| In Paradise, You Shared Your Best - Easy Concordia Publishing House
Piano (2-part mixed) - early intermediate SKU: CR.984361 Composed by Jona...(+)
Piano (2-part mixed) - early intermediate SKU: CR.984361 Composed by Jonathan Kohrs. Choral. Octavo. With music. Concordia Publishing House #984361. Published by Concordia Publishing House (CR.984361). ISBN 9780758669032. 7 X 10.25 inches. This text by Lisa M. Clark is set to a memorable tune and two-part mixed setting by Jonathan Kohrs. The text highlights the story of salvation, while carrying themes of outreach, the new creation, and the end times. The choral texture builds from start to finish and blossoms with a descant in the final stanza. In paradise, You shared Your best With us, Your children dear. Your bounty, presence, work, and rest: Secure from guilt or fear. But we brought shame upon the land And disobeyed Your clear command. Oh, we will never understand The darkness we brought near. In exile, driven from Your face, We hid and worked in vain. We lost the children's honored place And earned Your just disdain. But Jesus came to take our blame And took away our horrid shame And gave to us His holy name, That we may life regain. In restoration, we are free And welcomed home anew. You smile on us abundantly And bless us through and through. But as we wait for that great day, When all dishonor melts away, Let us, Your own beloved, say: 'Our Lord, we honor You!' Text copyright © 2020 Concordia Publishing House. $1.90 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hal Leonard Bass Tab Method Bass guitar [Sheet music + Audio access] Hal Leonard
Combo Edition of Books 1 and 2 with Online Audio. Guitar Tab Method. Instructi...(+)
Combo Edition of Books 1 and 2
with Online Audio. Guitar Tab
Method. Instruction, Method.
Softcover Audio Online. 64
pages. Published by Hal
LeonISBN 9781705141724.
9.0x12.0 inches.
Get started quickly and
easily, and with songs you
want to play! Learn the notes
of the bass with riffs like
"Day Tripper" and "Stand by
Me," reading rhythms and tab
with classics by the Who and
Red Hot Chili Peppers,
fingerstyle and pick
technique with songs like
"Roxanne" and "Low Rider,"
beginning slap technique with
songs like "Higher Ground"
and "Fly Away," and much
more. The method's unique,
well-paced, and logical
teaching sequence will get
students playing more easily
than ever before, and music
from popular artists like the
Beatles, Nirvana, and Green
Day will keep them playing
and having fun. This special
combo edition includes books
one and two of the series
plus online audio access.ard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Raging Fire Choral 3-part TTB/TBB Hal Leonard
Choral (TTB Choir) SKU: HL.138176 By Phillip Phillips. Arranged by Roger ...(+)
Choral (TTB Choir) SKU: HL.138176 By Phillip Phillips. Arranged by Roger Emerson. Pop Choral Series. Country, Light Concert, Pop, Show Choir. Octavo. 12 pages. Published by Hal Leonard (HL.138176). UPC: 888680030537. 6.75x10.5 inches. American Idol winner Phillip Phillips has had a string of hits from “Home” to “Gone, Gone, Gone.” This 2014 single follows suit withan energetic guitar-driven folk rock anthem, full-on drums and fervent vocals that celebrate the power of love. $1.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Berko's Journey Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in...(+)
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Contrabassoon, Double Bass, English Horn, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1 and more. SKU: PR.11642143L Composed by Stacy Garrop. Spiral. Large Score. 68 pages. Duration 20 minutes. Theodore Presser Company #116-42143L. Published by Theodore Presser Company (PR.11642143L). UPC: 680160693320. 11 x 17 inches. For most of my life, I never knew where my father’s family came from, beyond a few broad strokes: they had emigrated in the early 1900s from Eastern Europe and altered the family name along the way. This radically changed in the summer of 2021 when my mother and sister came across a folder in our family filing cabinet and made an astounding discovery of documents that revealed when, where, and how my great-grandfather came to America. The information I had been seeking was at home all along, waiting over forty years to be discovered.Berko Gorobzoff, my great-grandfather, left Ekaterinoslav in 1904. At that time, this city was in the southern Russian area of modern-day Ukraine; as his family was Jewish, he and his siblings were attempting to escape the ongoing religious persecution and pogroms instigated by Tzar Nicholas II to root out Jewish people from Russia. Berko’s older brother Jakob had already emigrated to Illinois, and Berko was traveling with Chaje, Jakob’s wife, to join him. Their timing was fortuitous, as the following year saw a series of massive, brutal pogroms in the region. After arriving in Illinois, Berko went on to Omaha, Nebraska, where he married my great-grandmother Anna about eighteen months later. They remained in Omaha for the rest of their lives.There is one more intriguing part to this historical account: I have a great-aunt in Texas who, as it turns out, is the youngest daughter of Berko and Anna. Through a series of phone calls, my great-aunt and I discussed what she could remember: her parents spoke Yiddish at home, her mother didn’t learn to read or write in English so my great-aunt was tasked with writing letters to family members, Berko ran a grocery store followed by a small hotel, and her parents enjoyed playing poker with friends. Above all else, neither of her parents ever spoke a word about their past or how they got to America. This was a common trait among Eastern European Jewish immigrants whose goal was to “blend in” within their new communities and country.To craft Berko’s Journey, I melded the facts I uncovered about Berko with my own research into methods of transportation in the early 1900s. Also, to represent his heritage, I wove two Yiddish songs and one Klezmer tune into the work. In movement 1, Leaving Ekaterinoslav, we hear Berko packing his belongings, saying his goodbyes to family and friends, and walking to the train station. Included in this movement is a snippet of the Yiddish song “The Miller’s Tears” which references how the Jews were driven out of their villages by the Russian army. In movement 2, In Transit, we follow Berko as he boards a train and then a steamship, sails across the Atlantic Ocean, arrives at Ellis Island and anxiously waits in line for immigration, jubilantly steps foot into New York City, and finally boards a train that will take him to Chicago. While he’s on the steamship, we hear a group of fellow steerage musicians play a klezmer tune (“Freylachs in d minor”). In movement 3, At Home in Omaha, we hear Berko court and marry Anna. Their courtship is represented by “Tumbalalaika,” a Yiddish puzzle folksong in which a man asks a woman a series of riddles in order to get better acquainted with each other and to test her intellect.On a final note, I crafted a musical motive to represent Berko throughout the piece. This motive is heard at the beginning of the first movement; its first pitches are B and E, which represent the first two letters of Berko’s name. I scatter this theme throughout the piece as Berko travels towards a new world and life. As the piece concludes, we hear Berko’s theme repeatedly and in close succession, representing the descendants of the Garrop line that came from Berko and Anna. For most of my life, I never knew where my father’s family came from, beyond a few broad strokes: they had emigrated in the early 1900s from Eastern Europe and altered the family name along the way. This radically changed in the summer of 2021 when my mother and sister came across a folder in our family filing cabinet and made an astounding discovery of documents that revealed when, where, and how my great-grandfather came to America. The information I had been seeking was at home all along, waiting over forty years to be discovered.Berko Gorobzoff, my great-grandfather, left Ekaterinoslav in 1904. At that time, this city was in the southern Russian area of modern-day Ukraine; as his family was Jewish, he and his siblings were attempting to escape the ongoing religious persecution and pogroms instigated by Tzar Nicholas II to root out Jewish people from Russia. Berko’s older brother Jakob had already emigrated to Illinois, and Berko was traveling with Chaje, Jakob’s wife, to join him. Their timing was fortuitous, as the following year saw a series of massive, brutal pogroms in the region. After arriving in Illinois, Berko went on to Omaha, Nebraska, where he married my great-grandmother Anna about eighteen months later. They remained in Omaha for the rest of their lives.There is one more intriguing part to this historical account: I have a great-aunt in Texas who, as it turns out, is the youngest daughter of Berko and Anna. Through a series of phone calls, my great-aunt and I discussed what she could remember: her parents spoke Yiddish at home, her mother didn’t learn to read or write in English so my great-aunt was tasked with writing letters to family members, Berko ran a grocery store followed by a small hotel, and her parents enjoyed playing poker with friends. Above all else, neither of her parents ever spoke a word about their past or how they got to America. This was a common trait among Eastern European Jewish immigrants whose goal was to “blend in” within their new communities and country.To craftxa0Berko’s Journey,xa0I melded the facts I uncovered about Berko with my own research into methods of transportation in the early 1900s. Also, to represent his heritage, I wove two Yiddish songs and one Klezmer tune into the work. In movement 1,xa0Leaving Ekaterinoslav,xa0we hear Berko packing his belongings, saying his goodbyes to family and friends, and walking to the train station. Included in this movement is a snippet of the Yiddish song “The Miller’s Tears” which references how the Jews were driven out of their villages by the Russian army. In movement 2,xa0In Transit,xa0we follow Berko as he boards a train and then a steamship, sails across the Atlantic Ocean, arrives at Ellis Island and anxiously waits in line for immigration, jubilantly steps foot into New York City, and finally boards a train that will take him to Chicago. While he’s on the steamship, we hear a group of fellow steerage musicians play a klezmer tune (“Freylachs in d minor”). In movement 3,xa0At Home in Omaha,xa0we hear Berko court and marry Anna. Their courtship is represented by “Tumbalalaika,” a Yiddish puzzle folksong in which a man asks a woman a series of riddles in order to get better acquainted with each other and to test her intellect.On a final note, I crafted a musical motive to represent Berko throughout the piece. This motive is heard at the beginning of the first movement; its first pitches are B and E, which represent the first two letters of Berko’s name. I scatter this theme throughout the piece as Berko travels towards a new world and life. As the piece concludes, we hear Berko’s theme repeatedly and in close succession, representing the descendants of the Garrop line that came from Berko and Anna. $71.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Berko's Journey [Score] Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in...(+)
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Contrabassoon, Double Bass, English Horn, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1 and more. SKU: PR.11642143S Composed by Stacy Garrop. Sws. Score. 68 pages. Duration 20 minutes. Theodore Presser Company #116-42143S. Published by Theodore Presser Company (PR.11642143S). UPC: 680160693313. 11 x 17 inches. For most of my life, I never knew where my father’s family came from, beyond a few broad strokes: they had emigrated in the early 1900s from Eastern Europe and altered the family name along the way. This radically changed in the summer of 2021 when my mother and sister came across a folder in our family filing cabinet and made an astounding discovery of documents that revealed when, where, and how my great-grandfather came to America. The information I had been seeking was at home all along, waiting over forty years to be discovered.Berko Gorobzoff, my great-grandfather, left Ekaterinoslav in 1904. At that time, this city was in the southern Russian area of modern-day Ukraine; as his family was Jewish, he and his siblings were attempting to escape the ongoing religious persecution and pogroms instigated by Tzar Nicholas II to root out Jewish people from Russia. Berko’s older brother Jakob had already emigrated to Illinois, and Berko was traveling with Chaje, Jakob’s wife, to join him. Their timing was fortuitous, as the following year saw a series of massive, brutal pogroms in the region. After arriving in Illinois, Berko went on to Omaha, Nebraska, where he married my great-grandmother Anna about eighteen months later. They remained in Omaha for the rest of their lives.There is one more intriguing part to this historical account: I have a great-aunt in Texas who, as it turns out, is the youngest daughter of Berko and Anna. Through a series of phone calls, my great-aunt and I discussed what she could remember: her parents spoke Yiddish at home, her mother didn’t learn to read or write in English so my great-aunt was tasked with writing letters to family members, Berko ran a grocery store followed by a small hotel, and her parents enjoyed playing poker with friends. Above all else, neither of her parents ever spoke a word about their past or how they got to America. This was a common trait among Eastern European Jewish immigrants whose goal was to “blend in” within their new communities and country.To craft Berko’s Journey, I melded the facts I uncovered about Berko with my own research into methods of transportation in the early 1900s. Also, to represent his heritage, I wove two Yiddish songs and one Klezmer tune into the work. In movement 1, Leaving Ekaterinoslav, we hear Berko packing his belongings, saying his goodbyes to family and friends, and walking to the train station. Included in this movement is a snippet of the Yiddish song “The Miller’s Tears” which references how the Jews were driven out of their villages by the Russian army. In movement 2, In Transit, we follow Berko as he boards a train and then a steamship, sails across the Atlantic Ocean, arrives at Ellis Island and anxiously waits in line for immigration, jubilantly steps foot into New York City, and finally boards a train that will take him to Chicago. While he’s on the steamship, we hear a group of fellow steerage musicians play a klezmer tune (“Freylachs in d minor”). In movement 3, At Home in Omaha, we hear Berko court and marry Anna. Their courtship is represented by “Tumbalalaika,” a Yiddish puzzle folksong in which a man asks a woman a series of riddles in order to get better acquainted with each other and to test her intellect.On a final note, I crafted a musical motive to represent Berko throughout the piece. This motive is heard at the beginning of the first movement; its first pitches are B and E, which represent the first two letters of Berko’s name. I scatter this theme throughout the piece as Berko travels towards a new world and life. As the piece concludes, we hear Berko’s theme repeatedly and in close succession, representing the descendants of the Garrop line that came from Berko and Anna. For most of my life, I never knew where my father’s family came from, beyond a few broad strokes: they had emigrated in the early 1900s from Eastern Europe and altered the family name along the way. This radically changed in the summer of 2021 when my mother and sister came across a folder in our family filing cabinet and made an astounding discovery of documents that revealed when, where, and how my great-grandfather came to America. The information I had been seeking was at home all along, waiting over forty years to be discovered.Berko Gorobzoff, my great-grandfather, left Ekaterinoslav in 1904. At that time, this city was in the southern Russian area of modern-day Ukraine; as his family was Jewish, he and his siblings were attempting to escape the ongoing religious persecution and pogroms instigated by Tzar Nicholas II to root out Jewish people from Russia. Berko’s older brother Jakob had already emigrated to Illinois, and Berko was traveling with Chaje, Jakob’s wife, to join him. Their timing was fortuitous, as the following year saw a series of massive, brutal pogroms in the region. After arriving in Illinois, Berko went on to Omaha, Nebraska, where he married my great-grandmother Anna about eighteen months later. They remained in Omaha for the rest of their lives.There is one more intriguing part to this historical account: I have a great-aunt in Texas who, as it turns out, is the youngest daughter of Berko and Anna. Through a series of phone calls, my great-aunt and I discussed what she could remember: her parents spoke Yiddish at home, her mother didn’t learn to read or write in English so my great-aunt was tasked with writing letters to family members, Berko ran a grocery store followed by a small hotel, and her parents enjoyed playing poker with friends. Above all else, neither of her parents ever spoke a word about their past or how they got to America. This was a common trait among Eastern European Jewish immigrants whose goal was to “blend in” within their new communities and country.To craftxa0Berko’s Journey,xa0I melded the facts I uncovered about Berko with my own research into methods of transportation in the early 1900s. Also, to represent his heritage, I wove two Yiddish songs and one Klezmer tune into the work. In movement 1,xa0Leaving Ekaterinoslav,xa0we hear Berko packing his belongings, saying his goodbyes to family and friends, and walking to the train station. Included in this movement is a snippet of the Yiddish song “The Miller’s Tears” which references how the Jews were driven out of their villages by the Russian army. In movement 2,xa0In Transit,xa0we follow Berko as he boards a train and then a steamship, sails across the Atlantic Ocean, arrives at Ellis Island and anxiously waits in line for immigration, jubilantly steps foot into New York City, and finally boards a train that will take him to Chicago. While he’s on the steamship, we hear a group of fellow steerage musicians play a klezmer tune (“Freylachs in d minor”). In movement 3,xa0At Home in Omaha,xa0we hear Berko court and marry Anna. Their courtship is represented by “Tumbalalaika,” a Yiddish puzzle folksong in which a man asks a woman a series of riddles in order to get better acquainted with each other and to test her intellect.On a final note, I crafted a musical motive to represent Berko throughout the piece. This motive is heard at the beginning of the first movement; its first pitches are B and E, which represent the first two letters of Berko’s name. I scatter this theme throughout the piece as Berko travels towards a new world and life. As the piece concludes, we hear Berko’s theme repeatedly and in close succession, representing the descendants of the Garrop line that came from Berko and Anna. $40.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| On the Beaten Path Drums [Sheet music + CD] Alfred Publishing
The Drummer's Guide to Musical Styles and the Legends Who Defined Them. By Rich ...(+)
The Drummer's Guide to Musical Styles and the Legends Who Defined Them. By Rich Lackowski. For Drum Set. Percussion - Drum Set Method or Collection. Instructional Book and Examples CD. 244 pages. Published by Alfred Publishing.
(1)$34.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Bless The Lord - Anthem Choral SATB Word Music
SATB choir with solo and optional worship leader SKU: WD.080689014239 Com...(+)
SATB choir with solo and optional worship leader SKU: WD.080689014239 Composed by Cliff Duren. Arranged by Cliff Duren. Choral. From the musical Help Is on the Way (080689438172). Sacred Anthem. Octavo. Duration 4'45. Word Music #080689014239. Published by Word Music (WD.080689014239). UPC: 080689014239. Congregation will be quick to join soloist and choir in this dynamic song of worship from Help Is on the Way, with lyrics of praise that are driven home through upbeat, acoustic accompaniment. $3.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Santa's Journey (Bringing Joy to the World )
Concert band [Score and Parts] - Intermediate Alfred Publishing
By Roy W. Kaighin. Concert Band. Concert Band. Alfred Concert Band. Christmas; W...(+)
By Roy W. Kaighin. Concert Band. Concert Band. Alfred Concert Band. Christmas; Winter. Grade 4. Conductor Score and Parts. 258 pages
$78.00 $74.1 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Santa's Journey (Bringing Joy to the World ) Concert band [Score] - Intermediate Alfred Publishing
By Roy W. Kaighin. Concert Band. Concert Band. Alfred Concert Band. Christmas; W...(+)
By Roy W. Kaighin. Concert Band. Concert Band. Alfred Concert Band. Christmas; Winter. Grade 4. Conductor Score. 32 pages
$10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Strings Attached Hal Leonard
SKU: HL.124967 One Tough Teacher and the Gift of Great Expectations(+)
SKU: HL.124967 One Tough Teacher and the Gift of Great Expectations. Book. Biography / Music Bisac, String Reference, Teacher Resource. Hardcover. 352 pages. Published by Hal Leonard (HL.124967). ISBN 9781401324667. UPC: 884088986100. 6.0x8.5x1.036 inches. Joanne Lipman and Melanie Kupchynsky. If you're lucky, somewhere in your past is that one person who changed your life forever. The one who pushed you to dream bigger and to reach higher, and who set you straight on what matters in life. For Joanne Lipman and Melanie Kupchynsky, that person was a public-school music teacher, Jerry Kupchynsky, known as Mr. K - a Ukrainian-born taskmaster who yelled and stomped and screamed, and who drove his students harder than anyone had ever driven them before. Through sheer force of will, he made them better than they had any right to be. Strings Attached tells the inspiring, poignant, and powerful story of this remarkable man, whose life seemed to conspire against him at every turn and yet who was able to transform his own heartache into triumph for his students. Lyrically recounted by two former students - acclaimed journalist Joanne Lipman and Mr. K's daughter, Chicago Symphony Orchestra violinist Melanie Kupchynsky - Strings Attached takes you on a journey that spans from his days as a forced Nazi laborer and his later home life as a husband to an invalid wife, to his heart-breaking search for his missing daughter, Melanie's sister. This is an unforgettable tale - a captivating narrative that is as absorbing as fiction - about the power of a great teacher, but also about the legacy that remains long after the last note has faded into silence: lessons in resilience, excellence, and tough love. $24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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