ISBN 9783892210184. UPC: 805095145045. English.

This unique jazz improvisation method, The Jazz Workshop Series, features six full performances with opening/closing themes and improvised solos, and six play-along tracks a featuring rhythm section without the soloist. It also contains at least one solo transcription, excerpts from other solos, and pertinent chord/scale information.

Titles: Day & Nite (David Liebman) * Blue 'n Green (Miles Davis) * Softly as in a Morning Sunrise (S. Romberg/O. Hammerstein) * Ralph's Piano Waltz (John Abercrombie) * Pablo's Story (David Liebman) * Pendulum (Richard Beirach).

SKU: WD.080689322587

UPC: 080689322587.

Redeemer is a remarkable collection of top inspirational and praise songs featuring outstanding instrumental solos. The accompaniment tracks vary from contemporary rhythm tracks to full symphonic orchestration. The recording highlight Fletch Wiley's light jazz artistry with performances on the flute, flugelhorn and trumpet. Redeemer is availabe in two formats: Bb Treble Clef instruments (trumpet, clarinet & tenor sax) and C Treble Clef instruments (flute, oboe, violin & viola). The arrangements are designed to be performed with piano and optional rhythm section using the chords in the book, or with the accompaniment CD (available separately). The instrumental solo part can be pulled out and used separately by the instrumental soloist.

SKU: AP.1-ADV8200

UPC: 805095082005. English.

Remembrance was written upon the passing away of one of the greatest influences in jazz--pianist Bill Evans. The transparent colors are reminiscent of his incredible lyricism and touch. The piece was originally commissioned and recorded by bass trombonist David Taylor. It was also recorded by David Liebman in 1991. It is adaptable to any solo instrument.

Solo parts are included for C concert, B-flat, E-flat and bass clef instruments.

SKU: AP.1-ADV6010

ISBN 9783892215301. UPC: 805095060102. English.

It is natural as we age to contemplate the finality of passing on, if not personally, then certainly as an effect from others around you whom have left this space. Having to endure the passing of family and friends is of course very trying. This is especially true when the perception is that someone passed before their time though there are those of us who believe in fate implying that the Force works in its own mysterious way. Composers often commemorate passings with music as a means to mourn and as well to celebrate the life of an individual who meant something to them. Such is the nature of this piece. Movement 1---Past uses as source material themes I wrote for my mother Frances and father Leo when they passed; movement 2---Present centers around a choral (Prayer for Mike) I wrote for my dear friend, saxophonist Michael Brecker when he passed a few years ago. This same period also saw the passing of other friends and associates whom I had known for years, all way too premature, beginning with JF Jenny Clarke and Bob Berg, Hans Gruber, Thomas Stowsand, David Baker, James Williams, Dennis Irwin, John Stubblefield. The final movement---Future is a requiem of sorts for all of us still here. With its improvisational character, it is meant to suggest the positive implications of living life to its fullest.

Titles: Past * Present * Future.

SKU: AP.1-ADV6006

ISBN 9783892214236. UPC: 805095060065. English.

Ode for Leo is based on Steven Foster's Beautiful Dreamer. Using the melody as a framework, this tonal piece spotlights the wonderful agility of the solo cello throughout its extraordinary range. Compositional devices used include question and answer, fugal type dialogue, and an ostinato by both the cello and solo instrument. The feeling evoked should be emotional, but not sentimental.

SKU: BR.EB-8814

ISBN 9790004183816. 9 x 12 inches.

In Book 2 we progress from the first position up and beyond the half, second and third positions to reach the second high position. Shifting is also obviously treated in detail. New bowing techniques such as spiccato and col legno are on the program, as well as typical double-bass parts from orchestral works of famous composers and information concerning the instrument. This runs like a red thread through every chapter. In addition, students can indulge in jazz bass playing through their first jazz standards.Kontrabass Book 2 offers a wealth of material for the progressing young bassist. Although the text is in German, most of the technical requirements are easy to understand. (David Heyes , Double Bass Sheet Music Reviews)

We didnt want to let all those enthusiastic double-bass students wait too long for the second book of Kontrabass! - so here it is!