundling Hospital performances in the late 1750s. The editor succeeds in creating a 21st-century edition from the perspective of 1741, making clear that Messiah was a genius hit from the start. Messiah 1741 - the first and only complete edition of Handel's autograph score Thorough information on Handel's performance practice in 1741 (including topics such as orchestration, continuo, text underlay and specific questions on interpretation) It offers a reconstruction of the wind parts according to contemporary sources Piano vocal score with contemporary vocal ornamentation First edition including the German text by Herder - a monument of the German enlightenment - which is contentwise and phonetically closer to Jennens' text than any other translation, therefore being a perfect singable alternative The appendix contains additionally the most popular and important aria versions composed after 1741 for practical reasons. Throughout this new edition, creative yet pragmatic scholarship shines through, and the Preface and Critical Report are thorough and unusually fascinating. ... I'm very happy to own the full score, and if I were starting out now, I'd invest in the whole kit and caboodle. (Jeremy Summerly, Choir & Organ)
Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary. $26.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Kids Vol. 1 (in German)* Piano solo - Beginner Schott
Piano - very easy SKU: HL.49007899 Die Klavierschule fur Kinder mit Sp...(+)
Piano - very easy SKU: HL.49007899 Die Klavierschule fur Kinder mit Spass und Aktion. Composed by Hans-Gü and nter Heumann. This edition: Saddle stitching. Sheet music. Edition Schott. Diese dreibandige Klavierschule zeichnet sich aus durch einfachen, systematischen Aufbau und verwendet ausschliesslich bekannte, populare Lieder und Stucke. Jetzt in einer uberarbeiteten und erweiterten Neuausgabe (2014) erhaltlich. Classical. 66 pages. Schott Music #ED8301. Published by Schott Music (HL.49007899). ISBN 9783795751623. UPC: 840126938852. 12.0x8.75x0.203 inches. German. Andreas Schuermann. Die beliebte Klavierschule jetzt in der Neuauflage!Seit vielen Jahren erlernen Kinder das Klavierspielen mit Hilfe der 1995 erstmals veroffentlichten Klavierschule Piano Kids. Deshalb erschien es sinnvoll, eine Aktualisierung und Erweiterung dieses bewahrten Lehrwerks vorzunehmen. Durch neue Lieder kommt frischer Wind in den Unterricht und durch zusatzliche klassische Spielstucke werden die Lernschritte noch einfacher. Der Umfang der Neuausgabe 2014 wurde von 64 auf 88 Seiten erweitert. Viele neue farbige Illustrationen unterstutzen die Freude beim Lernen. Die Klavierschule Piano Kids will solides musikalisches Wissen und Konnen vermitteln, Freude an der Musik wecken, attraktive, moderne Spielstucke aus den Bereichen Volks- und Kinderlied, Folklore, Klassik und Pop anbieten, langweilige und trockene Ubungen vermeiden, Musiktheorie verstandlich und spielerisch vermitteln und zum eigenen Improvisieren anregen. Zu jedem Band der Klavierschule gibt es ein Aktionsbuch in dem alle Themen aus der Schule in spielerischer, fantasievoller Form aufgearbeitet und vertieft werden. $20.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Was Bleibt? 100 Jahre Neue Musik Schott
SKU: HL.49018899 100 Jahre Neue Musik. Edited by Andreas Meyer. Th...(+)
SKU: HL.49018899 100 Jahre Neue Musik. Edited by Andreas Meyer. This edition: Paperback/Soft Cover. Book. Edition Schott. Die 'Neue Musik' Schonbergs, Strawinskys und Debussys ist uber 100 Jahre alt, die musikalische Avantgarde der 50er und 60er Jahre ebenfalls ein historisches Phanomen. Was bleibt - von der historischen Erinnerung, von Komponisten und Werken, vom Mythos der. German Edition. Softcover. 222 pages. Schott Music #ED 21053. Published by Schott Music (HL.49018899). ISBN 9783795707545. UPC: 841886016484. German. Die Neue Musik Schonbergs, Strawinskys und Debussys ist heute mindestens 100 Jahre alt. Und die musikalische Avantgarde der funfziger und sechziger Jahre ist ebenfalls langst ein historisches Phanomen. Unsere Gegenwart erlebt eine so faszinierende wie problematische Vervielfaltigung musikalischer Kulturen. Was bleibt - von der historischen Erinnerung, von Komponisten und Werken, vom Jahrhundertanspruch und Mythos der Neuen Musik? Experten aus dem In- und Ausland ziehen eine provisorische Bilanz, diskutieren aktuelle Perspektiven und zeigen, wie sich unser Verstandnis des Phanomens in den letzten Jahren gewandelt hat. $42.00 - See more - Buy online | | |
| Complete Letters Breitkopf & Härtel
SKU: BR.BV-410 Complete Letters in 35 Volumes and Supplements. Com...(+)
SKU: BR.BV-410 Complete Letters in 35 Volumes and Supplements. Composed by Richard Wagner. Edited by Andreas Mielke. Linen. Buchverlag Breitkopf & Hartel (Music Books). Romantic period. Complete Works. 656 pages. Breitkopf and Haertel #BV 410. Published by Breitkopf and Haertel (BR.BV-410). ISBN 9783765104107. 5.5 x 8.5 inches. German. With the publication of Volume 11 in November 1999, Werner Breig's fundamentally new scholarly concept begins to make itself felt more strongly. All editorial differences aside: with respect to their contents, Volumes 9-11 can be neatly categorized as the Tristan letters volumes, the genesis of each act of Tristan und Isolde can be assigned to one specific chronological section. Wagner was working on the first act (beginnung his correspondance with Mathilde Wesendonck at the same time) in Zurich during the period of the letters compiled in Volume 9. Volume 10 plays in Venice and documents the origin of the second act. And in Volume 11, the reader can relive the completion of the epoch-making stage work in the letters Wagner sent from Lucerne. Concerning this Volume we have obtained the following fax by the English Wagner expert Stewart Spencer, who wittily praises Werner Breig's fundamental new concept: There is a general problem of reviewing such magnificent volumes. They are the yardstick by which all other writings on Wagner will be judged. It is like sending someone to inspect the standard metre rule in Paris and asking them to review it. All one can say is that it exists and that it is in a class of its own. I'd like to congratulate you on its publication and thank you most warmly for picking up this edition. (Stewart Spencer, October 11, 2000). $99.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Ricordi Opera Anthology Baritone voice, Piano Ricordi
Baritone, Piano Accompaniment (Baritone/Bass) SKU: HL.50602120 Bariton...(+)
Baritone, Piano Accompaniment (Baritone/Bass) SKU: HL.50602120 Baritone. Composed by Various. Edited by Ilaria Narici. Vocal Collection. Opera. Softcover. 302 pages. Ricordi #NR141592. Published by Ricordi (HL.50602120). ISBN 9781540064479. UPC: 888680966539. 9x12 inches. VINCENZO BELLINI I puritani Or dove fuggo io mai? - Ah! per sempre io ti perdei • GEORGES BIZET Carmen Votre toast, je peux vous le rendre - Toréador, en garde • GAETANO DONIZETTI Don Pasquale Bella siccome un angelo • L'elisir d'amore Come Paride vezzoso • La favorita Sì, de' malvagi invan - Vien, Leonora, a' piedi tuoi • Lucia di Lammermoor Cruda, funesta smania • UMBERTO GIORDANO Andrea Chénier Nemico della patria?! • CHARLES GOUNOD Faust Ô sainte médaille - Avant de quitter ces lieux • Roméo et Juliette Mab, la reine des mensonges • GEORGE FRIDERIC HANDEL Rinaldo Sibilar gli angui d'Aletto • RUGGERO LEONCAVALLO Pagliacci Si può?... o Zazà Zazà, piccola zingara • JULES MASSENET Hérodiade Ce breuvage - Vision fugitive • Thaïs Voilà donc la terrible cité • CLAUDIO MONTEVERDI Orfeo Tu se' morta • WOLFGANG AMADEUS MOZART Così fan tutte Rivolgete a lui lo sguardo • Donne mie, la fate a tanti • Don Giovanni Fin ch'han dal vino • Deh, vieni alla finestra • Le nozze di Figaro Hai già vinta la causa! - Vedrò, mentr'io sospiro • Die Zauberflöte Der Vogelfänger bin ich ja • Ein Mädchen oder Weibchen • GIACOMO PUCCINI Edgar Questo amor, vergogna mia • La fanciulla del West Minnie, dalla mia casa son partito • Gianni Schicchi Si corre dal notaio • Il tabarro Nulla!...Silenzio!... • Le Villi No! possibil non è - Anima santa • GIOACHINO ROSSINI Il barbiere di Siviglia Largo al factotum della città • La Cenerentola Come un'ape ne' giorni d'aprile • PYOTR IL'YICH TCHAIKOVSKY Eugene Onegin Vy mnje pisáli - Kogdá by zhiz'n' • AMBROISE THOMAS Hamlet Ô vin, dissipe la tristesse • GIUSEPPE VERDI Un ballo in maschera Alzati! - Eri tu che macchiavi quell'anima • Don Carlo Son io, mio Carlo - Per me giunto è il dì supremo • I due Foscari Eccomi solo alfin- O vecchio cor, che batti • Falstaff È sogno? o realtà?... Rigoletto Pari siamo! o Cortigiani, vil razza dannata • La traviata Di Provenza il mar, il suol • Il trovatore Tutto è deserto - Il balen del suo sorriso • RICHARD WAGNER Tannhäuser Wie Todesahnung - O! du mein holder Abendstern. $24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Te Deum [Score] - Easy Carus Verlag
Soli e Coro SST(A)TB, Org - Grade 3 SKU: CA.2103245 Arrangement for so...(+)
Soli e Coro SST(A)TB, Org - Grade 3 SKU: CA.2103245 Arrangement for soli, choir and organ (arr. A. Gräsle). Composed by Marc-Antoine Charpentier. Arranged by Andreas Gräsle. Carus digital: Extra digital products. Full Score. H 146. Duration 25 minutes. Carus Verlag #2103245. Published by Carus Verlag (CA.2103245). ISBN 9790007262020. Key: D major. Latin. Marc-Antoine Charpentier’s impressive setting of the Latin canticle Te Deum opens with a striking introductory fanfare. It is familiar to millions, since it is the theme tune of the Eurovision TV broadcasts. Andreas Gräsle has transferred the orchestral setting of this French Baroque masterpiece to the organ with great sensitivity for the changing instrumentations and timbres in the original score. This edition enables the work to be performed for the first time in an alternative version for solo voices, choir, and organ. The vocal scores and choral scores of the original version (Carus 21.032), also published by Carus, can be used in combination with this organ setting. Score available separately - see item CA.2103200. $40.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Der misslungene Brautwechsel oder Richardus I., König von England TVWV 22:8 Barenreiter
3 soprano voice solos, 2 mezzo-soprano voice solos, alto voice solo, baritone vo...(+)
3 soprano voice solos, 2 mezzo-soprano voice solos, alto voice solo, baritone voice solo, bass voice solo, orchestra (3 Soprano Voice Solo, 2 Mezzo-Soprano Voice Solo, Alto Voice Solo, Baritone Voice Solo, Bass Voice Solo, Orchestra) SKU: BA.BA05866 Singspiel in three acts (nach G. F. Händel, Riccardo I., Re d'Inghilterra HWV 23). Composed by Georg Philipp Telemann. Edited by Steffen Voss. This edition: Edition of selected works, Urtext edition. Linen. Telemann Musical Works. Volume 46. Continuo realization by Andreas Kohs. Edition of selected works, Score. VWV 22. Baerenreiter Verlag #BA05866_00. Published by Baerenreiter Verlag (BA.BA05866). ISBN 9790006498055. 33 x 26 cm inches. Text: Christoph Gottlieb Wend. Continuo-Aussetzung von Andreas Kohs. About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$585.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Studio Akustik MDS (Music Distribution Services)
SKU: M7.PPV-20047305 Konzepte für besseren Klang. This edition:...(+)
SKU: M7.PPV-20047305 Konzepte für besseren Klang. This edition: Hardback/Hardcover. Book with CD-ROM. PPV Medien #PPV 20047305. Published by PPV Medien (M7.PPV-20047305). ISBN 9783955120795. German. Ein guter Klang ist nicht nur das Ergebnis von gutem Audio-Equipment, sondern hängt ebenso von den akustischen Gegebenheiten des Raumes ab. Dieses Buch zeigt Ihnen, wie Sie Ihren Raum so gestalten, dass er optimal klingt. Andreas Friesecke, erfahrener Dozent am SAE-Institut, präsentiert Ihnen das komplexe Thema der Akustik anschaulich und leicht verständlich. Schnell sind Sie in der Lage zu entscheiden, welche bau- oder raumakustischen Maßnahmen für Ihr Anliegen die richtigen sind. Auf der beigefügten CD-ROM finden Sie Berechnungshilfen, mit denen Sie die geplanten Maßnahmen vorausberechnen können. Low-Budget-Tipps zeigen Ihnen, dass Akustik nicht unbedingt viel Geld kosten muss. Checklisten und FAQs helfen Ihnen, immer den Überblick zu behalten. Egal, ob Sie den Klang Ihres Studios verbessern möchten, Ihren Übungsraum abdämmen oder aber Ihre HiFi-Anlage noch besser genießen möchten - nach Lektüre dieses Buches wissen Sie, wie Sie einen transparenten und ausgewogenen Klang erzielen. Ebenso können Sie sicherstellen, dass Sie ein optimale Dämmung gegenüber den Nachbarn erreichen. Und das alles ohne überflüssige Kosten. $40.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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