14 Dances for Flute Duet. Arranged by Elena Duran. (Flute). Woodwind. BOOK W/CD. 44 pages. Published by Schott.

(Flute). Arranged by Various. For Flute. Book; CD; Instrumental Series; Play-Along. Easy Instrumental Solos. Grade 1. 48 pages. Published by Alfred Music

Composed by Daniel Dorff. Premiered by Joan Sparks, flute, and Anne Sullivan, harp. Contemporary. Score and part(s). With Standard notation. Composed 2015. 44 pages. Duration 16 minutes. Theodore Presser Company #114-41769. Published by Theodore Presser Company (PR.114417690).

(An All-Purpose Marching/Basketball/Pep Band Book for Time Outs, Pep Rallies and Other Stuff) Arranged by Mike Story. Performance part for flute and piccolo. With standard notation. 12 pages. Published by Alfred Publishing.

Chamber Music Piano, soprano Saxophone

SKU: PR.114419290

Composed by Chen Yi. Edited by Chen Yi. Arranged by Wong Tak Chiu. Sws. Score and parts. 44 pages. Duration 20 minutes. Theodore Presser Company #114-41929. Published by Theodore Presser Company (PR.114419290).

ISBN 9781491135235. UPC: 680160676118. 9 x 12 inches.

Supported by a major commissioning award from the Serge Koussevitzky Music Foundation in the Library of Congress, my Chinese Folk Dance Suite is written for violin solo and orchestra, and premiered by The Women's Philharmonic with violin soloist Terrie Baune, conducted by Apo Hsu, on March 10, 2001, at Yerba Buena Center For the Arts Theater in San Francisco. Inspired by various Chinese traditional folk dances, I've composed three movements in the suite: 1) Lion Dance. Traditionally, people dance with richly decorated hand made lions, accompanied by percussion ensemble, to celebrate happy occasions and major festivals throughout the country. In the composition, I use Chinese drum and other percussion instruments in the background, to form a dynamic and rhythmic texture responding to the solo part, which imitates the tunes played on the suona (traditional Chinese trumpet). The pitch materials came from traditional Guangdong Music tune and Chaozhou Music tune ; 2) YangKo. Originated in northern China, it's a major folk dance form in mass performance popularized in the country. In YangKo performance, people always play rhythmic patterns on the drums hung around their waists while singing and dancing. In my second movement, I have imagined a warm scene of YangKo dancing in distance. The solo violin plays a sweet and gracious melodic line while all members in the orchestra sing the non-pitch syllables in different layers as the soft background, to imitate the percussion sound which produces the ever going pulse. 3) Muqam. It is a large scale traditional music and dance form from Uygur nationality in Xinjiang province, originated in the 15th century. In my third movement, I keep the meter of seven eight and the melodic style of Muqam music. The fiery dancing gesture cumulates the sustained climax section at the end of the work, after a colorful violin cadenza in both improvisational singing style and polyphonic writing with woven lines. Scored for 2 flutes (2nd doubling piccolo), 2 oboes, 2 clarinets in Bb, 2 bassoons, 4 French horns in F, 2 trumpets in Bb, 3 trombones, percussion 1 (3 congas, low tom-tom, temple block, paddle castanets), percussion 2 (snare drum, 6 small Beijing opera gong, 12 big Beijing opera gong, crotales, tambourine), percussion 3 (suspended cymbal, a pair of 6 Chinese cymbals, bass drum), solo violin, violins I, violins II, violas, cellos and double basses. Duration is about 16 minutes. The work is recorded on Bis [CD-1352] and released in 2003, performed by Cho-Liang Lin and the Singapore Symphony Orchestra, cond. by Lan Shui. Reduction for B-flat soprano saxophone and piano by Wong Tak Chiu (2017) and edited by Chen Yi (2018) The second movement YangKo is premiered by Dr. Wong and Korak Lerpibulchai at the Singapore Saxophone Symposium on 8/13/2017. The American premiere of the saxophone and piano reduction version of Chinese Folk Dance Suite is given by Chi Him Chik and Hao Yin at the Society for American Music National Conference in Kansas City, MO on 3/2/2018.

Flute Solo. Composed by Claude Debussy (1862-1918). Woodwind Solo. Impressionist, Classical. Softcover. Ricordi #NR141791. Published by Ricordi

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Flute 1, Flute 2, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Piccolo, Ride Cymbal, Tambourine, Tom-tom, Triangle, Wood Block, alto Saxophone 1 and more. - Grade 3

SKU: CF.CPS264

Composed by Lauren Bernofsky. Cps. Set of Score and Parts. 1+8+8+4+4+8+8+8+4+4+4+4+4+4+4+4+4+4+28 pages. Duration 3 minutes, 39 seconds. Carl Fischer Music #CPS264. Published by Carl Fischer Music (CF.CPS264).

ISBN 9781491161418. UPC: 680160920006.

Some of the first music I remember hearing as a child was folk dance music from around the world. My parents were avid folk dancers, and they used to host weekly folk dance evenings in our basement. Some nights, when I was supposed to be in bed, I would stand with my ear to the door, listening to this fascinating music that drifted up the stairs. I didn't know what each piece was, but the melodies have stayed with me. Tropanka is one of those tunes. Tropanka (pronounced tro-PAHN-kuh) is a folk dance from Bulgaria, and the title means stomping dance. One can hear two repeated notes at the end of each phrase - this is where the dancers stomp. Patsh Tantz (pronounced PAHTSH tahnts) is a classic example of Klezmer, which is East European Jewish folk music. The title is Yiddish for clapping dance, and all the players get the chance to clap at certain points in their individual part. Klezmer music is often quite exciting, and this arrangement includes the characteristic accelerando, building excitement as the piece drives to the end. Both movements should be played rhythmically, and as it is folk music that would be danced to by untrained dancers, often wearing boots or other flat-soled shoes, adding weight to many of the downbeats will help bring out the earthy character of the music. Since my parents met while folk dancing, I made these arrangements (originally in a version for string quartet) as a gift in celebration of their 50th wedding anniversary.
Some of the first music I remember hearing as a child was folk dance music from around the world. My parents were avid folk dancers, and they used to host weekly folk dance evenings in our basement.  Some nights, when I was supposed to be in bed, I would stand with my ear to the door, listening to this fascinating music that drifted up the stairs. I didn’t know what each piece was, but the melodies have stayed with me. Tropanka is one of those tunes. Tropanka (pronounced “tro-PAHN-kuh”) is a folk dance from Bulgaria, and the title means “stomping dance”. One can hear two repeated notes at the end of each phrase – this is where the dancers stomp. Patsh Tantz (pronounced “PAHTSH tahnts”) is a classic example of Klezmer, which is East European Jewish folk music. The title is Yiddish for “clapping dance”, and all the players get the chance to clap at certain points in their individual part. Klezmer music is often quite exciting, and this arrangement includes the characteristic accelerando, building excitement as the piece drives to the end.Both movements should be played rhythmically, and as it is folk music that would be danced to by untrained dancers, often wearing boots or other flat-soled shoes, adding weight to many of the downbeats will help bring out the “earthy” character of the music. Since my parents met while folk dancing, I made these arrangements (originally in a version for string quartet) as a gift in celebration of their 50th wedding anniversary.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Shaker, Snare Drum, Tom-tom, Trombone, Trumpet, Tuba, alto Saxophone and more. - Grade 1

SKU: CF.BPS148

Composed by Kevin Hilbun. Set of Score and Parts. Carl Fischer Music #BPS148. Published by Carl Fischer Music (CF.BPS148).

ISBN 9781491163443. UPC: 680160922239.

Dance of the Crows was composed with the image of Renaissance-style dances in mind. In addition, some Danse Macabre concept started to form in my mind. I could see this melody as a part of some larger narrative in which a character attends a dance, and everything is beautiful and in sync. But when the character starts to look closer, things aren't what they seem. The dancers are actually animalistic hybrids, and the decorations are mockeries of life rather than celebrations of life. The food is inedible, and the shadows seem to have eyes. And that's why, though the melody is simple and largely on the beat, it elicits an uncomfortable and offbeat feeling.Performance Notes:The melody should have a calm almost restrained feeling until m. 17 when things should take a slightly more aggressive turn. Be sure to bring out the dynamics during the percussion break at m. 29 and the outro at m. 41. Feel free to use as many shaker-like instruments as desired in the Percussion 2 part. Use the largest possible tom-tom for the Percussion 3 part. Be sure to have the bass drum player mute all staccato notes with the hand.

Clarinet, Flute, Piano Trio

SKU: HL.102760

Score and Parts. Composed by David Schiff. LKM Music. Classical. 92 pages. Lauren Keiser Music Publishing #X652708. Published by Lauren Keiser Music Publishing (HL.102760).

ISBN 9781476814629. UPC: 884088676223. 8.75x11 inches.

“Class of 1915” was written in celebration of the dual centenaries of Reed College and Arnold Schoenberg's celebrated work, “Pierrot Lunaire.” Though the work shares the same instrumentation, which has become popular among new music ensembles, Schiff's work is a celebration of popular song and dance styles from the mid-1910's arranged in a suite that makes an ideal curtain-raiser for “Pierrot” concerts.

(A Celtic Christmas Celebration). By Lloyd Larson. For SSA choir and piano (with optional flute (instrument parts)). Christmas, Sacred. Sacred Anthem