| Enjoy the Double Bass Double Bass [Sheet music + CD] Boosey and Hawkes
(Volume 3 (5 1/2 - 7 position), Book/CD). For Double Bass. Boosey and Hawkes Cha...(+)
(Volume 3 (5 1/2 - 7 position), Book/CD). For Double Bass. Boosey and Hawkes Chamber Music. Book with CD. 92 pages. Bote and Bock #M202523155. Published by Bote and Bock
$26.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Diversions I and II Double Bass Seesaw Music Corp
Contrabass SKU: SU.50022360 For Contrabass. Composed by Eldon Obre...(+)
Contrabass SKU: SU.50022360 For Contrabass. Composed by Eldon Obrecht. Strings, Contrabass. Part. Seesaw Music Corp #50022360. Published by Seesaw Music Corp (SU.50022360). Published by: Seesaw Music. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Together on Strings Double Bass Breitkopf & Härtel
Double bass solo SKU: BR.EB-8986 23 Song Settings for Young String Pla...(+)
Double bass solo SKU: BR.EB-8986 23 Song Settings for Young String Players. Composed by Esther Klein and Michael Dartsch. Solo instruments. Edition Breitkopf. Music pedagogy. Sheet Music. Breitkopf and Haertel #EB 8986. Published by Breitkopf and Haertel (BR.EB-8986). ISBN 9790004187159. 0 x 0 inches. German. Songs are part of the childhood. This collection aims to offer a variety of songs for string ensembles, such as young string orchestras or string classes. Included are older and newer songs, songs of various origins, and songs for different occasions and with themes ranging from animals to seasons and times of day to tongue-in-cheek scary subjects.Taking up the motif of diversity in their own way, the six-part arrangements are not confined to the usual cadence harmonies and accompaniment forms, There is something special to discover in each of the songs. Small vignettes with lyrics to them are found in the parts, and can be taken up in rehearsals and lessons.The songs begin with fingering positions and bowing techniques that are usually learned at the beginning of lessons, then gradually increase in difficulty, though the booklet as a whole is set at the elementary level. Suggestions for improvisation and pieces for practicing certain requirements round out the booklet. Special emphasis is placed on playing together - true to the title: Together on Strings! $17.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Diversions Double bass, Piano (duet) - Advanced Stainer and Bell
Double Bass & Piano SKU: ST.H489 Composed by Bryan Kelly. String music. S...(+)
Double Bass & Piano SKU: ST.H489 Composed by Bryan Kelly. String music. Standard: Intermediate. 1 Elegy; 2 Invention; 3 Polonaise; 4 Raggle Taggle Variants; 5 Sarabande; 6 Burlesque. Score and part. Stainer & Bell Ltd. #H489. Published by Stainer & Bell Ltd. (ST.H489). ISBN 9790220224867. Written for Rodney Slatford, Bryan Kelly's Diversions reflect both the composer's admiration for the dedicatee, and his insights into the lively character of the instrument - perhaps even more than the viola the 'Cinderella' of the orchestra, and yet capable of great charm and richness of expression. The winning Raggle Taggle Variants at the heart of the collection brilliantly display several sides of the instrument's character, while an Elegy, an Invention, a Polonaise and a Burlesque showcase its solemnity, its seriousness, its lyric eloquence and its humour. Warmly recommended to young players of around Grade 5 standard. $10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Double Bass Grade 4 Series 1 AMEB Double bass, Piano (duet) - Intermediate Australian Music Examinations Board (AMEB)
Strings, Repertoire, Collections. AMEB Double Bass. Double Bass Series 1 - Grade...(+)
Strings, Repertoire, Collections. AMEB Double Bass. Double Bass Series 1 - Grade 4. Softcover Book. 64 pages. Australian Music Examinations Board (AMEB) #1203054439. Published by Australian Music Examinations Board (AMEB) (HU.1203054439).
ISBN 9790720116099. 12 x 9.1 x 0.2 inches.
Collection of graded repertoire for AMEB Double Bass exams. Carefully selected by top Australian Double Bass performers and pedagogues, the grade books feature a diversity of musical styles and often include works by celebrated Australian composers. Repertoire is carefully coordinated to align with the technical requirements at each grade level. Includes piano accompaniment.
$31.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Double Bass Preliminary Series 1 AMEB Double bass, Piano (duet) Australian Music Examinations Board (AMEB)
Strings, Repertoire, Collections. AMEB Double Bass. Double Bass Series 1 - Preli...(+)
Strings, Repertoire, Collections. AMEB Double Bass. Double Bass Series 1 - Preliminary. Softcover Book. 39 pages. Australian Music Examinations Board (AMEB) #1203053939. Published by Australian Music Examinations Board (AMEB) (HU.1203053939).
ISBN 9790720116051. 12 x 9.1 x 0.1 inches.
Collection of graded repertoire for AMEB Double Bass exams. Carefully selected by top Australian Double Bass performers and pedagogues, the grade books feature a diversity of musical styles and often include works by celebrated Australian composers. Repertoire is carefully coordinated to align with the technical requirements at each grade level. Includes piano accompaniment.
$26.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| More Classical Highlights String Quartet: 2 violins, viola, cello De Haske Publications
String Quartet or String Orchestra - easy SKU: BT.DHP-1135315-070 Arrange...(+)
String Quartet or String Orchestra - easy SKU: BT.DHP-1135315-070 Arranged by Nico Dezaire. De Haske String Orchestra Series. Set (Score and Parts). De Haske Publications #DHP 1135315-070. Published by De Haske Publications (BT.DHP-1135315-070). ISBN 9789043146814. 9x12 inches. English-German-French-Dutch. More Classical Highlights is the follow-up to Classical Highlights, a collection featuring arrangements of classical themes dating from the 17th century up to the19th century. The parts are quite easy and attractively written, but the arrangements stay as faithful as possible to the original works. Baroque music is represented with two highlights: the well-known Canon by Pachelbel may well be the most performed 17th century composition. The power of the piece lies in a bass line of only eight notes, above which the melodic line of the round itself develops. Réjouissance from Music for the Royal Fireworks is a very joyful composition bythe Anglo-German baroque composer Handel. The 18th century classical style gives us the refined minuet by Boccherini, the Italian composer who wrote a wealth of chamber music. The 19th century features in three famous works: the lively Marche Militaire No 1 by the Austrian composer Schubert originates from 3 Marches Militaires for four-handed piano. The Can Can from Orphée aux enfers (Orpheus in the Underworld) is the best-known separately performed piece by the operetta composer Offenbach. Following this exciting dance music there is the beautiful, lofty Largo theme from the second movement of Czech composer Dvorákâ??s From the New World Symphony. In short: Six varying arrangements - challenging and very suitable for performances!
More Classical Highlights is het vervolg op Classical Highlights, een verzameling arrangementen van klassieke thema´s die dateren uit de periode van de 17e eeuw tot en met de 19e eeuw. De partijen zijn eenvoudig en aantrekkelijk geschreven; tegelijkertijd blijven de arrangementen dicht bij het origineel. De barokmuziek is vertegenwoordigd met twee highlights. De bekende Canon van Pachelbel is wellicht de meest gespeelde 17e-eeuwse compositie. De kracht ervan ligt in een baslijn van slechts acht noten waarboven zich het lijnenspel van de canon ontspint. Réjouissance uit Music for the Royal Fireworks is een zeer opgewekte compositie van deDuits-Engelse barokcomponist Händel. De 18e-eeuwse klassieke stijl horen we terug in het verfijnde menuet van Boccherini, een Italiaanse componist die een schat aan kamermuziek schreef. De 19e eeuw komt naar voren in drie beroemde stukken. De uitbundige Marche militaire nr. 1 van de Oostenrijkse componist Schubert komt uit 3 Marches militaires voor vierhandig piano. De Can Can uit Orphée aux enfers (Orpheus in de onderwereld) is het beroemdste afzonderlijk uitgevoerde stuk van de operettecomponist Offenbach. Na deze opzwepende dansmuziek volgt het prachtige, gedragen thema uit het tweede deel van de symfonie Uit de nieuwe wereld met de titel Largo, van de hand van de Tsjechische componist Dvorák. Kortom: zes zeer afwisselende arrangementen, uitdagend en uitermate geschikt voor uitvoeringen!
More Classical Highlights ist die Fortsetzung von Classical Highlights, einer Sammlung von Arrangements klassischer Themen aus der Zeit vom 17. bis zum 19. Jahrhundert. Die Stimmen sind recht einfach gehalten und reizvoll ausgearbeitet; zugleich sind die Arrangements nah an den Originalstu cken. Der Barock ist mit zwei musikalischen Höhepunkten vertreten: Der bekannte Canon von Pachelbel ist vielleicht die meist gespielte Komposition aus dem 17. Jahrhundert. Die Kraft dieses Stu ckes liegt in einer Basslinie aus nur acht Noten, u ber der sich das eigentliche Gefu ge des Kanons entwickelt. Réjouissance aus der Feuerwerksmusik ist einesehr fröhliche Komposition des deutsch-englischen Barockkomponisten Händel. Ein Kleinod der Klassik aus dem 18. Jahrhundert ist das raffinierte Menuett von Boccherini, einem italienischen Komponisten, der einen gro�en Schatz an Kammermusik schrieb. Das 19. Jahrhundert ist mit drei beru hmten Werken vertreten: Der lebhafte Marche militaire No. 1 des �sterreichers Schubert stammt aus 3 Marches militaires fu r Klavier zu vier Händen. Der Can-Can aus Orphée aux enfers (Orpheus in der Unterwelt) ist das beru hmteste separat aufgefu hrte Stu ck des Operettenkomponisten Offenbach. Nach dieser mitrei�enden Tanzmusik folgt ein schönes, erhabenes Thema aus dem zweiten Satz der Sinfonie Aus der Neuen Welt mit dem Titel Largo aus der Feder des tschechischen Komponisten Dvorák.
More Classical Highlights, qui fait suite au recueil Classical Highlights, rassemble une collection dâ??arrangements de thèmes classiques couvrant une période de trois siècles, du XVIIe au XIXe siècle. Les diverses parties instrumentales sont faciles et agréables jouer, mais les arrangements restent néanmoins fidèles aux compositions originales. La musique baroque est représentée par deux oeuvres toujours appréciées. Parmi toutes les compositions du XVIIe siècle, le célèbre Canon de Pachelbel est peut-être celle que lâ??on entend le plus souvent. Sa puissance réside dans une simple ligne de basse de huit notes par-dessus laquelle se développe le motif ducanon lui-même. Réjouissance, tirée de Music for the Royal Fireworks, est une pièce très enjouée du compositeur baroque anglo-allemand Haendel. Le style classique du XVIIIe siècle est inclus sous la forme dâ??un élégant menuet de Boccherini, un compositeur italien qui a écrit une quantité de musique de chambre. Le XIXe siècle est évoqué par trois oeuvres célèbres. La dynamique Marche militaire n° 1, du compositeur autrichien Schubert, extrait des Trois marches militaires pour piano quatre mains. Le Cancan dâ??Orphée aux enfers est la plus connue des oeuvres dâ??Offenbach, célèbre pour ses opérettes. Cette danse endiablée est suivie du Largo, admirable thème du deuxième mouvement de la Symphonie du Nouveau Monde, du compositeur tchèque Dvorák. En résumé : six arrangements variés, stimulants et parfaits pour être interprétés en concert ! $47.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Galloping Ghosts Concert band [Score and Parts] - Intermediate Manhattan Beach Music
Concert band - Grade 4 SKU: MH.1-59913-064-5 Composed by William Ryden. S...(+)
Concert band - Grade 4 SKU: MH.1-59913-064-5 Composed by William Ryden. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 2:45. Published by Manhattan Beach Music (MH.1-59913-064-5). ISBN 9781599130644. I wrote Galloping Ghosts (A Ragtime March) to conclude a concert of my chamber music in New York City on October 28, 1986. It is the final part of a work called Rags for Divers Players. This work was written to show the variety possible within the standard rag form. I used all the players available for the finale -- two violins, viola, cello, bass, flute, oboe, clarinet, horn, bassoon, and piano. Since this is a rather unusual instrumental combination and not easy to reassemble, I decided to rescore the work for concert band. Galloping Ghosts is written in a standard march form but incorporates many of the syncopations found in ragtime. The uniquely American music called ragtime traces its history to African rhythms brought over by slaves. Over the years this music became welded to European musical forms such as the quadrille and the march. Drums and banjos and the minstrel tradition lent a special flavor, and from all these elements ragtime slowly evolved within the largely unknown black subculture of the late 19th century. In the late 1890's it emerged as a fully developed form in the classic piano solos of Scott Joplin (1869-1917). Joplin's 1899 hit, Maple Leaf Rag, was an overnight sensation and brought ragtime worldwide fame. Ensemble instrumentation: 1 Piccolo, 8 Flute 1 and 2, 2 Oboe, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 3 Bb Bass and Bb Contrabass Clarinet, 2 Bassoon 1 and 2, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Cornet 1, 3 Bb Cornet 2, 3 Bb Cornet 3, 2 Horn 1 and 2 in F, 2 Horn 3 and 4 in F, 4 Trombone 1 and 2, 4 Bass Trombone, 2 Baritone (B.C.), 2 Baritone (T.C.), 4 Tuba, 1 String Bass, 1 Timpani, 1 Xylophone, 3 Percussion 1, 3 Percussion 2. $95.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Mass in B flat major Carus Verlag
Orchestra Version 1: SATB voices, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 vi...(+)
Orchestra Version 1: SATB voices, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo; Version 2: SATB voices, 2 violins, viola, organ obligato, basso continuo SKU: CA.4066414 Composed by Johann Nepomuk Hummel. Edited by Mario Aschauer. This edition: urtext. Stuttgart Urtext Edition. Missa In B. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. 16 pages. Duration 35 minutes. Carus Verlag #CV 40.664/14. Published by Carus Verlag (CA.4066414). ISBN 9790007219864. Key: B flat major. Language: Latin. The House of Esterhazy commissioned what are probably some of the most important masses to be written at the turn of the 18th to the 19th century: Joseph Haydn's last, six great masses, Beethoven's Mass in C major and the masses of Johann Nepomuk Hummel. The resonance in the contemporary musical press upon the publication of the B flat major Mass of 1816/17, Hummel's first Esterhazy mass, was exceptionally positive. In addition to the rather simply constructed wind parts, which can also be played by the organ, the work places greater demands on the strings and choir (without soloists) to master an effect-laden, expressive diversity ranging from pastoral simplicity and martial trumpet calls to artistically wrought fugues which is rarely encountered. The present new edition offers the first scholarly-critical edition of the work in a reliable musical text, including performance material. Score and part available separately - see item CA.4066400. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mass in B flat major Carus Verlag
Orchestra Version 1: SATB voices, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 vi...(+)
Orchestra Version 1: SATB voices, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo; Version 2: SATB voices, 2 violins, viola, organ obligato, basso continuo SKU: CA.4066449 Composed by Johann Nepomuk Hummel. Edited by Mario Aschauer. This edition: urtext. Stuttgart Urtext Edition. Missa In B. Sacred vocal music, Masses, Latin. Single Part, Organ. 32 pages. Duration 35 minutes. Carus Verlag #CV 40.664/49. Published by Carus Verlag (CA.4066449). ISBN 9790007219871. Key: B flat major. Language: Latin. The House of Esterhazy commissioned what are probably some of the most important masses to be written at the turn of the 18th to the 19th century: Joseph Haydn's last, six great masses, Beethoven's Mass in C major and the masses of Johann Nepomuk Hummel. The resonance in the contemporary musical press upon the publication of the B flat major Mass of 1816/17, Hummel's first Esterhazy mass, was exceptionally positive. In addition to the rather simply constructed wind parts, which can also be played by the organ, the work places greater demands on the strings and choir (without soloists) to master an effect-laden, expressive diversity ranging from pastoral simplicity and martial trumpet calls to artistically wrought fugues which is rarely encountered. The present new edition offers the first scholarly-critical edition of the work in a reliable musical text, including performance material. Score and part available separately - see item CA.4066400. $34.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mass in B flat major Carus Verlag
Orchestra Version 1: SATB voices, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 vi...(+)
Orchestra Version 1: SATB voices, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo; Version 2: SATB voices, 2 violins, viola, organ obligato, basso continuo SKU: CA.4066411 Composed by Johann Nepomuk Hummel. Edited by Mario Aschauer. This edition: urtext. Stuttgart Urtext Edition. Missa In B. Sacred vocal music, Masses, Latin. Single Part, Violin 1. 20 pages. Duration 35 minutes. Carus Verlag #CV 40.664/11. Published by Carus Verlag (CA.4066411). ISBN 9790007219833. Key: B flat major. Language: Latin. The House of Esterhazy commissioned what are probably some of the most important masses to be written at the turn of the 18th to the 19th century: Joseph Haydn's last, six great masses, Beethoven's Mass in C major and the masses of Johann Nepomuk Hummel. The resonance in the contemporary musical press upon the publication of the B flat major Mass of 1816/17, Hummel's first Esterhazy mass, was exceptionally positive. In addition to the rather simply constructed wind parts, which can also be played by the organ, the work places greater demands on the strings and choir (without soloists) to master an effect-laden, expressive diversity ranging from pastoral simplicity and martial trumpet calls to artistically wrought fugues which is rarely encountered. The present new edition offers the first scholarly-critical edition of the work in a reliable musical text, including performance material. Score and part available separately - see item CA.4066400. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mass in B flat major Carus Verlag
Orchestra Version 1: SATB voices, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 vi...(+)
Orchestra Version 1: SATB voices, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo; Version 2: SATB voices, 2 violins, viola, organ obligato, basso continuo SKU: CA.4066413 Composed by Johann Nepomuk Hummel. Edited by Mario Aschauer. This edition: urtext. Stuttgart Urtext Edition. Missa In B. Sacred vocal music, Masses, Latin. Single Part, Viola. 16 pages. Duration 35 minutes. Carus Verlag #CV 40.664/13. Published by Carus Verlag (CA.4066413). ISBN 9790007219857. Key: B flat major. Language: Latin. The House of Esterhazy commissioned what are probably some of the most important masses to be written at the turn of the 18th to the 19th century: Joseph Haydn's last, six great masses, Beethoven's Mass in C major and the masses of Johann Nepomuk Hummel. The resonance in the contemporary musical press upon the publication of the B flat major Mass of 1816/17, Hummel's first Esterhazy mass, was exceptionally positive. In addition to the rather simply constructed wind parts, which can also be played by the organ, the work places greater demands on the strings and choir (without soloists) to master an effect-laden, expressive diversity ranging from pastoral simplicity and martial trumpet calls to artistically wrought fugues which is rarely encountered. The present new edition offers the first scholarly-critical edition of the work in a reliable musical text, including performance material. Score and part available separately - see item CA.4066400. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mass in B flat major [Score and Parts] Carus Verlag
Orchestra Version 1: SATB voices, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 vi...(+)
Orchestra Version 1: SATB voices, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo; Version 2: SATB voices, 2 violins, viola, organ obligato, basso continuo SKU: CA.4066419 Composed by Johann Nepomuk Hummel. Edited by Mario Aschauer. This edition: urtext. Stuttgart Urtext Edition. Missa In B. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Duration 35 minutes. Carus Verlag #CV 40.664/19. Published by Carus Verlag (CA.4066419). ISBN 9790007141158. Key: B flat major. Language: Latin. The House of Esterhazy commissioned what are probably some of the most important masses to be written at the turn of the 18th to the 19th century: Joseph Haydn's last, six great masses, Beethoven's Mass in C major and the masses of Johann Nepomuk Hummel. The resonance in the contemporary musical press upon the publication of the B flat major Mass of 1816/17, Hummel's first Esterhazy mass, was exceptionally positive. In addition to the rather simply constructed wind parts, which can also be played by the organ, the work places greater demands on the strings and choir (without soloists) to master an effect-laden, expressive diversity ranging from pastoral simplicity and martial trumpet calls to artistically wrought fugues which is rarely encountered. The present new edition offers the first scholarly-critical edition of the work in a reliable musical text, including performance material. Score and parts available separately - see item CA.4066400. $389.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mass in B flat major Carus Verlag
Orchestra version 1: SATB voices, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 vi...(+)
Orchestra version 1: SATB voices, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo; version 2: SATB voices, 2 violins, viola, organ obligato, basso continuo SKU: CA.4066403 Composed by Johann Nepomuk Hummel. Edited by Mario Aschauer. This edition: urtext. Stuttgart Urtext Edition. German title: Missa In B. Sacred vocal music, Masses, Latin. Vocal score. 72 pages. Duration 35 minutes. Carus Verlag #CV 40.664/03. Published by Carus Verlag (CA.4066403). ISBN 9790007137229. Key: B flat major. Language: Latin. The House of Esterhazy commissioned what are probably some of the most important masses to be written at the turn of the 18th to the 19th century: Joseph Haydn's last, six great masses, Beethoven's Mass in C major and the masses of Johann Nepomuk Hummel. The resonance in the contemporary musical press upon the publication of the B flat major Mass of 1816/17, Hummel's first Esterhazy mass, was exceptionally positive. In addition to the rather simply constructed wind parts, which can also be played by the organ, the work places greater demands on the strings and choir (without soloists) to master an effect-laden, expressive diversity ranging from pastoral simplicity and martial trumpet calls to artistically wrought fugues which is rarely encountered. The present new edition offers the first scholarly-critical edition of the work in a reliable musical text, including performance material. Score available separately - see item CA.4066400. $28.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mass in B flat major Carus Verlag
Orchestra Version 1: SATB voices, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 vi...(+)
Orchestra Version 1: SATB voices, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo; Version 2: SATB voices, 2 violins, viola, organ obligato, basso continuo SKU: CA.4066412 Composed by Johann Nepomuk Hummel. Edited by Mario Aschauer. This edition: urtext. Stuttgart Urtext Edition. Missa In B. Sacred vocal music, Masses, Latin. Single Part, Violin 2. 20 pages. Duration 35 minutes. Carus Verlag #CV 40.664/12. Published by Carus Verlag (CA.4066412). ISBN 9790007219840. Key: B flat major. Language: Latin. The House of Esterhazy commissioned what are probably some of the most important masses to be written at the turn of the 18th to the 19th century: Joseph Haydn's last, six great masses, Beethoven's Mass in C major and the masses of Johann Nepomuk Hummel. The resonance in the contemporary musical press upon the publication of the B flat major Mass of 1816/17, Hummel's first Esterhazy mass, was exceptionally positive. In addition to the rather simply constructed wind parts, which can also be played by the organ, the work places greater demands on the strings and choir (without soloists) to master an effect-laden, expressive diversity ranging from pastoral simplicity and martial trumpet calls to artistically wrought fugues which is rarely encountered. The present new edition offers the first scholarly-critical edition of the work in a reliable musical text, including performance material. Score and part available separately - see item CA.4066400. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| NOTRE DAME: Entr'act and Carnival Music (includes Intermezzo) [Score] Lucks Music Library
(3D1.2.2.2+1/4.3.3.0,timp ,perc,2 hp,str) SKU: TM.12278SC Composed by Fra...(+)
(3D1.2.2.2+1/4.3.3.0,timp,perc,2 hp,str) SKU: TM.12278SC Composed by Franz Schmidt. Score. Lucks Music Library #A8919. Published by Lucks Music Library (TM.12278SC). Sandra Dackow Little Known Gem - Grade V. Prelude, In Minuet Style, Sarabande, Caprice, Pastoral, Air, Frolic. Containing seven fun to play sections, each movement in An English Suite has approachable technical demands while not being too lengthy. The Prelude is neo-Baroque, where Baroque rhythms are combined with Victorian harmonies. Sounding more difficult than it actually is to play, this movement is busy with violin passages that reach high G's. In Minuet Style has lovely lines for viola and charmingly couples an older form with more advanced harmonic language. The Saraband offers drama and resembles the style and writing of Elgar. There are high G's for both cello and bass, but the passages are logical and fall under the hand easily. Most technically difficult, the Caprice is a diversion requiring precision, speed, and technique to maneuver through changing harmonies and tonalities. The retro Pastoral was written in a manner similar to the Gavotte from Grieg's Holberg Suite, while the Air contains effective alternation of solo notes with tutti textures. The final Frolic movement is a fun fiddle tune that is great for featuring the first and second violin sections. It has also served as a theme song for one of New York's classical music stations. Keep arco accompaniments at the frog and off the string during repetitive rhythmic passages and in pizzicato sections, as they can easily be rushed. $60.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| NOTRE DAME: Entr'act and Carnival Music (includes Intermezzo) Lucks Music Library
(3D1.2.2.2+1/4.3.3.0,timp ,perc,2 hp,str) SKU: TM.12278SET Composed by Fr...(+)
(3D1.2.2.2+1/4.3.3.0,timp,perc,2 hp,str) SKU: TM.12278SET Composed by Franz Schmidt. Set Type: D. Set of parts. Lucks Music Library #A8919. Published by Lucks Music Library (TM.12278SET). Sandra Dackow Little Known Gem - Grade V. Prelude, In Minuet Style, Sarabande, Caprice, Pastoral, Air, Frolic. Containing seven fun to play sections, each movement in An English Suite has approachable technical demands while not being too lengthy. The Prelude is neo-Baroque, where Baroque rhythms are combined with Victorian harmonies. Sounding more difficult than it actually is to play, this movement is busy with violin passages that reach high G's. In Minuet Style has lovely lines for viola and charmingly couples an older form with more advanced harmonic language. The Saraband offers drama and resembles the style and writing of Elgar. There are high G's for both cello and bass, but the passages are logical and fall under the hand easily. Most technically difficult, the Caprice is a diversion requiring precision, speed, and technique to maneuver through changing harmonies and tonalities. The retro Pastoral was written in a manner similar to the Gavotte from Grieg's Holberg Suite, while the Air contains effective alternation of solo notes with tutti textures. The final Frolic movement is a fun fiddle tune that is great for featuring the first and second violin sections. It has also served as a theme song for one of New York's classical music stations. Keep arco accompaniments at the frog and off the string during repetitive rhythmic passages and in pizzicato sections, as they can easily be rushed. $210.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| English Suite, An [Score] Lucks Music Library
(str) SKU: TM.09876SC Composed by Charles Hubert Parry. Score. Lucks Musi...(+)
(str) SKU: TM.09876SC Composed by Charles Hubert Parry. Score. Lucks Music Library #A4279. Published by Lucks Music Library (TM.09876SC). Sandra Dackow Little Known Gem - Grade V. Prelude, In Minuet Style, Sarabande, Caprice, Pastoral, Air, Frolic. Containing seven fun to play sections, each movement in An English Suite has approachable technical demands while not being too lengthy. The Prelude is neo-Baroque, where Baroque rhythms are combined with Victorian harmonies. Sounding more difficult than it actually is to play, this movement is busy with violin passages that reach high G’s. In Minuet Style has lovely lines for viola and charmingly couples an older form with more advanced harmonic language. The Saraband offers drama and resembles the style and writing of Elgar. There are high G’s for both cello and bass, but the passages are logical and fall under the hand easily. Most technically difficult, the Caprice is a diversion requiring precision, speed, and technique to maneuver through changing harmonies and tonalities. The retro Pastoral was written in a manner similar to the Gavotte from Grieg’s Holberg Suite, while the Air contains effective alternation of solo notes with tutti textures. The final Frolic movement is a fun fiddle tune that is great for featuring the first and second violin sections. It has also served as a theme song for one of New York’s classical music stations. Keep arco accompaniments at the frog and off the string during repetitive rhythmic passages and in pizzicato sections, as they can easily be rushed. $25.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| GYPSY LOVE: Lied and Czardas (Csardas) Soli, Mixted choir and accompaniment Lucks Music Library
(2.2.2.2/2.2.3.0,timp,per c,hp,str) SKU: TM.12307SET Composed by Franz Le...(+)
(2.2.2.2/2.2.3.0,timp,perc,hp,str) SKU: TM.12307SET Composed by Franz Lehar. Set Type: D. Set of parts. Lucks Music Library #A8025. Published by Lucks Music Library (TM.12307SET). Sandra Dackow Little Known Gem - Grade V. Prelude, In Minuet Style, Sarabande, Caprice, Pastoral, Air, Frolic. Containing seven fun to play sections, each movement in An English Suite has approachable technical demands while not being too lengthy. The Prelude is neo-Baroque, where Baroque rhythms are combined with Victorian harmonies. Sounding more difficult than it actually is to play, this movement is busy with violin passages that reach high G's. In Minuet Style has lovely lines for viola and charmingly couples an older form with more advanced harmonic language. The Saraband offers drama and resembles the style and writing of Elgar. There are high G's for both cello and bass, but the passages are logical and fall under the hand easily. Most technically difficult, the Caprice is a diversion requiring precision, speed, and technique to maneuver through changing harmonies and tonalities. The retro Pastoral was written in a manner similar to the Gavotte from Grieg's Holberg Suite, while the Air contains effective alternation of solo notes with tutti textures. The final Frolic movement is a fun fiddle tune that is great for featuring the first and second violin sections. It has also served as a theme song for one of New York's classical music stations. Keep arco accompaniments at the frog and off the string during repetitive rhythmic passages and in pizzicato sections, as they can easily be rushed. $65.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| English Suite, An Lucks Music Library
(str) SKU: TM.09876SET Composed by Charles Hubert Parry. Set Type: D. Set...(+)
(str) SKU: TM.09876SET Composed by Charles Hubert Parry. Set Type: D. Set of parts. Lucks Music Library #A4279. Published by Lucks Music Library (TM.09876SET). Sandra Dackow Little Known Gem - Grade V. Prelude, In Minuet Style, Sarabande, Caprice, Pastoral, Air, Frolic. Containing seven fun to play sections, each movement in An English Suite has approachable technical demands while not being too lengthy. The Prelude is neo-Baroque, where Baroque rhythms are combined with Victorian harmonies. Sounding more difficult than it actually is to play, this movement is busy with violin passages that reach high G’s. In Minuet Style has lovely lines for viola and charmingly couples an older form with more advanced harmonic language. The Saraband offers drama and resembles the style and writing of Elgar. There are high G’s for both cello and bass, but the passages are logical and fall under the hand easily. Most technically difficult, the Caprice is a diversion requiring precision, speed, and technique to maneuver through changing harmonies and tonalities. The retro Pastoral was written in a manner similar to the Gavotte from Grieg’s Holberg Suite, while the Air contains effective alternation of solo notes with tutti textures. The final Frolic movement is a fun fiddle tune that is great for featuring the first and second violin sections. It has also served as a theme song for one of New York’s classical music stations. Keep arco accompaniments at the frog and off the string during repetitive rhythmic passages and in pizzicato sections, as they can easily be rushed. $100.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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