(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (unaccompanied). Format: a capella songbook. With choral notation, lyrics, performance notes, introductory text and index of first lines. Christmas and holiday. 224 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.

(7 carol arrangements for low voice and piano). By Mack Wilberg (1955-). For Low voice and piano. Solo Voice. Other Collection. 64 pages. Published by Oxford University Press

For Alto Sax. By Various. Instrumental Folio. Christmas. Softcover. 96 pages. Published by Hal Leonard

For Cello. By Various. Instrumental Folio. Christmas. Softcover. 96 pages. Published by Hal Leonard

Arranged by Robert Schultz. Songbook for easy solo piano. 224 pages. Published by Alfred Publishing.

C Instruments. Composed by Various. Fake Book. Christmas, Christmas Secular. Softcover. Published by Hal Leonard

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS41

Composed by Larry Clark. Carl Fischer Young String Orchestra Series. Score and Parts. With Standard notation. 16+10+16+4+10+10+4+12 pages. Carl Fischer Music #YAS41. Published by Carl Fischer Music (CF.YAS41).

ISBN 9780825861291. UPC: 798408061296. 8.5 X 11 inches. Key: G major.

Larry Clark does it again with this tuneful new feel good piece. You and your students will walk away humming this tune. There is even a nice contrasting lyrical middle section in the relative minor to break up the piece.
Solstice: one of two times in the year when the sun is at its greatest distancefrom the celestial equator.A solstice happens at the mid-point of summer, about June 21, and the midpoint of winter, about December 22. Each of those times of year is delightful. The carefree days of summer have just begun around June 21, when the mind wanders to long bike rides or walks on the beach. During the winter solstice the mind is filled with all of the delights that the holiday season has to offer. Either way, a solstice is a joyous and fun filled time of year, and this piece is intended to bring to mind some of these wonderful times. The main theme should be performed in a light carefree manner, which is then contrasted by the more lyrical and passionate middle section.As with all of my pieces for younger students, the tempo indicated is merely a guide. Adjust the tempo to fit the needs of your students. It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program.

About Carl Fischer Young String Orchestra Series

This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

For Flute. By Various. Instrumental Folio. Christmas. Softcover. 96 pages. Published by Hal Leonard

By Various. For Ukulele. Ukulele. Softcover. 416 pages. Published by Hal Leonard

Woodwinds (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.OB-5230-30

Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Folder. Orchester-Bibliothek (Orchestral Library). Ludwig van Beethoven composed the Choral Fantasy op. 80 for the gigantic concert event that took place at the Theater an der Wien on 22 December 1808. Solo concerto; Classical. Set of parts. 46 pages. Breitkopf and Haertel #OB 5230-30. Published by Breitkopf and Haertel (BR.OB-5230-30).

ISBN 9790004331569. 10 x 12.5 inches.

The history of the origins and sources of Beethovens Choral Phantasy is complex and poses considerable difficulties to todays researchers. A definitive final version is not extant. Instead, there are contemporary printed editions which diverge from each other in many details. The English musicologist Clive Brown thus also based part of his text-critical work on his comprehensive knowledge of the performance and notation practice of Beethovens time.Fur Orchester, die gelegentlich mit einem Chor zusammenarbeiten, auf jeden Fall zu empfehlen. Ein gerade in seiner Einmaligkeit interessantes Stuck - und auch nicht besonders schwer. Verwiesen sei noch auf das vorzugliche Vorwort des Herausgebers. (Plischke, Das Liebhaberorchester).

SB vocal soli, recorder, oboe, viola d'amore, viola da gamba, basso continuo

SKU: CA.3115203

Cantata for the Sunday after Christmas. Composed by Johann Sebastian Bach. Edited by Peter Thalheimer. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Epiphany. Vocal score. Composed 1714. BWV 152. 24 pages. Duration 21 minutes. Carus Verlag #CV 31.152/03. Published by Carus Verlag (CA.3115203).

ISBN 9790007164553. Text language: German/English. Text: Franck, Salomo.

For his cantata BWV 152 Bach chose a remarkable chamber music scoring which still sounds very colorful and lively today: the two solo voices are accompanied by recorder, oboe, viola d'amore, viola da gamba and organ. The cantata was written for the Sunday after Christmas and was performed for the first time on 30 December 1714 in the Schlosskirche Weimar. Nowadays the last aria is often performed during weddings. Exactly 300 years later, it is now being published in a practical Urtext edition. Score available separately - see item CA.3115200.

SB vocal soli, recorder, oboe, viola d'amore, viola da gamba, basso continuo

SKU: CA.3115200

Cantata for the Sunday after Christmas. Composed by Johann Sebastian Bach. Edited by Peter Thalheimer. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Epiphany. Full score. Composed 1714. BWV 152. 32 pages. Duration 21 minutes. Carus Verlag #CV 31.152/00. Published by Carus Verlag (CA.3115200).

ISBN 9790007164577. Text language: German/English. Text: Franck, Salomo.

For his cantata BWV 152 Bach chose a remarkable chamber music scoring which still sounds very colorful and lively today: the two solo voices are accompanied by recorder, oboe, viola d'amore, viola da gamba and organ. The cantata was written for the Sunday after Christmas and was performed for the first time on 30 December 1714 in the Schlosskirche Weimar. Nowadays the last aria is often performed during weddings. Exactly 300 years later, it is now being published in a practical Urtext edition.