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| Dance of The Sugar Plum Fairy
Piano solo - Intermediate
The Walsh Collection
Piano - intermediate SKU: BT.WA-4113-401 Composed by Peter Ilyich Tchaiko...(+)
Piano - intermediate SKU: BT.WA-4113-401 Composed by Peter Ilyich Tchaikovsky. Arranged by Thomas A. Johnson. The Walsh Collection. Educational Tool. Book Only. 2 pages. The Walsh Collection #WA 4113-401. Published by The Walsh Collection (BT.WA-4113-401). ISBN 9789043141994. English. This piece is one of the best known pieces of classical music in the world today and is probably the piece most identified with Tchaikovsky. It has been used extensively in many different contexts and has become on of the most popular concert items. A wonderful arrangement that provides pianists with an opportunity to play this celebrated work. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| The Dance Of The Sugar Plum Fairy
Piano solo
Real Musical
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Dance of the Sugar Plum Fairy
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| Nutcracker Suite Selections - Intermediate
Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3.5 SKU: CF.CAS110 Composed by Peter Ilyich Tchaikovsky. Arranged by Bud Caputo. Concert String Orchestra (CAS). Set of Score and Parts. With Standard notation. 24+24+6+15+15+15+7+24 pages. Duration 5:57. Carl Fischer Music #CAS110. Published by Carl Fischer Music (CF.CAS110). ISBN 9781491151297. UPC: 680160908790. 9 x 12 inches. Key: E minor. Bud Caputo presents Nutcracker Suite Selections for string orchestra featuring three abridged movements of?Tchaikovsky's Nutcracker Suite:?Dance of the Sugar Plum Fairy, March, and Trepak. These abridged movements are sure to be crowd-pleasers around the?winter holidays or a favorite for?any time of the year.
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble..
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert.A Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm.A 16-19, in the Basses and m.A 34A in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandosA in this movement. March: A Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-restA figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement toA accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: A Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble..
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert.A Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm.A 16-19, in the Basses and m.A 34A in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandosA in this movement. March: A Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-restA figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement toA accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: A Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble..
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble..
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5.To the Director:Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March:  Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak:  Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Nutcracker Suite Selections - Intermediate
Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3.5 SKU: CF.CAS110F Composed by Peter Ilyich Tchaikovsky. Arranged by Bud Caputo. Concert String Orchestra (CAS). Full score. With Standard notation. 24 pages. Carl Fischer Music #CAS110F. Published by Carl Fischer Music (CF.CAS110F). ISBN 9781491151662. UPC: 680160909162. 9 x 12 inches. Bud Caputo presents Nutcracker Suite Selections for string orchestra featuring three abridged movements of?Tchaikovsky's Nutcracker Suite:?Dance of the Sugar Plum Fairy, March, and Trepak. These abridged movements are sure to be crowd-pleasers around the?winter holidays or a favorite for?any time of the year.
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble..
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert.A Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm.A 16-19, in the Basses and m.A 34A in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandosA in this movement. March: A Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-restA figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement toA accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: A Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble..
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert.A Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm.A 16-19, in the Basses and m.A 34A in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandosA in this movement. March: A Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-restA figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement toA accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: A Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble..
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble..
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5.To the Director:Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March:  Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak:  Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Dance of the Sugar Plum Fairy
Choral CD
Hal Leonard
Choral (ShowTrax CD) SKU: HL.346743 Composed by Peter Ilyich Tchaikovsky....(+)
Choral (ShowTrax CD) SKU: HL.346743 Composed by Peter Ilyich Tchaikovsky. Arranged by Mark A. Brymer. Secular Christmas Choral. A Cappella, Ballet, Christmas, Classical, Pop, Secular Christmas. CD. Duration 130 seconds. Published by Hal Leonard (HL.346743). UPC: 840126925258. 5.0x5.0x0.15 inches. Tchaikovsky's Nutcracker ballet remains a holiday fixture due in large part to its haunting timbre and instantly recognizable musical motifs. Pentatonix arranged a Grammy winning a cappella version in 2014, and this choir adaptation captures the mysterious, moody feel of source material. $26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Christmas Instrumental Solos Carols And Traditional For Clarinet Book And Cd
Clarinet [Sheet music + CD] - Easy
Warner Brothers
Edited by Bill Galliford / Zoby Perez. Instrumental collection (Clarinet). 24 pa...(+)
Edited by Bill Galliford / Zoby Perez. Instrumental collection (Clarinet). 24 pages. Published by Warner Brothers.
(10)$10.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Christmas Instrumental Solos - Piano Accompaniment (Book only)
Piano Accompaniment - Intermediate
Warner Brothers
Edited by Bill Galliford / Zoby Perez. Instrumental collection (piano accompanim...(+)
Edited by Bill Galliford / Zoby Perez. Instrumental collection (piano accompaniment). 68 pages. Published by Warner Brothers.
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Christmas Instrumental Solos - Trombone (Book & CD)
Trombone [Book + CD] - Easy
Warner Brothers
Edited by Bill Galliford / Zoby Perez. Instrumental collection (Trombone). 24 pa...(+)
Edited by Bill Galliford / Zoby Perez. Instrumental collection (Trombone). 24 pages. Published by Warner Brothers.
$10.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Christmas Instrumental Solos Carols And Traditional For Trumpet Book And Cd
Trumpet [Sheet music + CD]
Warner Brothers
Edited by Bill Galliford / Zoby Perez. Instrumental collection (Trumpet). 24 pag...(+)
Edited by Bill Galliford / Zoby Perez. Instrumental collection (Trumpet). 24 pages. Published by Warner Brothers.
(4)$10.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Christmas Instrumental Solos Carols And Traditional For Alto Sax Book And Cd
Alto Saxophone [Sheet music + CD] - Easy
Warner Brothers
Edited by Bill Galliford / Zoby Perez. Instrumental collection (Alto saxophone)....(+)
Edited by Bill Galliford / Zoby Perez. Instrumental collection (Alto saxophone). 24 pages. Published by Warner Brothers.
(5)$10.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Classical Themes for Violin Duet
2 Violins (duet)
Hal Leonard
Violin Duet SKU: HL.348319 Composed by Various. String Duet. Classical. S...(+)
Violin Duet SKU: HL.348319 Composed by Various. String Duet. Classical. Softcover. 64 pages. Published by Hal Leonard (HL.348319). ISBN 9781540097354. UPC: 840126930016. 9.0x12.0x0.201 inches. Classical Themes for Violin Duet is designed for violinists familar with first position and comfortable reading basic rhythms. In each two-page arrangement, violin 1 and violin 2 take a turn playing the melody for a fun and challenging ensemble experience. It includes 30 well-loved melodies by J.S. Bach, Beethoven, Debussy, Gershwin, Grieg, Liszt, Mussorgsky, Tchaikovsky, Vivaldi, Wagner, and more. $14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Dance Of The Sugar Plum Fairy
Concert band - Easy
RWS Music Company
Grade 2 SKU: CL.RWS-2317-00 (For Keyboard Percussion and Band). Co...(+)
Grade 2 SKU: CL.RWS-2317-00 (For Keyboard Percussion and Band). Composed by Peter Ilyich Tchaikovsky. Arranged by Bankston. Young Concert Band. Score and set of parts. Composed 2023. RWS Music Company #RWS-2317-00. Published by RWS Music Company (CL.RWS-2317-00). The well-known Dance of the Sugar Plum Fairy is orchestrated here for winds and percussion with the mallet instruments in the forefront. Show off your best glockenspiel, vibraphone, xylophone or marimba player at your next holiday concert. Or, you can have them all play at once, or maybe even pass the tune around! There are lots of possibilities with this one. It is a real crowd pleaser with an instantly recognizable theme. $65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Dance of the Sugar Plum Fairy from the Nutcracker
Brass Quintet: 2 trumpets, horn, trombone, tuba - Advanced
Cherry Classics
By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Gordon Cherry. Brass quinte...(+)
By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Gordon Cherry. Brass quintet with celeste or organ/keyboard. For 2 trumpets, horn in F, trombone, tuba and celeste/keyboard (or organ). Christmas Nutcracker. Advanced. Full score and set of parts
$25.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Dance Of The Sugar Plum Fairy
Concert band - Easy
RWS Music Company
Grade 2 SKU: CL.RWS-2317-01 (For Keyboard Percussion and Band). Co...(+)
Grade 2 SKU: CL.RWS-2317-01 (For Keyboard Percussion and Band). Composed by Peter Ilyich Tchaikovsky. Arranged by Bankston. Young Concert Band. Extra score. Composed 2023. RWS Music Company #RWS-2317-01. Published by RWS Music Company (CL.RWS-2317-01). The well-known Dance of the Sugar Plum Fairy is orchestrated here for winds and percussion with the mallet instruments in the forefront. Show off your best glockenspiel, vibraphone, xylophone or marimba player at your next holiday concert. Or, you can have them all play at once, or maybe even pass the tune around! There are lots of possibilities with this one. It is a real crowd pleaser with an instantly recognizable theme. $10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Three Nutcracker Dances
Choral 2-part
Alfred Publishing
Choir Secular (2-Part choir) SKU: AP.47659 1. Trépak (Russian Dance...(+)
Choir Secular (2-Part choir) SKU: AP.47659 1. Trépak (Russian Dance) 2. Dance of the Sugar Plum Fairy 3. Waltz of the Flowers. Composed by Peter Ilyich Tchaikovsky. Arranged by Sally K. Albrecht. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Masterwork Arrangement; Novelty; Secular; Winter. Choral Octavo. 20 pages. Alfred Music #00-47659. Published by Alfred Music (AP.47659). UPC: 038081543529. English. Ignite a love for Tchaikovsky's holiday classic with three iconic themes from his world-famous Nutcracker Suite. Sally's original lyrics playfully describe Russian dancers, sugar plums, and waltzing flowers. Children who have seen the ballet on stage (or recent movie adaptations) will be delighted! May be performed individually or as a 5 1/2-minute set. $2.30 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Three Nutcracker Dances
Choral CD
Alfred Publishing
Choir Secular SKU: AP.47660 1. Trépak (Russian Dance) 2. Dance of t...(+)
Choir Secular SKU: AP.47660 1. Trépak (Russian Dance) 2. Dance of the Sugar Plum Fairy 3. Waltz of the Flowers. Composed by Peter Ilyich Tchaikovsky. Arranged by Sally K. Albrecht. This edition: SoundTrax CD. Choral Octavo; Performance Music Ensemble; Single Titles. Alfred Choral Designs. Masterwork Arrangement; Novelty; Secular; Winter. CD. Alfred Music #00-47660. Published by Alfred Music (AP.47660). UPC: 038081543536. English. Ignite a love for Tchaikovsky's holiday classic with three iconic themes from his world-famous Nutcracker Suite. Sally's original lyrics playfully describe Russian dancers, sugar plums, and waltzing flowers. Children who have seen the ballet on stage (or recent movie adaptations) will be delighted! May be performed individually or as a 5 1/2-minute set. $29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| The Giant Book of Christmas Sheet Music
Piano, Vocal and Guitar
Alfred Publishing
(Piano/Vocal/Guitar). For Guitar; Keyboard; Piano; Voice. This edition: Piano...(+)
(Piano/Vocal/Guitar). For
Guitar; Keyboard; Piano;
Voice. This edition:
Piano/Vocal/Guitar. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords. The Giant
Book of Sheet Music.
Christmas; Sacred; Secular;
Winter. 256 pages. Published
by Alfred Music
$26.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Dance of the Sugar Plum Fairy
Concert band - Easy
Alfred Publishing
By Peter Ilyich Tchaikovsky. Arranged by Robert W. Smith And Michael Story. For ...(+)
By Peter Ilyich Tchaikovsky. Arranged by Robert W. Smith And Michael Story. For Concert Band. Concert Band. Band Expressions Book 2. Level: 2 (Easy) (grade 2). Conductor Score and Parts. 63 pages. Published by Alfred Publishing.
(1)$56.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Peter Ilyich Tchaikovsky : Dance of the Sugar Plum Fairy
Flute ensemble [Score and Parts] - Intermediate/advanced
Wonderful Winds
(from The Nutcracker). By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Mel ...(+)
(from The Nutcracker). By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Mel Orriss. For flute quintet: 3 flutes, alto flute, bass flute. Flutets series. Grade 5 to 8. Score and parts. Duration 1'45. Published by Wonderful Winds
$19.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| The Nutcracker Suite
Piano solo
FJH
Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Edwin Mclean. Book...(+)
Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Edwin Mclean. Book. The FJH Piano Teaching Library. Collection. 23 pages pages. Published by The FJH Music Company Inc (FJ.FJH2255).
$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| The Five-Finger Piano Books Classical Themes
Piano solo [Sheet music] - Beginner
FJH
By Robert Schultz and Tina Faigen. For Piano. Level: Elementary. Book. Published...(+)
By Robert Schultz and Tina Faigen. For Piano. Level: Elementary. Book. Published by The FJH Music Company Inc.
$8.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| The Real Christmas Book Play-Along ? Second Edition
C Instruments [Sheet music + Audio access]
Hal Leonard
C Instruments. Composed by Various. Fake Book. Christmas, Christmas Secular. S...(+)
C Instruments. Composed by
Various. Fake Book. Christmas,
Christmas Secular. Softcover.
Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Take the Lead Classical Collection
Violin [Sheet music + CD]
Alfred Publishing
Violin. Arranged by Various. Masterworks; String Series. Take the Lead. Masterwo...(+)
Violin. Arranged by Various. Masterworks; String Series. Take the Lead. Masterwork Arrangement. Book; CD. Alfred Music #55-7508A. Published by Alfred Music
$15.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| Take the Lead Classical Collection
Piano solo [Sheet music + CD]
Alfred Publishing
(Piano). For Piano. Instrumental Series; Masterworks. Take the Lead. Masterwork....(+)
(Piano). For Piano. Instrumental Series; Masterworks. Take the Lead. Masterwork. Book and CD. Published by Alfred Music Sheet music CD Masterwork
$15.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Take the Lead Classical Collection
Alto Saxophone [Sheet music + CD]
Alfred Publishing
(Alto Saxophone). For Alto Saxophone. Instrumental Series; Masterworks. Take the...(+)
(Alto Saxophone). For Alto Saxophone. Instrumental Series; Masterworks. Take the Lead. Masterwork. Book and CD. Published by Alfred Music Publishing
$15.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Take the Lead Classical Collection
Clarinet [Sheet music + CD]
Alfred Publishing
(Clarinet). For Clarinet. Instrumental Series; Masterworks. Take the Lead. Maste...(+)
(Clarinet). For Clarinet. Instrumental Series; Masterworks. Take the Lead. Masterwork. Book and CD. Published by Alfred Music Publishing
$15.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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