SKU: HL.48182863

Composed by Hans Ludwig Schilling. Leduc. Classical. Softcover. Alphonse Leduc #AL24577. Published by Alphonse Leduc (HL.48182863).

UPC: 888680871581. 11.0x14.0x0.07 inches.

Marcia festiva; Rondonello; Chorale-Finale (Gloria ad Kyrie majus dominicale) for horn (or trumpet), 2 trumpets, trombone, tuba (or bass trombone) and percussion ad lib..

Performed by Weezer. For guitar and voice. Format: guitar tablature songbook. With guitar tablature, standard notation, vocal melody, lyrics, chord names, guitar chord diagrams and guitar notation legend. Alternative rock and pop rock. Series: Hal Leonard Guitar Recorded Versions. 80 pages. 9x12 inches. Published by Hal Leonard.

By Blackwell. For Violin Method and CD. Play along. Published by Oxford University Press.

SATB chorus a cappella - Grade 2

SKU: CA.338860

Motette. Composed by Anton Bruckner. Carus digital: Extra digital products. Full Score. Composed 1884. WAB 40. Duration 3 minutes. Carus Verlag #338860. Published by Carus Verlag (CA.338860).

ISBN 9790007303792. Latin.

In this interesting motet by Bruckner, short imitative choral sections alternate with monophonic chorale passages. There are also sections in the old falsobordone setting. The short work on a verse from the Te Deum was composed in 1884.

Composed by Arthur Gottschalk. For bass clarinet and piano. Classical; 21st century. Piano score and part. Composed 2009. 30 pages (score); 12 pages (part). Published by Alea Publishing

By Peter Nardone. (SATB A Cappella). Boosey and Hawkes Sacred Choral. Size 7.25x10.25 inches. 7 pages. Published by Boosey & Hawkes.

By Celtic Thunder. Piano/Vocal/Guitar Artist Songbook. Softcover. 122 pages. Published by Hal Leonard

SATB choir, 2 violins, viola, basso continuo - Level 3

SKU: CA.4000412

Composed by Antonio Vivaldi. This edition: urtext. Stuttgart Urtext Edition: Vivaldi-Archiv. German title: Credo. Innovative practice aids, Sacred vocal music, Mass sections. Single Part, Violin 2. RV 591. 8 pages. Duration 10 minutes. Carus Verlag #CV 40.004/12. Published by Carus Verlag (CA.4000412).

ISBN 9790007057398. Key: E minor. Language: Latin/English.

The Credo belongs to that large group of church works which Vivaldi composed in Venice between 1713 and 1717 for the Ospedale della Pieta, then his primary place of employment. The composition, conceived solely for choir and strings, is characterized by a two-layered formal design: a continuous, basic motivic idea, i.e., a constant rhythmic impulse with rapid tone repetition builds an instrumental layer, while on the other hand the writing for choir renders the text in a blocklike structure in chordal declamation. This structure will only be abandoned briefly in the concluding section of work, where the text Et vitam venturi saeculi is embedded in a concise fugue. Score and part available separately - see item CA.4000400.

Piano - Grade 4

SKU: FA.MFCD007PN

By Nicolas Horvath. By Claude Debussy and Robert Orledge. Rediscoverd Debussy. Classical, Impressionistic. Score. Musik Fabrik #MFCD007PN. Published by Musik Fabrik (FA.MFCD007PN).

8.27 x 11.69 inches.

Debussy's friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bedier's adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner's Tristan und Isolde are that none of the action takes place in Cornwall and that Isolde of the White Hands is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.

The idea of a Tristan that restored its 'legendary character' and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan's death. Even if he thought that Mourey's poetry was 'not very lyrical and many passages do not exactly invite music', he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, 'one of the 363 themes for the Roman de Tristan' in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong Le Faucon. After a short atmospheric introduction, Debussy's dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy's opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.

Unfortunately, Mourey's actual libretto has been lost and the project eventually foundered because Bedier's cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey's version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!

By Nigel Hess (1953-). Concert Band. For Brass Band. Brass Band; Part(s); Score. Faber Edition: Faber Brass Band Series. 20th Century; Masterwork. Published by Faber Music

AT vocal soli, SATB choir, recorder d2 (flute or violin), 2 oboe d'amore, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3110305

Cantata for the Sunday of Jubilate. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Ihr werdet weinen. Sacred vocal music, Cantatas, Special days, Easter and Eastertide. Choral Score. Composed 1725. BWV 103. 16 pages. Duration 18 minutes. Carus Verlag #CV 31.103/05. Published by Carus Verlag (CA.3110305).

ISBN 9790007047467. Key: B minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Ihr werdet weinen und heulen [You will weep and wail] BWV 103 for Jubilate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. A large-scale choral movement on Jesus's words quoted from the Sunday gospel reading opens the cantata; the choir is interrupted by a bass arioso - the vox Christi. Both arias are introduced by a recitative with arioso conclusion; in each, exquisite solo instruments are deployed: flauto piccolo in the contralto aria and trumpet in the tenor aria. Score available separately - see item CA.3110300.

Accordion

SKU: UT.LAM-3B

Composed by Luis Caruana. Saddle stitching. Classical. Set of Parts. Ut Orpheus #LAM 3B. Published by Ut Orpheus (UT.LAM-3B).

ISBN 9790215324251. 9 x 12 inches.

(Original Soundtrack Collection) Composed by Nino Rota (1911-1979). Collection and performance CD for solo piano. 64 pages. Published by Ricordi.