Composed by Antonin Dvorak (1841-1904). Edited by Antonin Pokorny; Karel Solc. For 2 violins, viola, cello. Paperback. Level 3. Study score. No. 2, B 17. Published by Baerenreiter Verlag

By Antonin Dvorak (1841-1904). Edited by Antonin Dvorak. Arranged by Berthold Tours. For Solo voices, Choir / Piano (Chorus and piano). Romantic; Sacred/Hymns. Vocal Score. Text Language: Latin. Composed 1887/1892. 72 pages. Duration 40 minutes

By Antonin Dvorak (1841-1904). Edited by Andreas Frese. For tenor voice and piano. This edition: Urtext edition. Piano reduction. Language: Czech, English, German. Published by Baerenreiter Verlag

By Antonin Dvorak (1841-1904). Edited by Klaus Doge. For Orchestra version: Soli SATB, SATB Choir, 2 Oboes, 2 Bassoons, 3 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ; Organ version: Soli SATB, SATB Choir, Organ. Full score available separately - see item CA.4065300. Masses, Latin. Level 3. Choral score. Language: Latin. Composed 1887. 86. 32 pages. Duration 43 min

Woodwinds (solo: vc - 2.2.2.2. - 3.2.3.0. - timp.trg - str)

SKU: BR.OB-5290-30

Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Folder. Orchester-Bibliothek (Orchestral Library).

Klaus Doge has critically re-examined all the surviving sources. His research has yielded a new, text-critical edition that meticulously evaluates the many, often contradictory readings that create discrepancies between the autograph and the first edit. Solo concerto; Romantic. Set of parts. 162 pages. Duration 42'. Breitkopf and Haertel #OB 5290-30. Published by Breitkopf and Haertel (BR.OB-5290-30).

ISBN 9790004334775. 9 x 12 inches.

Choosing an edition of this celebrated violoncello concerto has always posed a dilemma: they were based either on the first edition, which was not given a final authorization by Dvorak, or solely on the autograph, which does not represent the final version in many instances. This was the case with the Dvorak Complete Edition of 1955, for example. Klaus Doge has critically re-examined all the surviving sources. His research has yielded a new, text-critical edition that meticulously evaluates the many, often contradictory readings that create discrepancies between the autograph and the first edition. In the conclusions he draws for performance practice, Doge generally gives priority to the first edition. However, he does not smooth out Dvorak's special notation, such as Dvorak's publisher Simrock did in his day. Doge's edition also shows that the musical text is not as authenticated as has been suggested by previous editions. Variants have occasionally been notated on a second staff at several passages, particularly in the solo part. The piano reduction, which was prepared by the composer himself, has been edited according to text-critical criteria for the first time as well. Doge was able to rely on a renowned performer for this part of his work: Heinrich Schiff, who arranged the solo part and provides valuable interpretative tips in his commentaries on performance practice.

(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

Various options for instrumentation (POS)

SKU: HL.49006089

Edited by Helmut W. May. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Individual part. 4 pages. Schott Music #ED 6167-17. Published by Schott Music (HL.49006089).

ISBN 9790001066112.

Flute - Beginner - Advanced

SKU: FH.FLE01

2010 Edition. Composed by The Royal Conservatory. Overtones: A Comprehensive Flute Series. Book. The Frederick Harris Music Company #FLE01. Published by The Frederick Harris Music Company (FH.FLE01).

ISBN 978-1-55440-300-4.

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.

Slavonic Dances, op. 46, no. 1 Antonin Dvorak
Symphony No. 100 in G Major (Military): II Franz Joseph Haydn
Le carnaval des animaux: Aquarium Camille Saint-Saens
HMS Pinafore: I'm Called Little Buttercup Arthur Sullivan
La forza del destino: Overture Giuseppe Verdi
Serse (Xerxes), HWV 40: Va godendo vezzoso e bello George Frideric Handel
Symphony No. 100 in G Major (Military): III Franz Joseph Haydn
Ma Vlast: II Bedrich Smetana
HMS Pinafore: When I Was a Lad Arthur Sullivan
Nutcracker Suite: Overture Pyotr Il'yich Tchaikovsky
Symphony No. 6 (Pastoral): III Ludwig van Beethoven
Symphony No. 9 in E Minor, op. 95 (New World): I Antonin Dvorak
Faust: Soldier's Chorus Charles Gounod
Peer Gynt Suite No. 1, op. 46: I Edvard Grieg
Symphony No. 102 in B flat Major: I Franz Joseph Haydn
Brandenburg Concerto No. 4, BWV 1049: III Johann Sebastian Bach
Carmen: La garde montante Georges Bizet
Petite suite: Ballet IV Claude Debussy
Symphony No. 100 in G Major (Military): IV Franz Joseph Haydn
Symphony No. 40 in G Minor, K 550: III Wolfgang Amadeus Mozart
Symphony No. 5: IV Ludwig van Beethoven
Carmen: Act 1, Prelude Georges Bizet
Faust Ballet Music: Danse antique Charles Gounod
Symphony No. 102 in B flat Major: IV Franz Joseph Haydn
Scheherazade, op. 35: IV Nicolai Rimsky-Korsakov
Symphony No. 6 (Pastoral): I, II Ludwig van Beethoven
Symphonie fantastique: V Hector Berlioz
Die Zauberfloete: Wie stark ist nicht dein Zauberton Wolfgang Amadeus Mozart
Bolero Maurice Ravel
Scheherazade, op. 35: I Nicolai Rimsky-Korsakov
Brandenburg Concerto No. 4, BWV 1049: I Johann Sebastian Bach
Symphonie fantastique: I Hector Berlioz
Carmen: Entr'acte (Prelude) Georges Bizet
Symphony No. 1 in C Minor: IV Johannes Brahms
Die Zauberfloete: Overture Wolfgang Amadeus Mozart
Symphony No. 8 in G Major: IV Antonin Dvorak
Leonore Overture No. 3, op. 72a Ludwig van Beethoven
Symphony No. 4 in E Minor: IV Johannes Brahms
La mer: I, II, III Claude Debussy
Symphony No. 4 (Italian): IV Felix Mendelssohn
Symphony No. 1 (Classical): II Sergei Prokofiev
Symphony No. 3 in E flat Major (Eroica): IV Ludwig van Beethoven
Prelude a l'apres-midi d'un faune Claude Debussy
Sinfonie Mathis der Maler: I, II Paul Hindemith
Incidental Music to A Midsummer Night's Dream, op. 61: Scherzo Felix Mendelssohn
Petroushka (1947 revision): Part 1 Igor Stravinsky
Symphony No. 4 in F Minor: III Pyotr Il'yich Tchaikovsky
Capriccio espagnol, op. 34: IV Nicolai Rimsky-Korsakov
Symphony No. 1 (Classical): IV Sergei Prokofiev
Concerto for Orchestra: I, II, III, IV, V Bela Bartok
Symphonic Metamorphosis after Themes by Carl Maria von Weber: II, III Paul Hindemith
Das Lied von der Erde: VI Gustav Mahler
Peter and the Wolf, op. 67 Sergei Prokofiev
Le carnaval des animaux: 10. Voliere Camille Saint-Saens
Daphnis et Chloe: Troisieme partie Maurice Ravel
Guillaume Tell: Overture Gioachino Rossini
Till Eulenspiegel's Merry Pranks Richard Strauss
Firebird Suite (1919 version) Igor Stravinsky
Symphony No. 9: IV Ludwig van Beethoven
Concerto for Orchestra: III Bela Bartok
Scheherezade, op. 35: IV Nicolai Rimsky-Korsakov
Semiramide: Overture Gioachino Rossini
Symphony No. 5, op. 47: I, II Dmitri Shostakovich.

About Overtones

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program.

Violoncello (solos: SATB - choir: SATB - 3(picc).3(cor ang).3(B-clar) 3(dbl bsn) - 4.4.3.1 - timp.perc- hp- org - str)

SKU: BR.OB-5380-23

Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Stapled. Orchester-Bibliothek (Orchestral Library).

Dvorak's Requiem is one of the Czech composer's great sacred works and one of the greatest Requiem settings in music history.

Requiem; Romantic; Late-romantic. Part. 24 pages. Duration 95'. Breitkopf and Haertel #OB 5380-23. Published by Breitkopf and Haertel (BR.OB-5380-23).

ISBN 9790004341858. 10 x 12.5 inches.

The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For this performance, Dvorak used a copy of the score which he had personally examined and which later served as the engraver's copy. The Dvorak scholar Klaus Doge succeeded in tracking down its location and evaluating this important source for the first time. It contains the Fassung letzter Hand and, moreover, offers valuable insights into Dvorak's conducting workshop. It served as the principal source for the Breitkopf Urtext edition.

Dvorak's Requiem is one of the Czech composer's great sacred works and one of the greatest Requiem settings in music history.

Violin 1 (solos: SATB - choir: SATB - 3(picc).3(cor ang).3(B-clar) 3(dbl bsn) - 4.4.3.1 - timp.perc- hp- org - str)

SKU: BR.OB-5380-15

Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Stapled. Orchester-Bibliothek (Orchestral Library).

Dvorak's Requiem is one of the Czech composer's great sacred works and one of the greatest Requiem settings in music history.

Requiem; Romantic; Late-romantic. Part. 24 pages. Duration 95'. Breitkopf and Haertel #OB 5380-15. Published by Breitkopf and Haertel (BR.OB-5380-15).

ISBN 9790004341827. 10 x 12.5 inches.

The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For this performance, Dvorak used a copy of the score which he had personally examined and which later served as the engraver's copy. The Dvorak scholar Klaus Doge succeeded in tracking down its location and evaluating this important source for the first time. It contains the Fassung letzter Hand and, moreover, offers valuable insights into Dvorak's conducting workshop. It served as the principal source for the Breitkopf Urtext edition.

Dvorak's Requiem is one of the Czech composer's great sacred works and one of the greatest Requiem settings in music history.

Viola (solos: SATB - choir: SATB - 3(picc).3(cor ang).3(B-clar) 3(dbl bsn) - 4.4.3.1 - timp.perc- hp- org - str)

SKU: BR.OB-5380-19

Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Stapled. Orchester-Bibliothek (Orchestral Library).

Dvorak's Requiem is one of the Czech composer's great sacred works and one of the greatest Requiem settings in music history.

Requiem; Romantic; Late-romantic. Part. 24 pages. Duration 95'. Breitkopf and Haertel #OB 5380-19. Published by Breitkopf and Haertel (BR.OB-5380-19).

ISBN 9790004341841. 10 x 12.5 inches.

The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For this performance, Dvorak used a copy of the score which he had personally examined and which later served as the engraver's copy. The Dvorak scholar Klaus Doge succeeded in tracking down its location and evaluating this important source for the first time. It contains the Fassung letzter Hand and, moreover, offers valuable insights into Dvorak's conducting workshop. It served as the principal source for the Breitkopf Urtext edition.

Dvorak's Requiem is one of the Czech composer's great sacred works and one of the greatest Requiem settings in music history.

SKU: SU.00220263

Composed by Alexander Glazunov, Antonin Dvorak, and Peter Ilyich Tchaikovsky. Chamber Music, String Trio/Quartet/Quintet. CD (PDF Scores). CD Sheet Music #00220263. Published by CD Sheet Music (SU.00220263).

This CD Sheet Music™ collection makes available full scores and parts for string quartets by 19th C Slavic masters Dvorák, Glazunov and Tchaikovsky. DVORÁK: String Quartets No. 2 in B-flat major (parts only); No. 5 in F minor, Op. 9 (parts only); No. 7 in A minor, Op. 16 (parts only); No. 8 in E major, Op. 80; No. 9, Op. 34; No. 10 in E-flat major, Op. 51 Slavonic; No. 11 in C major, Op. 61; No. 12 in F major, Op. 96 American; No. 13 in G major, Op. 106; No. 14 in A-flat major, Op. 105 GLAZUNOV: String Quartets No. 1 in D Major, Op. 1; No. 2 in F Major, Op. 10; No. 3 in G major, Op. 26, Quartet Slave; No. 4 in A Minor, Op. 64; No. 5 in D Minor, Op. 70; No. 6 in Bb Major, Op. 106; Suite in C Major for String Quartet, Op. 35; 5 Novelettes for String Quartet, Op. 15 TCHAIKOVSKY: String Quartet, No 1 in D major; Op. 11; No. 2 in F major, Op. 22; No. 3 in E-flat minor, Op. 30 Also includes composer bios and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 2000+ pages

Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.